{"id":28818,"date":"2013-02-15T06:40:09","date_gmt":"2013-02-15T06:40:09","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=28818"},"modified":"2020-10-19T16:16:06","modified_gmt":"2020-10-19T14:16:06","slug":"neoplastico-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/neoplastico-antonio-s-rio-vazquez\/","title":{"rendered":"Neopl\u00e1stico | Antonio S. R\u00edo V\u00e1zquezNeopl\u00e1stico | Antonio S. R\u00edo V\u00e1zquezNeoplasticity | Antonio S. R\u00edo V\u00e1zquez"},"content":{"rendered":"

\"\"<\/a>
Ray Eames con la maqueta de su casa | Fotograf\u00eda: Peter Stackpole | images.google.com<\/span><\/figcaption><\/figure><\/p>\n

En el a\u00f1o 2008, Lego<\/em><\/a> present\u00f3 la Torre Sears<\/a> de Chicago dentro de su l\u00ednea \u00abArchitecture\u00bb<\/a>, primera obra de una serie que se desarrollar\u00eda en los a\u00f1os siguientes con el museo Guggenheim<\/a> de Nueva York, la \u00f3pera<\/a> de S\u00eddney o tres viviendas paradigm\u00e1ticas de la modernidad: la Casa de la Cascada<\/a> de Frank Lloyd Wright, la Casa Farnsworth<\/a> de Mies van de Rohe y la Villa Saboya<\/a> de Le Corbusier.<\/p>\n

La serie se dividi\u00f3 en dos categor\u00edas: \u00abArquitectos\u00bb e \u00abHitos\u00bb, la primera englobando arquitecturas destacadas de la modernidad y la segunda monumentos, independientemente de su antig\u00fcedad. En ambos casos, el constructor podr\u00eda elaborar una r\u00e9plica a escala de la obra original, utilizando para ello las piezas tradicionales de la compa\u00f1\u00eda.<\/p>\n

Sin embargo, el origen de la serie se remonta a hace cincuenta a\u00f1os, cuando Godtfred Kirk Christiansen<\/a> \u2014entonces director de la compa\u00f1\u00eda\u2014 decidi\u00f3 buscar nuevas formas de expansi\u00f3n del sistema Lego<\/em>. La d\u00e9cada de los cincuenta hab\u00eda supuesto el salto definitivo hacia el uso del pl\u00e1stico frente a la madera con la que hab\u00edan comenzado y la concreci\u00f3n del sistema de ensamblaje mediante los conocidos ladrillos<\/a>, cuya patente queda registrada en 1958. La gran aceptaci\u00f3n popular que ten\u00eda el sistema y sus infinitas posibilidades con m\u00ednimos elementos lo convert\u00edan en un mundo por explorar y construir.<\/p>\n

En Estados Unidos, al mismo tiempo, se estaba desarrollando el programa de las Case Study Houses<\/em><\/a>, principalmente en torno a la ciudad de Los \u00c1ngeles. Promovido por John Entenza<\/a> desde la revista Arts & Architecture<\/em><\/a>, se llev\u00f3 a cabo entre 1945 y 1966, implicando a un importante n\u00famero de arquitectos entre los que figuraban Richard Neutra<\/a>, Craig Ellwood<\/a>, Pierre Koenig<\/a> o Charles y Ray Eames<\/a>.<\/p>\n

Desde su inicio, el programa buscaba una nueva pl\u00e1stica para la vivienda americana. Cada arquitecto deb\u00eda asumir la responsabilidad de dise\u00f1ar una casa de bajo coste que se ajustara a la normativa de construcci\u00f3n vigente, que fuera capaz de repetirse con m\u00ednimas variaciones en otros lugares y que no se convirtiera en una \u00abperformance\u00bb individual.<\/p>\n

En base a esas reglas de juego, se proyectaron treinta y seis prototipos, aunque no todos llegaron a hacerse realidad. Los arquitectos emplearon materiales donados por la industria y los combinaron de manera experimental, dando lugar a una rica y amplia variedad de viviendas. En alguna de ellas los autores fueron tambi\u00e9n sus habitantes, como sucedi\u00f3 en la casa Eames<\/a>.<\/p>\n

En 1962 Lego<\/em> lanz\u00f3 al mercado tres cajas denominadas \u00abModelos a Escala\u00bb<\/a>. Usando los mismos ladrillos que estaban triunfando en el mercado, ofrec\u00edan la posibilidad de dise\u00f1ar una casa moderna<\/em>. Junto a los elementos existentes se incorporaron piezas planas (cuya altura era un tercio del ladrillo) que permit\u00edan elaborar modelos m\u00e1s detallados.<\/p>\n

La caja inclu\u00eda un escal\u00edmetro y una ret\u00edcula base, aproximando a\u00fan m\u00e1s el juego al trabajo del proyectista real. Las im\u00e1genes que se mostraban como inspiraci\u00f3n podr\u00edan pertenecer perfectamente al programa de las Case Study Houses <\/em>que se estaba desarrollando paralelamente, incluso en su cromatismo, que se reduc\u00eda a piezas blancas, negras, grises, rojas y azules, adem\u00e1s de las transparentes. A partir de ah\u00ed, el resultado quedaba abierto a los deseos del autor. El libro de instrucciones a\u00fan tardar\u00eda en llegar.<\/p>\n

antonio s. r\u00edo v\u00e1zquez\u00a0. arquitecto
\na coru\u00f1a. febrero 2013<\/p>\n

