{"id":29026,"date":"2013-02-04T06:04:19","date_gmt":"2013-02-04T06:04:19","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=29026"},"modified":"2022-09-06T08:54:28","modified_gmt":"2022-09-06T06:54:28","slug":"un-alero-y-un-hombre-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/un-alero-y-un-hombre-jose-ramon-hernandez-correa\/","title":{"rendered":"[:es]Un alero y un hombre | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]Un beirado e un home | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:en]An eaves and a man | Jose Ramon Hern\u00e1ndez Correa[:]"},"content":{"rendered":"

[:es]<\/p>\n

<\/div>\n
\"Alero
Alero del porche de planta baja | Fotograf\u00eda: Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/span><\/figcaption><\/figure>\n

He proyectado muchas casas para clientes a quienes la arquitectura jam\u00e1s les hab\u00eda interesado, y que no ten\u00edan ninguna formaci\u00f3n ni ning\u00fan criterio especial acerca de ella, ni se hab\u00edan planteado nunca ninguna cuesti\u00f3n sobre ella hasta ese momento de hacerse su propia casa; una casa que, de repente, despertaba la necesidad de \u201cser especial\u201d y de \u201cdecir algo\u201d.<\/p>\n

En todos ellos se daban dos circunstancias que me parecen opuestas. Por m\u00e1s veces que haya sido testigo del fen\u00f3meno a\u00fan me llena de perplejidad.<\/p>\n

La primera es la de diferenciarse de los dem\u00e1s<\/em>. Era su casa, su vida, su identidad y su personalidad. La casa ten\u00eda que ser \u00fanica.<\/p>\n

La segunda es la de tener los mismos clich\u00e9s que todo el mundo<\/em>. Ninguno admit\u00eda nada ni remotamente novedoso ni distinto a lo que ya conoc\u00edan.<\/p>\n

La soluci\u00f3n a esta dicotom\u00eda es imposible. Es \u201chacer lo que todos pero para ser diferente a todos\u201d. Y a lo \u00fanico que lleva tal planteamiento es a hacer lo que todos pero m\u00e1s: M\u00e1s grande, m\u00e1s veces, m\u00e1s retorcido.<\/p>\n

Es muy com\u00fan (incluso entre gente muy culta) buscar la excelencia por acumulaci\u00f3n. No les digas aquello de \u201cmenos es m\u00e1s\u201d. Menos es una pena, un desastre, una verg\u00fcenza. Nadie se hace una casa para que los vecinos le compadezcan. Se la hace para que le envidien, o, por lo menos, para que le tengan en consideraci\u00f3n.<\/p>\n

A veces he pensado en esto con rabia y con impotencia, pero creo que es una cuesti\u00f3n digna de reflexi\u00f3n. Normalmente los arquitectos nos sentimos superiores a nuestros clientes, les hacemos su casa casi con displicencia y no intentamos penetrar en la cuesti\u00f3n.<\/p>\n

Yo he intentado entenderlo, pero confieso que no lo consigo. Lo que s\u00ed tengo claro es que ni es un fen\u00f3meno despreciable ni nuestros clientes son bobos, ni nada parecido.<\/p>\n

La exclusiva y exquisita formaci\u00f3n pl\u00e1stica que se nos da a los arquitectos en la escuela no sirve ni ante estos clientes que se quieren hacer su propia casa ni ante el promotor-tipo que pretende hacer varias para vender. Es una pena que tiremos por la borda nuestra formaci\u00f3n y hagamos casas malas. Lo estupendo ser\u00eda entender a nuestro cliente (no convencerle, no \u201ceducarle\u201d: entenderle), y ser capaz de hacer arquitectura no s\u00f3lo pese a todo eso, sino con todo eso y gracias a todo eso.<\/p>\n

