{"id":29580,"date":"2013-03-01T07:00:34","date_gmt":"2013-03-01T07:00:34","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29580"},"modified":"2021-07-19T16:44:35","modified_gmt":"2021-07-19T14:44:35","slug":"a-favor-de-la-modernidad-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/a-favor-de-la-modernidad-inigo-garcia-odiaga\/","title":{"rendered":"A favor de la modernidad | \u00cd\u00f1igo Garc\u00eda OdiagaA favor da modernidade | \u00cd\u00f1igo Garc\u00eda OdiagaIn favour of the modernity | \u00cd\u00f1igo Garc\u00eda Odiaga"},"content":{"rendered":"

\"\"<\/a>
Rehabilitaci\u00f3n como hotel de una antigua villa de campo de 1826, Pied de la Plagne, Francia [ JKA y FUGA]<\/span><\/figcaption><\/figure><\/p>\n

A menudo se tiende a pensar que la modernidad, que la vanguardia est\u00e1 enfrentada a la tradici\u00f3n o a lo vernacular. Este razonamiento v\u00e1lido para casi cualquier disciplina de la vida cotidiana se ve amplificado en el campo de la arquitectura. En los entornos rurales de \u00a0 nuestro paisaje puede comprobarse con claridad esta mentalidad, en aras de la cual, se han levantado edificios o neo-caser\u00edos que imitan en cart\u00f3n piedra los rasgos estil\u00edsticos de los edificios tradicionales, pero que no son m\u00e1s que un mero falsete de la tipolog\u00eda original. Por lo general su adaptaci\u00f3n al terreno es p\u00e9sima, cuando \u00e9sta es precisamente una de las claves del caserio tradicional. Las laderas de los valles se aprovechaban para dar acceso a las cargas hacia la ganbara, mientras las personas o los animales acced\u00edan por la planta baja, mientras en la actualidad la modificaci\u00f3n radical de la topograf\u00eda es el punto de arranque de cualquier proyecto de este tipo.<\/p>\n

Es digno de comentar adem\u00e1s, como las distribuciones de estos edificios con forma y decoraci\u00f3n de caserio presentan espacios interiores que reproducen los apartamentos urbanos de cualquier ciudad, demostrando por lo tanto, que la falta de imaginaci\u00f3n que ya se pod\u00eda intuir en sus fachadas se recrudece en su interior.<\/p>\n

Una falta de imaginaci\u00f3n de la que nunca adoleci\u00f3 el modelo original, ya que este, visto desde nuestro tiempo como una joya del pasado, fue un grito de modernidad y de vanguardia en su tiempo. Ninguna familia del siglo XVII hubiese aceptado vivir en una casa obsoleta o si se prefiere, no optimizada a su modo de vida. \u00bfPor que entonces en la actualidad se da esta paradoja?<\/p>\n

Por alg\u00fan extra\u00f1o mecanismo, se tiende a confundir el respeto al paisaje, a la tradici\u00f3n o a nuestros pueblos, con la copia adulterada y deslavazada del original, sin pararse a pensar que desde la actualidad pueden proponerse nuevas f\u00f3rmulas, nuevos modelos o tecnolog\u00edas que partiendo de los valores de la arquitectura tradicional los actualicen y adapten a un nuevo mundo y a unos nuevos modelos de vida.<\/p>\n

Nadie puede negar que la belleza de multitud de los n\u00facleos rurales que adoramos, reside en la calidad de sus arquitecturas y en como \u00e9stas fueron dispuestas en el territorio, pero tampoco se podr\u00e1 negar que las l\u00f3gicas que gobernaron esas decisiones distan mucho de las que en la actualidad podr\u00edan tomarse como punto de partida. La coexistencia de ambos modelos es una necesidad y una obligaci\u00f3n, pero tanto los ciudadanos como las administraciones que regulan los marcos legales deber\u00edan apostar por la modernidad. Una modernidad entendida como aquella capaz de proponer arquitecturas que den respuesta a cuestiones de nuestro tiempo, como son el medio ambiente, la econom\u00eda, la energ\u00eda o los nuevos modelos de unidad convivencial y que adem\u00e1s ponga en valor y se muestre respetuosa con las claves que determinaron la belleza de estos entornos.<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel de una antigua villa de campo de 1826, Pied de la Plagne, Francia [ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

