{"id":28970,"date":"2013-02-01T06:16:07","date_gmt":"2013-02-01T06:16:07","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=28970"},"modified":"2019-10-31T09:58:01","modified_gmt":"2019-10-31T08:58:01","slug":"defensa-de-lo-defendible-brijuni","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/","title":{"rendered":"Defensa de lo defendible | bRijUNiDefensa do defendible | bRijUNiDefense of the defensible thing | bRijUNi"},"content":{"rendered":"

\"\"<\/a>
Cantina de la Cidade da Cultura | bRijUNi<\/span><\/figcaption><\/figure><\/p>\n

La historia de la arquitectura contempor\u00e1nea, es decir, desde \u201cla muerte\u201d del movimiento moderno, es la historia de la b\u00fasqueda del acercamiento a la sociedad.<\/p>\n

Primero con la revisi\u00f3n que proponen los j\u00f3venes miembros del CIAM en el TEAM 10, buscando un urbanismo m\u00e1s humano y m\u00e1s cercano a lo que hoy denominamos fenomenolog\u00eda. Esto qued\u00f3 en una serie de t\u00edmidas intenciones, aisladas y poco efectivas. Mucho m\u00e1s notorio e influyente, especialmente en el mass media<\/em>, fue el camino postmoderno, que, aunque pecaba de una cierta superficialidad, pon\u00eda sobre la mesa el que podr\u00eda ser el principal problema del arquitecto a la hora de comunicar: la prepotencia. Venturi, al elevar a la ciudad de Las Vegas al nivel de lo arquitect\u00f3nicamente valioso [dej\u00e9moslo as\u00ed] estaba, en cierto modo, anticipando una de las reivindicaciones contempor\u00e1neas que podr\u00eda resumirse as\u00ed: \u201cTan importante puede ser el Vitrubio como la revista Hola, depende…\u201d. La teor\u00eda de la relatividad empez\u00f3 a servir para relativizar todo.<\/p>\n

La buscada conexi\u00f3n con la sociedad [enti\u00e9ndase la sociedad m\u00e1s alejada de los conceptos arquitect\u00f3nicos] se derrumba en el momento en que los arquitectos comienzan a articular sus complejos discursos y transformar en pr\u00e1ctica las \u201cbienintencionadas\u201d ideas de Venturi. Ah\u00ed nacer\u00e1n los \u201cestilos arquitect\u00f3nicos\u201d m\u00e1s complejos y dif\u00edciles de comprender para el \u201cvulgo\u201d de la contemporaneidad: el hight tech<\/em>, la deconstrucci\u00f3n o la propia arquitectura postmoderna, que no por utilizar frontones y dem\u00e1s elementos cl\u00e1sicos result\u00f3 m\u00e1s comprensible para el gran p\u00fablico que los mejores edificios de Le Corbusier, Mies y dem\u00e1s miembros del criticado movimiento moderno.<\/p>\n

En resumen, visto desde el siglo XXI esa idea de \u201ccontactar con el p\u00fablico\u201d que ten\u00edan los primeros postmodernos result\u00f3 simplemente una excusa para que los practitioners<\/em> hicieran lo de siempre: lo que les dio la gana.<\/p>\n

Actualmente, por distintos motivos, los arquitectos estamos de nuevo buscando desesperadamente contactar con un p\u00fablico que, sinceramente, no se siente atra\u00eddo por nosotros, no sabe para qu\u00e9 servimos y no nos necesita. Es una cuesti\u00f3n de supervivencia y, como tal, hemos decidido atacarnos a nosotros mismos, comenzando por el m\u00e1s d\u00e9bil de la manada.<\/p>\n