A modo de ejemplo os muestro el alero de una casa que hice. Ni lo dise\u00f1\u00e9 yo ni me gusta. En el alzado de proyecto (ya hecho al gusto del cliente) es completamente liso. Pero, ya en obra, el due\u00f1o dise\u00f1\u00f3 con gran trabajo y aplicaci\u00f3n ese adorno y se lo explic\u00f3 a los alba\u00f1iles. Y qued\u00f3 tan orgulloso de \u00e9l que cuando ense\u00f1\u00f3 su casa terminada a sus familiares y amigos hac\u00eda m\u00e1s hincapi\u00e9 en se\u00f1alarles ese alero que en todo lo dem\u00e1s. Hab\u00eda descubierto el placer inefable de dise\u00f1ar y de hacer realidad el dise\u00f1o.<\/p>\n

Pero ocurri\u00f3 algo inesperado: Su alero gust\u00f3 tanto a todos que temi\u00f3 que se lo copiasen, y me pregunt\u00f3 si yo sab\u00eda c\u00f3mo se pod\u00eda patentar. Satisfecho porque por fin me necesitara para algo, pero completo ignorante del asunto, indagu\u00e9 y le habl\u00e9 del Registro de la Propiedad Intelectual, pero le advert\u00ed que ese alero no era una obra novedosa. Me dijo que, efectivamente, no eran suyos ni el sistema constructivo ni el criterio, sino ese exacto dise\u00f1o, precisamente ese.<\/p>\n

Desde luego no es algo patentable ni registrable. \u00c9l mismo era consciente de que hab\u00eda hecho el t\u00edpico alero de toda la vida, pero al mismo tiempo hab\u00eda hecho un alero nunca antes visto: El suyo.<\/p>\n

Todav\u00eda le doy vueltas al asunto. Yo soy yo. Nunca antes ha habido nadie exactamente igual a m\u00ed. Y, sin embargo, soy muy parecido a much\u00edsima gente. En ese abismo de la identidad, la mismidad y la similitud naufragan muchos fil\u00f3sofos y nos ahogamos muchos arquitectos.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doctor Arquitecto
\nToledo \u00b7 febrero 2013[:en]

\"\"<\/a>
Eaves of the porch of ground floor | Photography: Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/span><\/figcaption><\/figure><\/p>\n

I have projected many houses for clients whom the architecture they had never been interested, and that did not have any formation not no special criterion brings over of her, they nor had raised any question on her up to this moment to his own house be done ever; a house that, suddenly, was waking the need up of \u00abbeing special\u00bb and of \u00absaying something\u00bb.<\/p>\n

In all of them they were giving themselves two circumstances that seem to me to be opposite. For more times that he has been a witness of the phenomenon still me full of perplexity.<\/p>\n

The first one is her of differing from the others<\/em>. It was his house, his life, his identity and his personality. The house had to be only.<\/p>\n

The second one is her of the same cliches have that the whole world.<\/em> None was admitting anything either remotely new or different what already they knew.<\/p>\n

The solution to this dichotomy is impossible. It is \u00abto do what all but to be different from all\u00bb. And to the only thing that takes such an exposition it is to doing what all but more: bigger, more times, more involved.<\/p>\n

It is very common (even between very educated people) to look for the excellence for accumulation. Do not say that one to them of \u00bb less it is more \u00ab. Less it is a shame, a disaster, a shame. Nobody does a house to himself in order that the neighbors feel sorry him. One does it in order that they envy him, or, at least, in order that they have him in consideration.<\/p>\n

Sometimes I have thought about this with anger and with impotence, but I believe that it is a worthy question of reflection. Normally the architects we feel superior to our client, do his house to them almost peevishly and do not try to penetrate in the question.<\/p>\n

I have tried to understand it, but I confess that I do not obtain it. What yes I have clear is that it is not even a despicable phenomenon not our clients are stupid, not not similarly at all.<\/p>\n

The exclusive and exquisite plastic formation that is given to the architects in the school does not serve not before these clients who want to do his own house to him not before the promoter – type who tries to do several to sell. A shame is that we throw for the hut our formation and do bad houses. The marvellous thing would be to understand our client (not to convince him, not \u00bb to educate him \u00ab: to understand him), and to be capable of doing architecture not only despite everything it, but with all that and thanks to all that.<\/p>\n

