{"id":29583,"date":"2012-12-12T06:11:34","date_gmt":"2012-12-12T06:11:34","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29583"},"modified":"2019-12-03T19:31:08","modified_gmt":"2019-12-03T18:31:08","slug":"ensenanzas-del-pasado-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/ensenanzas-del-pasado-inigo-garcia-odiaga\/","title":{"rendered":"Ense\u00f1anzas del pasado | \u00cd\u00f1igo Garc\u00eda OdiagaEnsinanzas do pasado | \u00cd\u00f1igo Garc\u00eda OdiagaEducations of the past | \u00cd\u00f1igo Garc\u00eda Odiaga"},"content":{"rendered":"

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure><\/p>\n

Situado en el lado norte de la carretera de Montauk, el \u00faltimo edificio de los arquitectos suizos Herzog y de Meuron, es una gran estructura horizontal ubicada discretamente en el paisaje. Para el visitante ocasional los dos nuevos edificios podr\u00edan pasar por sendos graneros o almacenes agr\u00edcolas que llevasen toda la vida perteneciendo a ese lugar.<\/p>\n

En realidad estos nuevos edificios acogen la sede del Museo de Arte Parrish en Long Island.<\/p>\n

La planta del edificio muestra dos alas paralelas unidas por un espacio de circulaci\u00f3n central que recorre el lado largo del complejo. Esta disposici\u00f3n y la estudiada forma de situarlos en la parcela les permite aprovechar al m\u00e1ximo la luz natural de la orientaci\u00f3n norte, la m\u00e1s interesante para iluminar salas de exposiciones ya que es constante y no produce deslumbramientos.<\/p>\n

Herzog y de Meuron recuperan en este proyecto el arquetipo de la casa tradicional a dos aguas, para crear las dos estructuras que componen el edificio, una forma de operar que recuerda en cierta medida a la resoluci\u00f3n de vol\u00famenes apilados interpretada por estos mismos arquitectos para la galer\u00eda muebles VitraHaus en Alemania.<\/p>\n

Los arquitectos suizos defienden este dise\u00f1o, precisamente a partir de esa tipolog\u00eda que ellos consideran a\u00fan hoy en d\u00eda fundamental, ya que est\u00e1 abierta para ser reinterpretada en muchas funciones diferentes, lugares y culturas. Pr\u00e1cticamente cualquier ni\u00f1o dibuja ese icono de la casa tradicional cuando hace referencia al hogar, lo que Herzog y de Meuron valoran explicando que de forma simple, casi banal, se ha convertido esa imagen en algo muy concreto, preciso y fresco, pero tambi\u00e9n en algo reconocible como parte del lugar y del paisaje. De alguna manera podr\u00eda pensarse que ese pictograma, esa representaci\u00f3n arcaica de la casa tiene una relaci\u00f3n innata y por lo tanto directa con el lugar y la naturaleza.<\/p>\n

Las galer\u00edas y otras dependencias est\u00e1n dispuestas en dos filas paralelas bajo la protecci\u00f3n de las dos grandes\u00a0 cubiertas, cuya poca pendiente ampl\u00eda esa sensaci\u00f3n de horizontalidad perseguida por los arquitectos y que redunda en la imagen perseguida de paraguas protector.<\/p>\n

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n

Los poderosos aleros que rematan las cubiertas crean terrazas protegidas de la lluvia y del sol en todo el per\u00edmetro del edificio, incluyendo un amplio espacio de cafeter\u00eda que adem\u00e1s pretende ser usado para realizar eventos, talleres o actuaciones en el exterior.<\/p>\n

Una de las caracter\u00edsticas m\u00e1s especiales del nuevo dise\u00f1o es precisamente este porche que genera una sombra que rodea todo el edificio y que se expande al llegar a ese amplio espacio exterior, ya que mediante este leve recurso de la arquitectura tradicional el edificio parece perder masa, aligerando su presencia en el horizonte.Interiormente la planta podr\u00eda explicarse como un extrusi\u00f3n o \u00a0una traducci\u00f3n directa de la distribuci\u00f3n funcional ideal. Un grupo de diez salas expositivas define el coraz\u00f3n del museo. El tama\u00f1o y la proporci\u00f3n de estas galer\u00edas puede ser f\u00e1cilmente adaptado provocando m\u00faltiples combinaciones ya que las paredes de partici\u00f3n entre ellas son m\u00f3viles, permitiendo reorganizar el n\u00facleo del museo en funci\u00f3n de las necesidades espaciales de las diferentes muestras.<\/p>\n

