{"id":29121,"date":"2013-02-08T06:47:29","date_gmt":"2013-02-08T06:47:29","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29121"},"modified":"2018-04-24T12:17:00","modified_gmt":"2018-04-24T10:17:00","slug":"el-bueno-el-feo-y-el-malo-jorge-meijide","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/","title":{"rendered":"[:es]El bueno, el feo y el malo | Jorge Meijide[:gl]O bo, o feo e o malo | Jorge Meijide[:en]The good, the bad and the ugly | Jorge Meijide[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Clint Eastwood y Lee van Cleef con un guardia civil en la Sierra de la Demanda durante un descanso en el rodaje de El bueno, el feo y el malo<\/em>, Sergio Leone, 1966.<\/span><\/figcaption><\/figure><\/p>\n

El bueno, el feo y el malo<\/strong><\/p>\n

Thomas De Quincey, ins\u00f3lito pensador y escritor ingl\u00e9s del siglo XVIII, en su ensayo Del asesinato considerado como una de las bellas artes<\/em> nos deja un famoso y agradable recordatorio que da que pensar, dice as\u00ed \u201cuno empieza por permitirse un asesinato, pronto no le dar\u00e1 importancia al robar, del robo pasa a la bebida y a la inobservancia del d\u00eda del Se\u00f1or, y se acaba por faltar a la buena educaci\u00f3n y por dejar las cosas para el d\u00eda siguiente\u201d.<\/em> Si es que hay para todo, uno comienza matando y acaba por no dar los buenos d\u00edas. Degradaci\u00f3n pura…<\/p>\n

Quincey, con su sutil y macabro humor, a\u00fana la filosof\u00eda est\u00e9tica y la moral planteando por medio del relato de una sucesi\u00f3n de cr\u00edmenes horripilantes, muy a la moda victoriana, la relaci\u00f3n entre ambas. Subyace de fondo la conclusi\u00f3n de que el placer contemplativo es m\u00e1s est\u00e9tico que moral y que lo bello no ha de coincidir necesariamente con lo bueno.[1]<\/sup><\/sup> La fascinaci\u00f3n est\u00e9tica que conlleva la visi\u00f3n del horror, de lo feo, nos devuelve a la inc\u00f3moda sensaci\u00f3n moral sobre lo que est\u00e1 bien y lo que est\u00e1 mal. En Frankenstein o el moderno Prometeo<\/em> de Mary W. Shelley, joya g\u00f3tica de la era victoriana, el monstruo convierte sus aparentemente bien intencionados y torpes actos en malos por su propia fealdad, su b\u00fasqueda de la pureza, o de la verdad, le lleva a un camino sin salida porque su imagen, a la vista de los que le rodean, no puede albergar bien alguno y no esperan de \u00e9l otra cosa que no sea maldad, aboc\u00e1ndole al fina a ella.<\/p>\n

Partiendo del otro extremo est\u00e9tico, de lo bello, encontramos en el Banquete<\/em> de Plat\u00f3n, a quien conviene recurrir de vez en cuando por aquello de ir al origen de las cosas, lo siguiente \u201cla belleza es el esplendor de la verdad\u201d<\/em>. Belleza y verdad, y por extensi\u00f3n la justicia, son t\u00e9rminos equiparables para los griegos, que en la b\u00fasqueda de la verdad de las cosas hallan en la belleza el camino. No debemos olvidarnos tampoco, hablando de la est\u00e9tica de lo bello al Hegel del tratado Est\u00e9tica<\/em>, en el que asocia la belleza a la idea<\/em> de lo bello, y contin\u00faa \u201c\u2026si decimos que la belleza es la idea, es porque belleza y verdad son id\u00e9nticas\u201d<\/em>. Belleza y verdad parecen ir de la mano, de lo que entonces deducimos que lo feo es falso…<\/p>\n

La fascinaci\u00f3n est\u00e9tica, ya sea a trav\u00e9s de lo feo o de lo bello, busca encontrar la verdad de las cosas, su verdad cruda y \u00faltima y hace replantearse el camino moral para conseguirla. Mies hall\u00f3 en Santo Tom\u00e1s de Aquino su b\u00fasqueda de la verdad de las cosas y la \u201credujo\u201d constructiva y estructuralmente hasta hallar la expresi\u00f3n m\u00ednima, o b\u00e1sica, de las mismas, al igual que hizo con el espacio. Encontr\u00f3 la belleza de la arquitectura a trav\u00e9s de la verdad. M\u00e1s adelante llegaron otros y la banalizaron, la comercializaron y hasta la convirtieron en moda perseguida por los suplementos dominicales. Como antes dije, degradaci\u00f3n pura…<\/p>\n