Porque si se trata de demostrar nuestra labor social, nuestra trascendencia ciudadana, DEBEMOS [s\u00ed, con may\u00fasculas] matar a \u201clos otros\u201d, a los no sociales, a los arquitectos que conforman el Star System y que se han dedicado a sembrar nuestro planeta de nocivos edificios ic\u00f3nicos que han arruinado ciudades y arrasado pueblos. Est\u00e1 claro que esta es la tendencia porque el rey de las tendencias lo ha dicho ya claramente con el t\u00edtulo propuesto para la Biennale 2014: volvamos a nuestra esencia…y la suya es la del amable holand\u00e9s que prefiere la bici al mercedes, sin importar cu\u00e1ntos jet privados haya cogido en el pasado, eso queda olvidado. Holanda es un pa\u00eds social y Koolhaas lleva una vieja camiseta en la foto, eso es lo que cuenta.<\/p>\n

Sin embargo cabr\u00eda preguntarse qu\u00e9 hacemos con el hecho de que la arquitectura ic\u00f3nica haya sido, sin comparaci\u00f3n [quiz\u00e1s con la \u00fanica comparaci\u00f3n posible de esas lejanas catedrales] el movimiento arquitect\u00f3nico que mayor atenci\u00f3n social ha conseguido.<\/p>\n

Quiz\u00e1s los arquitectos deber\u00edamos de apoyarnos en negarnos los unos a los otros para seguir creciendo y tendr\u00edamos que empezar a aceptar y asumir nuestra historia, no s\u00f3lo para conseguir el reconocimiento social que tanto anhelamos, tambi\u00e9n para recuperar la credibilidad perdida, incluso entre nosotros.<\/p>\n

Texto por bRijUNi arquitectos<\/strong>: Beatriz Villanueva Cajide <\/strong>-Arquitecto y Master en Proyectos Arquitect\u00f3nicos Avanzados (ETSA Madrid)- y Francisco Javier Casas Cobo<\/strong> -arquitecto y Master en Teor\u00eda, An\u00e1lisis e Historia de la Arquitectura (ETSA Madrid).<\/p>\n

\"\"<\/a>
Canteen of the\u00a0Cidade da Cultura | bRijUNi<\/span><\/figcaption><\/figure><\/p>\n

The history of the contemporary architecture, that is to say, from \u00abthe death\u00bb of the modern movement, it is the history of the search of the approximation to the company.<\/p>\n

First with the review that the young members of the CIAM propose in the TEAM 10, looking for an urbanism more human and nearer to what today we name fenomenolog\u00eda. This stayed in a series of shy intentions, isolated and slightly effective. Much more well-known and influential, specially in the mass media<\/em>, it was the postmodern way, which, though it was too a certain superficialness, was putting on the table the one that might be the principal problem of the architect at the moment of reporting: the omnipotence. Venturi, on having raised to the city of Las Vegas at the level of architectonically valuably [let’s leave the like that thing] was, in certain way, anticipating one of the contemporary recoveries that might summarize this way: \u00bb So importantly it can be the Vitrubio as the Hola magazine, it depends … \u00ab. The theory of the relativity started serving to relativize everything.<\/p>\n

The search connection with the company [there be understood the company most removed from the architectural concepts] is ruined in the moment in which the architects begin to articulate his complex speeches and to transform into practice Venturi’s \u00abwell-meaning\u00bb ideas. There there will be born the \u00abarchitectural styles\u00bb more complexes and difficult to understand for the \u00abmasses\u00bb of the contemporaneousness: the hight tech, the deconstrucci\u00f3n or the own postmodern architecture, which not for using frontons and other classic elements turned out to be more understandable for the great public that the best buildings of Le Corbusier, Mies and other members of the criticized modern movement.<\/p>\n

In short, I dress from the 21st century this idea of \u00bb contacting the public \u00bb that had the first postmodern ones it turned out to be simply an excuse in order that the practitioners<\/em> were doing it of always: what gave to them the desire.<\/p>\n

Nowadays, for different motives, the architects we are seeking to contact desperate again a public who, sincerely, does not feel attracted by we, it does not know why and does not need us. It is a question of survival and, as such, we have decided to stuff to us themselves, beginning for the weakest of the herd.<\/p>\n

