{"id":28297,"date":"2012-12-13T06:51:49","date_gmt":"2012-12-13T06:51:49","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=28297"},"modified":"2022-02-15T00:04:19","modified_gmt":"2022-02-14T23:04:19","slug":"lo-efimero-en-la-arquitectura-y-en-la-vida-cristina-garcia-rosales","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/lo-efimero-en-la-arquitectura-y-en-la-vida-cristina-garcia-rosales\/","title":{"rendered":"[:es]Lo ef\u00edmero, en la arquitectura y en la vida | Cristina Garc\u00eda-Rosales[:gl]O ef\u00e9mero, na arquitectura e na vida | Cristina Garc\u00eda-Rosales[:en]The ephemeral thing, in the architecture and in the life | Cristina Garc\u00eda-Rosales[:]"},"content":{"rendered":"

[:es]<\/p>\n

Hablar de lo ef\u00edmero es hablar de nuestra realidad actual<\/strong>. Si nos atenemos a su definici\u00f3n en el Diccionario de la Lengua Espa\u00f1ola, constatamos que ef\u00edmero es:<\/strong><\/p>\n

1<\/em>. Pasajero, de corta duraci\u00f3n.
\n2. Que tiene la duraci\u00f3n de un solo d\u00eda.<\/strong><\/em>
\n<\/em><\/em><\/strong><\/p>\n

\"\"<\/a>
Blogs<\/span><\/figcaption><\/figure>\n

Por lo que f\u00e1cilmente deducimos que las noticias que seguimos por Internet y en cualquier otro medio, son ef\u00edmeras. Y que los mensajes que lanzamos en las redes sociales, tambi\u00e9n lo son<\/strong>. Los leemos, los intentamos asimilar muy r\u00e1pidamente \u00a0(\u00bfpor qu\u00e9 todo ha de ser tan r\u00e1pido?) y pasamos al siguiente. S\u00f3lo nos queda grabado aquello que nos impacta, lo que nos sorprende o emociona, lo que compartimos\u2026 Escribir (y leer) en un blog tambi\u00e9n se puede considerar ef\u00edmero,<\/strong> a excepci\u00f3n de alguno posts que pueden ser le\u00eddos muchas veces, por el inter\u00e9s que pueden despertar.<\/p>\n

En todo caso, y hablando de la arquitectura \u00bfse puede considerar ef\u00edmera? Si la arquitectura es el \u201c<\/strong>arte de proyectar y construir edificios\u201d. Y un edificio es una\u00a0 \u201cconstrucci\u00f3n fija, hecha con materiales resistentes, para habitaci\u00f3n humana o para otros usos\u201d, pareciera que lo fijo y lo resistente deber\u00eda de ser duradero, permanecer en el tiempo, envejecer bien y con dignidad, para albergar al ser humano que lo habita. <\/strong>Es decir, lo contrario a lo ef\u00edmero. As\u00ed lo aprendimos en las Escuelas de Arquitectura. As\u00ed nos lo han ense\u00f1ado nuestros maestros\u2026<\/p>\n

\"\"<\/a>
Arquitectura ef\u00edmera, de \u00a0Jakob + MacFarlane<\/a> | Fotograf\u00eda: Fotograf\u00edas realizadas por\u00a0Nicolas Borel<\/a>, las de d\u00eda;\u00a011h45<\/a>, las de noche; y\u00a0Jakob + MacFarlane<\/a>, las de los detalles del pabell\u00f3n | Fuente: diariodesign.com\u00a0<\/a><\/span><\/figcaption><\/figure>\n

Pero por otra parte, actualmente, se est\u00e1 hablando mucho de \u201carquitectura ef\u00edmera\u201d.<\/strong> Y aunque ambos t\u00e9rminos son contrapuestos, a mi entender, hay que estudiar con detenimiento la cuesti\u00f3n antes de lanzar arriesgadas conclusiones. La Wilkipedia lo deja bien claro:\u00a0la arquitectura ef\u00edmera es la dise\u00f1ada <\/strong>habitualmente para celebraciones y fiestas de todo tipo, como escenograf\u00eda o decorado para un acto concreto, que se desmonta despu\u00e9s de efectuado \u00e9ste.<\/strong> Es decir, es aquella que se utiliza para exposiciones, ferias, campamentos de emergencia y en todas aquellas situaciones en las\u00a0que el desmontaje y la temporalidad son necesarios.<\/p>\n