La persecuci\u00f3n de lo bello, y bellezas hay muchas pero verdades pocas, consume m\u00e1s tiempo del que deber\u00eda en algunas labores arquitect\u00f3nicas actuales, y a\u00fan consigui\u00e9ndola, aparentemente, la deja vac\u00eda en su interior, en su ser, quedando pues sin verdad. No puedo evitar pensar que son ocasiones perdidas. Pero no siendo la arquitectura la \u00fanica actividad sufridora de tal mal, si es la m\u00e1s permanente y visible y por ello deber\u00eda ser la m\u00e1s responsable de la calidad que ofrece, o deber\u00eda decir cualidad. En cualquier caso la responsabilidad va en cada uno.<\/p>\n

Ya no tendemos a asociar belleza y verdad y ya no hay canon de belleza patr\u00f3n con el que contrastar nuestras creaciones, como ese metro de platino e iridio que tienen en Par\u00eds, la Ville Lumi\u00e8re,<\/em> m\u00e1s luz… a lo mejor no hace falta y seguro que no hace falta, pero eso no significa que no se deba buscar alguna que otra verdad y encontrar en ella lo que nos hace falta. Hay que elegir el camino a seguir.<\/p>\n

Quiz\u00e1s por asociaci\u00f3n de ideas entre lo que est\u00e1 bien y lo que est\u00e1 mal, o sobre los caminos para conseguir ambos (pues ha de haber gente para todo), me acuerdo ahora de El malvado Carabel<\/em>, novela del coru\u00f1\u00e9s Wenceslao Fern\u00e1ndez Fl\u00f3rez llevada al cine por un inmenso Fernando Fern\u00e1n G\u00f3mez en estado de gracia, que la dirigi\u00f3 y protagoniz\u00f3 en 1956; Amaro Carabel, harto de ver como su vida de honestidad y bondad no le lleva a ning\u00fan sitio de provecho decide armarse de valor para hacerse malvado y dedicarse al crimen, pensando que as\u00ed podr\u00e1 al fin alcanzar sus sue\u00f1os. Pero el camino del malo no es el que pensaba y, al contrario de lo que le ocurr\u00eda al Frankenstein de Shelley, sus actos abocan siempre a un final frustrante para sus intenciones criminales y acaba por hacer m\u00e1s bien que mal. Tambi\u00e9n los hay que empe\u00f1\u00e1ndose en hacer mal las cosas lo consiguen. M\u00e1s degradaci\u00f3n\u2026<\/p>\n

Desde Carabel hasta Mies, pasando por Plat\u00f3n y Hegel, Santo Tom\u00e1s y Frankenstein y el bueno de Quincey (todo v\u00eda Paris), llegamos a la conclusi\u00f3n de que los caminos del Se\u00f1or son inescrutables y quiz\u00e1s, solo quiz\u00e1s, pensamos con Machado que el camino se hace al andar, pero tambi\u00e9n es cierto que se dice que el hombre es el \u00fanico animal que tropieza dos ves en la misma piedra. El arquitecto hasta tres\u2026<\/p>\n

jorge meijide . arquitecto
\na coru\u00f1a. febrero de 2013<\/p>\n

Notas:
\n[1] Del asesinato considerado como una de las bellas artes<\/em>, Thomas de Quincey, Ed. Valdemar, 2004.[:gl]

\"\"<\/a>
Clint Eastwood e Lee van Cleef cun garda civil na Sierra da Demanda durante un descanso da rodaxe de O bo, o feo e o malo<\/em>, Sergio Leone, 1966.<\/span><\/figcaption><\/figure><\/p>\n

