{"id":29198,"date":"2013-02-11T06:09:07","date_gmt":"2013-02-11T06:09:07","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29198"},"modified":"2023-09-12T16:12:24","modified_gmt":"2023-09-12T14:12:24","slug":"sollerod-jose-valladares","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/sollerod-jose-valladares\/","title":{"rendered":"S\u00f8ller\u00f8d | Jos\u00e9 Valladares"},"content":{"rendered":"

[:es]

\"Arne<\/a>
Arne Jacobsen. Cortes\u00eda de Tob\u00edas Jacobsen<\/span><\/em><\/figcaption><\/figure><\/p>\n

S\u00f8ller\u00f8d<\/strong><\/p>\n

Para Malu y Tobias, en bicicleta<\/em><\/p>\n

Despu\u00e9s de pedalear apenas un par de minutos desde el apeadero del tren se nos aparece la fachada gris verdosa como recortada sobre el oscuro fondo invernal de abetos y abedules. Dejamos las bicicletas en el peque\u00f1o aparcamiento lateral y entramos en el ayuntamiento. Nadie nos pregunta a qui\u00e9n o qu\u00e9 vamos a ver, y viniendo de una tierra tan desconfiada como la nuestra, eso no deja de sorprender. Y aunque cien veces visto en fotograf\u00edas no deja de sorprender tambi\u00e9n la extraordinaria calidez del peque\u00f1o vest\u00edbulo en el que acabamos de entrar.<\/p>\n

Su claridad parece que busca desmentir el cielo gris exterior e imprimir al interior la alegr\u00eda de la luz del sur -la misma luz de la que en la foto parece protegerse Arne Jacobsen<\/a> con ese extra\u00f1o sombrero-. Es f\u00e1cil que enseguida la mano se lance a tocarlo todo: la curva perfecta del banco junto a la ventana, la limpia tersura de la pared pintada, el vidrio opal de las l\u00e1mparas de pared, la madera de la barandilla que se enrosca para proteger la entrada del ascensor acristalado o la delicada pieza de m\u00e1rmol que se curva ligeramente en el suelo para hacer de z\u00f3calo.<\/p>\n

Son materiales reunidos con tanto esmero, que mientras uno se pasea entre ellos se le viene a la cabeza lo que pensar\u00eda el todav\u00eda joven Jacobsen mientras tal vez tambi\u00e9n en bicicleta iba de la obra a los talleres de metalistas y carpinteros para seguir la confecci\u00f3n de sus dise\u00f1os, y de aquellos de nuevo a la obra, teniendo en la cabeza a la vez las partes y el todo, pendiente de que sea \u00e9ste el que se salga con la suya, evitando siempre el amaneramiento, pensando todav\u00eda en qu\u00e9 har\u00eda en su lugar su maestro Asplund. Siempre ensimismado en sus cosas mientras la barbarie y el asesinato en masa campaba a sus anchas por Europa y amenazaba a su propio pa\u00eds y a \u00e9l mismo.<\/p>\n

Esa sensaci\u00f3n de totalidad, de integridad de las partes en el todo, y la idea de civilizaci\u00f3n y de transparencia que transmite ese todo no deja de acompa\u00f1arnos cuando continuamos con la visita al edificio, primero bajando a las salas donde se encuentran las oficinas municipales, donde Tobias se ha citado con los j\u00f3venes responsables de una empresa de mobiliario que busca reeditar varios de los muebles que su abuelo dise\u00f1\u00f3 para el ayuntamiento.<\/p>\n

Para la ocasi\u00f3n han tra\u00eddo un prototipo casi terminado y lo comparan con uno de los originales que se encuentra todav\u00eda en uso en el propio edificio. Sorprende una vez m\u00e1s el cuidado con que buscan reproducir la curva del respaldo tapizado o el delicado dibujo de la peque\u00f1a pata de madera de la butaca, lo hacen sin prisa, con la concentraci\u00f3n propia del investigador, lo que habla del respeto y la admiraci\u00f3n con la que buscan reeditar la pieza, y del celo con el que el nieto vela por la obra del abuelo.<\/p>\n

Una persona de la oficina t\u00e9cnica nos ense\u00f1a amablemente los planos originales del edificio y nos acompa\u00f1a en el resto de la visita. Caminamos viendo las salas de reuniones, los corredores y la sala de plenos, comentando las circunstancias de la construcci\u00f3n o el trabajo que han de realizar en la actualidad para mantener el edificio en uso, caminamos por suelos acolchados y silenciosos, con la compa\u00f1\u00eda del aroma de la madera de cedro, y de una luz cada vez m\u00e1s tenue y confortable, salpicada aqu\u00ed y all\u00e1 con la viveza de los brillos en las guarniciones de lat\u00f3n.<\/p>\n

