{"id":29976,"date":"2013-04-05T06:09:18","date_gmt":"2013-04-05T06:09:18","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29976"},"modified":"2024-03-21T17:30:16","modified_gmt":"2024-03-21T16:30:16","slug":"revista-pointes-n03","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/revista-pointes-n03\/","title":{"rendered":"Revista Pointes [n03]"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/tag\/revista-pointes\/\" target=\"_blank\" rel=\"noopener\">El tercer n\u00famero<\/a> de la revista de arte y arquitectura POINTEs, editada en Madrid. Los contenidos parten de las arquitecturas del agua, visi\u00f3n del agua como condicionante en todos los aspectos del proyecto arquitect\u00f3nico.<\/p>\n<p style=\"text-align: justify;\">La gasolinera como laboratorio de experimentaci\u00f3n y mejora arquitect\u00f3nica, la tipograf\u00eda Akzidenz Grotesk, la reflexi\u00f3n sobre la superaci\u00f3n del disc\u00edpulo sobre el maestro, la escuela de fotograf\u00eda de D\u00fcsseldorf, el contexto de Roma, la obra del genial ingeniero Vlad\u00edmir Sh\u00fajov y mas reflexiones sobre la proporci\u00f3n, la trama, el color y la arquitectura y el arte en general.<\/p>\n<figure id=\"attachment_29977\" aria-describedby=\"caption-attachment-29977\" style=\"width: 750px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29977\" title=\"Revista Pointes [n03]\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/03\/pointesn3.jpg\" alt=\"Revista Pointes [n03]\" width=\"750\" height=\"1161\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/03\/pointesn3.jpg 620w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/03\/pointesn3-193x300.jpg 193w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption id=\"caption-attachment-29977\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Revista Pointes [n03]<\/span><\/figcaption><\/figure>\n<h6><strong>POINTES 3<\/strong><\/h6>\n<p style=\"padding-left: 40px;\">Las arquitecturas del agua: Lisboa<br \/>\nLa escuela de D\u00fcsseldorf<br \/>\nLa gasolinera como arquitectura<br \/>\nCoreograf\u00edas urbanas<br \/>\nEl equilibrio horizontal y Jacobsen<br \/>\nTrama y color<br \/>\nLa muerte del Maestro<br \/>\nBolonia<br \/>\nAkzidenz Grotesk<br \/>\nVlad\u00edmir Sh\u00fajov<br \/>\nBajo, junto, sobre los monumentos de Roma<br \/>\n\u00bfQu\u00e9 no es la arquitectura?<br \/>\nLa proporci\u00f3n y el pie veneciano<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/cargocollective.com\/revistapointes\/About-Pointes-Magazine\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ info<\/span><\/a><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>El tercer n\u00famero de la revista de arte y arquitectura POINTEs, editada en Madrid. Los contenidos parten de las arquitecturas del agua, visi\u00f3n del agua como condicionante en todos los aspectos del proyecto arquitect\u00f3nico. La gasolinera como laboratorio de experimentaci\u00f3n y mejora arquitect\u00f3nica, la tipograf\u00eda Akzidenz Grotesk, la reflexi\u00f3n sobre la superaci\u00f3n del disc\u00edpulo sobre [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":29977,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[26,28],"tags":[7236,12448,12449,7228,4908,12460,1021,1120,1865,7235,1290,7237],"class_list":{"0":"post-29976","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-publicaciones","8":"category-revistas","9":"tag-akzidenz-grotesk","10":"tag-arquitectura","11":"tag-arte","12":"tag-dusseldorf","13":"tag-experimentacion","14":"tag-fotografia","15":"tag-pensamiento","16":"tag-publicacion","17":"tag-reflexion","18":"tag-revista-pointes","19":"tag-tipografia","20":"tag-vladimir-shujo"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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