{"id":29986,"date":"2013-03-26T06:08:59","date_gmt":"2013-03-26T05:08:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29986"},"modified":"2024-03-21T17:30:20","modified_gmt":"2024-03-21T16:30:20","slug":"revista-pointes-n02","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/revista-pointes-n02\/","title":{"rendered":"[:es]Revista Pointes [n02][:gl]Revista Pointes [n02][:en]Pointes Magazine [n02][:]"},"content":{"rendered":"<p>[:es]<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/tag\/revista-pointes\/\" target=\"_blank\" rel=\"noopener\">Segundo n\u00famero<\/a> de POINTES donde se entra a valorar la actuaci\u00f3n de Phillip Johnson en la Plaza de Castilla de Madrid, la diferencia entre la obra cinematogr\u00e1fica del pasado con la actualidad y su evoluci\u00f3n, un paseo por Nueva York cercano al Teatro Apolo, una reflexi\u00f3n sobre la obra de Egon Schiele y un estudio sobre la puerta como l\u00edmite.<\/p>\n<p style=\"text-align: justify;\">Por \u00faltimo, en el momento de la publicaci\u00f3n exist\u00eda una gran atenci\u00f3n al estado del artista chino Ai Weiwei, tambi\u00e9n desgranado en este n\u00famero junto a la m\u00fasica cl\u00e1sica de Alexander Scriabin, compositor ruso.<\/p>\n<figure id=\"attachment_29992\" aria-describedby=\"caption-attachment-29992\" style=\"width: 749px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29992\" title=\"Revista Pointes [n02]\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/03\/pointesn21.jpg\" alt=\"Revista Pointes [n02]\" width=\"749\" height=\"399\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/03\/pointesn21.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/03\/pointesn21-300x159.jpg 300w\" sizes=\"auto, (max-width: 749px) 100vw, 749px\" \/><figcaption id=\"caption-attachment-29992\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Revista Pointes [n02]<\/span><\/figcaption><\/figure>\n<h6><strong>POINTES 2<\/strong><\/h6>\n<p style=\"padding-left: 40px;\">Reflexiones sobre la Plaza de Castilla (I)<br \/>\nEn Harlem<br \/>\nNosferatu y otras experiencias<br \/>\nEgon Schiele: La cara B<br \/>\nLa luz en el sonido: Alexander Scriabin<br \/>\nAi Weiwei y la represi\u00f3n china<br \/>\nLa Puerta<\/p>\n<p><a href=\"https:\/\/cargocollective.com\/revistapointes\/About-Pointes-Magazine\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ info<\/span><\/a>[:gl]<\/p>\n<p style=\"text-align: justify;\">Segundo n\u00famero de POINTES onde se entra a valorar a actuaci\u00f3n de Phillip Johnson na Praza de Castilla de Madrid, a diferenza entre a obra cinematogr\u00e1fica do pasado coa actualidade e a s\u00faa evoluci\u00f3n, un paseo por Nova York pr\u00f3ximo ao Teatro Apolo, unha reflexi\u00f3n sobre a obra de Egon Schiele e un estudo sobre a porta como l\u00edmite. Para rematar, no momento da publicaci\u00f3n exist\u00eda unha gran atenci\u00f3n ao estado do artista chin\u00e9s Ai Weiwei, tam\u00e9n desgranado neste n\u00famero xunto \u00e1 m\u00fasica cl\u00e1sica de Alexander Scriabin, compositor ruso.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/e.issuu.com\/embed.html#0\/1787078\" frameborder=\"0\" width=\"620\" height=\"220\"><\/iframe><\/p>\n<p><a href=\"https:\/\/issuu.com\/revistapointes\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p>[:en]<\/p>\n<p style=\"text-align: justify;\">The second number of POINTES where it is begun to value Phillip Johnson&#8217;s action for the Plaza of Castile of Madrid, the difference between the films of the past with the current importance and his evolution, a walk along New York near to the Theatre Apollo, a reflection on Egon Schiele&#8217;s work and a study on the door as limit. Finally, in the moment of the publication there existed a great attention to the condition of the Chinese artist Ai Weiwei, also peeled in this number close to the classic music of Alexander Scriabin, Russian composer.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/e.issuu.com\/embed.html#0\/1787078\" frameborder=\"0\" width=\"620\" height=\"220\"><\/iframe><\/p>\n<p><a href=\"https:\/\/issuu.com\/revistapointes\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] Segundo n\u00famero de POINTES donde se entra a valorar la actuaci\u00f3n de Phillip Johnson en la Plaza de Castilla de Madrid, la diferencia entre la obra cinematogr\u00e1fica del pasado con la actualidad y su evoluci\u00f3n, un paseo por Nueva York cercano al Teatro Apolo, una reflexi\u00f3n sobre la obra de Egon Schiele y un [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":29992,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,28],"tags":[5242,12449,7240,930,3109,7235,7239],"class_list":["post-29986","post","type-post","status-publish","format-standard","has-post-thumbnail","category-publicaciones","category-revistas","tag-ai-weiwei","tag-arte","tag-egon-schiele","tag-new-york","tag-philip-johnson","tag-revista-pointes","tag-teatro-apolo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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