{"id":25484,"date":"2012-10-30T06:07:35","date_gmt":"2012-10-30T06:07:35","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=25484"},"modified":"2022-12-05T13:30:45","modified_gmt":"2022-12-05T12:30:45","slug":"luis-seoane-murales","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/luis-seoane-murales\/","title":{"rendered":"[:es]Luis Seoane. Murales[:gl]Luis Seoane. Murais[:en]Luis Seoane. Murals[:]"},"content":{"rendered":"

[:es]<\/p>\n

La obra mural de Luis Seoane constituye una parte esencial de su producci\u00f3n, no s\u00f3lo por la calidad art\u00edstica y la belleza de las piezas realizadas por el artista en edificios p\u00fablicos y particulares a lo largo de aproximadamente dos d\u00e9cadas, sino por el papel fundamental que la pr\u00e1ctica del muralismo supuso en la evoluci\u00f3n posterior de su pintura. Desconocidos por una parte importante del p\u00fablico debido a su ubicaci\u00f3n, la inmensa mayor\u00eda en la ciudad de Buenos Aires, los murales de Seoane cobran vida en esta muestra a trav\u00e9s de una selecci\u00f3n de 62 bocetos preparatorios, piezas de valor inestimable tanto por la singularidad de su formato como por la oportunidad que supone poder contemplar las anotaciones referentes al color, las dimensiones y el dise\u00f1o que el artista realiz\u00f3 en muchos de ellos; 75 fotograf\u00edas de \u00e9poca que muestran al artista trabajando en las obras y el resultado final de las mismas, y 44 fotograf\u00edas que documentan el estado actual de algunos de esos murales.<\/p>\n

\"\"<\/a>
Luis Seoane (a la izquierda), con un boceto de uno de sus murales | l. o. | ocio.laopinioncoruna.es<\/span><\/figcaption><\/figure>\n

A finales de los a\u00f1os cuarenta, Luis Seoane toma un camino de doble v\u00eda que le llevar\u00e1, por un lado, a trabajar por la renovaci\u00f3n del arte gallego y su inclusi\u00f3n por derecho propio en las corrientes de las vanguardias europeas sin perder sus ra\u00edces culturales e hist\u00f3ricas, y por otro, hacia la b\u00fasqueda de la integraci\u00f3n de las artes, un concepto que desarrollar\u00e1 a lo largo de toda su carrera. Seoane considera que la pr\u00e1ctica art\u00edstica, desde sus or\u00edgenes hasta la Edad Media, constituye una simbiosis entre arquitectura, escultura, pintura y dem\u00e1s artes que se rompe a partir del Renacimiento y que permanecer\u00e1 disgregados en diferentes disciplinas hasta el siglo XX, momento en el que la b\u00fasqueda de la integraci\u00f3n de las artes es retomada por parte de movimientos como la Bauhaus o De Stijl y por artistas como Fernand L\u00e9ger, El Lissitzky, Robert Delaunay o Joaqu\u00edn Torres-Garc\u00eda, entre otros, como v\u00eda para transformar el conjunto de la sociedad. El estudio por parte de Seoane de las experiencias de estos artistas, as\u00ed como de los grandes muralistas mexicanos como Siqueiros o Rivera influir\u00e1 de manera decisiva a la hora de acometer sus trabajos murales. La pr\u00e1ctica del mural permitir\u00e1 a Seoane ampliar sus conocimientos como artista y trasladarlos al resto de su producci\u00f3n, puesto que la experimentaci\u00f3n con nuevos materiales y la recuperaci\u00f3n de otros en desuso, as\u00ed como la aplicaci\u00f3n de diferentes soluciones para los murales gracias al estudio del espacio y del color se reflejar\u00e1n en toda su obra, muy especialmente en la evoluci\u00f3n de su pintura a partir de los a\u00f1os 60 a trav\u00e9s de la introducci\u00f3n de la abstracci\u00f3n.<\/p>\n