Es una pena invertir un dinero en algo ef\u00edmero, por lo visto, desde una \u00f3ptica econ\u00f3mica. Pero en el momento actual, hay situaciones en que no queda otra que introducir este t\u00e9rmino como un adjetivo m\u00e1s al hecho arquitect\u00f3nico<\/strong>. Lo ef\u00edmero no permanece, pero puede agradar y divertir. Lo ef\u00edmero no envejece, pero puede ayudar a concienciar\u00a0 a la ciudadan\u00eda\u00a0sobre la capacidad que tiene de poder participar en un proceso al que anteriormente no ten\u00eda cabida. Lo ef\u00edmero tambi\u00e9n puede, por tanto, ser \u00fatil. Y bello.<\/p>\n

Me refiero, por ejemplo, a los espacios p\u00fablicos en la ciudad. Y concretamente, al centro de Madrid<\/strong>. Si en el distrito Centro no existen plazas y parques (y los que se contabilizan como zonas verdes, muchas veces son privados o plazas llamadas \u201cduras\u201d), el hecho de ocupar temporalmente o ef\u00edmeramente un solar, para solaz y recreo de los habitantes de la zona, el espacio p\u00fablico que genera, \u00bfpuede ser considerado como arquitectura? Claro que s\u00ed.<\/strong><\/p>\n

\"\"<\/a>
Plaza de la Cebada, Madrid | Zuloark<\/span><\/figcaption><\/figure>\n

Y si en una manifestaci\u00f3n colectiva, como fue el 15 M, si un arquitecto dise\u00f1a un contenedor a base de palets de madera, con una imaginaci\u00f3n a prueba de bomba \u00a0\u00bfpuede \u00a0considerarse arquitectura? Tambi\u00e9n, por supuesto<\/strong>. Sobre ello dec\u00eda Perea:<\/p>\n

\n

\u201cLas soluciones arquitect\u00f3nicas no respond\u00edan a usos como ‘dormir’ o ‘comer’, sino a algo m\u00e1s primigenio: ‘reunirse’. El umbral de las relaciones humanas est\u00e1 en esa ceremonia, es el origen de la colectividad\u201d.<\/p>\n<\/blockquote>\n

\"\"<\/a>
Alberto Araico de Brito tiene 21 a\u00f1os, estudia segundo de Ciencias Ambientales y ha proyectado una de las construcciones m\u00e1s comentadas del momento: la b\u00f3veda de pal\u00e9s de la Puerta del Sol. Es el puesto de informaci\u00f3n del Movimiento 15-M | Fotograf\u00eda: Bernardo P\u00e9rez | Fuente: Elpais.com<\/a><\/span><\/figcaption><\/figure>\n

Y \u00bfqu\u00e9 decir de las situaciones de emergencia d\u00f3nde se necesitan construcciones temporales para las personas que se quedan sin hogar hasta que se construyan otros m\u00e1s consistentes<\/strong>? Estos momentos duros, la arquitectura, no tiene necesariamente que ser hermosa, sino eficaz y proporcionar cobijo a aquellos que sufren de un momento cr\u00edtico.<\/p>\n

\"Campo
Campo y organizaci\u00f3n, Black Rock City for\u00a0Burning Man 2005<\/a> |Autor: NASA | Fuente: wikipedia.org<\/a><\/span><\/figcaption><\/figure>\n

Pues bien, concluyo <\/strong>que lo ef\u00edmero tambi\u00e9n est\u00e1 ligado a la buena arquitectura. Y que hay siempre que poner en tela de juicio las ense\u00f1anzas recibidas<\/strong>. Que lo \u00fatil es bello y que no siempre lo bello, es \u00fatil (ni falta que le hace).<\/p>\n

