{"id":24597,"date":"2017-04-10T00:05:47","date_gmt":"2017-04-09T22:05:47","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=24597"},"modified":"2023-10-18T14:15:32","modified_gmt":"2023-10-18T12:15:32","slug":"la-choricera-de-segovia-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-choricera-de-segovia-jose-ramon-hernandez-correa\/","title":{"rendered":"[:es]La choricera de Segovia | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa[:gl]A choriceira de Segovia | arquitectamoslocos?[:en]Sausage Factory in Segovia | arquitectamoslocos?[:]"},"content":{"rendered":"

[:es]

\"La
F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure><\/p>\n

Hace poco dediqu\u00e9 una entrada de este espacio a Curro Inza<\/strong><\/a>, y apenas mencion\u00e9 su obra maestra. Lo hice voluntariamente para poder dedicarle una entrada a ella sola, que se la merece. Se trata de la F\u00e1brica de Embutidos Postigo<\/strong><\/a>, El Acueducto, Campofr\u00edo… Ha tenido muchos nombres, seg\u00fan han ido vendi\u00e9ndose o absorbi\u00e9ndose las empresas c\u00e1rnicas que la explotaban, pero en Segovia todo el mundo la ha conocido siempre como \u00abLa Choricera\u00bb<\/strong>, y as\u00ed prefiero llamarla yo aqu\u00ed.<\/p>\n

Tras problemas econ\u00f3micos cada vez m\u00e1s serios, fue cerrada finalmente en 2009<\/a>. Por otra parte, leo que se la pretende proteger y honrar<\/a> como merece. No s\u00e9 en qu\u00e9 situaci\u00f3n se hallar\u00e1 ahora mismo. Ojal\u00e1, incluso con esta horrible crisis que padecemos, sea capaz de resurgir.<\/p>\n

El proyecto es de 1963. Lo hicieron Inza<\/strong> y Heliodoro Dols<\/strong><\/a>, arquitecto a quien, confieso, no conoc\u00eda, y cuyo enlace apresurado acabo de poner. (Prometo estudiar sus obras con atenci\u00f3n). Al parecer, en la direcci\u00f3n de la obra no estuvo Dols. La obra se termin\u00f3 en 1966.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-cubierta\"
F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Est\u00e1 a la entrada de Segovia, a la izquierda viniendo desde San Rafael. Lo cont\u00e9 la otra vez, pero lo repito. Yo nunca hab\u00eda o\u00eddo hablar de Curro Inza, y fue en un documental de RTVE\u00a0(los famosos documentales de la 2<\/em>) donde vi la cubierta ondulada, exagerada, disparatada del edificio y pens\u00e9 que hab\u00eda visto pocos m\u00e1s feos en mi vida, pero no pod\u00eda cambiar de canal ni apartar la vista de todo aquello. Era fascinante.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-garita\"
Garita de accceso a la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

La garita del vigilante de la entrada, el vest\u00edbulo, la escalera… Todo tan desproporcionado, tan cabez\u00f3n, tan fuerte, tan tremendo. Ese raro gusto expresionista, qu\u00e9 s\u00e9 yo: expresionista castellano, org\u00e1nico-brutalista. Lo que quer\u00e1is. Como una imagen de ciencia ficci\u00f3n dura y terrible. Seca, desasosegadora, \u00e1rida.<\/p>\n

Inza y Dols son absolutamente funcionalistas en sus explicaciones de por qu\u00e9 hicieron las cosas as\u00ed. O sea, escudan su expresionismo diciendo que no es (solo) un capricho, sino que todo responde a un programa (muy complejo) y a una utilidad.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o2\"
Interior de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Es cierto, pero ese programa y esas funciones no exig\u00edan obligatoriamente esas formas, en absoluto, sino que estas eran unas de tantas (de tant\u00edsimas) que pod\u00edan servir. El caso, en resumen, es que sirven perfectamente, y que cuando un arquitecto responde correctamente a las solicitaciones funcionales hay que dejarle que se d\u00e9 una alegr\u00eda. Se la ha ganado.<\/p>\n

(Toda la arquitectura, sea del estilo que sea y tenga los principios formales que tenga, tiene que resolver las funciones, y esta obra las resuelve. As\u00ed que misi\u00f3n cumplida. De hecho, los problemas que han desembocado en su cierre no han tenido nada que ver con su funcionamiento como edificaci\u00f3n e instalaci\u00f3n, que durante m\u00e1s de cuarenta a\u00f1os ha dado cumplida respuesta a lo que se le pidi\u00f3. Fue ampliada una d\u00e9cada despu\u00e9s, pero la obra original sigui\u00f3 funcionando perfectamente).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o3\"
Interior de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/figcaption><\/figure>\n