Al este de la galer\u00eda central se encuentra \u00abla parte de atr\u00e1s de la casa\u00bb donde se agrupan las funciones de administraci\u00f3n, almacenes, y talleres, as\u00ed como las zonas de carga y descarga. Al oeste en el \u00e1rea m\u00e1s pr\u00f3xima al acceso de p\u00fablico se encuentran las \u00e1reas dedicadas a los visitantes como el vest\u00edbulo, la tienda, la cafeter\u00eda o un espacio flexible y multifuncional.<\/p>\n

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n
\n

La sencillez del sistema de construcci\u00f3n del edificio apoya tambi\u00e9n la idea de modelo tradicional adaptado a la contemporaneidad que el proyecto persigue. Una secuencia ordenada de correas y vigas definen el eje unificador del edificio. Su materializaci\u00f3n es una expresi\u00f3n directa de los materiales de construcci\u00f3n lo que redunda en una imagen que habla de f\u00e1cil montaje y m\u00e9todos locales de construcci\u00f3n.<\/p>\n

Las paredes exteriores se han realizado en hormig\u00f3n armado y son adem\u00e1s de la estructura portante principal del edificio, los elementos que definen la forma general del mismo. La gran escala de estas paredes elementales ha sido h\u00e1bilmente controlado con la introducci\u00f3n de un banco corrido que recorre toda la base del muro como una base para sentarse y ver el paisaje circundante, bajo los aleros que antes hemos descrito.<\/p>\n

Otro punto magistralmente resuelto es el de la posici\u00f3n del edificio en la parcela. Al igual que los templos griegos de la acr\u00f3polis de Atenas, el edificio se presenta en diagonal sobre el solar, lo que genera desde la llegada una imagen que cambia dram\u00e1ticamente con el movimiento del sol, mientras presenta una imagen de postal del edificio, en la que por efecto de la perspectiva destacan sus extremas proporciones, recalcando de nuevo la simpleza del concepto que el edificio guarda.<\/p>\n

El dise\u00f1o paisaj\u00edstico realizado por Reed Hilderbrand Asociados, evoca la herencia del East End. Y refuerza las caracter\u00edsticas del lugar con un prado lleno de hierbas, gram\u00edneas y flores silvestres aut\u00f3ctonas que suben por la leve ladera hacia un roble y los setos de hoja perenne que dibujan la frontera norte de la parcela.<\/p>\n

Concebido como una obra \u00fanica e integrada, la arquitectura y el paisaje ofrecen al p\u00fablico una experiencia unificada y coherente durante todo el a\u00f1o, que adem\u00e1s parece llevar en el lugar toda una eternidad. Como si el edificio fuese un h\u00edbrido del pasado y del presente, sin duda se trata de un edificio que refleja las ense\u00f1anzas del pasado.<\/p>\n<\/div>\n

\n
\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n<\/div>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto
\nsan sebasti\u00e1n. diciembre 2012<\/p>\n

Texto para ZAZPIKA 12.12.30<\/span><\/em>

\"\"<\/a>
Arte Parrish Museum in Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure><\/p>\n

Placed in the north side of Montauk’s road, the last building of the Swiss architects Herzog and of Meuron, it is a great horizontal structure located discreetly in the landscape. For the occasional visitor both new buildings might spend for sendos granaries or agricultural stores that were taking the whole life belonging to this place.<\/p>\n

Actually these new buildings receive the headquarters of the Museum of Art Parrish in Long Island.<\/p>\n

The plant of the building shows two parallel wings joined by a space of central traffic that crosses the long side of the complex. This disposition and the studied way of placing them in the plot allows them to take advantage to the maximum of the natural light of the north, most interesting orientation to illuminate rooms of exhibitions since it is constant and does not produce dazzles.<\/p>\n