Cristina Garc\u00eda-Rosales. arquitecta
\nmadrid. diciembre 2012[:en]<\/p>\n

To speak about the ephemeral thing is to speak about our current reality. <\/strong>If we abide ourselves by his definition in the Dictionary of the Spanish Language, we state that ephemeral it is:<\/strong><\/p>\n

1<\/em>. Passenger, of short duration.<\/p>\n

2. That has the duration of an alone day.<\/strong><\/em><\/p>\n

<\/em><\/em><\/strong><\/p>\n

\"\"<\/a>
Blogs<\/span><\/figcaption><\/figure>\n

For what easily we deduce that the news that we follow for Internet and in any other way, is ephemeral. And that the messages that we throw in the social networks, also it are.<\/strong> We read them, try them to assimilate very rapidly (why has everything to be so rapid?) and we happen to the following one. Only we still have engraved that one that impresses us, which we surprise or thrill, which we share \u2026 To write (and to read) in a blog also to be able to be considered to be ephemeral<\/strong>, with the exception of some posts that can be read often, by the interest that they can wake up.<\/p>\n

In any case, and speaking about the architecture is it possible to consider to be ephemeral? If the architecture is the \u201cart of planning and constructing buildings\u201d. And a building is a \u201cconstruction fixes, done with resistant materials, for human room or for other uses\u201d, it seemed that the fixed thing and the resistant thing should be lasting, to remain in the time, to age well and with dignity, to shelter the human being who lives it.<\/strong> That is to say, the opposite to the ephemeral thing. This way we learned it in the Schools of Architecture. This way our teachers have taught it to us\u2026<\/p>\n

\"\"<\/a>
Ephemeral architecture<\/span><\/figcaption><\/figure>\n

But on the other hand, nowadays, one is speaking very much about \u201cephemeral architecture\u201d<\/strong>. And though both terms are opposed, to my to deal, it is necessary to study thoroughly the question before throwing risky conclusions. The Wilkipedia clarifies it: the ephemeral architecture is the designed one habitually for celebrations and holidays of all kinds, as scenery or set for a concrete act, which dismounts after effected this one.<\/strong> That is to say, it is that one that is in use for exhibitions, fairs, emergency camps and in all those situations in which the disassembly and the temporality are necessary.<\/p>\n

It is a shame to invest a money in something ephemeral, apparently, from an economic optics. But in the current moment, there are situations in which other one does not stay that to introduce this term as one more adjective to the architectural fact<\/strong>. The ephemeral thing does not remain, but it can please and entertain. The ephemeral thing does not age, but it can help to arouse to the citizenship on the capacity that has to be able to take part in a process to the one that previously did not have content. The ephemeral thing also can be, therefore, useful. And beautiful.<\/p>\n

I refer, for example, to the public spaces in the city. And concretely, to the center of Madrid. <\/strong>If in the district squares and parks do not exist Center (and those who are assessed as green spaces, often are deprived or so called \u201chard\u201d squares), the fact of occupying temporarily or ephemeral a lot, for recreation and playtime of the inhabitants of the zone, the public space that it generates, can it be considered to be an architecture? Clear that yes.<\/strong><\/p>\n

\"\"<\/a>
Plaza de la Cebada, Madrid<\/span><\/figcaption><\/figure>\n

And if in a collective manifestation, since it was 15 M, if an architect designs a container based on palets of wood, with a bombproof imagination can it be considered to be an architecture? Also, certainly. On it Perea was saying: <\/strong><\/p>\n

\n

\u201cThe architectural solutions were not answering to uses as ‘sleeping’ or ‘eating’, but to something more original: ‘meeting’. The threshold of the human relations is in this ceremony, is the origin of the collectivity\u201d.<\/p>\n<\/blockquote>\n

\"\"<\/a><\/p>\n

And what to say of the emergency situations where temporary constructions are needed for the persons who remain without home until more consistent others are constructed? <\/strong>These hard moments, the architecture, it does not have necessarily that to be beautiful, but effective and to provide cover to those that suffer from a critical moment.<\/p>\n