Al no entender el idioma extra\u00f1o que nos acercan las puertas abiertas de las distintas estancias, nos dedicamos a ver, a tocar y a oler. Un olor muy diferente, seguro, pero tambi\u00e9n el mismo que encontr\u00f3 Bola\u00f1o<\/a> cuando al fin encontr\u00f3 la paz en Blanes, aquel que \u00e9l reconoci\u00f3 como el olor de la democracia, la historia y la civilizaci\u00f3n.<\/p>\n

Jos\u00e9 Valladares, arquitecto
\nCompostela,\u00a0 febrero de 2013<\/p>\n

[:en]

\"\"<\/a>
Arne Jacobsen. ob\u00edas Jacobsen’s comity
<\/span><\/em><\/figcaption><\/figure><\/p>\n

S\u00f8ller\u00f8d<\/strong><\/p>\n

For Malu and Tobias, in bicycle<\/em><\/p>\n

<\/strong>After pedalling scarcely from the alighting-place of the train us one appears a couple of minutes the gray front greenish as cut away on the dark winter bottom of firs and birches. We leave the bicycles in the small lateral parking and enter the town hall. Nobody asks us whom or what we are going to see, and coming from a land so distrusted as ours, there does not stop surprising it. And though hundred times I dress in photographies it does not stop surprising also the extraordinary warmth of the small foyer which we have just entered. His clarity seems that it seeks to deny the gray exterior sky and to stamp on the interior the happiness of the light of the south – the same light from which in the photo Arne Jacobsen seems to be protected by this strange hat-. It is easy that immediately the hand throws to touch everything: the perfect curve of the bank close to the window, the clean smoothness of the identical wall, the glass opal of the lamps of wall, the wood of the rail that is screwed on to protect the entry of the glazed elevator or the delicate piece of marble that bows lightly in the soil to do of socle. They are materials met so much conscientiousness, which while one is walked between them one comes to the head what the still young Jacobsen would think while maybe also in bicycle it was going from the work to the workshops of metalworkers and carpenters to follow the confection of his designs, and of those again to the work, having in the head simultaneously the parts and everything, earring of which it is this one the one that leaves with his, avoiding always the mannerism, thinking still what would do in his place his teacher Asplund. Always ensimismado in his things while the barbarism and the murder in mass was standing out to his broad ones for Europe and was threatening to his own country and to him itself.<\/p>\n

This sensation of totality, of integrity of the parts in everything, and the idea of civilization and of transparency that transmits this everything does not stop accompanying us when we continue with the visit to the building, first going down to the rooms where they find the municipal offices, where Tobias has arranged an appointment with the young persons responsible for a company of furniture that seeks to re-edit several of the furniture that his grandfather designed for the town hall. For the occasion they have brought an almost finished prototype and compare it with one of the original ones who is still in use in the own building. It is surprised once again the care with which they seek to reproduce the curve of the draped support or the delicate drawing of the small leg of wood of the armchair, they do without hurry, with the own concentration of the investigator, which he speaks about the respect and the admiration with which they seek to re-edit the piece, and about the zeal with which the grandson guards over the work of the grandfather.<\/p>\n

A person of the technical office teaches us nicely the original planes of the building and accompanies us in the rest of the visit. We walk seeing the rooms of meetings, the corridors and the room of plenary sessions, commenting on the circumstances of the construction or the work that they have to realize at present to support the building in use, we walk along quilted and silent soils, with the company of the aroma of the wood of cedar, and of a light increasingly tenuous and comfortable, splashed here and there with the quickness of the sheens in the harness of brass. On not having understood the strange language that us there bring over the doors opened of the different stays, we devote ourselves to see, to touch and to smell. A very different, sure smell, but also the same one who found Bola\u00f1o when to the end he found the peace in Blanes, that one that he recognized as the smell of the democracy, the history and the civilization.<\/p>\n

Jos\u00e9 Valladares, architect<\/p>\n

Compostela, february 2013<\/p>\n

[:gl]

\"\"<\/a>
Arne Jacobsen. Cortes\u00eda de Tob\u00edas Jacobsen<\/span><\/em><\/figcaption><\/figure><\/p>\n

