{"id":25057,"date":"2012-10-16T06:34:22","date_gmt":"2012-10-16T06:34:22","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=25057"},"modified":"2019-09-16T16:38:39","modified_gmt":"2019-09-16T14:38:39","slug":"entrevista-miguel-fisac","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/entrevista-miguel-fisac\/","title":{"rendered":"[:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:]"},"content":{"rendered":"<p>[:es]https:\/\/www.youtube.com\/watch?v=RG2gf1_nwh8<\/p>\n<p style=\"text-align: justify;\">Hijo de un farmac\u00e9utico, la guerra civil interrumpi\u00f3 sus estudios de arquitectura en Madrid. Permaneci\u00f3 escondido durante el conflicto en su localidad natal, Daimiel. Se titula en la Escuela de Arquitectura de Madrid en 1942 con la obtenci\u00f3n del Premio Superior. Disconforme con la arquitectura de su tiempo, logr\u00f3 un estilo de gran personalidad, en el cual incorporaba originales soluciones estructurales con hormig\u00f3n pretensado y sus caracter\u00edsticas vigas-hueso.<\/p>\n<p style=\"text-align: justify;\">Desde sus inicios, en que va rechazando el racionalismo de sus maestros al percibir que en ellos la pl\u00e1stica arquitect\u00f3nica no responde a las exigencias t\u00e9cnicas y a la necesidad humana, se vio influido por la obra del arquitecto norteamericano Frank Lloyd Wright, el neoempirismo del arquitecto Erik Gunnar Asplund y el organicismo n\u00f3rdico, experimentado en su viaje en 1949 a Suecia. Se interesa tambi\u00e9n por la arquitectura popular, en la que la realidad del paisaje, de las caracter\u00edsticas humanas, hist\u00f3ricas y geogr\u00e1ficas del lugar se funden con el valor pl\u00e1stico o incluso t\u00e9cnico.<\/p>\n<p style=\"text-align: justify;\">Miembro numerario del Opus Dei enseguida recibi\u00f3 el encargo del Consejo Superior de Investigaciones Cient\u00edficas para ordenar la zona sur de la Colonia Los Chopos en Madrid. Remodel\u00f3 el antiguo auditorio de la Residencia de Estudiantes para construir la nueva capilla del CSIC. La decena de a\u00f1os en los que trabaja en torno a las nuevas edificaciones de este organismo supone la transici\u00f3n que modela su lenguaje desde un sobrio clasicismo hasta asimilar la influencia del organicismo.<\/p>\n<p><iframe loading=\"lazy\" title=\"EPILOGO.- Entrevista a Miguel Fisac (2)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/lbrzWelwCyE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>[:gl]https:\/\/www.youtube.com\/watch?v=RG2gf1_nwh8<\/p>\n<p style=\"text-align: justify;\">Fillo dun farmac\u00e9utico, a guerra civil interrompeu os seus estudos de arquitectura en Madrid. Permaneceu escondido durante o conflito na s\u00faa localidade natal, Daimiel. Tit\u00falase na Escola de Arquitectura de Madrid en 1942 coa obtenci\u00f3n do Premio Superior. Disconforme coa arquitectura do seu tempo, logrou un estilo de gran personalidade, no cal incorporaba orixinais soluci\u00f3ns estructurales con hormig\u00f3n pretensado e as s\u00faas caracter\u00edsticas vigas-\u00f3so.<\/p>\n<p style=\"text-align: justify;\">Desde os seus inicios, en que vai rexeitando o racionalismo dos seus mestres ao percibir que neles a pl\u00e1stica arquitect\u00f3nica non responde \u00e1s esixencias t\u00e9cnicas e \u00e1 necesidade humana, viuse influ\u00eddo pola obra do arquitecto norteamericano Frank Lloyd Wright, o neoempirismo do arquitecto Erik Gunnar Asplund e o organicismo n\u00f3rdico, experimentado na s\u00faa viaxe en 1949 a Suecia.<\/p>\n<p style=\"text-align: justify;\">Inter\u00e9sase tam\u00e9n pola arquitectura popular, na que a realidade da paisaxe, das caracter\u00edsticas humanas, hist\u00f3ricas e xeogr\u00e1ficas do lugar f\u00fandense co valor pl\u00e1stico ou ata t\u00e9cnico. Membro numerario do Opus Dei enseguida recibiu o encargo do Consello Superior de Investigaci\u00f3ns Cient\u00edficas para ordenar a zona sur da Colonia Os Chopos en Madrid. Remodelou o antigo auditorio da Residencia de Estudantes para constru\u00edr a nova capela do CSIC. A decena de anos nos que traballa en torno \u00e1s novas edificaciones deste organismo sup\u00f3n a transici\u00f3n que modela a s\u00faa linguaxe desde un sobrio clasicismo ata asimilar a influencia do organicismo.<\/p>\n<p><iframe loading=\"lazy\" title=\"EPILOGO.