Un buen ejemplo de un edificio que apuesta por esta convivencia de modelos, es el recientemente inaugurado y proyectado de forma conjunta por los estudios franceses JKA y FUGA.<\/p>\n

El proyecto es especialmente se\u00f1alado si tenemos en cuenta que se trata de la rehabilitaci\u00f3n como hotel de una antigua villa de campo de 1826, situada en el casco hist\u00f3rico de Pied de la Plagne y que fue catalogada como un hito de la arquitectura tradicional de la regi\u00f3n por la administraci\u00f3n francesa.<\/p>\n

Sabedores de que el valor de esa arquitectura tradicional recae fundamentalmente en su gran volumen compacto, en su cubierta protectora y en la madera caracter\u00edstica de la regi\u00f3n que recubre sus fachadas, los arquitectos centraron sus esfuerzos en el mantenimiento y si cabe la potenciaci\u00f3n de estos puntos clave.<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel de una antigua villa de campo de 1826, Pied de la Plagne, Francia [ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

Pero evidentemente un cambio tan importante en el uso del edificio, el paso de una villa unifamiliar a un hotel rural, requer\u00eda de modificaciones del modelo original. Uno de estos puntos de fricci\u00f3n entre ambas estructuras fue el de la necesidad de buscar mayor entrada de luz natural. La subida del n\u00famero de habitaciones ligadas al uso hotelero motiv\u00f3 la necesidad de abrir un mayor n\u00famero de ventanas en la fachada. Para ello los arquitectos recurrieron a las t\u00e9cnicas tradicionales de recorte en la tablaz\u00f3n de madera del revestimiento, pero en lugar de imitar los motivos vernaculares, plantearon un modelo geom\u00e9trico m\u00e1s sencillo y uniforme, m\u00e1s adecuado no ya a los gustos, sino a las t\u00e9cnicas constructivas de la modernidad. De este modo la imagen final del edificio navega entre el pasado y el futuro, no entra en colisi\u00f3n con los edificios antiguos que lo rodean, pero tampoco cede el valor de su actualidad y vigencia.<\/p>\n

Suele decirse que uno de los \u00e9xitos de la gran aceptaci\u00f3n que tienen las nuevas tecnolog\u00edas, reside en que \u00e9stas, est\u00e1n pensadas para hacer la vida m\u00e1s f\u00e1cil y agradable, cuesti\u00f3n que conecta r\u00e1pidamente con las aspiraciones de cualquier usuario. Del mismo modo podr\u00eda interpretarse que la arquitectura actual debe seguir esta idea de \u00e9xito y preocuparse por facilitar la vida a sus usuarios, resolviendo los problemas y las necesidades concretas que estos le planteen, para asegurarse que el ciudadano medio apueste decididamente a favor de la modernidad.<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel de una antigua villa de campo de 1826, Pied de la Plagne, Francia [ JKA y FUGA]<\/span><\/figcaption><\/figure><\/div>\n

\u00ed\u00f1igo garc\u00eda odiaga . arquitecto
\nsan sebasti\u00e1n. febrero 2013<\/p>\n

Art\u00edculo publicado en ZAZPIKA
\n<\/em><\/p>\n

\"\"<\/a>
Rehabilitation as hotel of a former villa of field of 1826, Pied de la Plagne, France [ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

Often one tends to think that the modernity, that the forefront is faced to the tradition or to vernacular. This valid reasoning for almost any discipline of the daily life meets amplified in the field of the architecture. In the rural environments of our landscape this mentality can verify with clarity, in altars of which, there have got up buildings or neo-hamlets that imitate in papyrolit the stylistic features of the traditional buildings, but that are not any more than a mere spigot than the original typology. In general his adjustment to the area is terrible, when this one is precisely one of the keys of the traditional hamlet. The hillsides of the valleys were taking advantage to lead to the loads towards the ganbara, while the persons or the animals were acceding for the ground floor, while at present the radical modification of the topography is the point of take-off of any project of this type.<\/p>\n

