{"id":24129,"date":"2015-02-09T06:37:50","date_gmt":"2015-02-09T05:37:50","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=24129"},"modified":"2022-08-01T16:52:23","modified_gmt":"2022-08-01T14:52:23","slug":"espacio-muerto-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/espacio-muerto-inigo-garcia-odiaga\/","title":{"rendered":"[:es]Espacio muerto | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Dead space | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Espazo morto | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Banaball, de KOZ architectes | Fotograf\u00eda: Martin Argyroglo<\/span><\/figcaption><\/figure><\/p>\n

El verano, las vacaciones y el ocio invitan a salir a la calle, a conquistar el espacio p\u00fablico y a socializar. A menudo el urbanismo actual, centrado en lo que podr\u00edamos llamar el desarrollo del centro de la ciudad, abandona otros espacios para proponer escenarios a estas actividades estivales. En los bordes de la ciudad los espacios abandonados, los espacios muertos pueden reciclarse en p\u00fablicos, atrayendo actividades temporales de diversa \u00edndole para un amplio espectro de personas.<\/p>\n

Un buen ejemplo de estos eventos es el desarrollado por la ciudad de Nantes Saint-Nazaire. Los responsables culturales de la ciudad han \u00a0invitado a diferentes arquitectos y artistas a que dise\u00f1en instalaciones temporales que ocupen durante el verano diferentes espacios de la ciudad con capacidad de desarrollar usos p\u00fablicos ligados al ocio y la diversi\u00f3n. De alguna manera estas instalaciones, que permanecer\u00e1n abiertas entre el 15 junio y el 19 agosto de 2012, pretenden que el arte, la arquitectura y un pensamiento m\u00e1s social, intervengan en la ciudad a trav\u00e9s de propuestas ins\u00f3litas y po\u00e9ticas capaces, desde su m\u00ednima dimensi\u00f3n, de generar cambios a mayor escala.<\/p>\n

\"\"<\/a>
Banaball, de KOZ architectes | Fotograf\u00eda: Martin Argyroglo<\/span><\/figcaption><\/figure>\n

En este contexto, la mayor\u00eda de las instalaciones propuestas tienen relaci\u00f3n con los juegos infantiles, implicando el desarrollo de parques infantiles, realizados por equipos de arquitectos en su mayor\u00eda j\u00f3venes, por lo que la propia iniciativa, desde el punto de vista m\u00e1s t\u00e9cnico, tambi\u00e9n tiene una componente social. La de dar oportunidades a los j\u00f3venes creadores. Cubiertas o al aire libre, estas instalaciones invitan al p\u00fablico en general a participar, a tomarlas como propias y a pasar un rato agradable. Ludovic Duccasse y Clement Bacle han propuesto un campo de juego que reinterpreta la cesta punta de Iparralde y la convierte en un divertimento l\u00fadico a escala infantil, denominado Banaball. Este nuevo deporte se juega en el interior de una jaula de 6 metros por 12, con un suelo de madera de color amarillo intenso en la que los extremos han sido ligeramente elevados. Las reglas se resumen en la utilizaci\u00f3n de bolas de espuma que dos equipos de tres jugadores deben arrojar para golpear al rival y as\u00ed eliminarlo, utilizando unas cestas asemejadas a la iconograf\u00eda jocosa de un pl\u00e1tano. Esta instalaci\u00f3n adopta la iconograf\u00eda del pl\u00e1tano para convertirse en un reclamo publicitario a lo Robert Venturi, y destacar en el paisaje de la isla de Nantes, ya que su primera ubicaci\u00f3n ha sido la cubierta de la escuela de arquitectura de la ciudad.<\/p>\n

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Banaball, de KOZ architectes | Fotograf\u00eda: Martin Argyroglo<\/span><\/figcaption><\/figure>\n

A cientos de kil\u00f3metros de Francia pero con una intenci\u00f3n similar, el estudio de arquitectura de Avi Laiser ha construido otra intervenci\u00f3n que persigue tambi\u00e9n convertirse en un nuevo referente de la vida social de los vecinos de Bat-Yam, una ciudad mediterr\u00e1nea de las m\u00e1s densamente pobladas de Israel. La mayor\u00eda de los residentes del barrio viven en viviendas \u00a0construidas con escasos recursos en los a\u00f1os cincuenta para los nuevos inmigrantes.<\/p>\n

\"\"<\/a>
Zona de juego en Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Fotograf\u00eda: AL\/Arch<\/span><\/figcaption><\/figure>\n