Por ejemplo, la torre de seis plantas es el secadero de embutidos. Est\u00e1 orientada a los vientos dominantes y cumple todo lo que ten\u00eda que cumplir. \u00bfPero ten\u00eda que ser as\u00ed?<\/p>\n

Tambi\u00e9n los cuerpos girados responden a que uno, como decimos, se orienta con los vientos, otro con la luz, y as\u00ed los arquitectos nos vuelven a insistir en que nada es caprichoso (cuando, por otra parte, todo lo es).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dollsla-torre\"
Torre de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Otro ejemplo de justificaci\u00f3n funcional: Por razones de trabajo, salvo la torre de secado-curado y las oficinas, toda la f\u00e1brica es de una sola planta, muy extensa. Por higiene, el techo de esa enorme planta ha de ser horizontal, liso y continuo (para limpiarlo con facilidad). Pero, debido a la extensi\u00f3n de la cubierta y a las grandes diferencias de temperatura en Segovia, debe haber algo encima de ese forjado que lo proteja, que haga una c\u00e1mara. Por lo tanto, se hace una cubierta que aisle el forjado, lo proteja y lo ventile. \u00bfPero tambi\u00e9n tiene que ser ese oleaje cer\u00e1mico facetado y completamente irregular?<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-croquis\"
Croquis de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Por supuesto, para iluminar la nave de fabricaci\u00f3n con esa cubierta no queda m\u00e1s remedio que colocar unos altos lucernarios, etc. Todo parece venir obligado. Los arquitectos parecen limitarse a resolver humildemente un mero problema t\u00e9cnico.<\/p>\n

Y, sin embargo, nada de ese edificio es humilde ni anodino, ni pasa desapercibido.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-oficinas\"
Oficinas de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Me resulta muy curioso que el cuerpo de oficinas haya sido dise\u00f1ado como tan descuidadamente, tan soso, como (ya digo) si a los arquitectos no les importara su forma.<\/p>\n

Parece (lo digo en serio) que han soltado las ventanas a voleo, sin gracia, que han hecho el volumen m\u00e1s tonto que les ha salido, y a correr. Como si el encargo lo hubieran resuelto con descuido. Pero no es as\u00ed. Por el contrario, veamos el amor y la dedicaci\u00f3n con que Inza dise\u00f1a un sill\u00f3n para los despachos (trabajo que no es propio de este tipo de encargos).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-diseno-silla\"
Croquis de la sillas de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Y, sobre todo, el mural que pinta en el vest\u00edbulo.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-mural\"
Mural de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Es decir: Es una obra con una alta implicaci\u00f3n de los arquitectos. Una obra entusi\u00e1stica. Por lo tanto, pensemos otra cosa del cuerpo de oficinas: lo que queramos menos que est\u00e1 hecho con desidia. Pensemos que esa es su fuerza expresiva (que no termino de ver) dentro de una obra tan compleja a veces necesita pararse, contradecirse, respirar.<\/p>\n

Es una obra rara, que nos viene muy bien a los que nos pasamos el d\u00eda con la \u00abbelleza<\/a>\u00bb en la boca.<\/p>\n

\n

\u00a1Qu\u00e9 leches belleza! \u00a1Arquitectura!<\/strong><\/p>\n<\/blockquote>\n

\"fabrica-de-embutidos-postigoinza-dolls-aerea\"
A\u00e9rea de la F\u00e1brica de Embutidos Postigo, El Acueducto<\/span><\/figcaption><\/figure>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoctor Arquitecto y autor de Arquitectamos locos?<\/em>
\nToledo \u00b7 octubre\u00a02012<\/p>\n

[:gl]<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o1\"<\/p>\n

Hai pouco dediquei unha entrada deste blog a Curro Inza<\/strong><\/a>, e apenas mencionei a s\u00faa obra mestra. F\u00edxeno voluntariamente para poder dedicarlle unha entrada a ela soa, que lla merece. Tr\u00e1tase da F\u00e1brica de Embutidos Postigo<\/a><\/strong>, O Acueducto, Campofr\u00edo… Ha ter moitos nomes, segundo han ir vend\u00e9ndose ou absorb\u00e9ndose as empresas c\u00e1rnicas que a explotaban, pero en Segovia todo o mundo co\u00f1eceuna sempre como \u00abA Choriceira\u00bb<\/strong>, e as\u00ed prefiro chamala eu aqu\u00ed.<\/p>\n