It is worth commenting in addition, as the distributions of these buildings with form and decoration of hamlet they present interior spaces that reproduce the urban apartments of any city, demonstrating therefore, that the lack of imagination that already could be felt in his fronts worsens in his interior.<\/p>\n

A lack of imagination from which the original model never suffered, since this one, I dress from our time as a jewel of the past, was a shout of modernity and of forefront in his time. No family of the 17th century had agreed to live in an obsolete house or if it is preferred, not optimized to his way of life. For that at the time at present one gives this paradox?<\/p>\n

For some strange mechanism, one tends to confuse the respect to the landscape, to the tradition or to our peoples, with the adulterated and limp copy of the original one, without stopping to think that from the current importance they can propose new formulae, new models or technologies that departing from the values of the traditional architecture them update and adapt to a new world and to a few new models of life.<\/p>\n

Nobody can deny that the beauty of multitude of the rural cores that we adore, resides in the quality of his architectures and in these were arranged in the territory, but it will not be possible deny either that the logics that governed these decisions are far much of that at present they might think as a point of item. The coexistence of both models is a need and an obligation, but both the citizens and the administrations that regulate the legal frames should bet for the modernity. A modernity understood as that one capable of proposing architectures that give response to questions of our time, since it are the environment, the economy, the energy or the new models of user-friendly unit and that in addition it puts in value and proves to be respectful with the keys that determined the beauty of these environments.<\/p>\n

\"\"<\/a>
Rehabilitation as hotel of a former villa of field of 1826, Pied de la Plagne, France [ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

A good example of a building that he bets for this model conviviality, is the recently inaugurated one and projected of joint form for the French studies JKA and ESCAPE.<\/p>\n

The project is specially notable if we bear in mind that it is a question of the rehabilitation as hotel of a former villa of field of 1826, placed in Pied de la Plagne’s historical hull and that was catalogued as a milestone of the traditional architecture of the region by the French administration.<\/p>\n

Knowing of that the value of this traditional architecture relapses fundamentally into his great compact volume, in his protective cover and in the wood typical of the region that covers his fronts, the architects centred his efforts on the maintenance and if it fits the involution of these key points.<\/p>\n

\"\"<\/a>
Rehabilitation as hotel of a former villa of field of 1826, Pied de la Plagne, France [ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

But evidently such an important change in the use of the building, the step of an one-family villa to a rural hotel, was needing of modifications of the original model. One of these points of friction between both structures was that of the need of looking for major entry of natural light. The raise of the number of rooms tied to the hotel use motivated the need to open a major number of windows in the front. For it the architects resorted to the traditional technologies of cut in the tablaz\u00f3n of wood of the coating, but instead of imitating the motives vernaculares, raised a simpler geometric and uniform, more suitable model not already to the tastes, but to the constructive technologies of the modernity. Thus the final image of the building sails between the past and the future, does not enter collision with the ancient buildings that surround it, but it does not yield the value of his current importance and force either.<\/p>\n

It is in the habit of being said that one of the successes of the great acceptance that the new technologies have, resides in that these, they are thought to do the easiest and agreeable life, question that connects rapidly with the aspirations of any user. In the same way might be interpreted that the current architecture must follow this idea of success and to worry for facilitating the life to his users, solving the problems and the needs concrete that these raise him, to insure itself that the average citizen should bet firmly in favour of the modernity.<\/p>\n

\"\"<\/a>
Rehabilitation as hotel of a former villa of field of 1826, Pied de la Plagne, France\u00a0[ JKA y FUGA]<\/span><\/figcaption><\/figure><\/div>\n

\u00ed\u00f1igo garc\u00eda odiaga . architect
\nsan sebasti\u00e1n. february 2013<\/p>\n

Article is published in ZAZPIKA
\n<\/em><\/p>\n

<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel dunha antigua villa de campo de 1826, Pied de la Plagne, Francia\u00a0[ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