Herzog and of Meuron they recover in this project the archetype of the traditional house to two waters, to create both structures that compose the building, it forms a of producing that he remembers uo to a point to the resolution of piled up volumes interpreted by the same architects for the gallery furniture VitraHaus in Germany.<\/p>\n

The Swiss architects defend this design, precisely from this typology that they consider to be still nowadays fundamental, since it is opened to be reinterpreted in many different functions, places and cultures. Practically any child draws this icon of the traditional house when it refers to the home, which Herzog and of Meuron they value explaining that of simple, almost banal form, has turned this image into very concrete, something precise and fresh, but also into something recognizable as local part and of the landscape. Somehow there might be thought that this pictogram, this archaic representation of the house has an innate relation and therefore direct with the place and the nature.<\/p>\n

The galleries and other dependences are arranged in two parallel rows under the protection of both big covers, which few slope extends these sensation of horizontalidad chased by the architects and which redounds to the image chased of protective umbrella.<\/p>\n

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Arte Parrish Museum in Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n

The powerful eaves that finish off the covers create terraces protected from the rain and from the Sun in the whole perimeter of the building, including a wide space of cafeteria that in addition tries to be used to realize events, workshops or actions in the exterior.<\/p>\n

One of the most special characteristics of the new design is precisely this porch that generates a shade that surrounds the whole building and that expands on having come to this wide exterior space, since by means of this slight resource of the traditional architecture the building seems to lose mass, lightening his presence in the horizon. Internally the plant might explain as an extrusi\u00f3n or a direct translation of the functional ideal distribution. A group of ten explanatory rooms defines the heart of the museum. The size and the proportion of these galleries can be easily adapted provoking multiple combinations since the walls of partition between them are mobile, allowing to reorganize the core of the museum depending on the spatial needs of the different samples.<\/p>\n

To the east of the central gallery he is \u00abthe part of behind of the house\u00bb where there are grouped the functions of administration, stores, and workshops, as well as the zones of load and unload. In the western part in the area most near the public’s access they find the areas dedicated to the visitors as the foyer, the shop, the cafeteria or a flexible and multifunctional space.<\/p>\n

\"\"<\/a>
Arte Parrish Museum in Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n
\n

The simplicity of the system of construction of the building supports also the idea of traditional model adapted to the contemporaneousness that the project chases. A sequence been ordained as straps and girders they define the axis unifier of the building. His materialization is a direct expression of the materials of construction what redounds to an image that he speaks about easy assembly and local methods of construction.<\/p>\n

The exterior walls have been realized in reinforced concrete and are besides the structure principal amble of the building, the elements that define the general form of the same one. The great scale of these elementary walls has been skilfully controlled by the introduction of a continuous bank that crosses the whole base of the wall as a base the surrounding landscape to sit and to be seen, under the eaves that before we have described.<\/p>\n

Another point masterfully decisive is that of the position of the building in the plot. As the Greek temples of the acropolis of Athens, the building appears in diagonal on the lot, which generates from the arrival an image that changes dramatically with the movement of the Sun, while he presents an image of postcard of the building, in which for effect of the perspective his extreme proportions stand out, stressing again the simplicity of the concept that the building guards.<\/p>\n

The landscape design realized by Associate Reed Hilderbrand, it evokes the inheritance of the East End. And it reinforces the local characteristics with a meadow full of grasses, gram\u00edneas and wild autochthonous flowers that rise for the slight hillside towards an oak and the hedges of everlasting leaf that draw the north border of the plot.<\/p>\n

Conceived as the only and integrated work, the architecture and the landscape offer to the public a unified and coherent experience all the year round, that in addition seems to take in the place the whole eternity. As if the building was a hybrid of the past and of the present, undoubtedly it is a question of a building that it reflects the educations of the past.<\/p>\n<\/div>\n

\"\"<\/a>
Arte Parrish Museum in Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure><\/div>\n