Tras problemas econ\u00f3micos cada vez m\u00e1is serios, foi pechada finalmente en 2009<\/a>. Por outra banda, leo que lla pretende protexer e honrar<\/a> como merece. Non sei en que situaci\u00f3n acharase agora mesmo. Oxal\u00e1, ata con esta horrible crise que padecemos, sexa capaz de rexurdir.<\/p>\n

O proxecto \u00e9 de 1963. Fix\u00e9rono Inza<\/strong>\u00a0e\u00a0Heliodoro Dols<\/strong><\/a>, arquitecto a quen, confeso, non co\u00f1ec\u00eda, e cuxo enlace apresurado acabo de po\u00f1er. (Prometo estudar as s\u00faas obras con atenci\u00f3n). Ao parecer, na direcci\u00f3n da obra non estivo Dols. A obra terminouse en 1966.<\/p>\n

\n

\"fabrica-de-embutidos-postigoinza-dolls-cubierta\"<\/p>\n

Est\u00e1 \u00e1 entrada de Segovia, \u00e1 esquerda vindo desde San Rafael. Conteino a outra vez, pero rep\u00edtoo. Eu nunca o\u00edra falar de Curro Inza, e foi nun documental da RTVE (os famosos documentales da 2<\/em>) onde vin a cuberta ondulada, esaxerada, dispartada do edificio e pensei que vira poucos m\u00e1is feos na mi\u00f1a vida, pero non pod\u00eda cambiar de canle nin apartar a vista de todo aquilo. Era fascinante.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-garita\"<\/p>\n

A garita do vixiante da entrada, o vest\u00edbulo, a escaleira… Todo tan desproporcionado, tan cabez\u00f3n, tan forte, tan tremendo. Ese raro gusto expresionista, que se eu: expresionista castel\u00e1n, org\u00e1nico-brutalista. O que queirades. Como unha imaxe de ciencia ficci\u00f3n dura e terrible. Seca, desasosegadora, \u00e1rida.<\/p>\n

Inza e Dols son absolutamente funcionalistas nas s\u00faas explicaci\u00f3ns de por que fixeron as cousas as\u00ed. Ou sexa, escudan o seu expresionismo dicindo que non \u00e9 (s\u00f3) un capricho, sen\u00f3n que todo responde a un programa (moi complexo) e a unha utilidade.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o2\"<\/p>\n

\u00c9 certo, pero ese programa e esas funci\u00f3ns non esix\u00edan obrigatoriamente esas formas, en absoluto, sen\u00f3n que estas eran unhas de tantas (de tant\u00edsimas) que pod\u00edan servir. O caso, en resumo, \u00e9 que serven perfectamente, e que cando un arquitecto responde correctamente \u00e1s solicitaciones funcionais hai que deixarlle que se dea unha alegr\u00eda. Ga\u00f1oulla.<\/p>\n

(Toda a arquitectura, sexa do estilo que sexa e te\u00f1a os principios formais que te\u00f1a, ten que resolver as funci\u00f3ns, e esta obra res\u00f3lveas. As\u00ed que misi\u00f3n cumprida. De feito, os problemas que desembocaron no seu peche non tiveron nada que ver co seu funcionamento como edificaci\u00f3n e instalaci\u00f3n, que durante m\u00e1is de corenta anos deu cumprida resposta ao que se lle pediu. Foi ampliada unha d\u00e9cada despois, pero a obra orixinal seguiu funcionando perfectamente).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o3\"<\/p>\n

Por exemplo, a torre de seis plantas \u00e9 o secadero de embutidos. Est\u00e1 orientada aos ventos dominantes e cumpre todo o que ti\u00f1a que cumprir. Pero ti\u00f1a que ser as\u00ed?<\/p>\n

Tam\u00e9n os corpos virados responden a que un, como dicimos, ori\u00e9ntase cos ventos, outro coa luz, e as\u00ed os arquitectos volven insistir en que nada \u00e9 caprichoso (cando, por outra banda, todo o \u00e9).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dollsla-torre\"<\/p>\n

Outro exemplo de xustificaci\u00f3n funcional: Por raz\u00f3ns de traballo, salvo a torre de secado-curado e as oficinas, toda a f\u00e1brica \u00e9 dunha soa planta, moi extensa. Por hixiene, o teito desa enorme planta ha de ser horizontal, liso e continuo (para limpalo con facilidade). Pero, debido \u00e1 extensi\u00f3n da cuberta e \u00e1s grandes diferenzas de temperatura en Segovia, debe haber algo encima dese forxado que o protexa, que faga unha c\u00e1mara. Por tanto, faise unha cuberta que aisle o forxado, prot\u00e9xao e o ventile. Pero tam\u00e9n ten que ser esa ondada cer\u00e1mico facetado e completamente irregular?<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-croquis\"<\/p>\n