A mi\u00fado t\u00e9ndese a pensar que a modernidad, que a vanguardia est\u00e1 enfrontada \u00e1 tradici\u00f3n ou ao vernacular. Este razonamiento v\u00e1lido para case calquera disciplina da vida coti\u00e1 vese amplificado no campo da arquitectura. Nas contornas rurales da nosa paisaxe pode comprobarse con claridade esta mentalidad, en aras da cal, levant\u00e1ronse edificios ou neo-caser\u00edos que imitan en cart\u00f3n pedra os trazos estil\u00edsticos dos edificios tradicionais, pero que non son m\u00e1is que un mero falsete da tipolog\u00eda orixinal. Polo xeral a s\u00faa adaptaci\u00f3n ao terreo \u00e9 p\u00e9sima, cando esta \u00e9 precisamente una das claves do caserio tradicional. As laderas dos vales aproveit\u00e1banse para dar acceso \u00e1s cargas cara \u00e1 ganbara, mentres as persoas ou os animais acced\u00edan pola planta baixa, mentres na actualidade a modificaci\u00f3n radical da topograf\u00eda \u00e9 o punto de arranque de calquera proxecto deste tipo.<\/p>\n

\u00c9 digno de comentar ademais, como as distribuci\u00f3ns destes edificios con forma e decoraci\u00f3n de caserio presentan espazos interiores que reproducen os apartamentos urbanos de calquera cidade, demostrando polo tanto, que a falta de imaxinaci\u00f3n que xa se pod\u00eda intu\u00edr nas s\u00faas fachadas se recrudece no seu interior.<\/p>\n

Unha falta de imaxinaci\u00f3n da que nunca adoeceu o modelo orixinal, xa que este, visto desde o noso tempo como unha xoia do pasado, foi un grito de modernidad e de vanguardia no seu tempo. Ningunha familia do s\u00e9culo XVII aceptase vivir nunha casa obsoleta ou si pref\u00edrese, non optimizada ao seu modo de vida. \u00bfPor que ent\u00f3n na actualidade se d\u00e1 esta paradoxa?<\/p>\n

Por alg\u00fan estra\u00f1o mecanismo, t\u00e9ndese a confundir o respecto \u00e1 paisaxe, \u00e1 tradici\u00f3n ou aos nosos pobos, coa copia adulterada e deslavazada do orixinal, sen pararse a pensar que dende a actualidade poden propo\u00f1erse novas f\u00f3rmulas, novos modelos ou tecnolox\u00edas que partindo dos valores da arquitectura tradicional os actualicen e adapten un novo mundo e uns novos modelos de vida.<\/p>\n

Ningu\u00e9n pode negar que a beleza de multitude dos n\u00facleos rurais que adoramos, reside na calidade das s\u00faas arquitecturas e en como estas foron dispostas no territorio, pero tampouco se poder\u00e1 negar que as l\u00f3xicas que gobernaron esas decisi\u00f3ns distan moito das que na actualidade poder\u00edan tomar como punto de partida. A coexistencia de ambos os dous modelos \u00e9 unha necesidade e unha obriga, pero tanto os cidad\u00e1ns coma as administraci\u00f3ns que regulan os marcos legais deber\u00edan apostar pola modernidade. Unha modernidade entendida como aquela capaz de propo\u00f1er arquitecturas que dean resposta a cuesti\u00f3ns do noso tempo, como son o medio, a econom\u00eda, a enerx\u00eda ou os novos modelos de unidade convivencial e que ademais po\u00f1a en valor e se mostre respectuosa coas claves que determinaron a beleza destes \u00e1mbitos.<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel dunha antigua villa de campo de 1826, Pied de la Plagne, Francia\u00a0[ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

Un bo exemplo dun edificio que aposta por esta convivencia de modelos, \u00e9 o recentemente inaugurado e proxectado de forma conxunta polos estudos franceses JKA e FUGA.<\/p>\n