Because if it is a question of demonstrating our social labor, our civil transcendency, WE MUST [yes, with capital letters] kill \u00abothers \u00ab, to the not social ones, to the architects who agree Star System and who have devoted themselves to sow our planet of harmful buildings ic\u00f3nicos that have ruined cities and devastated peoples. It is clear that this one is the trend because the king of the trends has said it already clearly with the title proposed for the Biennale 2014: let’s return to our essence … and his is that of the nice Dutch who prefers the bicycle to the mercedes, without importing how many jet deprived has taken in the past, it remains forgotten. Holland is a social country and Koolhaas takes an old vest in the photo, it is what counts.<\/p>\n

Nevertheless it would be necessary to ask him what we do with the fact that the architecture ic\u00f3nica has been, without comparison [probably with the only possible comparison of these distant cathedrals] the movement architectural that major social attention has obtained.<\/p>\n

Probably the architects we have to of resting in some to deny to others to continue growing and would have to start accepting and assuming our history, not only to obtain the social recognition that so much we long, also to recover the lost credibility, even strictly between ourselves.<\/p>\n

Text by bRijUNi arquitectos<\/strong>: Beatriz Villanueva Cajide <\/strong>-Architect and Master in Architectural Advanced Projects (ETSA Madrid)- and Francisco Javier Casas Cobo<\/strong> -Architect and Master theoretically, Analysis and History of the Architecture (ETSA Madrid).<\/p>\n

\"\"<\/a>
Cantina da Cidade da Cultura | bRijUNi<\/span><\/figcaption><\/figure><\/p>\n

A historia da arquitectura contempor\u00e1nea, \u00e9 dicir, dende \u201ca morte\u201d do movemento moderno, \u00e9 a historia da procura do achegamento \u00e1 sociedade.<\/p>\n

Primeiro coa revisi\u00f3n que propo\u00f1en os novos membros do CIAM no TEAM 10, buscando un urbanismo m\u00e1is humano e m\u00e1is pr\u00f3ximo ao que hoxe denominamos fenomenolox\u00eda. Isto quedou nunha serie de t\u00edmidas intenci\u00f3ns, illadas e pouco efectivas. Moito m\u00e1is notorio e influyente, especialmente no mass media<\/em>, foi o cami\u00f1o postmoderno, que, a\u00ednda que pecaba dunha certa superficialidad, po\u00f1\u00eda sobre a mesa o que poder\u00eda ser o principal problema do arquitecto \u00e1 hora de comunicar: a prepotencia. Venturi, ao elevar \u00e1 cidade de As Vegas ao nivel do arquitect\u00f3nicamente valioso [deix\u00e9molo as\u00ed] estaba, en certo xeito, anticipando unha das reivindicaci\u00f3ns contempor\u00e1neas que poder\u00eda resumirse as\u00ed: \u201cTan importante pode ser o Vitrubio como a revista Hola, depende…\u201d. A teor\u00eda da relatividade empezou a servir para relativizar todo.<\/p>\n

A buscada conexi\u00f3n coa sociedade [ent\u00e9ndase a sociedade m\u00e1is afastada dos conceptos arquitect\u00f3nicos] derr\u00fabase no momento en que os arquitectos comezan a articular os seus complexos discursos e transformar en pr\u00e1ctica as \u201cbenintencionadas\u201d ideas de Venturi. A\u00ed nacer\u00e1n os \u201cestilos arquitect\u00f3nicos\u201d m\u00e1is complexos e dif\u00edciles de comprender para o \u201cvulgo\u201d da contemporaneidad: o hight tech<\/em>, a deconstrucci\u00f3n ou a propia arquitectura postmoderna, que non por utilizar frontones e demais elementos cl\u00e1sicos resultou m\u00e1is comprensible para o gran p\u00fablico que os mellores edificios de Le Corbusier, Mies e demais membros do criticado movemento moderno.<\/p>\n

En resumo, visto desde o s\u00e9culo XXI esa idea de \u201ccontactar co p\u00fablico\u201d que ti\u00f1an os primeiros postmodernos resultou simplemente unha excusa para que os practitioners<\/em> fixesen o de sempre: o que lles deu a gana.<\/p>\n