O bo, o feo e o malo<\/strong><\/p>\n

Thomas De Quincey, ins\u00f3lito pensador e escritor ingl\u00e9s do s\u00e9culo XVIII, no seu ensaio Do asasinato considerado como unha das belas artes<\/em> d\u00e9ixanos un famoso e agradable recordatorio que d\u00e1 que pensar, di as\u00ed \u201cun empeza por permitirse un asasinato, pronto non lle dar\u00e1 importancia ao roubar, do roubo pasa \u00e1 bebida e \u00e1 inobservancia do d\u00eda do Se\u00f1or, e ac\u00e1base por faltar \u00e1 boa educaci\u00f3n e por deixar as cousas para o d\u00eda seguinte\u201d<\/em>. Si \u00e9 que hai para todo, un comeza matando e acaba por non dar os bos d\u00edas. Degradaci\u00f3n pura…<\/p>\n

Quincey, co seu sutil e macabro humor, a\u00fana a filosof\u00eda est\u00e9tica e a moral suscitando por medio do relato dunha sucesi\u00f3n de crimes horripilantes, moi \u00e1 moda victoriana, a relaci\u00f3n entre ambas. Subyace de fondo a conclusi\u00f3n de que o pracer contemplativo \u00e9 m\u00e1is est\u00e9tico que moral e que o belo non ha de coincidir necesariamente co bo.[1]<\/sup><\/sup> A fascinaci\u00f3n est\u00e9tica que conlleva a visi\u00f3n do horror, do feo, dev\u00f3lvenos \u00e1 inc\u00f3moda sensaci\u00f3n moral sobre o que est\u00e1 ben e o que est\u00e1 mal. En Frankenstein ou o moderno Prometeo<\/em> de Mary W. Shelley, xoia g\u00f3tica da era victoriana, o monstro converte os seus aparentemente ben intencionados e torpes actos en malos pola s\u00faa propia fealdad, a s\u00faa procura da pureza, ou da verdade, l\u00e9valle a un cami\u00f1o sen sa\u00edda porque a s\u00faa imaxe, \u00e1 vista dos que lle rodean, non pode albergar ben alg\u00fan e non esperan del outra cousa que non sexa maldade, aboc\u00e1ndole ao fina a ela.<\/p>\n

Partindo do outro extremo est\u00e9tico, do belo, atopamos no Banquete de Plat\u00f3n<\/em>, a quen conv\u00e9n recorrer de cando en vez por aquilo de ir \u00e1 orixe das cousas, o seguinte \u201ca beleza \u00e9 o esplendor da verdade\u201d<\/em>. Beleza e verdade, e por extensi\u00f3n a xustiza, son t\u00e9rminos equiparables para os gregos, que na procura da verdade das cousas achan na beleza o cami\u00f1o. Non debemos esquecernos tampouco, falando da est\u00e9tica do belo ao Hegel do tratado Est\u00e9tica<\/em>, no que asocia a beleza \u00e1 idea do belo, e contin\u00faa \u201c\u2026si dicimos que a beleza \u00e9 a idea, \u00e9 porque beleza e verdade son id\u00e9nticas\u201d<\/em>. Beleza e verdade parecen ir da man, do que ent\u00f3n deducimos que o feo \u00e9 falso…<\/p>\n

A fascinaci\u00f3n est\u00e9tica, xa sexa a trav\u00e9s do feo ou do belo, busca atopar a verdade das cousas, a s\u00faa verdade cr\u00faa e \u00faltima e fai reformularse o cami\u00f1o moral para conseguila. Mies achou en Santo Tom\u00e1s de Aquino a s\u00faa procura da verdade das cousas e reduciuna\u201d constructiva e estructuralmente ata achar a expresi\u00f3n m\u00ednima, ou b\u00e1sica, das mesmas, do mesmo xeito que fixo co espazo. Atopou a beleza da arquitectura a trav\u00e9s da verdade. M\u00e1is adiante chegaron outros e a banalizaron, comercializ\u00e1rona e ata a converteron en moda perseguida polos suplementos dominicales. Como antes dixen, degradaci\u00f3n pura…<\/p>\n

A persecuci\u00f3n do belo, e belezas hai moitas pero verdades poucas, consome m\u00e1is tempo do que deber\u00eda nalg\u00fans labores arquitect\u00f3nicas actuais, e a\u00ednda consegu\u00edndoa, aparentemente, d\u00e9ixaa baleira no seu interior, no seu ser, quedando pois sen verdade. Non podo evitar pensar que son ocasi\u00f3ns perdidas. Pero non sendo a arquitectura a \u00fanica actividade sufridora de tal mal, si \u00e9 a m\u00e1is permanente e visible e por iso deber\u00eda ser a m\u00e1is responsable da calidade que ofrece, ou deber\u00eda dicir calidade. En calquera caso a responsabilidade vai en cada un.<\/p>\n