\"\"<\/a>
Campo y organizaci\u00f3n<\/span><\/figcaption><\/figure>\n

Well then, I conclude that the ephemeral thing also is tied to the good architecture. And that exists providing that to put in fabric of judgment the received educations. <\/strong>That the useful thing is beautiful and that not always the beautiful thing, it is useful (it is not even necessary if it does him).<\/p>\n

Cristina Garc\u00eda-Rosales. architect<\/p>\n

madrid. december 2012<\/p>\n

[:gl]<\/p>\n

Falar do ef\u00e9mero \u00e9 falar da nosa realidade actual. <\/strong>Se at\u00e9monos \u00e1 s\u00faa definici\u00f3n no Dicionario da Lingua Espa\u00f1ola, constatamos que ef\u00e9mero \u00e9:<\/strong><\/p>\n

1<\/em>. Pasaxeiro, de curta duraci\u00f3n.<\/p>\n

2. Que ten a duraci\u00f3n dun s\u00f3 d\u00eda.<\/strong><\/em><\/p>\n

<\/em><\/em><\/strong><\/p>\n

\"\"<\/a>
Blogs<\/span><\/figcaption><\/figure>\n

Polo que f\u00e1cilmente deducimos que as noticias que seguimos por Internet e en calquera outro medio, son ef\u00e9meras. E que as mensaxes que lanzamos nas redes sociais, tam\u00e9n o son<\/strong>. L\u00e9molos, intent\u00e1molos asimilar moi r\u00e1pidamente (\u00bfpor que todo ha de ser tan r\u00e1pido?) e pasamos ao seguinte. S\u00f3 nos queda gravado aquilo que nos impacta, o que nos sorprende ou emociona, o que compartimos\u2026 Escribir (e ler) nun blog tam\u00e9n se pode considerar ef\u00e9mero<\/strong>, f\u00f3ra diso alg\u00fan posts que poden ser lidos moitas veces, polo interese que poden espertar.<\/p>\n

En todo caso, e falando da arquitectura p\u00f3dese considerar ef\u00e9mera? Si a arquitectura \u00e9 a \u201carte de proxectar e constru\u00edr edificios\u201d. E un edificio \u00e9 unha \u201cconstruci\u00f3n fixa, feita con materiais resistentes, para habitaci\u00f3n humana ou para outros usos\u201d, parecese que o fixo e o resistente deber\u00eda de ser duradero, permanecer no tempo, envellecer ben e con dignidade, para albergar ao ser humano que o habita.<\/strong> \u00c9 dicir, o contrario ao ef\u00e9mero. As\u00ed o aprendemos nas Escolas de Arquitectura. As\u00ed nolo ensinaron os nosos mestres\u2026<\/p>\n

\"\"<\/a>
Arquitectura ef\u00e9mera<\/span><\/figcaption><\/figure>\n

Pero por outra parte, actualmente, estase a falar moito de \u201carquitectura ef\u00e9mera\u201d.<\/strong> E a\u00ednda que ambos os dous termos son contrapostos, ao meu entender, hai que estudar con detemento a cuesti\u00f3n antes de lanzar arriscadas conclusi\u00f3ns. A Wilkipedia d\u00e9ixao ben claro: a arquitectura ef\u00e9mera \u00e9 a dese\u00f1ada habitualmente para celebraci\u00f3ns e festas de todo tipo, como escenograf\u00eda ou decorado para un acto concreto, que se desmonta despois de efectuado este.<\/strong> \u00c9 dicir, \u00e9 aquela que se utiliza para exposici\u00f3ns, feiras, campamentos de emerxencia e en todas aquelas situaci\u00f3ns nas que a desmontaxe e a temporalidade son necesarias.<\/p>\n