Actualmente, por distintos motivos, os arquitectos estamos de novo buscando desesperadamente contactar cun p\u00fablico que, sinceramente, non se sente atra\u00eddo por n\u00f3s, non sabe para que servimos e non nos necesita. \u00c9 unha cuesti\u00f3n de supervivencia e, como tal, decidimos atacarnos a n\u00f3s mesmos, comezando polo m\u00e1is d\u00e9bil da manada.<\/p>\n

Porque se tratase de demostrar o noso labor social, a nosa transcendencia cidad\u00e1, DEBEMOS [si, con mai\u00fasculas] matar a \u201cos outros\u201d, as non sociais, os arquitectos que conforman o Star System e que se dedicaron a sementar o noso planeta de nocivos edificios ic\u00f3nicos que arruinaron cidades e arrasado pobos. Est\u00e1 claro que esta \u00e9 a tendencia porque o rei das tendencias d\u00edxoo xa claramente co t\u00edtulo proposto para a Biennale 2014: volvamos \u00e1 nosa esencia…e a s\u00faa \u00e9 a do amable holand\u00e9s que prefire a bici ao mercedes, sen importar cantos jet privados colleu no pasado, iso queda esquecido. Holanda \u00e9 un pa\u00eds social e Koolhaas leva unha vella camiseta na foto, iso \u00e9 o que conta.<\/p>\n

Con todo caber\u00eda preguntarse que facemos co feito de que a arquitectura ic\u00f3nica sexa, sen comparaci\u00f3n [quizais coa \u00fanica comparaci\u00f3n posible desas afastadas catedr\u00e1is] o movemento arquitect\u00f3nico que maior atenci\u00f3n social conseguiu.<\/p>\n

Quiz\u00e1is os arquitectos deberiamos de apoiarnos en negarnos os uns aos outros para seguir crecendo e teriamos que empezar a aceptar e asumir a nosa historia, non s\u00f3 para conseguir o reco\u00f1ecemento social que tanto anhelamos, tam\u00e9n para recuperar a credibilidade perdida, ata entre n\u00f3s.<\/p>\n

Texto por bRijUNi arquitectos<\/strong>: Beatriz Villanueva Cajide <\/strong>-Arquitecto e Master en Proxectos Arquitect\u00f3nicos Avanzados (ETSA Madrid)- e Francisco Javier Casas Cobo<\/strong> -arquitecto e Master en Teor\u00eda, An\u00e1lise e Historia da Arquitectura (ETSA Madrid).<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