Xa non tendemos a asociar beleza e verdade e xa non hai canon de beleza patr\u00f3n co que contrastar as nosas creaci\u00f3ns, como ese metro de platino e iridio que te\u00f1en en Parides, a Ville Lumi\u00e8re<\/em>, m\u00e1is luz… se cadra non fai falta e seguro que non fai falta, pero iso non significa que non se deba buscar algunha que outra verdade e atopar nela o que nos fai falta. Hai que elixir o cami\u00f1o a seguir.<\/p>\n

Quizais por asociaci\u00f3n de ideas entre o que est\u00e1 ben e o que est\u00e1 mal, ou sobre os cami\u00f1os para conseguir ambos (pois ha de haber xente para todo), ac\u00f3rdome agora de O malvado Carabe<\/em>l, novela do coru\u00f1\u00e9s Wenceslao Fern\u00e1ndez Fl\u00f3rez levada ao cine por un inmenso Fernando Fern\u00e1n G\u00f3mez en estado de graza, que a dirixiu e protagoniz\u00f3 en 1956; Amaro Carabel, farto de ver como a s\u00faa vida de honestidade e bondade non lle leva a ning\u00fan sitio de provecho decide armarse de valor para facerse malvado e dedicarse ao crime, pensando que as\u00ed poder\u00e1 ao fin alcanzar os seus so\u00f1os. Pero o cami\u00f1o do malo non \u00e9 o que pensaba e, ao contrario do que lle ocorr\u00eda ao Frankenstein de Shelley, os seus actos abocan sempre a un final frustrante para as s\u00faas intenci\u00f3ns criminais e acaba por facer m\u00e1is ben que mal. Tam\u00e9n os hai que empe\u00f1\u00e1ndose en facer mal as cousas cons\u00e9gueno. M\u00e1is degradaci\u00f3n\u2026<\/p>\n

Desde Carabel ata Mies, pasando por Plat\u00f3n e Hegel, Santo Tom\u00e1s e Frankenstein e o bo de Quincey (todo v\u00eda Paris), chegamos \u00e1 conclusi\u00f3n de que os cami\u00f1os do Se\u00f1or son inescrutables e quizais, s\u00f3 quizais, pensamos con Machado que o cami\u00f1o faise ao andar, pero tam\u00e9n \u00e9 certo que se di que o home \u00e9 o \u00fanico animal que tropeza dous ves na mesma pedra. O arquitecto ata tres\u2026<\/p>\n

jorge meijide . arquitecto<\/p>\n

a coru\u00f1a. febreiro de 2013<\/p>\n

Notas:<\/p>\n

[1] Do asasinato considerado como unha das belas artes<\/em>, Thomas de Quincey, Ed. Valdemar, 2004.[:en]

\"\"<\/a>
Clint Eastwood and Lee van Cleef with a constabulary in the Sierra uring a rest in the filming of The good, the bad and the ugly, Sergio Leone, 1966.<\/span><\/figcaption><\/figure><\/p>\n

The good, the bad and the ugly<\/strong><\/p>\n

Thomas De Quincey, unusual thinker and englishman writer of the 18th century, in his test Of The murder considered since one of the fine arts leaves us a famous and agreeable follow-up that gives that to think, he says this way \u00abit begins one for a murder be allowing, soon it will not give him importance on having stolen, from the theft it goes on to the drink and to the nonobservance of the day of the Gentleman, and is ended for being absent to the good education and for leaving the things for the following day\u00bb<\/em>. If it is that it is for everything, one starts by killing and finishes for not saying good morning. Pure degradation…<\/p>\n

Quincey, with his subtle and macabre humor, a\u00fana the aesthetic philosophy and the morality raising by means of the statement of a succession of horrifying crimes, very to the Victorian mode, the relation between both. There sublies of bottom the conclusion of which the contemplative pleasure is more aesthetic than moral and which the beautiful thing does not have to coincide necessarily with the good thing.[1]<\/sup><\/sup> The aesthetic fascination that carries the vision of the horror, of the ugly thing, returns to us to the inconvinient moral sensation on what it is nice and what it are bad. In Frankenstein or the modern Prometeo<\/em> by Mary W. Shelley, Gothic jewel of the Victorian age, the monster turns his seemingly well meaningful and awkward acts into villains for his own unsightliness, his search of the purity, or of the truth, takes him to a way without exit because his image, in view of those that they him surround, cannot shelter any good and do not expect from him for another thing that is not an evilness, him leading to it dies to her.<\/p>\n