\"\"<\/a>
Ray Eames with the model of his house\u00a0| Photography: Peter Stackpole | images.google.com<\/span><\/figcaption><\/figure><\/p>\n

In the year 2008, Lego<\/em><\/a>\u00a0presented the Sears Towers<\/a> of Chicago\u00a0inside his line \u00abArchitecture\u00bb<\/a>,\u00a0the first work of a series that would develop in the following years with the Guggenheim<\/a> Museum of New York,\u00a0S\u00eddney’s\u00a0opera<\/a> or tthree paradigmatic modernity housings: the Fallingwater House<\/a> of Frank Lloyd Wright, the Farnsworth House<\/a> of Mies van de Rohe and the Villa Saboya<\/a> of Le Corbusier.<\/p>\n

The series divided in two categories: \u00abArchitects\u00bb and \u00abMilestones\u00bb, the first one including architectures distinguished from the modernity and second monuments, independently of his antiquity. In both cases, the builder might elaborate a reply to scale of the original work, using for it the traditional pieces of the company.<\/p>\n

Nevertheless, the origin of the series goes back to fifty years ago, when\u00a0Godtfred Kirk Christiansen<\/a> \u2014the director at the time of the company\u2014 decided to look for new forms of expansion of Lego<\/em> system<\/em>.\u00a0The decade of the fifties had supposed the definitive jump towards the use of the plastic opposite to the wood with which they had begun and the concretion of the system of assembly by means of the acquaintances bricks<\/a>,\u00a0which patent remains registered in 1958. The great popular acceptance that had the system and his infinite possibilities with minimal elements were turning it into a world for exploring and to construct.<\/p>\n

In The United States, at the same time, the program was developing of the Case Study Houses<\/em><\/a>, principally concerning the city of Los Angeles.\u00a0Promoted by John Entenza<\/a>\u00a0from the Arts & Architecture<\/em><\/a>\u00a0 magazine,\u00a0it was carried out between 1945 and 1966, implying an important number of architects between those that\u00a0 Richard Neutra<\/a>, Craig Ellwood<\/a>, Pierre Koenig<\/a> or Charles y Ray Eames<\/a>.<\/p>\n

From his beginning, the program was looking for a new plastic arts for the American housing. Every architect had to assume the responsibility of designing a house of low cost that was adjusting to the regulation of in force construction, which was capable of repeating itself with minimal variations in other places and that was not turning into an individual \u00abperformance\u00bb.<\/p>\n

On the basis of these rules of game, thirty six prototypes were projected, though not they all managed to make real. The architects used materials donated by the industry and combined them in an experimental way, giving place to a rich and wide variety of housings. In someone of them the authors were also his inhabitants, since it happened in\u00a0Eames House<\/a>.<\/p>\n

In 1962 Lego<\/em>\u00a0threw to the market three boxes\u00a0so-called \u00abScale Models\u00bb<\/a>. Using the same bricks that were triumphing on the market, they were offering the possibility of designing a modern<\/em> house. Close to the existing elements flat pieces joined (which height was a third of the brick) that more detailed models were allowing to elaborate.<\/p>\n

The box was including an escal\u00edmetro and a reticle bases, bringing the game near furthermore to the work of the royal designer. The images that were appearing as inspiration might belong perfectly to the program Case Study Houses<\/em> that was developing parallel, even in his chromatism, which was diminishing to white, black, gray, red and blue pieces, besides the transparent ones. From there, the result was remaining opened the desires of the author. The book of instructions still would be late in coming.<\/p>\n

antonio s. r\u00edo v\u00e1zquez . architect<\/p>\n

a coru\u00f1a. february 2013<\/p>\n

\"\"<\/a>
Ray Eames ca maqueta da sua casa | Fotograf\u00eda: Peter Stackpole | images.google.com<\/span><\/figcaption><\/figure><\/p>\n

No ano 2008, Lego<\/em><\/a> presentou a Torre Sears<\/a> de Chicago dentro da sua l\u00ednea \u00abArchitecture\u00bb<\/a>, primeira obra dunha serie que se desenrolar\u00eda nos anos siguentes co museo Guggenheim<\/a> de Nova York, a \u00f3pera<\/a> de S\u00eddney utres paradigm\u00e1ticas da modernidade: a Casa da Fervenza<\/a> de Frank Lloyd Wright, a Casa Farnsworth<\/a> de Mies van de Rohe e a Villa Saboya<\/a> de Le Corbusier.<\/p>\n

A serie dividiuse en d\u00faas categor\u00edas: \u00abArquitectos\u00bb e \u00abFitos\u00bb, a primeira englobando arquitecturas destacadas da modernidad e a segunda monumentos, independientemente da s\u00faa antig\u00fcidade. En ambos casos, o constructor poder\u00eda elaborar unha r\u00e9plica a escala da obra orixinal, utilizando para iso as pezas tradicionais da compa\u00f1\u00eda.<\/p>\n