Por suposto, para iluminar a nave de fabricaci\u00f3n con esa cuberta non queda m\u00e1is remedio que colocar uns altos lucernarios, etc. Todo parece vir obrigado. Os arquitectos parecen limitarse a resolver humildemente un mero problema t\u00e9cnico.<\/p>\n

E, con todo, nada dese edificio \u00e9 humilde nin anodino, nin pasa desapercibido.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-oficinas\"<\/p>\n

Res\u00faltame moi curioso que o corpo de oficinas fose dese\u00f1ado como tan descuidadamente, tan eslamiado, como (xa digo) se aos arquitectos non lles importase a s\u00faa forma.<\/p>\n

Parece (d\u00edgoo en serio) que soltaron as xanelas para bato, sen graza, que fixeron o volume m\u00e1is parvo que lles sa\u00edu, e a correr. Coma se o encargo resolv\u00e9rono con descoido. Pero non \u00e9 as\u00ed. Pola contra, vexamos o amor e a dedicaci\u00f3n con que Inza dese\u00f1a unha cadeira de brazos para os despachos (traballo que non \u00e9 propio deste tipo de encargos).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-diseno-silla\"<\/p>\n

E, sobre todo, o mural que pinta no vest\u00edbulo.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-mural\"<\/p>\n

\u00c9 dicir: \u00c9 unha obra cunha alta implicaci\u00f3n dos arquitectos. Unha obra entusi\u00e1stica. Por tanto, pensemos outra cousa do corpo de oficinas: o que queiramos menos que est\u00e1 feito con desidia. Pensemos que esa \u00e9 a s\u00faa forza expresiva (que non termino de ver) dentro dunha obra tan complexa \u00e1s veces necesita pararse, contradicirse, respirar.<\/p>\n

\u00c9 unha obra rara, que nos v\u00e9n moi ben aos que nos pasamos o d\u00eda coa \u00abbeleza<\/a><\/strong>\u00bb na boca.<\/p>\n

\n

Que leites beleza! Arquitectura!<\/strong><\/p>\n<\/blockquote>\n

\"fabrica-de-embutidos-postigoinza-dolls-aerea\"<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nDoutor Arquitecto e\u00a0autor de Arquitectamos locos?<\/em>
\nToledo \u00b7 outubro 2012<\/p>\n

>[:en]<\/p>\n

\n

\"fabrica-de-embutidos-postigoinza-dolls-o1\"<\/p>\n

It does little I dedicated an entry of this blog to Curro Inza<\/strong><\/a>, and scarcely I mentioned his masterpiece. I did it voluntarily to be able to dedicate an entry to alone her, which deserves it. Campofr\u00edo treats itself about the Sausages Factory Postigo<\/a>, El Acueducto, Campofr\u00edo… It has had many names, as they have gone selling or there being absorbed the meat companies that were exploiting it, but in Segovia the whole world has known her always as \u00abLa Choricera\u00bb<\/strong>, and this way I prefer being calling it I here.<\/p>\n

After economic problems increasingly serious, it was closed finally in 2009<\/a>. On the other hand, I read that one tries to protect and to honor<\/a> her since to deserve. Do not be in what situation it will be situated just now. Ojal\u00e1, even with this horrible crisis that we suffer, is capable of re-arising.<\/p>\n

The project is of 1963. They made it Inza<\/strong>\u00a0and\u00a0Heliodoro Dols<\/strong><\/a>,, architect whom, I confess, did not know, and whose hurried link I have just put. (I promise to study his works with attention). Apparently, in the direction of the work Dols was not. The work finished in 1966.<\/p>\n

 <\/p>\n

\n

\"fabrica-de-embutidos-postigoinza-dolls-cubierta\"<\/p>\n

It is at the entry of Segovia, to the left side coming from San Rafael. I it counted again, but I repeat it. I had never heard speaking about Job Inza, and it was in a RTVE documentary (the famous documentaries of 2<\/em>) where I saw the wavy, exagerate cover, dispartada of the building and thought that it had seen few ones uglier in my life, but it could neither change channel nor separate the sight of all that. It was fascinating.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-garita\"<\/p>\n

The booth of the watchman of the entry, the foyer, the stairs… Quite so disproportionate, so pigheaded one, so loudly, so tremendous. This rare taste expressionist, what be I: Castilian, organic expressionist – brutalista. What quer\u00e1is. As an image of science hard and terrible fiction. It dries, desasosegadora, arid.<\/p>\n