Departing from another aesthetic end, from the beautiful thing, we find in Plato’s Banquet<\/em>, it suits for whom to resort occasionally for that one of going to the origin of the things, following \u00abthe beauty is the brilliance of the truth\u00bb<\/em>. Beauty and truth, and for extension the justice, are comparable terms for the Greeks, who in the search of the truth of the things find in the beauty the way. We must not also forget, speaking about the aesthetics of the beautiful thing to the Hegel of the agreement Aesthetics, in that it associates the beauty with the idea of the beautiful thing, and continues \u00ab\u2026 if we say that the beauty is the idea, it is because beauty and truth are identical\u00bb<\/em>. Beauty and truth seem to go of the hand, of what at the time we deduce that the ugly thing is false…<\/p>\n

The aesthetic fascination, already be across the ugly thing or the beautiful thing, it seeks to find the truth of the things, his raw and last truth and one makes restate the moral way to obtain it. Grain found in St Thomas Aquinas his search of the truth of the things and \u00abreduced\u00bb it constructivly and structurally up to finding the minimal, or basic expression, of the same ones, as it did with the space. He found the beauty of the architecture across the truth. Hereinafter others came and trivialized it, commercialized it and even they her turned in mode chased by the Sunday supplements. As before charm, pure degradation…<\/p>\n

The pursuit of the beautiful thing, and beauties there are many but truths few ones, consume more time of the one that should in some architectural current labors, and still obtaining it, seemingly, it makes her empty in his interior, in his being, staying so without truth. I cannot avoid think that they are lost occasions. But not being the architecture the only suffering activity of such an evil, if it is the most permanent and visible and for it it should be the most responsible for the quality that offers, or should say quality. In any case the responsibility goes in each one.<\/p>\n

Already we do not tend to associate beauty and truth and already there is no canon of beauty boss with whom to confirm our creations, as this meter of platinum and iridium that they have in Paris, the Ville Lumi\u00e8re<\/em>, more light … probably it is not necessary to have and insurance that does not need, but it does not mean that should not look for anyone that another truth and to find in her what we need. It is necessary to choose the way to continuing.<\/p>\n

Probably for association of ideas between what it is nice and what it are bad, or on the ways to obtain both (since there have to be people for everything), I agree myself now of The wicked Carabel, novel of the native of Corunna Wenceslao Fernandez Fl\u00f3rez led to the cinema for an immense Fernando Fern\u00e1n G\u00f3mez in state of grace, that it directed and led it in 1956; Amaro Carabel, I satiate of seeing as his life of honesty and kindness it does not take him to any site of profit decides to arm with value to become wicked and to devote to the crime, thinking that like that will be able to the end to reach his dreams. But the way of the villain is not the one that was thinking and, unlike what it happened to the Frankenstein de Shelley, his acts lead always to a frustrating end for his criminal intentions and it finishes for doing rather that badly. Also them there is that pledging in doing badly the things they obtain it. More degradation \u2026<\/p>\n

From Carabel up to Grain, happening for Plato and Hegel, Saint Thomas and Frankenstein and the Quincey’s good one (quite route Paris), we come to the conclusion of that the ways of the Gentleman are inscrutable and probably, only probably, we think with Machado that the way does to itself on having walked, but also it is true that it is said that the man is the animal only one that stumbles two you see in the same stone. The architect up to three \u2026<\/p>\n

