{"id":28114,"date":"2012-11-10T06:32:51","date_gmt":"2012-11-10T06:32:51","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=28114"},"modified":"2018-04-23T15:19:09","modified_gmt":"2018-04-23T13:19:09","slug":"90-anos-de-la-primera-villa-purista-de-le-corbusier-marcelo-gardinetti","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/90-anos-de-la-primera-villa-purista-de-le-corbusier-marcelo-gardinetti\/","title":{"rendered":"90 a\u00f1os de la primera villa purista de Le Corbusier | Marcelo Gardinetti90 anos da primeira vila purista de Le Corbusier | Marcelo Gardinetti90 years of the first purist villa of Le Corbusier | Marcelo Gardinetti"},"content":{"rendered":"

<\/p>\n

Las reflexiones arquitect\u00f3nicas expresadas por Le Corbusier en L\u2019espirit Nouveau entre 1918 y 1922, art\u00edculos que mayoritariamente se transcribieron a las p\u00e1ginas de\u00a0Vers une architecture<\/em>\u00a0editado un a\u00f1o despu\u00e9s, fueron plasmados por primera vez como hecho palpable en la construcci\u00f3n de la Villa Besnus. La modesta vivienda de Vaucresson, sirvi\u00f3 a Le Corbusier como un laboratorio de ensayo para dar forma construida al lenguaje que desarrollar\u00e1 durante los pr\u00f3ximos 10 a\u00f1os en sus villas dom\u00e9sticas y que lo catapult\u00f3 entre los arquitectos de vanguardia de las primeras d\u00e9cadas del siglo XX.<\/p>\n

La vivienda fue encomendada por George Besnus, impresionado por el vigor expresivo de la maqueta de la\u00a0casa Citroh\u00e4n<\/a>, expuesta en el sal\u00f3n d\u2019Automne de 1922. Besnus quer\u00eda construir una peque\u00f1a Citroh\u00e4n en su terreno, ubicado en las afueras de Par\u00eds, pero la gran diferencia de altura entre la calle y el interior y la forma irregular del terreno sugirieron a Le Corbusier otra idea.<\/p>\n

\"\"<\/a>
Villa Besnus, Le Corbusier | Im\u00e1genes: \u00a9FLC
<\/span><\/figcaption><\/figure>\n

La casa fue la oportunidad propicia para Le Corbusier de plasmar sus dibujos y maquetas en una obra concreta donde volcar todo el repertorio desarrollado hasta entonces. Lo hace sin omitir detalle, desplegando su capacidad para darle nuevos significados a elementos sustra\u00eddos de otra realidad, a partir de un compendio de criterios formales que lo acompa\u00f1aran en la mayor\u00eda de sus obras tempranas.<\/p>\n

Es en esta obra donde Le Corbusier esgrime por primera vez los elementos comunes de su obra purista, con el empleo de una cubierta plana para darle car\u00e1cter c\u00fabico al edificio, dise\u00f1a aberturas basado en trazados reguladores que desarrolla a partir de su gusto por la geometr\u00eda, utiliza un m\u00f3dulo proporcionado a la escala humana, construye las carpinter\u00edas con sencillos elementos utilizados habitualmente en edificios industriales, coloca las ventanas enrasadas al muro para acentuar la imagen de liviandad del volumen y da lugar a la planta libre, eliminando toda referencia decorativa en el edificio.<\/p>\n

Este compilado de criterios resume todos los conceptos vertidos en esos a\u00f1os, y el resultado le estimula a\u00fan mas su inter\u00e9s por la arquitectura, que a partir de esta obra, pasara a ser su actividad primaria, sin abandonar jam\u00e1s su pasi\u00f3n por la pintura.<\/p>\n

Lamentablemente, a\u00f1os de intervenciones desaprensivas llevaron a la villa a un estado casi irreconocible,<\/a> con el agregado de vol\u00famenes en el frente y una modificaci\u00f3n determinante en la cubierta. Sin embargo, el car\u00e1cter pl\u00e1stico de la obra a\u00fan emerge t\u00edmidamente entre las agresiones constructivas, late subyacente entre los muros de la vivienda, que preserva en su esp\u00edritu dos componentes insustituibles: una voluntad y una idea.<\/p>\n