El proyecto est\u00e1 situado en el extremo de una amplia zona residencial moderna que, inesperadamente, termina en un muro de hormig\u00f3n que funciona como una barrera ac\u00fastica hacia la autopista que atraviesa la barriada. Esta condici\u00f3n de borde es la causa de la existencia de una larga franja de suelo abandonada, un espacio basura que se hab\u00eda convertido en el lugar al que iban a parar los electrodom\u00e9sticos usados, las bicicletas robadas o las hogueras de las festividades jud\u00edas.<\/p>\n

El proyecto trata de aprovechar las condiciones del muro de hormig\u00f3n y la franja de terrenos bald\u00edos para crear un parque p\u00fablico que permita las actividades humanas sociales y que devuelva a la poblaci\u00f3n su dominio sobre lo p\u00fablico.<\/p>\n

La fachada principal del proyecto, hacia la calle residencial, es una pared de tablillas de madera a trav\u00e9s de la cual se puede ver un gran espacio sal\u00f3n al aire libre, que se extiende entre la nueva fachada y el muro ac\u00fastico de hormig\u00f3n. Un gran cartel de ne\u00f3n rosa da la bienvenida a todos los que se acerquen al lugar, sugiriendo que los activos reales de las densas ciudades urbanas son los espacios p\u00fablicos al aire libre.<\/p>\n

La superficie del parque, se convierte en una topograf\u00eda de madera, en una superficie continua que se pliega para albergar siete espacios que generan diferentes ambientes y estancias. El suelo del parque trepa por el antiguo muro de la autopista, humanizando su construcci\u00f3n y transformando su condici\u00f3n de barrera final a la condici\u00f3n de lugar.<\/p>\n

\"\"<\/a>
Zona de juego en Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Fotograf\u00eda: AL\/Arch<\/span><\/figcaption><\/figure>\n

El proyecto es una colaboraci\u00f3n entre el arquitecto Avi Laiser, y el artista Dana Hirsch Laiser. Dana ha trabajado con los adolescentes del centro social de la comunidad para crear un marco en el que los j\u00f3venes se sientan due\u00f1os del lugar y as\u00ed lo mantengan y cuiden. El objetivo del trabajo fue explorar el comportamiento humano individual en el \u00e1mbito p\u00fablico e introducirlo en la definici\u00f3n del propio proyecto. El proyecto fue presentado en el marco de la Bienal internacional de urbanismo y el paisaje del a\u00f1o 2012 y recibi\u00f3 un premio en la categor\u00eda de dise\u00f1o del paisaje urbano.<\/p>\n

\"\"<\/a>
Zona de juego en Bat Yam, Israel\u00a0| AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser\u00a0| Fotograf\u00eda: AL\/Arch<\/span><\/figcaption><\/figure>\n

Estas instalaciones y muchas otras representan una oportunidad de reconquista, una oportunidad para que los ciudadanos recuperen el espacio p\u00fablico que les fue negado de modo que se reactive la actividad social de la ciudad.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto
\nsan sebasti\u00e1n. agosto 2012<\/p>\n

Art\u00edculo publicado el 12.08.2012 en ZAZPIKA<\/span><\/em><\/p>\n

[:en]

\"\"<\/a>
Banaball, by KOZ architectes | Photography: Martin Argyroglo<\/span><\/figcaption><\/figure><\/p>\n

The summer, the vacations and the leisure invite to going out to the street, to conquering the public space and to socializing. Often the current urbanism, centred on what we might be call the development of the downtown, leaves other spaces to propose scenes to these summer activities. In the edges of the city the left spaces, the dead spaces can retrain in public, attracting temporary activities of diverse nature for a persons’ wide spectrum.<\/p>\n

A good example of these events is the developed one for the city of Nantes Saint-Nazaire. The cultural persons in charge of the city have invited different architects and artists to whom they design temporary facilities that occupy during the summer different spaces of the city with aptitude to develop public uses tied to the leisure and the amusement. Somehow these facilities, which will remain opened between June 15 and August 19, 2012, claim that the art, the architecture and the most social thought, they intervene in the city across unusual offers and capable poetics, from his minimal dimension, of generating changes to major scale.<\/p>\n

\"\"<\/a>
Banaball, by KOZ architectes | Photography: Martin Argyroglo<\/span><\/figcaption><\/figure>\n