jorge meijide . architect<\/p>\n

a coru\u00f1a. february 2013<\/p>\n

Notes:<\/p>\n

[1] Del asesinato considerado como una de las bellas artes<\/em>, Thomas de Quincey, Ed. Valdemar, 2004.[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El bueno, el feo y el malo Thomas De Quincey, ins\u00f3lito pensador y escritor ingl\u00e9s del siglo XVIII, en su ensayo Del asesinato considerado como una de las bellas artes nos deja un famoso y agradable recordatorio que da que pensar, dice as\u00ed \u201cuno empieza por permitirse un asesinato, pronto no le dar\u00e1 importancia […]<\/p>\n","protected":false},"author":47,"featured_media":29123,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[6474,6925,3462,6924,865,4239,6926,6923,6927],"class_list":["post-29121","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-articulo","tag-georg-wilhelm-friedrich-hegel","tag-jorge-meijide","tag-mary-w-shelley","tag-mies-van-der-rohe","tag-platon","tag-santo-tomas-de-aquino","tag-thomas-de-quincey","tag-wenceslao-fernandez-florez"],"yoast_head":"\nEl bueno, el feo y el malo | Jorge Meijide<\/title>\n<meta name=\"description\" content=\"El bueno, el feo y el malo\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El bueno, el feo y el malo | Jorge Meijide\" \/>\n<meta property=\"og:description\" content=\"El bueno, el feo y el malo\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/jmeijide\" \/>\n<meta property=\"article:published_time\" content=\"2013-02-08T06:47:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-04-24T10:17:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/02\/descanso-rodaje-1966.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"620\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jorge Meijide Tom\u00e1s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/jmeijide\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jorge Meijide Tom\u00e1s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"16 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/\"},\"author\":{\"name\":\"Jorge Meijide Tom\u00e1s\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/f114c5ff977108aaf60488426430427d\"},\"headline\":\"[:es]El bueno, el feo y el malo | Jorge Meijide[:gl]O bo, o feo e o malo | Jorge Meijide[:en]The good, the bad and the ugly | Jorge Meijide[:]\",\"datePublished\":\"2013-02-08T06:47:29+00:00\",\"dateModified\":\"2018-04-24T10:17:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/\"},\"wordCount\":3196,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/02\\\/descanso-rodaje-1966.jpg\",\"keywords\":[\"art\u00edculo\",\"Georg Wilhelm Friedrich Hegel\",\"Jorge Meijide\",\"mary w. shelley\",\"Mies van der Rohe\",\"Plat\u00f3n\",\"Santo Tom\u00e1s de Aquino\",\"thomas de quincey\",\"wenceslao fern\u00e1ndez fl\u00f3rez\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/\",\"name\":\"El bueno, el feo y el malo | Jorge Meijide\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/02\\\/descanso-rodaje-1966.jpg\",\"datePublished\":\"2013-02-08T06:47:29+00:00\",\"dateModified\":\"2018-04-24T10:17:00+00:00\",\"description\":\"El bueno, el feo y el malo\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/02\\\/descanso-rodaje-1966.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/02\\\/descanso-rodaje-1966.jpg\",\"width\":\"620\",\"height\":\"620\",\"caption\":\"Clint Eastwood y Lee van Cleef con un guardia civil en la Sierra de la Demanda durante un descanso en el rodaje de El bueno, el feo y el malo, Sergio Leone, 1966.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-bueno-el-feo-y-el-malo-jorge-meijide\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"El bueno, el feo y el malo | Jorge Meijide\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/f114c5ff977108aaf60488426430427d\",\"name\":\"Jorge Meijide Tom\u00e1s\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g\",\"caption\":\"Jorge Meijide Tom\u00e1s\"},\"description\":\"Arquitecto por la ETSA de A Coru\u00f1a desde 1991. Colabora en el estudio de Juan Navarro Baldeweg entre 1991 y 1992. M\u00e1ster de proyectos integrados por la fundaci\u00f3n camu\u00f1as, madrid 1992. A la vuelta A Coru\u00f1a se incorpora al estudio de su padre, Carlos E. Meijide Calvo con el que trabaja hasta 2001. Desde 2004 hasta 2009 colabora con los arquitectos Patricia de Marichalar y Fernando Mart\u00ednez. En el a\u00f1o 2009 forma, junto con Patricia de Marichalar meijidedemarichalar arquitectos. Desde 2014 trabaja en solitario colaborando con estudios y arquitectos amigos. Es profesor de proyectos arquitect\u00f3nicos en la Escuela T\u00e9cnica superior de Arquitectura de A Coru\u00f1a desde 1997; es tutor de proyecto fin de carrera y ha sido presidente del tribunal de PFC. Colabora con blogs y publicaciones de arquitectura.