Inza and Dols are absolutely funcionalistas in his explanations of why they did the things like that. Or, they shield his expressionism saying that a caprice is not (alone), but everything answers to a program (very complex) and to a usefulness.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o2\"<\/p>\n

It is true, but this program and these functions were not demanding necessarily these forms, by no means, but these were some of so many people (of tant\u00edsimas) that they could serve. The case, in short, is that they serve perfectly, and that when an architect answers correctly to the functional solicitations it is necessary to allow him that should be made happy. She has been gained.<\/p>\n

( The whole architecture, be of the style that is and has the formal beginning that it has, it has to solve the functions, and this work solves them. So fulfilled mission. In fact, the problems that have ended in his closing have not had anything to see with his functioning as building and installation, which during more than forty years has given fulfilled response to what it was asked him. It was extended a decade later, but the original work continued working perfectly).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-o3\"<\/p>\n

For example, the tower of six plants is the dry of sausages. It is orientated to the dominant winds and fulfills everything what had to expire. But had it to be like that?<\/p>\n

Also the turned bodies answer to which one, as we say, it is orientated by the winds, other one by the light, and this way the architects turn us to insisting that nothing is capricious (when, on the other hand, everything it is).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dollsla-torre\"<\/p>\n

Another example of functional justification: For reasons of work, except the tower of dried treated and the offices, the whole factory is of an alone plant, very extensive. For hygiene, the ceiling of this enormous plant has to be horizontal, smooth and constant (to clean it with facility). But, due to the extension of the cover and the big differences of temperature in Segovia, there must be something on this wrought one that protects it, that does a chamber. Therefore, there is done a cover that aisle the wrought one, it protects and ventilates it. But also has it to be this ceramic surge facetado and completely irregularly?<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-croquis\"<\/p>\n

Certainly, to illuminate the ship of manufacture with this cover remedy does not stay any more that to place a few high places lucernarios, etc. Everything seems to come forced. The architects seem to limit to solving humbly a mere technical problem.<\/p>\n

And, nevertheless, nothing of this building is neither humble or bland, nor goes unnoticed.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-oficinas\"<\/p>\n

It turns out to me very curious that the office body has been designed like so carelessly, so tastelessly, since (already I say) if it should not import his form to the architects.<\/p>\n

It seems (I say it seriously) that they have given up the windows to I volley, without grace, which they have done the silliest volume that has gone out for them, and to running. As if the order they had solved it sloppily. But it is not like that. On the contrary, let’s see the love and the dedication with which Inza designs an armchair for the offices (work that is not own of this type of orders).<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-diseno-silla\"<\/p>\n

And, especially, the mural that does in the foyer.<\/p>\n

\"fabrica-de-embutidos-postigoinza-dolls-mural\"<\/p>\n

It is to say: It is a work with a high implication of the architects. An enthusiastic work. Therefore, let’s think another thing of the office body: what let’s let’s want less that it is done by laziness. Let’s think that this it is his expressive force (that I do not stop seeing) inside such a complex work sometimes it needs to stop, to be contradicted, to breathe.<\/p>\n

It is a rare work, which us comes very well to those that we spend to ourselves the day with the \u00abbeauty<\/a>\u00bb in the mouth.<\/p>\n

\n

Shrieks beauty! Architecture!<\/strong><\/p>\n<\/blockquote>\n

\"fabrica-de-embutidos-postigoinza-dolls-aerea\"<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa
\nPhD\u00a0Architect and author of\u00a0Arquitectamos locos?<\/em>
\nToledo \u00b7 october 2012<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Hace poco dediqu\u00e9 una entrada de este espacio a Curro Inza, y apenas mencion\u00e9 su obra maestra. Lo hice voluntariamente para poder dedicarle una entrada a ella sola, que se la merece. Se trata de la F\u00e1brica de Embutidos Postigo, El Acueducto, Campofr\u00edo… Ha tenido muchos nombres, seg\u00fan han ido vendi\u00e9ndose o absorbi\u00e9ndose las […]<\/p>\n","protected":false},"author":33,"featured_media":63036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[7474,2631,145,12841,431,1989,12450,521,5885,5333,12840,2275,12842,668,3653,1005,4627],"class_list":["post-24597","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-espanola","tag-arquitectura-industrial","tag-curro-inza","tag-diseno-industrial","tag-docomomo","tag-espana","tag-expresionismo","tag-fernando-higueras","tag-francisco-de-inza","tag-fundacion-docomomo-iberico","tag-heliodoro-dols-morell","tag-historia","tag-jose-ramon-hernandez-correa","tag-patrimonio-industrial","tag-segovia"],"yoast_head":"\n[:es]La 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