La historia de la arquitectura contempor\u00e1nea, es decir, desde \u201cla muerte\u201d del movimiento moderno, es la historia de la b\u00fasqueda del acercamiento a la sociedad. Primero con la revisi\u00f3n que proponen los j\u00f3venes miembros del CIAM en el TEAM 10, buscando un urbanismo m\u00e1s humano y m\u00e1s cercano a lo que hoy denominamos fenomenolog\u00eda. Esto […]<\/p>\n","protected":false},"author":18,"featured_media":28971,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[143,6863,6474,5376,785,865,898,1865,2173,4346,7478,1241,1253,1514],"class_list":["post-28970","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-arquitectura-contemporanea","tag-arquitectura-postmoderna","tag-articulo","tag-ciam","tag-le-corbusier","tag-mies-van-der-rohe","tag-movimiento-moderno","tag-reflexion","tag-rem-koolhaas","tag-robert-venturi","tag-s-xxi","tag-sociedad","tag-star-system","tag-team-x"],"yoast_head":"\nDefensa de lo defendible | bRijUNi<\/title>\n<meta name=\"description\" content=\"Defensa de lo defendible\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Defensa de lo defendible | bRijUNi\" \/>\n<meta property=\"og:description\" content=\"Defensa de lo defendible\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/profile.php?id=100054398145841\" \/>\n<meta property=\"article:published_time\" content=\"2013-02-01T06:16:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-31T08:58:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/01\/cooltemporaneidad.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"620\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"bRijUNi arquitectos\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/bRijUNi_Archs\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"bRijUNi arquitectos\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/\"},\"author\":{\"name\":\"bRijUNi arquitectos\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/b1ff8924be47a4f4a4b43f00a6c6e21e\"},\"headline\":\"Defensa de lo defendible | bRijUNiDefensa do defendible | bRijUNiDefense of the defensible thing | bRijUNi\",\"datePublished\":\"2013-02-01T06:16:07+00:00\",\"dateModified\":\"2019-10-31T08:58:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/\"},\"wordCount\":1961,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/cooltemporaneidad.jpg\",\"keywords\":[\"arquitectura contempor\u00e1nea\",\"arquitectura postmoderna\",\"art\u00edculo\",\"CIAM\",\"Le Corbusier\",\"Mies van der Rohe\",\"movimiento moderno\",\"reflexi\u00f3n\",\"Rem Koolhaas\",\"Robert Venturi\",\"s. xxi\",\"sociedad\",\"star system\",\"Team X\"],\"articleSection\":[\"faro\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/\",\"name\":\"Defensa de lo defendible | bRijUNi\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/cooltemporaneidad.jpg\",\"datePublished\":\"2013-02-01T06:16:07+00:00\",\"dateModified\":\"2019-10-31T08:58:01+00:00\",\"description\":\"Defensa de lo defendible\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/cooltemporaneidad.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2013\\\/01\\\/cooltemporaneidad.jpg\",\"width\":\"620\",\"height\":\"620\",\"caption\":\"Cantina de la Cidade da Cultura | bRijUNi\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/defensa-de-lo-defendible-brijuni\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Defensa de lo defendible | bRijUNi\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/b1ff8924be47a4f4a4b43f00a6c6e21e\",\"name\":\"bRijUNi arquitectos\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/01\\\/brijuniarquitectoslcvfoto-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/01\\\/brijuniarquitectoslcvfoto-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/01\\\/brijuniarquitectoslcvfoto-96x96.jpg\",\"caption\":\"bRijUNi arquitectos\"},\"description\":\"Beatriz Villanueva es Doctora arquitecta en Proyectos arquitect\u00f3nicos avanzados, M\u00e1ster en Arquitectura, Master en Proyectos Arquitect\u00f3nicos Avanzados por la Escuela T\u00e9cnica Superior de Arquitectura de Madrid y M\u00e1ster en Gesti\u00f3n de Espacios Virtuales por la Fundaci\u00f3n Camu\u00f1as, Escuela de Arquitectura del C.E.U., Madrid. Francisco J. Casas es Doctor Arquitecto en Comunicaci\u00f3n Arquitect\u00f3nica (ETSA Madrid), M\u00e1ster en An\u00e1lisis, Teor\u00eda e Historia de la Arquitectura (ETSA Madrid) y profesor en el College of Engineering de Alfailsal University en Riad (Arabia Saud\u00ed). Fueron Embajadores de la IV Bienal Arquia Pr\u00f3xima y Comisarios de \u201cMen\u00e1ge a Trois\u201d, \u201cF. A. Q.