\",\"sameAs\":[\"http:\\\/\\\/jorgemeijide.blogspot.com.es\\\/\",\"https:\\\/\\\/www.facebook.com\\\/jmeijide\",\"https:\\\/\\\/www.instagram.com\\\/jmeijide\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/jorge-meijide-toms-ab9b9a21\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/jmeijide\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/jorge-meijide-tomas\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"El bueno, el feo y el malo | Jorge Meijide","description":"El bueno, el feo y el malo","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/","og_locale":"es_ES","og_type":"article","og_title":"El bueno, el feo y el malo | Jorge Meijide","og_description":"El bueno, el feo y el malo","og_url":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/jmeijide","article_published_time":"2013-02-08T06:47:29+00:00","article_modified_time":"2018-04-24T10:17:00+00:00","og_image":[{"width":620,"height":620,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/02\/descanso-rodaje-1966.jpg","type":"image\/jpeg"}],"author":"Jorge Meijide Tom\u00e1s","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/jmeijide","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Jorge Meijide Tom\u00e1s","Tiempo de lectura":"16 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/"},"author":{"name":"Jorge Meijide Tom\u00e1s","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/f114c5ff977108aaf60488426430427d"},"headline":"[:es]El bueno, el feo y el malo | Jorge Meijide[:gl]O bo, o feo e o malo | Jorge Meijide[:en]The good, the bad and the ugly | Jorge Meijide[:]","datePublished":"2013-02-08T06:47:29+00:00","dateModified":"2018-04-24T10:17:00+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/"},"wordCount":3196,"commentCount":0,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/02\/descanso-rodaje-1966.jpg","keywords":["art\u00edculo","Georg Wilhelm Friedrich Hegel","Jorge Meijide","mary w. shelley","Mies van der Rohe","Plat\u00f3n","Santo Tom\u00e1s de Aquino","thomas de quincey","wenceslao fern\u00e1ndez fl\u00f3rez"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/","url":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/","name":"El bueno, el feo y el malo | Jorge Meijide","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/02\/descanso-rodaje-1966.jpg","datePublished":"2013-02-08T06:47:29+00:00","dateModified":"2018-04-24T10:17:00+00:00","description":"El bueno, el feo y el malo","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/02\/descanso-rodaje-1966.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/02\/descanso-rodaje-1966.jpg","width":"620","height":"620","caption":"Clint Eastwood y Lee van Cleef con un guardia civil en la Sierra de la Demanda durante un descanso en el rodaje de El bueno, el feo y el malo, Sergio Leone, 1966."},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/el-bueno-el-feo-y-el-malo-jorge-meijide\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"El bueno, el feo y el malo | Jorge Meijide"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/f114c5ff977108aaf60488426430427d","name":"Jorge Meijide Tom\u00e1s","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g","caption":"Jorge Meijide Tom\u00e1s"},"description":"Arquitecto por la ETSA de A Coru\u00f1a desde 1991. Colabora en el estudio de Juan Navarro Baldeweg entre 1991 y 1992. M\u00e1ster de proyectos integrados por la fundaci\u00f3n camu\u00f1as, madrid 1992. A la vuelta A Coru\u00f1a se incorpora al estudio de su padre, Carlos E. Meijide Calvo con el que trabaja hasta 2001. Desde 2004 hasta 2009 colabora con los arquitectos Patricia de Marichalar y Fernando Mart\u00ednez. En el a\u00f1o 2009 forma, junto con Patricia de Marichalar meijidedemarichalar arquitectos. Desde 2014 trabaja en solitario colaborando con estudios y arquitectos amigos. Es profesor de proyectos arquitect\u00f3nicos en la Escuela T\u00e9cnica superior de Arquitectura de A Coru\u00f1a desde 1997; es tutor de proyecto fin de carrera y ha sido presidente del tribunal de PFC. Colabora con blogs y publicaciones de arquitectura.","sameAs":["http:\/\/jorgemeijide.blogspot.com.es\/","https:\/\/www.facebook.com\/jmeijide","https:\/\/www.instagram.com\/jmeijide\/","https:\/\/www.linkedin.com\/in\/jorge-meijide-toms-ab9b9a21\/","https:\/\/x.com\/https:\/\/twitter.com\/jmeijide"],"url":"https:\/\/veredes.es\/blog\/author\/jorge-meijide-tomas\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/29121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=29121"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/29121\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/29123"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=29121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=29121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=29121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}