\n

\u201cNos hacen volver la espalda a un mero accidente, nos impulsan a sacrificar un detalle agradable, y nos obligan a buscar la unidad coherente. Debemos usar toda nuestra tierra al m\u00e1ximo y siempre dar cuenta de las dimensiones m\u00e1s amplias posibles. Se ver\u00e1 que en arquitectura que pueden participar en las especulaciones pl\u00e1sticas en la que \u2013 desde el punto de vista puramente pl\u00e1stico \u2013 nos puede hacer bien o mal.\u201d <\/em><\/p>\n

Le Corbusier \u00a9FLC<\/em><\/p>\n<\/blockquote>\n

Marcelo Gardinetti, Arquitecto
\nLa Plata, Argentina. diciembre 2012<\/p>\n

The architectural reflections expressed by Le Corbusier in L\u2019Esprit Nouveau between 1918 and 1922, articles mainly were transcribed to pages of Vers une architecture<\/em> published a year later, were embodied first as made evident in the construction of the Villa Besnus. Vaucresson The modest housing, served to Le Corbusier as a testing laboratory built to shape the language that develop over the next 10 years in their home villages and that catapulted him among the vanguard architects of the early twentieth century.<\/p>\n

The house was commissioned by George Besnus, impressed by the expressive force the modelCitroh\u00e4n House<\/a>, exhibited at the Salon d\u2019Automne of 1922. Besnus wanted to build a small Citrohan on his land, located on the outskirts of Paris, but the big difference in height between the street and the interior and the irregular shape of the land suggested to Le Corbusier another idea.<\/p>\n

\"\"<\/a>
Villa Besnus, Le Corbusier | Photography: \u00a9FLC
<\/span><\/figcaption><\/figure>\n

The house was the right opportunity to Le Corbusier of translating their drawings and models in a concrete work to dump the entire repertoire developed so far. It does not omitting detail, displaying his ability to give new meanings to elements, taken of another reality, from a compendium of formal criteria to accompany him on most of his early works.<\/p>\n

It is in this work where Le Corbusier wields first common elements of his work purist, with the use of a flat roof to give cubic character of the building, designed openings according to regulating lines that developed from his love of geometry, using a module provided to the human scale, builds the woodwork with simple elements commonly used in industrial buildings, windows placed flush with the wall to accent the lightness of image volume and gives rise to the free plant, eliminating any reference decorative building.<\/p>\n

This compilation of criteria summarizes all the concepts spilled in those years, and the result further stimulates his interest for architecture, that as of this work happened to be their primary activity, without ever leaving his passion for painting.<\/p>\n

Unfortunately, years of unscrupulous interventions led to the villa to a state almost unrecognizable<\/a>, with the addition of volume in the front and a decisive change in the cover. However, the plastic nature of the work still emerges between aggression shyly constructive beats subjacent within the walls of the house that preserved in his spirit two irreplaceable components: a will and an idea.<\/p>\n

\n

\u201cThey make us turn our backs on mere accident, impel us to sacrifice a pleasing detail, and force us to seek coherent unity. We must use all our ground to the full and invariably realize the widest possible dimensions. It will be seen that in architecture we can engage in plastic speculations in which \u2013 from the purely plastic point of view \u2013 we may do either well or badly.<\/em>\u201d <\/em><\/em><\/p>\n

Le Corbusier \u00a9FLC<\/em><\/p>\n<\/blockquote>\n

Marcelo Gardinetti, Architect<\/p>\n

La Plata, Argentina. december 2012<\/p>\n

<\/p>\n

As reflexi\u00f3ns arquitect\u00f3nicas expresadas por Lle Corbusier en L\u2019espirit Nouveau entre 1918 e 1922, artigos que mayoritariamente se transcribieron \u00e1s p\u00e1xinas de Vers une architecture editado un ano despois, foron plasmados por primeira vez como feito palpable na construci\u00f3n da Vila Besnus. A modesta vivenda de Vaucresson, serviu a Lle Corbusier como un laboratorio de ensaio para dar forma constru\u00edda \u00e1 linguaxe que desenvolver\u00e1 durante os pr\u00f3ximos 10 anos nas s\u00faas vilas dom\u00e9sticas e que o catapult\u00f3 entre os arquitectos de vanguardia das primeiras d\u00e9cadas do s\u00e9culo XX.<\/p>\n

A vivenda foi encomendada por George Besnus, impresionado polo vigor expresivo da maqueta da\u00a0casa Citroh\u00e4n<\/a>, exposta no sal\u00f3n d\u2019Automne de 1922. Besnus quer\u00eda constru\u00edr unha pequena Citroh\u00e4n no seu terreo, situado nos arredores de Parides, pero a gran diferenza de altura entre a r\u00faa e o interior e a forma irregular do terreo suxeriron a Lle Corbusier outra idea.<\/p>\n