Like example I show you the eaves of a house that I did. I neither designed it I nor like it. In the project gathering (already done to the taste of the client) it is completely smooth. But, already in work, the owner designed with great work and application this adornment and it was explained to the bricklayers. And it remained so proud of him that when it taught his house finished to his relatives and friends was emphisizing indicating to them more these eaves that in everything else. It had discovered the indescribable pleasure of designing and of making real the design.<\/p>\n

But it happened slightly unexpectedly: they all liked His eaves so much that it was afraid that it was copied, and asked me if I knew how it was possible to patent. Satisfied because finally I needed for something, but I complete ignoramus of the matter, I investigated and spoke to him about the Record of the Intellectual Property, but I him warned that these eaves were not a new work. He said to me that, really, neither the constructive system nor the criterion were his, but this exact design, precisely this.<\/p>\n

Certainly it is not some kind of patentable not registrable. He itself was conscious that he itself had done the typical eaves of the whole life, but at the same time an eaves had never made before seen: His.<\/p>\n

Still I turn him to the matter. I I am I. Before there have never been exactly equal anybody to me. And, nevertheless, I belong very similar to many people. In this abyss of the identity, the mismidad and the similarity many philosophers sink and we suffocate many architects.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doctor Architect
\nToledo \u00b7 february 2013<\/p>\n

[:gl]

\"\"<\/a>
Beirado do porche de planta baixa\u00a0| Fotograf\u00eda: Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/span><\/figcaption><\/figure><\/p>\n

Proxectei moitas casas para clientes a quen a arquitectura xamais lles interesou, e que non ti\u00f1an ningunha formaci\u00f3n nin ning\u00fan criterio especial achega dela, nin se suscitaron nunca ningunha cuesti\u00f3n sobre ela ata ese momento de facerse a s\u00faa propia casa; unha casa que, de s\u00fapeto, espertaba a necesidade de \u201cser especial\u201d e de \u201cdicir algo\u201d.<\/p>\n

En todos eles d\u00e1banse d\u00faas circunstancias que me parecen opostas. Por m\u00e1is veces que sexa testemu\u00f1a do fen\u00f3meno a\u00ednda me enche de perplejidad.<\/p>\n

A primeira \u00e9 a de diferenciarse dos demais. Era a s\u00faa casa, a s\u00faa vida, a s\u00faa identidade e a s\u00faa personalidade. A casa ti\u00f1a que ser \u00fanica.<\/p>\n

A segunda \u00e9 a de ter os mesmos clich\u00e9s que todo o mundo. Ning\u00fan admit\u00eda nada nin remotamente novedoso nin distinto ao que xa co\u00f1ec\u00edan.<\/p>\n

A soluci\u00f3n a esta dicotom\u00eda \u00e9 imposible. \u00c9 \u201cfacer o que todos pero para ser diferente a todos\u201d. E ao \u00fanico que leva tal formulaci\u00f3n \u00e9 a facer o que todos pero m\u00e1is: M\u00e1is grande, m\u00e1is veces, m\u00e1is retorto.<\/p>\n

\u00c9 moi com\u00fan (ata entre xente moi culta) buscar a excelencia por acumulaci\u00f3n. Non lles digas aquilo de \u201cmenos \u00e9 m\u00e1is\u201d. Menos \u00e9 unha pena, un desastre, unha vergonza. Ningu\u00e9n se fai unha casa para que os veci\u00f1os lle compadezcan. Failla para que lle envexen, ou, polo menos, para que lle te\u00f1an en consideraci\u00f3n.<\/p>\n

\u00c1s veces pensei nisto con rabia e con impotencia, pero creo que \u00e9 unha cuesti\u00f3n digna de reflexi\u00f3n. Normalmente os arquitectos sent\u00edmosnos\/sent\u00edmonos superiores aos nosos clientes, fac\u00e9moslles a s\u00faa casa case con displicencia e non intentamos penetrar na cuesti\u00f3n.<\/p>\n