\u201d, \u201cPortfolio Speed Dating\u201d y \u201cTres (2013) y Cuatro (2014-15) sesiones Al Borde de la Cr\u00edtica\u201d y de la exposici\u00f3n \\\"Couples & Co.: 22 Mirror Stories of Spanish Architecture\\\" en Berl\u00edn (2015), Hamburgo (2016) y Sevilla (2016). Han sido profesores en IED Madrid, MADinU Salamanca, Universidad Europea de Madrid, UCJC, ETSA Zaragoza USJ y Summer School AA (Londres). Viven en Riad (Arabia Saud\u00ed) desde agosto de 2014 y son profesores en Prince Sultan University y Alfaisal University respectivamente. Beatriz Villanueva es Arquitecta, Master en Gesti\u00f3n de Espacios Virtuales, Master en Proyectos Arquitect\u00f3nicos Avanzados y PhD (ABD) con su tesis \u201cArquitectura y Compromiso. Actualizaci\u00f3n y revisi\u00f3n cr\u00edtica de los manifiestos de arquitectura\u201d, dentro del grupo ARKRIT de teor\u00eda y cr\u00edtica (ETSAM). Francisco J. Casas es Arquitecto, Master en An\u00e1lisis, Teor\u00eda e Historia de la Arquitectura y PhD (ABD) con su tesis \u201cFundamentos Historiogr\u00e1ficos, Te\u00f3ricos y Cr\u00edticos de los a\u00f1os 50\u201d dentro del Departamento de Composici\u00f3n Arquitect\u00f3nica (ETSAM). Fueron Embajadores de la IV Bienal Arquia Pr\u00f3xima y Comisarios de \u201cMen\u00e1ge a Trois\u201d, \u201cF. A. Q.\u201d, \u201cPortfolio Speed Dating\u201d y \u201cTres (2013) y Cuatro (2014-15) sesiones Al Borde de la Cr\u00edtica\u201d y de la exposici\u00f3n \\\"Couples & Co.: 22 Mirror Stories of Spanish Architecture\\\" en Berl\u00edn (2015), Hamburgo (2016) y Sevilla (2016). Han sido profesores en IED Madrid, MADinU Salamanca, Universidad Europea de Madrid, UCJC, ETSA Zaragoza USJ y Summer School AA (Londres). Viven en Riad (Arabia Saud\u00ed) desde agosto de 2014 y son profesores en Prince Sultan University y Alfaisal University respectivamente.\",\"sameAs\":[\"https:\\\/\\\/www.brijuni.studio\\\/\",\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=100054398145841\",\"https:\\\/\\\/www.instagram.com\\\/brijuni_archs\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/brijuni-arquitectos\\\/about\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/bRijUNi_Archs\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/brijuni-arquitectos\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Defensa de lo defendible | bRijUNi","description":"Defensa de lo defendible","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/","og_locale":"es_ES","og_type":"article","og_title":"Defensa de lo defendible | bRijUNi","og_description":"Defensa de lo defendible","og_url":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/profile.php?id=100054398145841","article_published_time":"2013-02-01T06:16:07+00:00","article_modified_time":"2019-10-31T08:58:01+00:00","og_image":[{"width":620,"height":620,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/01\/cooltemporaneidad.jpg","type":"image\/jpeg"}],"author":"bRijUNi arquitectos","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/bRijUNi_Archs","twitter_site":"@veredes","twitter_misc":{"Escrito por":"bRijUNi arquitectos","Tiempo de lectura":"10 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/"},"author":{"name":"bRijUNi arquitectos","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/b1ff8924be47a4f4a4b43f00a6c6e21e"},"headline":"Defensa de lo defendible | bRijUNiDefensa do defendible | bRijUNiDefense of the defensible thing | bRijUNi","datePublished":"2013-02-01T06:16:07+00:00","dateModified":"2019-10-31T08:58:01+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/"},"wordCount":1961,"commentCount":2,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/01\/cooltemporaneidad.jpg","keywords":["arquitectura contempor\u00e1nea","arquitectura postmoderna","art\u00edculo","CIAM","Le Corbusier","Mies van der Rohe","movimiento moderno","reflexi\u00f3n","Rem Koolhaas","Robert Venturi","s. xxi","sociedad","star system","Team X"],"articleSection":["faro","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/","url":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/","name":"Defensa de lo defendible | bRijUNi","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/01\/cooltemporaneidad.jpg","datePublished":"2013-02-01T06:16:07+00:00","dateModified":"2019-10-31T08:58:01+00:00","description":"Defensa de lo defendible","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/01\/cooltemporaneidad.