\"\"<\/a>
Villa Besnus, Le Corbusier | Imaxes: \u00a9FLC
<\/span><\/figcaption><\/figure>\n

A casa foi a oportunidade propicia para Le Corbusier de plasmar os seus debuxos e maquetas nunha obra concreta onde envorcar todo o repertorio desenvolvido ata ent\u00f3n. Faino sen omitir detalle, despregando a s\u00faa capacidade para darlle novos significados a elementos subtra\u00eddos doutra realidade, a partir dun compendio de criterios formais que o acompa\u00f1asen na maior\u00eda das s\u00faas obras temper\u00e1s.<\/p>\n

\u00c9 nesta obra onde Le Corbusier esgrime por primeira vez os elementos com\u00fans da s\u00faa obra purista, co emprego dunha cuberta plana para darlle car\u00e1cter c\u00fabico ao edificio, dese\u00f1a aberturas baseado en trazados reguladores que desenvolve a partir do seu gusto pola xeometr\u00eda, utiliza un m\u00f3dulo proporcionado \u00e1 escala humana, constr\u00fae as carpintar\u00edas con sinxelos elementos utilizados habitualmente en edificios industriais, coloca as vent\u00e1s enrasadas ao muro para acentuar a imaxe de liviandad do volume e d\u00e1 lugar \u00e1 planta libre, eliminando toda referencia decorativa no edificio.<\/p>\n

Este compilado de criterios resume todos os conceptos vertidos neses anos, e o resultado estim\u00falalle a\u00ednda mais o seu interese pola arquitectura, que a partir desta obra, pasara a ser a s\u00faa actividade primaria, sen abandonar xamais a s\u00faa paix\u00f3n pola pintura.<\/p>\n

Lamentablemente, anos de intervenci\u00f3ns desaprehensivas levaron a vila a un\u00a0estado casi irreco\u00f1ecible,<\/a> co agregado de volumes na fronte e unha modificaci\u00f3n determinante na cuberta. Non obstante, o car\u00e1cter pl\u00e1stico da obra a\u00ednda emerxe timidamente entre as agresi\u00f3ns construtivas, latexa subxacente entre os muros da vivenda, que preserva no seu esp\u00edrito dous compo\u00f1entes insubstitu\u00edbles: unha vontade e unha idea.<\/p>\n

\n

\u201cFannos volver as costas a un mero accidente, imp\u00falsannos a sacrificar un detalle agradable, e obr\u00edgannos a buscar a unidade coherente. Debemos usar toda a nosa terra ao m\u00e1ximo e sempre dar conta das dimensi\u00f3ns m\u00e1is amplas posibles. Verase que en arquitectura que poden participar nas especulaci\u00f3ns pl\u00e1sticas na que – dende o punto de vista puramente pl\u00e1stico – p\u00f3denos facer ben ou mal.\u201d <\/em><\/em><\/p>\n

Le Corbusier \u00a9FLC<\/em><\/p>\n<\/blockquote>\n

Marcelo Gardinetti, Arquitecto<\/p>\n

La Plata, Argentina. decembro 2012<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Las reflexiones arquitect\u00f3nicas expresadas por Le Corbusier en L\u2019espirit Nouveau entre 1918 y 1922, art\u00edculos que mayoritariamente se transcribieron a las p\u00e1ginas de\u00a0Vers une architecture\u00a0editado un a\u00f1o despu\u00e9s, fueron plasmados por primera vez como hecho palpable en la construcci\u00f3n de la Villa Besnus. La modesta vivienda de Vaucresson, sirvi\u00f3 a Le Corbusier como un laboratorio […]<\/p>\n","protected":false},"author":4,"featured_media":28115,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[147,12467,10782,668,6637,785,4985,4444,12455],"class_list":["post-28114","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-moderna","tag-ensayo","tag-george-besnus","tag-historia","tag-lesprit-nouveau","tag-le-corbusier","tag-marcelo-gardinetti","tag-s-xx","tag-vivienda-unifamiliar"],"yoast_head":"\n90 a\u00f1os de la primera villa purista de Le Corbusier | Marcelo Gardinetti<\/title>\n<meta name=\"description\" content=\"90 a\u00f1os de la primera villa purista de Le Corbusier\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/e03af9138634cd6876b9935dc1536c82\",\"name\":\"Marcelo 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