Luis Seoane. Murales<\/span>
\n30 Octubre 2012 – 16 Junio 2013<\/span>
\nComisario: Silvia Longueira, Carmela Montero<\/span>
\nFundaci\u00f3n Luis Seoane<\/span>
\nA Coru\u00f1a, Galicia, Espa\u00f1a<\/span><\/p>\n

[:gl]<\/p>\n

A obra mural de Luis Seoane constit\u00fae unha parte esencial da s\u00faa producci\u00f3n, non s\u00f3 pola calidade art\u00edstica e a beleza das pezas realizadas polo artista en edificios p\u00fablicos e particulares ao longo de aproximadamente d\u00faas d\u00e9cadas, senon polo papel fundamental que a pr\u00e1ctica do muralismo supuxo na evoluci\u00f3n posterior da s\u00faa pintura. Desco\u00f1ecidos por unha parte importante do p\u00fablico debido a s\u00faa ubicaci\u00f3n, a inmensa maior\u00eda na cidade de Bos Aires, os murais de Seoane cobran vida nesta mostra a trav\u00e9s dunha escolla de 62 bosquexos preparatorios, pezas de valor inestimable tanto pola singularidade do seu formato como pola oportunidade que sup\u00f3n poder contemplar as anotaci\u00f3ns referentes \u00e1 cor, as dimensi\u00f3ns e o dese\u00f1o que o artista realizou en moitos deles, 75 fotograf\u00edas de \u00e9poca que amosan ao artista traballando nas obras e o resultado final das mesmas, e 44 fotograf\u00edas que documentan o estado actual dalg\u00fans deses murais.<\/p>\n

\"\"<\/a>
Luis Seoane (a la izquierda), con un boceto de uno de sus murales | l. o. | ocio.laopinioncoruna.es<\/span><\/figcaption><\/figure>\n

A finales de los a\u00f1os cuarenta, Luis Seoane toma un camino de doble v\u00eda que le llevar\u00e1, por un lado, a trabajar por la renovaci\u00f3n del arte gallego y su inclusi\u00f3n por derecho propio en las corrientes de las vanguardias europeas sin perder sus ra\u00edces culturales e hist\u00f3ricas, y por otro, hacia la b\u00fasqueda de la integraci\u00f3n de las artes, un concepto que desarrollar\u00e1 a lo largo de toda su carrera. Seoane considera que la pr\u00e1ctica art\u00edstica, desde sus or\u00edgenes hasta la Edad Media, constituye una simbiosis entre arquitectura, escultura, pintura y dem\u00e1s artes que se rompe a partir del Renacimiento y que permanecer\u00e1 disgregados en diferentes disciplinas hasta el siglo XX, momento en el que la b\u00fasqueda de la integraci\u00f3n de las artes es retomada por parte de movimientos como la Bauhaus o De Stijl y por artistas como Fernand L\u00e9ger, El Lissitzky, Robert Delaunay o Joaqu\u00edn Torres-Garc\u00eda, entre otros, como v\u00eda para transformar el conjunto de la sociedad. El estudio por parte de Seoane de las experiencias de estos artistas, as\u00ed como de los grandes muralistas mexicanos como Siqueiros o Rivera influir\u00e1 de manera decisiva a la hora de acometer sus trabajos murales. La pr\u00e1ctica del mural permitir\u00e1 a Seoane ampliar sus conocimientos como artista y trasladarlos al resto de su producci\u00f3n, puesto que la experimentaci\u00f3n con nuevos materiales y la recuperaci\u00f3n de otros en desuso, as\u00ed como la aplicaci\u00f3n de diferentes soluciones para los murales gracias al estudio del espacio y del color se reflejar\u00e1n en toda su obra, muy especialmente en la evoluci\u00f3n de su pintura a partir de los a\u00f1os 60 a trav\u00e9s de la introducci\u00f3n de la abstracci\u00f3n.<\/p>\n

