{"id":24610,"date":"2012-10-08T06:26:32","date_gmt":"2012-10-08T06:26:32","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=24610"},"modified":"2018-04-23T17:53:52","modified_gmt":"2018-04-23T15:53:52","slug":"ancares-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/ancares-antonio-s-rio-vazquez\/","title":{"rendered":"Ancares | Antonio S. R\u00edo V\u00e1zquezAncares | Antonio S. R\u00edo V\u00e1zquezAncares | Antonio S. R\u00edo V\u00e1zquez"},"content":{"rendered":"

\"\"<\/a>
Skyline de Piornedo | Fotograf\u00eda: Pl\u00e1cido Lizancos<\/span><\/figcaption><\/figure><\/p>\n

Acabo de regresar de Piornedo<\/a>, d\u00f3nde celebramos las jornadas Memoria y Materia<\/em><\/a>, organizadas por el Departamento de Composici\u00f3n<\/a> de la Universidade da Coru\u00f1a. Teniendo como tema la arquitectura tradicional y como marco el paisaje de los Ancares, he aportado mi visi\u00f3n de \u00abCuando lo popular era moderno<\/em>\u00bb<\/em>, un recorrido por la relaci\u00f3n entre la segunda modernidad y el patrimonio vern\u00e1culo.<\/p>\n

Al mismo tiempo que escribe sobre la arquitectura m\u00e1s moderna que se est\u00e1 realizando en Espa\u00f1a, Carlos Flores reaviva el inter\u00e9s por la \u00abarquitectura an\u00f3nima\u00bb, d\u00e1ndole la misma importancia que a la anterior, con art\u00edculos como el publicado en la revista Hogar y Arquitectura<\/em> hace exactamente cincuenta a\u00f1os:<\/p>\n

\n

\u00ab<\/em>No perseguimos la vuelta a una arquitectura falsamente tradicional ni la reaparici\u00f3n de floklorismos y regionalismos. Se trata de poner de manifiesto c\u00f3mo, en tantas ocasiones, la arquitectura ha llegado a soluciones convincentes a veces sin la intervenci\u00f3n del arquitecto, en otros caso mediante el trabajo de profesionales modestos que tal vez por realizar su labor sin estridencias ni divismos han quedado en el anonimato, bien que su obra denote, a quien quiera verlo, su val\u00eda y honradez\u00bb<\/em>.<\/em><\/p><\/blockquote>\n<\/div>\n

Paseando hoy por gran parte de nuestras aldeas y pueblos \u2014como pudimos comprobar estos d\u00edas en los Ancares\u2014, parece que esas palabras todav\u00eda tienen absoluta vigencia y que, de ellas, como de la arquitectura vern\u00e1cula, es posible \u2014y necesario\u2014 seguir aprendiendo:<\/p>\n

\n

\u00ab<\/em>Una arquitectura que nunca ha estado de moda y que ha nacido como resultante de una actuaci\u00f3n humilde y consciente, y que encierra una gran lecci\u00f3n en estos tiempos en que buena parte de la arquitectura se encuentra prostituida por la frivolidad y el snobismo\u00bb<\/em>.<\/em><\/p><\/blockquote>\n<\/div>\n

Veinte a\u00f1os despu\u00e9s que Flores, Alejandro de la Sota escribi\u00f3, abogando por<\/em> una Arquitectura l\u00f3gica<\/em>:<\/p>\n

\u00abLa Arquitectura es intelectual o popular. Lo dem\u00e1s es un negocio\u00bb.<\/em><\/p><\/blockquote>\n

Entre compa\u00f1eros de oficio<\/em>, recordamos y compartimos esas lecciones mientras ca\u00eda la larga noche sobre Piornedo.<\/p>\n

antonio s. r\u00edo v\u00e1zquez\u00a0. arquitecto
\na coru\u00f1a. octubre 2012

\"\"<\/a>
Skyline of Piornedo| Photography: Pl\u00e1cido Lizancos<\/span><\/figcaption><\/figure><\/p>\n

I have just returned from\u00a0Piornedo<\/a>, where we celebrate the days Memory and Matter<\/em><\/a> Memory and Matter, organized by the\u00a0Departamento de Composici\u00f3n<\/a> of the Universidade it gives Corunna. Taking the traditional architecture as a topic and since I mark the landscape of the Ancares, have contributed my vision of \u00ab<\/em>When the popular thing was modern\u00bb<\/em>, a tour for the relation between the second modernity and the vernacular heritage.<\/p>\n

At the same time as he writes on the most modern architecture that is realized in Spain, Carlos Flores re-intensifies the interest for the \u00abanonymous architecture\u00bb, giving him the same importance that to the previous one, with articles like the published one in the Hogar y Arquitectura<\/em> magazine exactly fifty years ago.<\/p>\n

\n

\u00ab<\/em>We chase the return neither to a falsely traditional architecture nor the reappearance of floklorismos and regionalismos. It is a question of revealing how, in so many occasions, the architecture has come to convincing solutions sometimes without the intervention of the architect, in others I marry by means of the work of modest professionals that maybe for realizing his labor without stridencies not deifications have stayed in the anonymity, good that his work denotes, whom it it wants to see, his value and honesty\u00bb<\/em>.<\/em><\/p><\/blockquote>\n<\/div>\n

Walking today on great part of our villages and peoples – since we could verify these days in the Ancares-, it seems that these words still have absolute force and that, of them, since of the vernacular architecture, it is possible – and necessarily – to continue learning:<\/p>\n