Sen embargo, a orixe da serie rem\u00f3ntase a fai cincuenta anos, cando Godtfred Kirk Christiansen<\/a> \u2014entonces director da compa\u00f1\u00eda\u2014 decidiu buscar novas formas de expansi\u00f3n do sistema Lego<\/em>. A d\u00e9cada dos cincuenta supuxo o salto definitivo hacia o uso do pl\u00e1stico frente a madeira coa que comenzaron e a concreci\u00f3n dosistema de ensamblaxe mediante os co\u00f1ecidos ladrillos<\/a>, cuia patente queda rexistrada en 1958. A gran aceptaci\u00f3n popular que ti\u00f1a o sistema e as suas infinitas posibilidades con m\u00ednimos elementos convert\u00edano nun mundo por explorar e construir.<\/p>\n

En Estados Unidos, o mesmo tempo, est\u00e1base\u00a0desenvolvendo o programa das Case Study Houses<\/em><\/a>, principalmente en torno a la cidade de Los \u00c1ngeles. Promovido por John Entenza<\/a> dende a revista Arts & Architecture<\/em><\/a>, lev\u00f3use a cabo entre 1945 e 1966, implicando a un importante n\u00famero de arquitectos entre os que figuraban Richard Neutra<\/a>, Craig Ellwood<\/a>, Pierre Koenig<\/a> o Charles y Ray Eames<\/a>.<\/p>\n

Dende o seu inicio, o programa buscaba unha nova pl\u00e1stica para a vivenda americana. Cada arquitecto deb\u00eda asumir a responsabilidade de dese\u00f1ar unha casa de baixo custo que se axustase \u00e1 normativa de construci\u00f3n vigente, que fose capaz de repetirse con m\u00ednimas variaci\u00f3ns noutros lugares e que non se convertese nunha \u00abperformance\u00bb individual.<\/p>\n

En base a esas regras de xogo, proxect\u00e1ronse trinta e seis prototipos, a\u00ednda que non todos chegaron a facerse realidade. Os arquitectos empregaron materiais doados pola industria e combin\u00e1ronos de xeito experimental, dando lugar a unha rica e ampla variedade de vivendas. Nalgunha delas os autores foron tam\u00e9n os seus habitantes, como sucedeu na\u00a0casa Eames<\/a>.<\/p>\n

En 1962 Lego<\/em> lanzou o mercado tres caixas denominadas \u00abModelos a Escala\u00bb<\/a>. Usando os mesmos ladrillos que estaban triunfando no mercado, ofrec\u00edan a posibilidad de dese\u00f1ar unha casa moderna<\/em>. Xunto os elementos existentes incorpor\u00e1ronse pezas planas (cuia altura era un tercio do ladrillo) que permit\u00edan elaborar modelos m\u00e1s detallados.<\/p>\n

A caixa inclu\u00eda un escal\u00edmetro e unha ret\u00edcula base, aproximando a\u00ednda m\u00e1is o xogo ao traballo do proyectista real. As imaxes que se mostraban como inspiraci\u00f3n poder\u00edan pertencer perfectamente ao programa de Case Study Houses<\/em> que se estaba desenvolvendo paralelamente, ata no seu cromatismo, que se reduc\u00eda a pezas brancas, negras, grises, vermellas e azuis, ademais das transparentes. A partir de a\u00ed, o resultado quedaba aberto aos desexos do autor. O libro de instruci\u00f3ns a\u00ednda tardar\u00eda en chegar.<\/p>\n

antonio s. r\u00edo v\u00e1zquez . arquitecto<\/p>\n

a coru\u00f1a. febreiro 2013<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

En el a\u00f1o 2008, Lego present\u00f3 la Torre Sears de Chicago dentro de su l\u00ednea \u00abArchitecture\u00bb, primera obra de una serie que se desarrollar\u00eda en los a\u00f1os siguientes con el museo Guggenheim de Nueva York, la \u00f3pera de S\u00eddney o tres viviendas paradigm\u00e1ticas de la modernidad: la Casa de la Cascada de Frank Lloyd Wright, […]<\/p>\n","protected":false},"author":12,"featured_media":28819,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[4024,12448,6124,3555,6123,12470,460,605,6806,669,6807,1748,785,788,1564,4042,3558,2432],"class_list":["post-28818","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-antonio-s-rio-vazquez","tag-arquitectura","tag-case-study-houses","tag-charles-eames","tag-craig-ellwood","tag-diseno","tag-eeuu","tag-frank-lloyd-wright","tag-godtfred-kirk-christiansen","tag-hito","tag-john-entenza","tag-juguete","tag-le-corbusier","tag-lego","tag-objeto","tag-pierre-koenig","tag-ray-eames","tag-richard-neutra"],"yoast_head":"\nNeopl\u00e1stico | Antonio S. R\u00edo V\u00e1zquez<\/title>\n<meta name=\"description\" content=\"Neopl\u00e1stico\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/neoplastico-antonio-s-rio-vazquez\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Neopl\u00e1stico | Antonio S. 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