- Entrevista a Miguel Fisac (2)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/lbrzWelwCyE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>[:en]https:\/\/www.youtube.com\/watch?v=RG2gf1_nwh8<\/p>\n<p style=\"text-align: justify;\">Son of a pharmacist, the civil war interrupted his studies of architecture in Madrid. It remained hidden during the conflict in his natal locality, Daimiel. It is entitled in the School of Architecture of Madrid in 1942 with the obtaining of the Top Prize. Differing with the architecture of his time, it achieved a style of great personality, in which it was incorporating original structural solutions into concrete pretensado and his characteristic girders &#8211; bones.<\/p>\n<p style=\"text-align: justify;\">From his beginnings, in which it is rejecting the rationalism of his teachers on having perceived that in them the architectural plastic arts does not answer to the technical requirements and to the human need, one saw influenced by the work of the North American architect Frank Lloyd Wright, the neoempirismo of the architect Erik Gunnar Asplund and the northern organicismo experienced on his trip 1949 to Sweden.<\/p>\n<p style=\"text-align: justify;\">It is interested also for the popular architecture, on which the reality of the landscape, of the human, historical and geographical local characteristics they are founded with the plastic or enclosed technical value. Numerary member of the Opus Dei immediately received the order of the Top Advice of Scientific Investigations to arrange the south zone of the Cologne The Black poplars in Madrid.It remodelled the former audience of the Students&#8217; Residence to construct the new chapel of the CSIC. The dozen of years at which it is employed concerning the new buildings of this organism supposes the transition that shapes his language from a sober classicism up to assimilating the influence of the organicism.<\/p>\n<p><iframe loading=\"lazy\" title=\"EPILOGO.- Entrevista a Miguel Fisac (2)\" width=\"696\" height=\"522\" src=\"https:\/\/www.youtube.com\/embed\/lbrzWelwCyE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es]https:\/\/www.youtube.com\/watch?v=RG2gf1_nwh8 Hijo de un farmac\u00e9utico, la guerra civil interrumpi\u00f3 sus estudios de arquitectura en Madrid. Permaneci\u00f3 escondido durante el conflicto en su localidad natal, Daimiel. Se titula en la Escuela de Arquitectura de Madrid en 1942 con la obtenci\u00f3n del Premio Superior. Disconforme con la arquitectura de su tiempo, logr\u00f3 un estilo de gran personalidad, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":25128,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4854],"tags":[2631,484,6821,521,605,815,3327,1048,1325,1346],"class_list":["post-25057","post","type-post","status-publish","format-standard","has-post-thumbnail","tag-arquitectura-espanola","tag-entrevista","tag-espana","tag-frank-lloyd-wright","tag-maestro","tag-miguel-fisac","tag-pintor","tag-urbanista","tag-video"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:] - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: [:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:]\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/entrevista-miguel-fisac\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:] - veredes\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: [:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/entrevista-miguel-fisac\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:published_time\" content=\"2012-10-16T06:34:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-16T14:38:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/10\/013.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"480\" \/>\n\t<meta property=\"og:image:height\" content=\"360\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"veredes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/veredes\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"veredes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/\"},\"author\":{\"name\":\"veredes\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/0bbb669073ef7faba5168a0844e93d2c\"},\"headline\":\"[:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:]\",\"datePublished\":\"2012-10-16T06:34:22+00:00\",\"dateModified\":\"2019-09-16T14:38:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/\"},\"wordCount\":817,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2012\\\/10\\\/013.jpg\",\"keywords\":[\"arquitectura espa\u00f1ola\",\"entrevista\",\"Erik Gunnar Asplund\",\"Espa\u00f1a\",\"Frank Lloyd Wright\",\"maestro\",\"Miguel Fisac\",\"pintor\",\"urbanista\",\"video\"],\"articleSection\":[\"tv\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/entrevista-miguel-fisac\\\/\",\"name\":\"[:es]Entrevista Miguel Fisac[:gl]Entrevista Miguel Fisac[:en]Interview Miguel Fisac[:] - 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