Luis Seoane. Murales<\/span><\/p>\n

30 Outubro 2012 – 16 Xunio 2013<\/span><\/p>\n

Comisario: Silvia Longueira, Carmela Montero<\/span><\/p>\n

Fundaci\u00f3n Luis Seoane<\/span><\/p>\n

A Coru\u00f1a, Galicia, Espa\u00f1a<\/span>[:en]<\/p>\n

Luis Seoane’s wall work constitutes an essential part of his production, not only for the artistic quality and the beauty of the pieces realized by the artist in public and particular buildings throughout approximately two decades, but for the fundamental paper that the practice of the muralismo supposed in the later evolution of his painting. Known on one hand importantly of the public due to his location, the immense majority in the city of Buenos Aires, Seoane’s murals receive life in this sample across a selection of 62 preparatory sketches, pieces of inestimable value both for the singularity of his format and for the opportunity that supposes being able to contemplate the annotations relating to the color, the dimensions and the design that the artist realized in many of them; 75 photographies of epoch that show to the artist being employed at the works and the final result of the same ones, and 44 photographies that document the current condition of some of these murals.<\/p>\n

\"\"<\/a>
Luis Seoane (to the left side), with a sketch of one of his murals\u00a0| l. o. | ocio.laopinioncoruna.es<\/span><\/figcaption><\/figure>\n

At the end of the forties, Luis Seoane takes a way of double route that will lead him to working, on the one hand, as the renovation of the Galician art and his incorporation for own right in the currents of the European forefronts without losing his cultural and historical roots, and for other one, towards the search of the integration of the arts, a concept that it will develop along all his career. Seoane thinks that the artistic practice, from his origins up to the Middle Ages, constitutes one symbiosis between architecture, sculpture, painting and other arts that one breaks from the Renaissance and that it will remain disintegrated in different disciplines up to the 20th century, moment in which the search of the integration of the arts is taken again on the part of movements as the Bauhaus or Of Stijl and for artists as Fernand L\u00e9ger, The Lissitzky, Robert Delaunay or Joaqu\u00edn Torres-Garc\u00eda, between others, as route to transform the set of the company. The study on the part of Seoane of the experiences of these artists, as well as of the big Mexican muralistas like Siqueiros or Rivera it will influence in a decisive way at the moment of attacking his wall works. The practice of the mural will allow to Seoane to extend his knowledge as artist and to move them to the rest of his production, since the experimentation with new materials and the recovery of others in disuse, as well as the application of different solutions for the murals thanks to the study of the space and of the color they will be reflected in all his work, very specially in the evolution of his painting from the 60s across the introduction of the abstraction.<\/p>\n

Luis Seoane. Murales<\/span><\/p>\n

30 October 2012 – 16 June 2013<\/p>\n

Commissioner: Silvia Longueira, Carmela Montero<\/p>\n

Luis Seoane Foundation<\/p>\n

A Coru\u00f1a, Galicia, Spain[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] La obra mural de Luis Seoane constituye una parte esencial de su producci\u00f3n, no s\u00f3lo por la calidad art\u00edstica y la belleza de las piezas realizadas por el artista en edificios p\u00fablicos y particulares a lo largo de aproximadamente dos d\u00e9cadas, sino por el papel fundamental que la pr\u00e1ctica del muralismo supuso en la […]<\/p>\n","protected":false},"author":2,"featured_media":25485,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[199,3032,521,556,6206,5789,619,6208,2569,3682,6207],"class_list":["post-25484","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-bauhaus","tag-espana","tag-exposicion","tag-fernand-leger","tag-fundacion-luis-seoane","tag-galicia","tag-joaquin-torres-garcia","tag-lazar-markovich-lissitzky","tag-luis-seoane-lopez","tag-robert-delaunay"],"yoast_head":"\n[:es]Luis Seoane. 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