S\u00f8ller\u00f8d<\/strong><\/p>\n

Para Malu e Tobias, en bicicleta<\/em><\/p>\n

<\/strong>Logo de pedalear apenas un par de minutos dende o apeadeiro do tren apar\u00e9cenos a fachada gris verdosa como recortada sobre o escuro fondo invernal de abetos e abedules. Deixamos as bicicletas no pequeno aparcamento lateral e entramos no concello. Ningu\u00e9n nos pregunta a quen ou que imos ver, e vindo dunha terra tan desconfiada como a nosa, iso non deixa de sorprender. E a\u00ednda que cen veces visto en fotograf\u00edas non deixa de sorprender tam\u00e9n a extraordinaria calidez do pequeno vest\u00edbulo no que acabamos de entrar. A s\u00faa claridade parece que busca desmentir o ceo gris exterior e imprimir ao interior a alegr\u00eda da luz do sur- a mesma luz da que na foto parece protexerse Arne Jacobsen con ese estra\u00f1o chapeu -. \u00c9 f\u00e1cil que enseguida a man se lance a tocalo todo: a curva perfecta do banco xunto \u00e1 fiestra, a limpa tersura da parede pintada, o vidro opal das l\u00e1mpadas de parede, a madeira da baranda que se enrosca para protexer a entrada do ascensor acristalado ou a delicada peza de m\u00e1rmore que se curva lixeiramente no chan para facer de z\u00f3calo. Son materiais reunidos con tanto esmero, que mentres un se pasea entre eles v\u00e9nselle \u00e1 cabeza o que pensar\u00eda o a\u00ednda novo Jacobsen mentres talvez tam\u00e9n en bicicleta \u00eda da obra \u00f3s obradoiros de metalistas e carpinteros para seguir a confecci\u00f3n dos seus dese\u00f1os, e daqueles de novo \u00e1 obra, tendo na cabeza \u00e1 vez as partes e o todo, pendente de que sexa este o que se salga coa s\u00faa, evitando sempre o amaneramento, pensando a\u00ednda en que far\u00eda no seu lugar o seu mestre Asplund. Sempre ensimesmado nas s\u00faas cousas mentres a barbarie e o asasinato en masa campaba \u00e1s s\u00faas anchas por Europa e ameazaba \u00f3 seu propio pa\u00eds e a el mesmo.<\/p>\n

Esa sensaci\u00f3n de totalidade, de integridade das partes no todo, e a idea de civilizaci\u00f3n e de transparencia que transmite ese todo non deixa de acompa\u00f1arnos cando continuamos coa visita \u00f3 edificio, primeiro baixando \u00e1s salas onde se atopan as oficinas municipais, onde Tobias se citou cos mozos responsables dunha empresa de mobiliario que busca reeditar varios dos mobles que o seu av\u00f3 dese\u00f1ou para o concello. Para a ocasi\u00f3n trouxeron un prototipo case terminado e comp\u00e1rano cun dos orixinais que se atopa a\u00ednda en uso no propio edificio. Sorprende unha vez m\u00e1is o coidado con que buscan reproducir a curva do respaldo tapizado ou o delicado debuxo da pequena pata de madeira da butaca, fano sen pr\u00e9sa, coa concentraci\u00f3n propia do investigador, o que fala do respecto e a admiraci\u00f3n coa que buscan reeditar a peza, e do celo co que o neto vela pola obra do av\u00f3.<\/p>\n

Unha persoa da oficina t\u00e9cnica ens\u00ednanos amablemente os planos orixinais do edificio e acomp\u00e1\u00f1anos no resto da visita. Cami\u00f1amos vendo as salas de reuni\u00f3ns, os corredoiros e a sala de plenos, comentando as circunstancias da construci\u00f3n ou o traballo que han de realizar na actualidade para manter o edificio en uso, cami\u00f1amos por chans acolchados e silenciosos, coa compa\u00f1\u00eda do aroma da madeira de cedro, e dunha luz cada vez m\u00e1is tenue e confortable, salpicada aqu\u00ed e acol\u00e1 coa viveza dos brillos nas guarniciones de lat\u00f3n. Ao non entender o idioma estra\u00f1o que nos achegan as portas abertas das distintas estancias dedic\u00e1monos a ver, a tocar e a cheirar. Un cheiro moi diferente, seguro, pero tam\u00e9n o mesmo que atopou Bola\u00f1o cando ao fin atopou a paz en Blanes, aquel que el reco\u00f1eceu como o cheiro da democracia, a historia e a civilizaci\u00f3n.<\/p>\n

Jos\u00e9 Valladares, arquitecto<\/p>\n

Compostela, febreiro de 2013<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] S\u00f8ller\u00f8d Para Malu y Tobias, en bicicleta Despu\u00e9s de pedalear apenas un par de minutos desde el apeadero del tren se nos aparece la fachada gris verdosa como recortada sobre el oscuro fondo invernal de abetos y abedules. Dejamos las bicicletas en el peque\u00f1o aparcamiento lateral y entramos en el ayuntamiento. Nadie nos pregunta […]<\/p>\n","protected":false},"author":52,"featured_media":29199,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[2450,6474,182,12470,6821,668,737,3784,3452,2066,4229,6952,6951],"class_list":["post-29198","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arne-jacobsen","tag-articulo","tag-ayuntamiento","tag-diseno","tag-erik-gunnar-asplund","tag-historia","tag-investigacion","tag-jose-valladares-duran","tag-personaje","tag-proyectar","tag-roberto-bolano","tag-sollerod","tag-tobias-jacobsen"],"yoast_head":"\nS\u00f8ller\u00f8d | Jos\u00e9 Valladares<\/title>\n<meta name=\"description\" content=\"S\u00f8ller\u00f8d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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