{"id":29112,"date":"2015-08-03T06:45:57","date_gmt":"2015-08-03T04:45:57","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29112"},"modified":"2020-02-10T19:30:32","modified_gmt":"2020-02-10T18:30:32","slug":"sillas-y-sonrisas-elias-cueto","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/sillas-y-sonrisas-elias-cueto\/","title":{"rendered":"[:es]\u2026sillas y sonrisas | El\u00edas Cueto[:gl]\u2026cadeiras e sorisos | El\u00edas Cueto[:en]\u2026chairs and smiles | El\u00edas Cueto[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
D\u00edez+Zeid | numero313.wordpress.com<\/span><\/figcaption><\/figure><\/p>\n

En \u201cfilosof\u00eda del dise\u00f1o\u201d apuntaba Vil\u00e9m Flusser\u00a0que los objetos estorban, que la propia palabra \u201cobjeto\u201d comparte con la palabra \u201cobst\u00e1culo\u201d su ra\u00edz latina:\u00a0ob-iectum<\/em>. Y se\u00f1alaba el fil\u00f3sofo el camino para quienes estuviesen atentos: La conveniencia de que en un futuro los dise\u00f1adores insistieran cada vez menos en la cualidad de obst\u00e1culo de lo que ofrecen a sus clientes y se concentrasen m\u00e1s en sus dise\u00f1os como veh\u00edculo de conexi\u00f3n entre ellos mismos y los consumidores. Flusser nombraba como la capacidad \u201cdial\u00f3gica\u201d de los productos humanos, la capacidad de cualquier objeto cultural para generar un di\u00e1logo no verbal entre el dise\u00f1ador y el consumidor.<\/p>\n

A esta capacidad de los objetos para servir como medio de relaci\u00f3n entre dos personas se consagra el trabajo reciente de\u00a0d\u00edez+zeid<\/a>.\u00a0Un trabajo que se expone a partir de hoy mismo en la barcelonesa\u00a0Vin\u00e7on, ariete del dise\u00f1o en Espa\u00f1a desde no se sabe ya cu\u00e1ndo que sigue fiel a su labor de ampliar horizontes.<\/p>\n

Los hermanos D\u00edez han ampliado el sentido de su labor como dise\u00f1adores al\u00a0diversificar\u00a0su trabajo desde el dise\u00f1o para la producci\u00f3n hacia un dise\u00f1o per se<\/em>, una pura concepci\u00f3n de objetos que dan que pensar y hacen\u00a0sonre\u00edr de forma similar a como lo hacen los\u00a0poemas objeto de Joan Brossa<\/a>.<\/p>\n

A algunos el Passeig de Gr\u00e1cia nos queda lejos\u00a0y no podremos estar en la inauguraci\u00f3n a las 19:00, pero somos afortunados por haber podido disfrutar de un primer contacto<\/a> con parte de este material de D\u00edez+D\u00edez en Vigo, gracias precisamente\u00a0al trabajo de otros hermanos cuya labor es un ariete del dise\u00f1o en Espa\u00f1a\u2026 los Sirvent<\/a>\u00a0en este caso.<\/p>\n

El\u00edas Cueto, arquitecto
\nSantiago de Compostela, septiembre 2012<\/p>\n

Publicado en\u00a0 N\u00ba 313 [sillas…]<\/a><\/em><\/span><\/p>\n

[:gl]

\"\"<\/a>
D\u00edez+Zeid | numero313.wordpress.com<\/span><\/figcaption><\/figure><\/p>\n

En \u201cfilosof\u00eda do dese\u00f1o\u201d apuntaba Vil\u00e9m Flusser que os obxectos estorban, que a propia palabra \u201cobxecto\u201d comparte coa palabra \u201cobst\u00e1culo\u201d a s\u00faa ra\u00edz latina: ob-iectum. E sinalaba o fil\u00f3sofo o cami\u00f1o para quen estivesen atentos: A conveniencia de que nun futuro os dise\u00f1adores insistisen cada vez menos na calidade de obst\u00e1culo do que ofrecen aos seus clientes e concentr\u00e1sense m\u00e1is nos seus dese\u00f1os como veh\u00edculo de conexi\u00f3n entre eles mesmos e os consumidores. Flusser nomeaba como a capacidade \u201cdial\u00f3gica\u201d dos produtos humanos, a capacidade de calquera obxecto cultural para xerar un di\u00e1logo non verbal entre o dise\u00f1ador e o consumidor.<\/p>\n