In this context, the majority of the proposed facilities have relation with the infantile games, implying the development of playparks, realized by equipments of architects in the main young, as what the own initiative, from the most technical point of view, also has one social component. Her of giving opportunities to the creative young persons. Covers or outdoors, these facilities invite the public to take part in general, to taking them like own and to happening awhile agreeably. Ludovic Duccasse and Clement Bacle have proposed a playground that reinterprets the basket Iparralde’s top and converts her into a playful divertimento to infantile scale, named Banaball. This new sport is played inside a cage of 6 meters by 12, with a soil of wood of yellow intense color in that the ends have been lightly high. The rules are summarized in the ball utilization of foam that two equipments of three players must throw to strike the rival and this way eliminate it, using a few baskets been alike the jocular iconography of a banana. This installation adopts the iconography of the banana Robert Venturi turns into an advertising claim to, and to stand out in the landscape of the island of Nantes, since his first location has been the cover of the school of architecture of the city.<\/p>\n

\"\"<\/a>
Banaball, by KOZ architectes | Photography: Martin Argyroglo<\/span><\/figcaption><\/figure>\n

To hundreds of kilometres of France but with a similar intention, the study of Avi Laiser’s architecture has constructed another intervention that it chases also to turn into a new modal of the social life of the neighbors of Bat-Yam, a Mediterranean city of denser populated with Israel. The majority of the residents of the neighborhood live in housings constructed with scanty resources in the fifties for the new immigrants.<\/p>\n

\"\"<\/a>
Playgrounds in Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Photography: AL\/Arch<\/span><\/figcaption><\/figure>\n

The project is placed in the end of a wide residential modern zone that, unexpectedly, ends in a wall of concrete that works as an acoustic barrier towards the highway that crosses the slum. This condition of edge is the reason of the existence of a long band of soil left, a space garbage that had turned into the place to which they were going to stop the secondhand domestic appliances, the stolen bicycles or the bonfires of the Jewish festivities.<\/p>\n

The project tries to take advantage of the conditions of the wall of concrete and the band of uncultivated areas to create a public park that allows the human social activities and that returns his domain over the public thing to the population.<\/p>\n

The main face of the project, towards the residential street, is a wall of slats of wood across which a great space can see lounge outdoors, that spreads between the new front and the acoustic wall of concrete. A great cartel of pink neon gives the welcome to all those who approach the place, suggesting that the royal assets of the dense urban cities are the public spaces outdoors.<\/p>\n

The surface of the park, one turns into a topography of wood, into a constant surface that pliega to shelter seven spaces that generate different environments and stays. The soil of the park climbs over the former wall of the highway, humanizing his construction and transforming his condition of final barrier to the condition of place.<\/p>\n

\"\"<\/a>
Playgrounds in Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Photography: AL\/Arch<\/span><\/figcaption><\/figure>\n

The project is a collaboration between the architect Avi Laiser, and the artist Dana Hirsch Laiser. Dana has worked with the teenagers of the community center of the community to create a frame in which the young persons sit down local and like that owners support and take care of it. The aim of the work was to explore the human individual behavior in the public area and to introduce it in the definition of the own project. The project was presented in the frame of the international Biennial show of urbanism and the landscape of the year 2012 and received a prize in the category of design of the urban landscape.<\/p>\n

\"\"<\/a>
Playgrounds in Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Photography: AL\/Arch<\/span><\/figcaption><\/figure>\n

These facilities and many others represent an opportunity of reconquest, an opportunity in order that the citizens recover the public space that was denied to them so that the social activity of the city should be reactivated.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. architect<\/p>\n

san sebasti\u00e1n. august 2012<\/p>\n

Article is published in 12.08.2012 en ZAZPIKA<\/span><\/em><\/p>\n

[:gl]

\"\"<\/a>
Banaball, de KOZ architectes | Fotograf\u00eda: Martin Argyroglo<\/span><\/figcaption><\/figure><\/p>\n

O ver\u00e1n, as vacaci\u00f3ns e o lecer invitan a sa\u00edr \u00e1 r\u00faa, a conquistar o espazo p\u00fablico e a socializar. A mi\u00fado o urbanismo actual, centrado no que poderiamos chamar o desenvolvemento do centro da cidade, abandona outros espazos para propo\u00f1er escenarios a estas actividades estivais. Nos bordos da cidade os espazos abandonados, os espazos mortos poden reciclarse en p\u00fablicos, atraendo actividades temporais de diversa \u00edndole para un amplo espectro de persoas.<\/p>\n