\u00ed\u00f1igo garc\u00eda odiaga. architect<\/p>\n

san sebasti\u00e1n. december 2012<\/p>\n

Article is published in ZAZPIKA 12.12.30<\/span><\/em><\/p>\n

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure><\/p>\n

Situado no lado norte da estrada de Montauk, o \u00faltimo edificio dos arquitectos suizos Herzog e de Meuron, \u00e9 unha gran estrutura horizontal situada discretamente na paisaxe. Para o visitante ocasional os dous novos edificios poder\u00edan pasar por senllos celeiros ou almac\u00e9ns agr\u00edcolas que levasen toda a vida pertencendo a ese lugar.<\/p>\n

En realidade estes novos edificios acollen a s\u00e9 do Museo de Arte Parrish en Long Island.<\/p>\n

A planta do edificio mostra d\u00faas \u00e1s paralelas unidas por un espazo de circulaci\u00f3n central que percorre o lado longo do complexo. Esta disposici\u00f3n e a estudada forma de situalos na parcela perm\u00edtelles aproveitar ao m\u00e1ximo a luz natural da orientaci\u00f3n norte, a m\u00e1is interesante para iluminar salas de exposici\u00f3ns xa que \u00e9 constante e non produce deslumbramientos.<\/p>\n

Herzog e de Meuron recuperan neste proxecto o arquetipo da casa tradicional a d\u00faas augas, para crear as d\u00faas estruturas que compo\u00f1en o edificio, unha forma de operar que recorda en certa medida \u00e1 resoluci\u00f3n de volumes apilados interpretada por estes mesmos arquitectos para a galer\u00eda mobles VitraHaus en Alemania.<\/p>\n

Os arquitectos su\u00edzos defenden este dese\u00f1o, precisamente a partir desa tipolox\u00eda que eles consideran a\u00ednda hoxe en d\u00eda fundamental, xa que est\u00e1 aberto para ser reinterpretada en moitas funci\u00f3ns diferentes, lugares e culturas. Practicamente calquera neno debuxa esa icona da casa tradicional cando fai referencia ao fogar, o que Herzog e de Meuron valoran explicando que de forma simple, case banal, se converteu esa imaxe en algo moi concreto, preciso e fresco, pero tam\u00e9n en algo reco\u00f1ecible como parte do lugar e da paisaxe. Dalg\u00fan xeito poder\u00eda pensarse que ese pictograma, esa representaci\u00f3n arcaica da casa ten unha relaci\u00f3n innata e polo tanto directa co lugar e a natureza.<\/p>\n

As galer\u00edas e outras dependencias est\u00e1n dispostas en d\u00faas filas paralelas baixo a protecci\u00f3n das d\u00faas grandes cubertas, cuxa pouca pendente ampl\u00eda esa sensaci\u00f3n de horizontalidade perseguida polos arquitectos e que redunda na imaxe perseguida de paraugas protector.<\/p>\n

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n

Os poderosos aleiros que rematan as cubertas crean terrazas protexidas da chuvia e do sol en todo o per\u00edmetro do edificio, inclu\u00edndo un amplo espazo de cafetar\u00eda que ademais pretende ser usada para realizar eventos, talleres ou actuaci\u00f3ns no exterior.<\/p>\n

Unha das caracter\u00edsticas m\u00e1is especiais do novo dese\u00f1o \u00e9 precisamente este soportal que xera unha sombra que rodea todo o edificio e que se expande ao chegar a ese amplo espazo exterior, xa que mediante este leve recurso da arquitectura tradicional o edificio parece perder masa, alixeirando a s\u00faa presenza no horizonte.Interiormente a planta poder\u00eda explicarse como un extrusi\u00f3n ou unha traduci\u00f3n directa da distribuci\u00f3n funcional ideal. Un grupo de dez salas expositivas define o coraz\u00f3n do museo. O tama\u00f1o e a proporci\u00f3n destas galer\u00edas pode ser doadamente adaptado provocando m\u00faltiples combinaci\u00f3ns xa que as paredes de partici\u00f3n entre elas son m\u00f3biles, permitindo reorganizar o n\u00facleo do museo en funci\u00f3n das necesidades espaciais das diferentes mostras.<\/p>\n