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2013\/01\/cooltemporaneidad.jpg","width":"620","height":"620","caption":"Cantina de la Cidade da Cultura | bRijUNi"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/defensa-de-lo-defendible-brijuni\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Defensa de lo defendible | bRijUNi"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/b1ff8924be47a4f4a4b43f00a6c6e21e","name":"bRijUNi arquitectos","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/01\/brijuniarquitectoslcvfoto-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/01\/brijuniarquitectoslcvfoto-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2019\/01\/brijuniarquitectoslcvfoto-96x96.jpg","caption":"bRijUNi arquitectos"},"description":"Beatriz Villanueva es Doctora arquitecta en Proyectos arquitect\u00f3nicos avanzados, M\u00e1ster en Arquitectura, Master en Proyectos Arquitect\u00f3nicos Avanzados por la Escuela T\u00e9cnica Superior de Arquitectura de Madrid y M\u00e1ster en Gesti\u00f3n de Espacios Virtuales por la Fundaci\u00f3n Camu\u00f1as, Escuela de Arquitectura del C.E.U., Madrid. Francisco J. Casas es Doctor Arquitecto en Comunicaci\u00f3n Arquitect\u00f3nica (ETSA Madrid), M\u00e1ster en An\u00e1lisis, Teor\u00eda e Historia de la Arquitectura (ETSA Madrid) y profesor en el College of Engineering de Alfailsal University en Riad (Arabia Saud\u00ed). Fueron Embajadores de la IV Bienal Arquia Pr\u00f3xima y Comisarios de \u201cMen\u00e1ge a Trois\u201d, \u201cF. A. Q.\u201d, \u201cPortfolio Speed Dating\u201d y \u201cTres (2013) y Cuatro (2014-15) sesiones Al Borde de la Cr\u00edtica\u201d y de la exposici\u00f3n \"Couples & Co.: 22 Mirror Stories of Spanish Architecture\" en Berl\u00edn (2015), Hamburgo (2016) y Sevilla (2016). Han sido profesores en IED Madrid, MADinU Salamanca, Universidad Europea de Madrid, UCJC, ETSA Zaragoza USJ y Summer School AA (Londres). Viven en Riad (Arabia Saud\u00ed) desde agosto de 2014 y son profesores en Prince Sultan University y Alfaisal University respectivamente. Beatriz Villanueva es Arquitecta, Master en Gesti\u00f3n de Espacios Virtuales, Master en Proyectos Arquitect\u00f3nicos Avanzados y PhD (ABD) con su tesis \u201cArquitectura y Compromiso. Actualizaci\u00f3n y revisi\u00f3n cr\u00edtica de los manifiestos de arquitectura\u201d, dentro del grupo ARKRIT de teor\u00eda y cr\u00edtica (ETSAM). Francisco J. Casas es Arquitecto, Master en An\u00e1lisis, Teor\u00eda e Historia de la Arquitectura y PhD (ABD) con su tesis \u201cFundamentos Historiogr\u00e1ficos, Te\u00f3ricos y Cr\u00edticos de los a\u00f1os 50\u201d dentro del Departamento de Composici\u00f3n Arquitect\u00f3nica (ETSAM). Fueron Embajadores de la IV Bienal Arquia Pr\u00f3xima y Comisarios de \u201cMen\u00e1ge a Trois\u201d, \u201cF. A. Q.\u201d, \u201cPortfolio Speed Dating\u201d y \u201cTres (2013) y Cuatro (2014-15) sesiones Al Borde de la Cr\u00edtica\u201d y de la exposici\u00f3n \"Couples & Co.: 22 Mirror Stories of Spanish Architecture\" en Berl\u00edn (2015), Hamburgo (2016) y Sevilla (2016). Han sido profesores en IED Madrid, MADinU Salamanca, Universidad Europea de Madrid, UCJC, ETSA Zaragoza USJ y Summer School AA (Londres). Viven en Riad (Arabia Saud\u00ed) desde agosto de 2014 y son profesores en Prince Sultan University y Alfaisal University respectivamente.","sameAs":["https:\/\/www.brijuni.studio\/","https:\/\/www.facebook.com\/profile.php?id=100054398145841","https:\/\/www.instagram.com\/brijuni_archs\/","https:\/\/www.linkedin.com\/company\/brijuni-arquitectos\/about\/","https:\/\/x.com\/https:\/\/twitter.com\/bRijUNi_Archs"],"url":"https:\/\/veredes.es\/blog\/author\/brijuni-arquitectos\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/28970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=28970"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/28970\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/28971"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=28970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=28970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=28970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}