Eu intentei entendelo, pero confeso que non o consigo. O que si te\u00f1o claro \u00e9 que nin \u00e9 un fen\u00f3meno despreciable nin os nosos clientes son bobo, nin nada semellante.<\/p>\n

A exclusiva e exquisita formaci\u00f3n pl\u00e1stica que se nos d\u00e1 aos arquitectos na escola non serve nin ante estes clientes que se queren facer a s\u00faa propia casa nin ante o promotor-tipo que pretende facer varias para vender. \u00c9 unha pena que tiremos pola borda a nosa formaci\u00f3n e fagamos casas malas. O estupendo ser\u00eda entender ao noso cliente (non convencerlle, non \u201ceducarlle\u201d: entenderlle), e ser capaz de facer arquitectura non s\u00f3 pese a todo iso, sen\u00f3n con todo iso e grazas a todo iso.<\/p>\n

A modo de exemplo m\u00f3strovos o beirado dunha casa que fixen. Nin o dese\u00f1ei eu nin me gusta. No alzado de proxecto (xa feito ao gusto do cliente) \u00e9 completamente liso. Pero, xa en obra, o dono dese\u00f1ou con gran traballo e aplicaci\u00f3n ese adorno e explicoullo aos alba\u00f1iles. E quedou tan orgulloso del que cando ensinou a s\u00faa casa terminada aos seus familiares e amigos fac\u00eda m\u00e1is fincap\u00e9 en sinalarlles ese beirado que en todo o demais. descubrira o pracer inefable de dese\u00f1ar e de facer realidade o dese\u00f1o.<\/p>\n

Pero ocorreu algo inesperado: O seu beirado gustou tanto a todos que temeu que llo copiasen, e preguntoume si eu sab\u00eda como se pod\u00eda patentar. Satisfeito porque por fin necesit\u00e1seme para algo, pero completo ignorante do asunto, indaguei e faleille do Rexistro da Propiedade Intelectual, pero advertinlle que ese beirado non era unha obra novedosa. D\u00edxome que, efectivamente, non eran seus nin o sistema constructivo nin o criterio, sen\u00f3n ese exacto dese\u00f1o, precisamente ese.<\/p>\n

Desde logo non \u00e9 algo patentable nin registrable. El mesmo era consciente de que fixera o t\u00edpico beirado de toda a vida, pero ao mesmo tempo fixera un beirado nunca antes visto: O seu.<\/p>\n

A\u00ednda lle dou voltas ao asunto. Eu son eu. Nunca antes houbo ningu\u00e9n exactamente igual a min. E, con todo, son moi parecido a much\u00edsima xente. Nese abismo da identidade, a mismidad e a similitud naufragan moitos fil\u00f3sofos e afog\u00e1mosnos\/afog\u00e1monos moitos arquitectos.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doctor Arquitecto
\nToledo \u00b7 febreiro 2013<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] He proyectado muchas casas para clientes a quienes la arquitectura jam\u00e1s les hab\u00eda interesado, y que no ten\u00edan ninguna formaci\u00f3n ni ning\u00fan criterio especial acerca de ella, ni se hab\u00edan planteado nunca ninguna cuesti\u00f3n sobre ella hasta ese momento de hacerse su propia casa; una casa que, de repente, despertaba la necesidad de \u201cser […]<\/p>\n","protected":false},"author":33,"featured_media":29027,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[6873,12470,3653,6874,1103,2066,1865,1241,12465],"class_list":["post-29026","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-cliente","tag-diseno","tag-jose-ramon-hernandez-correa","tag-patente","tag-profesion","tag-proyectar","tag-reflexion","tag-sociedad","tag-vivienda"],"yoast_head":"\nUn alero y un hombre | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/title>\n<meta name=\"description\" content=\"Un alero y un hombre\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/un-alero-y-un-hombre-jose-ramon-hernandez-correa\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un alero y un hombre | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\" \/>\n<meta property=\"og:description\" content=\"Un alero y un hombre\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/un-alero-y-un-hombre-jose-ramon-hernandez-correa\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" 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