Ao leste da galer\u00eda central enc\u00f3ntrase \u00aba parte de atr\u00e1s da casa\u00bb onde se agrupan as funci\u00f3ns de administraci\u00f3n, almac\u00e9ns, e talleres, as\u00ed como as zonas de carga e descarga. Ao oeste na \u00e1rea m\u00e1is pr\u00f3xima ao acceso de p\u00fablico enc\u00f3ntranse as \u00e1reas dedicadas aos visitantes como o vest\u00edbulo, a tenda, a cafetar\u00eda ou un espazo flexible e multifuncional.<\/p>\n

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure>\n
\n

A sinxeleza do sistema de construci\u00f3n do edificio apoia tam\u00e9n a idea de modelo tradicional adaptado \u00e1 contemporaneiade que o proxecto persegue. Unha secuencia ordenada de correas e vigas definen o eixe unificador do edificio. A s\u00faa materializaci\u00f3n \u00e9 unha expresi\u00f3n directa dos materiais de construci\u00f3n o que redunda nunha imaxe que fala de doada montaxe e m\u00e9todos locais de construci\u00f3n.<\/p>\n

As paredes exteriores realiz\u00e1ronse en formig\u00f3n armado e son ademais da estrutura portante principal do edificio, os elementos que definen a forma xeral deste. A grande escala destas paredes elementais foi habilmente controlado coa introduci\u00f3n dun banco corrido que percorre toda a base do muro como unha base para sentarse e ver a paisaxe circundante, baixo os aleiros que antes describimos.<\/p>\n

Outro punto maxistralmente resolto \u00e9 o da posici\u00f3n do edificio na parcela. Ao igual que os templos gregos do acr\u00f3pole de Atenas, o edificio pres\u00e9ntase en diagonal sobre o soar, o que xera dende a chegada unha imaxe que cambia dramaticamente co movemento do sol, mentres presenta unha imaxe de postal do edificio, na que por efecto da perspectiva destacan as s\u00faas extremas proporci\u00f3ns, recalcando de novo a simpleza do concepto que o edificio garda.<\/p>\n

O dese\u00f1o paisax\u00edstico realizado por Reed Hilderbrand Asociados, evoca a herdanza do East End. E reforza as caracter\u00edsticas do lugar cun prado cheo de herbas, gram\u00edneas e flores silvestres aut\u00f3ctonas que soben pola leve aba cara a un carballo e as sebes de folla perenne que debuxan a fronteira norte da parcela.<\/p>\n

Concibido como unha obra \u00fanica e integrada, a arquitectura e a paisaxe ofrecen ao p\u00fablico unha experiencia unificada e coherente durante todo o ano, que ademais parece levar no lugar toda unha eternidade. Coma se o edificio fose un h\u00edbrido do pasado e do presente, sen d\u00fabida tr\u00e1tase dun edificio que reflicte as ensinanzas do pasado.<\/p>\n<\/div>\n

\"\"<\/a>
Museo de Arte Parrish en Long Island | Hezog & de Meuron<\/span><\/figcaption><\/figure><\/div>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto<\/p>\n

san sebasti\u00e1n. decembro 2012<\/p>\n

Texto para ZAZPIKA 12.12.30<\/span><\/em><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Situado en el lado norte de la carretera de Montauk, el \u00faltimo edificio de los arquitectos suizos Herzog y de Meuron, es una gran estructura horizontal ubicada discretamente en el paisaje. Para el visitante ocasional los dos nuevos edificios podr\u00edan pasar por sendos graneros o almacenes agr\u00edcolas que llevasen toda la vida perteneciendo a ese […]<\/p>\n","protected":false},"author":31,"featured_media":41412,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[6949,150,460,12456,665,4285,930,977,10746,1286],"class_list":["post-29583","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-suiza","tag-arquitectura-tradicional","tag-eeuu","tag-equipamiento-cultural","tag-herzog-de-meuron","tag-inigo-garcia-odiaga","tag-new-york","tag-paisaje","tag-reed-hilderbrand-asociados","tag-territorio"],"yoast_head":"\nEnse\u00f1anzas del pasado | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Ense\u00f1anzas del pasado | 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