\n

\u00ab<\/em>An architecture that has never been fashionable and that has born like resultant of a humble and conscious action, and that encloses a great lesson in these times in which good part of the architecture is prostituted by the levity and the snobismo\u00bb<\/em>.<\/em><\/p><\/blockquote>\n<\/div>\n

Twenty years later that Flowers, Alejandro de la Sota wrote, pleading for a logical Architecture<\/em>:<\/p>\n

\u00abThe Architecture is intellectual or popular. The rest is a business\u00bb.<\/em><\/p><\/blockquote>\n

Between companions of trade<\/em>, we remember and share these lessons while it was falling down the long night on Piornedo.<\/p>\n

antonio s. r\u00edo v\u00e1zquez . architect
\na coru\u00f1a. october 2012

\"\"<\/a>
Skyline de Piornedo | Fotograf\u00eda: Pl\u00e1cido Lizancos<\/span><\/figcaption><\/figure><\/p>\n

Acabo de regresar de\u00a0Piornedo<\/a>, onde celebramos as xornadas Memoria e Materia<\/em><\/a>, organizadas polo\u00a0Departamento de Composici\u00f3n<\/a> da Universidade d\u00e1 Coru\u00f1a. Tendo como tema a arquitectura tradicional e como marco a paisaxe dos Ancares, aportei a mi\u00f1a visi\u00f3n de \u00abCando o popular era moderno\u00bb, un percorrido pola relaci\u00f3n entre a segunda modernidad e o patrimonio vern\u00e1culo.<\/p>\n

Ao mesmo tempo que escribe sobre a arquitectura m\u00e1is moderna que se est\u00e1 realizando en Espa\u00f1a, Carlos Flores reaviva o interese pola \u00abarquitectura an\u00f3nima\u00bb, d\u00e1ndolle a mesma importancia que \u00e1 anterior, con artigos como o publicado en revista Fogar e Arquitectura fai exactamente cincuenta anos.<\/p>\n

\n

\u00ab<\/em>No perseguimos la vuelta a una arquitectura falsamente tradicional ni la reaparici\u00f3n de floklorismos y regionalismos. Se trata de poner de manifiesto c\u00f3mo, en tantas ocasiones, la arquitectura ha llegado a soluciones convincentes a veces sin la intervenci\u00f3n del arquitecto, en otros caso mediante el trabajo de profesionales modestos que tal vez por realizar su labor sin estridencias ni divismos han quedado en el anonimato, bien que su obra denote, a quien quiera verlo, su val\u00eda y honradez\u00bb<\/em>.<\/em><\/p><\/blockquote>\n<\/div>\n

Paseando hoy por gran parte de nuestras aldeas y pueblos \u2014como pudimos comprobar estos d\u00edas en los Ancares\u2014, parece que esas palabras todav\u00eda tienen absoluta vigencia y que, de ellas, como de la arquitectura vern\u00e1cula, es posible \u2014y necesario\u2014 seguir aprendiendo:<\/p>\n

\n

\u00ab<\/em>Una arquitectura que nunca ha estado de moda y que ha nacido como resultante de una actuaci\u00f3n humilde y consciente, y que encierra una gran lecci\u00f3n en estos tiempos en que buena parte de la arquitectura se encuentra prostituida por la frivolidad y el snobismo\u00bb<\/em>.<\/em><\/p><\/blockquote>\n<\/div>\n

Veinte a\u00f1os despu\u00e9s que Flores, Alejandro de la Sota escribi\u00f3, abogando por una Arquitectura l\u00f3gica:<\/em><\/p>\n

\u00abLa Arquitectura es intelectual o popular. Lo dem\u00e1s es un negocio\u00bb.<\/em><\/p><\/blockquote>\n

Entre compa\u00f1eros de oficio<\/em>, recordamos y compartimos esas lecciones mientras ca\u00eda la larga noche sobre Piornedo.<\/p>\n

antonio s. r\u00edo v\u00e1zquez . arquitecto
\na coru\u00f1a. outubro 2012<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

Acabo de regresar de Piornedo, d\u00f3nde celebramos las jornadas Memoria y Materia, organizadas por el Departamento de Composici\u00f3n de la Universidade da Coru\u00f1a. Teniendo como tema la arquitectura tradicional y como marco el paisaje de los Ancares, he aportado mi visi\u00f3n de \u00abCuando lo popular era moderno\u00bb, un recorrido por la relaci\u00f3n entre la segunda […]<\/p>\n","protected":false},"author":12,"featured_media":24611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[93,4024,140,5865,7137,150,6757,5890,8094,541,619,737,977,1004,8921,1286,2511],"class_list":["post-24610","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-alejandro-de-la-sota","tag-antonio-s-rio-vazquez","tag-arquitectura-anonima","tag-arquitectura-gallega","tag-arquitectura-popular","tag-arquitectura-tradicional","tag-arquitectura-vernacula","tag-carlos-flores","tag-escuela-de-arquitectura","tag-etsac","tag-galicia","tag-investigacion","tag-paisaje","tag-patrimonio-historico","tag-revista-hogar-y-arquitectura","tag-territorio","tag-viaje"],"yoast_head":"\nAncares | Antonio S. 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Director del proyecto de investigaci\u00f3n \u00abHistoria de la restauraci\u00f3n y puesta en valor del patrimonio arquitect\u00f3nico en Galicia\u00bb, becado por la Diputaci\u00f3n Provincial de A Coru\u00f1a en el a\u00f1o 2007. Miembro de la red UEDXX Urbanism of European Dictatorships during the XXth Century, del Grupo de Investigaci\u00f3n en Historia de la Arquitectura y del Grupo de Innovaci\u00f3n Docente en Historia de la Arquitectura. 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