O proxecto \u00e9 especialmente sinalado se temos en conta que se trata da rehabilitaci\u00f3n como hotel dunha antiga vila de campo de 1826, situada no casco hist\u00f3rico de Pied de la Plagne e que foi catalogada como un fito da arquitectura tradicional da rexi\u00f3n pola administraci\u00f3n francesa.<\/p>\n

Sabedores de que o valor desa arquitectura tradicional recae fundamentalmente no seu gran volume compacto, na s\u00faa cuberta protectora e na madeira caracter\u00edstica da rexi\u00f3n que recobre as s\u00faas fachadas, os arquitectos centraron os seus esforzos no mantemento e se cabe a potenciaci\u00f3n destes puntos clave.<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel dunha antigua villa de campo de 1826, Pied de la Plagne, Francia\u00a0[ JKA y FUGA]<\/span><\/figcaption><\/figure>\n

Pero evidentemente un cambio tan importante no uso do edificio, o paso dunha vila unifamiliar a un hotel rural, requir\u00eda de modificaci\u00f3ns do modelo orixinal. Un destes puntos de fricci\u00f3n entre ambas as d\u00faas estruturas foi o da necesidade de buscar maior entrada de luz natural. A suba do n\u00famero de cuartos ligados ao uso hoteleiro motivou a necesidade de abrir un maior n\u00famero de vent\u00e1s na fachada. Para iso os arquitectos recorreron \u00e1s t\u00e9cnicas tradicionais de recorte no taboado de madeira do revestimento, pero en lugar de imitar os motivos vern\u00e1culos, formularon un modelo xeom\u00e9trico m\u00e1is sinxelo e uniforme, m\u00e1is adecuado non xa aos gustos, sen\u00f3n \u00e1s t\u00e9cnicas construtivas da modernidade. Deste modo a imaxe final do edificio navega entre o pasado e o futuro, non entra en colisi\u00f3n cos edificios antigos que o rodean, pero tampouco cede o valor da s\u00faa actualidade e vixencia.<\/p>\n

Adoita dicirse que un dos \u00e9xitos da grande aceptaci\u00f3n que te\u00f1en as novas tecnolox\u00edas, reside en que estas, est\u00e1n pensadas para facer a vida m\u00e1is doada e agradable, cuesti\u00f3n que conecta rapidamente coas aspiraci\u00f3ns de calquera usuario. Do mesmo modo poder\u00eda interpretarse que a arquitectura actual debe seguir esta idea de \u00e9xito e preocuparse por facilitar a vida aos seus usuarios, resolvendo os problemas e as necesidades concretas que estes lle formulen, para asegurarse que o cidad\u00e1n medio aposte decididamente a favor da modernidade.<\/p>\n

\"\"<\/a>
Rehabilitaci\u00f3n como hotel dunha antigua villa de campo de 1826, Pied de la Plagne, Francia\u00a0[ JKA y FUGA]<\/span><\/figcaption><\/figure><\/div>\n

\u00ed\u00f1igo garc\u00eda odiaga . arquitecto
\nsan sebasti\u00e1n. febreiro 2013<\/p>\n

Art\u00edgo publicado en ZAZPIKA
\n<\/em><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A menudo se tiende a pensar que la modernidad, que la vanguardia est\u00e1 enfrentada a la tradici\u00f3n o a lo vernacular. Este razonamiento v\u00e1lido para casi cualquier disciplina de la vida cotidiana se ve amplificado en el campo de la arquitectura. En los entornos rurales de \u00a0 nuestro paisaje puede comprobarse con claridad esta mentalidad, […]<\/p>\n","protected":false},"author":31,"featured_media":43759,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[7089,150,6757,7091,4285,7090,878,1004,12464,1298],"class_list":["post-29580","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-francesa","tag-arquitectura-tradicional","tag-arquitectura-vernacula","tag-fuga","tag-inigo-garcia-odiaga","tag-jka","tag-modernidad","tag-patrimonio-historico","tag-rehabilitacion","tag-tradicion"],"yoast_head":"\nA favor de la modernidad | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"A favor de la modernidad\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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