A esta capacidade dos obxectos para servir como medio de relaci\u00f3n entre d\u00faas persoas cons\u00e1grase o traballo recente de d\u00edez+zeid<\/a>. Un traballo que se exp\u00f3n a partir de hoxe mesmo na barcelonesa Vin\u00e7onVin\u00e7on, ariete do dese\u00f1o en Espa\u00f1a desde non se sabe xa cando que segue fiel ao seu labor de ampliar horizontes.<\/p>\n

Os irm\u00e1ns D\u00edez ampliaron o sentido do seu labor como dise\u00f1adores ao diversificar o seu traballo desde o dese\u00f1o para a produci\u00f3n cara a un dese\u00f1o per se,<\/em> unha pura concepci\u00f3n de obxectos que dan que pensar e fan sorrir de forma similar a como o fan os poemas obxecto de Joan Brossa<\/a>.<\/p>\n

A alg\u00fans o Passeig de Gr\u00e1cia qu\u00e9danos lonxe e non poderemos estar na inauguraci\u00f3n \u00e1s 19:00, pero somos afortunados por poder gozar dun primeiro contacto<\/a> con parte deste material de D\u00edez+D\u00edez en Vigo, grazas precisamente ao traballo doutros irm\u00e1ns cuxa labor \u00e9 un ariete do dese\u00f1o en Espa\u00f1a? Os Sirvent<\/a> neste caso.<\/p>\n

El\u00edas Cueto, arquitecto
\nSantiago de Compostela, setembro 2012<\/p>\n

Publicado en\u00a0 N\u00ba 313 [sillas…]<\/a><\/em><\/span><\/p>\n

[:en]

\"\"<\/a>
D\u00edez+Zeid | numero313.wordpress.com<\/span><\/figcaption><\/figure><\/p>\n

In \u201cphilosophy of the design\u201d it was aiming At Vil\u00e9m Flusser that the objects hinder, that \u201cobject\u201d the own word he shares with the word \u201cobstacle\u201d his Latin root: ob-iectum<\/em>. And the philosopher was indicating the way for those who were attentive: The convenience of which in a future the designers were insisting less and less on the quality of obstacle of what they offer to his clients and were centering more in his designs as vehicle of connection between them themselves and the consumers. Flusser was naming as the capacity \u201cdial\u00f3gica\u201d of the human products, the aptitude of any cultural object to generate a not verbal dialog between the designer and the consumer.<\/p>\n

To this capacity of the objects to serve as way of relation between two persons there devotes itself the recent work of d\u00edez+zeid<\/a>. A work that is exposed from this very day in the Barcelonian Vin\u00e7on, battering-ram of the design in Spain from is not known already when that public inspector follows to his labor of extending horizons.<\/p>\n

The brothers D\u00edez have extended the sense of his labor as designers when his work diversified from the design for the production towards a design per se<\/em>, a pure conception of objects that give that to think and they make smile at similar form to since it the poems to do Joan Brossa<\/a>‘s object.<\/p>\n

Some of them still have the Passeig de Gr\u00e1cia far and we will not be able to be in the inauguration at 19:00, but we are lucky for c have enjoyed the first contact <\/a>part of this material of D\u00edez+D\u00edez in Vigo, graces precisely to the work of other brothers whose labor is a battering-ram of the design in Spain \u2026 the Sirvent<\/a> in this case.<\/p>\n

El\u00edas Cueto, architect
\nSantiago de Compostela, september 2012<\/p>\n

Published in\u00a0 N\u00ba 313 [sillas…]<\/a><\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] En \u201cfilosof\u00eda del dise\u00f1o\u201d apuntaba Vil\u00e9m Flusser\u00a0que los objetos estorban, que la propia palabra \u201cobjeto\u201d comparte con la palabra \u201cobst\u00e1culo\u201d su ra\u00edz latina:\u00a0ob-iectum. Y se\u00f1alaba el fil\u00f3sofo el camino para quienes estuviesen atentos: La conveniencia de que en un futuro los dise\u00f1adores insistieran cada vez menos en la cualidad de obst\u00e1culo de lo que […]<\/p>\n","protected":false},"author":45,"featured_media":29113,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1397,5951],"tags":[11638,6919,12470,4503,3435,3199,4579,1564,1231,6918,6920],"class_list":["post-29112","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-diseno","category-slider-principal","tag-diezdiez","tag-diezzeid","tag-diseno","tag-diseno-de-mobiliario","tag-elias-cueto","tag-espacio-sirvent","tag-joan-brossa","tag-objeto","tag-silla","tag-vilem-flusser","tag-vincon"],"yoast_head":"\n\u2026sillas y sonrisas | El\u00edas Cueto<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]\u2026sillas y 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