\u00c9 unha pena investir un di\u00f1eiro en algo ef\u00e9mero, polo visto, dende unha \u00f3ptica econ\u00f3mica. Pero no momento actual, hai situaci\u00f3ns en que non queda outra que introducir este termo como un adxectivo m\u00e1is ao feito arquitect\u00f3nico.<\/strong> O ef\u00e9mero non permanece, pero pode agradar e divertir. O ef\u00e9mero non envellece, pero pode axudar a concienciar \u00e1 cidadan\u00eda sobre a capacidade que ten de poder participar nun proceso ao que anteriormente non ti\u00f1a cabida. O ef\u00e9mero tam\u00e9n pode, polo tanto, ser \u00fatil. E belo.<\/p>\n

Ref\u00edrome, por exemplo, aos espazos p\u00fablicos na cidade. E concretamente, ao centro de Madrid. <\/strong>Se no distrito Centro non existen prazas e parques (e os que se contabilizan como zonas verdes, moitas veces son privados ou prazas chamadas \u201cduras\u201d), o feito de ocupar temporalmente ou efemeramente un soar, para solaz e recreo dos habitantes da zona, o espazo p\u00fablico que xera, \u00bfpode ser considerado como arquitectura? Claro que si.<\/strong><\/p>\n

\"\"<\/a>
Plaza de la Cebada, Madrid<\/span><\/figcaption><\/figure>\n

E se nunha manifestaci\u00f3n colectiva, como foi o 15 M, se un arquitecto dese\u00f1a un colector a base de palets de madeira, cunha imaxinaci\u00f3n a proba de bomba pode considerarse arquitectura? Tam\u00e9n por suposto.<\/strong> Sobre iso dic\u00eda Perea:<\/p>\n

\n

\u201cAs soluci\u00f3ns arquitect\u00f3nicas non respond\u00edan a usos como ‘durmir’ ou ‘comer’, sen\u00f3n a algo m\u00e1is primixenio: ‘reunirse’. O albor das relaci\u00f3ns humanas est\u00e1 nesa cerimonia, \u00e9 a orixe da colectividade\u201d.<\/p>\n<\/blockquote>\n

\"\"<\/a><\/p>\n

Y \u00bfque dicir das situaci\u00f3ns de emerxencia onde se necesitan construci\u00f3ns temporais para as persoas que quedan sen fogar ata que se constr\u00faan outros m\u00e1is consistentes?<\/strong> Estes momentos duros, a arquitectura, non ten necesariamente que ser fermosa, sen\u00f3n eficaz e proporcionar acubillo a aqueles que sofren dun momento cr\u00edtico.<\/p>\n

\"\"<\/a>
Campo y organizaci\u00f3n<\/span><\/figcaption><\/figure>\n

Pois ben, concl\u00fao que o ef\u00e9mero tam\u00e9n est\u00e1 ligado \u00e1 boa arquitectura. E que hai sempre que dubidar das ensinanzas recibidas.<\/strong> Que o \u00fatil \u00e9 belo e que non sempre o belo, \u00e9 \u00fatil (nin falta que lle fai).<\/p>\n

Cristina Garc\u00eda-Rosales. arquitecta<\/p>\n

madrid. decembro 2012<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hablar de lo ef\u00edmero es hablar de nuestra realidad actual. Si nos atenemos a su definici\u00f3n en el Diccionario de la Lengua Espa\u00f1ola, constatamos que ef\u00edmero es: 1. Pasajero, de corta duraci\u00f3n. 2. Que tiene la duraci\u00f3n de un solo d\u00eda. Por lo que f\u00e1cilmente deducimos que las noticias que seguimos por Internet y […]<\/p>\n","protected":false},"author":21,"featured_media":46421,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934],"tags":[6711,45,2556,6917,3380,8094,516,659,1021,2066,1865,1241],"class_list":["post-28297","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","tag-arquitectura-de-emergencia","tag-arquitectura-efimera","tag-arquitectura-sostenible","tag-ciudad-sostenible","tag-cristina-garcia-rosales","tag-escuela-de-arquitectura","tag-espacio-publico","tag-habitar","tag-pensamiento","tag-proyectar","tag-reflexion","tag-sociedad"],"yoast_head":"\nLo ef\u00edmero, en la arquitectura y en la vida | Cristina Garc\u00eda-Rosales<\/title>\n<meta name=\"description\" content=\"Lo ef\u00edmero\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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