Un bo exemplo destes eventos \u00e9 o desenvolvido pola cidade de Nantes Saint-Nazaire. Os responsables culturais da cidade invitaron a diferentes arquitectos e artistas a que dese\u00f1en instalaci\u00f3ns temporais que ocupen durante o ver\u00e1n diferentes espazos da cidade con capacidade de desenvolver usos p\u00fablicos ligados ao lecer e a diversi\u00f3n. Dalg\u00fan xeito estas instalaci\u00f3ns, que permanecer\u00e1n abertas entre o 15 xu\u00f1o e o 19 agosto de 2012, pretenden que a arte, a arquitectura e un pensamento m\u00e1is social, interve\u00f1an na cidade a trav\u00e9s de propostas ins\u00f3litas e po\u00e9ticas capaces, desde a s\u00faa m\u00ednima dimensi\u00f3n, de xerar cambios a maior escala.<\/p>\n

\"\"<\/a>
Banaball, de KOZ architectes | Fotograf\u00eda: Martin Argyroglo<\/span><\/figcaption><\/figure>\n

Neste contexto, a maior\u00eda das instalaci\u00f3ns propostas te\u00f1en relaci\u00f3n cos xogos infant\u00eds, implicando o desenvolvemento de parques infant\u00eds, realizados por equipos de arquitectos na s\u00faa maior\u00eda mozos, polo que a propia iniciativa, dende o punto de vista m\u00e1is t\u00e9cnico, tam\u00e9n ten unha compo\u00f1ente social. A de dar oportunidades aos mozos creadores. Cubertas ou ao aire libre, estas instalaci\u00f3ns invitan o p\u00fablico en xeral a participar, a tomalas como propias e a pasar un anaco agradable. Ludovic Duccasse e Clement Bacle propuxeron un campo de xogo que reinterpreta a cesta punta de Iparralde e conv\u00e9rtea nun divertimento l\u00fadico a escala infantil, denominado Banaball. Este novo deporte x\u00f3gase no interior dunha gaiola de 6 metros por 12, cun chan de madeira de cor amarela intensa na que os extremos foron lixeiramente elevados. As regras res\u00famense na utilizaci\u00f3n de b\u00f3las de escuma que dous equipos de tres xogadores deben botar para golpear o rival e as\u00ed o eliminar, utilizando unhas cestas asemelladas \u00e1 iconograf\u00eda xocosa dun pl\u00e1tano. Esta instalaci\u00f3n adopta a iconograf\u00eda do pl\u00e1tano para converterse nun reclamo publicitario ao Robert Venturi, e destacar na paisaxe da illa de Nantes, xa que a s\u00faa primeira situaci\u00f3n foi a cuberta da escola de arquitectura da cidade.<\/p>\n

\"\"<\/a>
Banaball, de KOZ architectes | Fotograf\u00eda: Martin Argyroglo<\/span><\/figcaption><\/figure>\n

A centos de quil\u00f3metros de Francia pero cunha intenci\u00f3n similar, o estudo de arquitectura de Avi Laiser constru\u00edu outra intervenci\u00f3n que persegue tam\u00e9n se converter nun novo referente da vida social dos veci\u00f1os de Bat-Yam, unha cidade mediterr\u00e1nea das m\u00e1is densamente poboadas de Israel. A maior\u00eda dos residentes do barrio viven en vivendas constru\u00eddas con escasos recursos nos anos cincuenta para os novos inmigrantes.<\/p>\n

\"\"<\/a>
Zona de xogos en Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Fotograf\u00eda: AL\/Arch<\/span><\/figcaption><\/figure>\n

O proxecto est\u00e1 situado no extremo dunha ampla zona residencial moderna que, inesperadamente, remata nun muro de formig\u00f3n que funciona como unha barreira ac\u00fastica cara \u00e1 autoestrada que atravesa a barriada. Esta condici\u00f3n de bordo \u00e9 a causa da existencia dunha longa franxa de chan abandonada, un espazo lixo que se convertera no lugar ao que \u00edan parar os electrodom\u00e9sticos usados, as bicicletas roubadas ou as cacharelas das festividades xud\u00edas.<\/p>\n

O proxecto trata de aproveitar as condici\u00f3ns do muro de formig\u00f3n e a franxa de terreos bald\u00edos para crear un parque p\u00fablico que permita as actividades humanas sociais e que devolva \u00e1 poboaci\u00f3n o seu dominio sobre o p\u00fablico.<\/p>\n

A fachada principal do proxecto, cara \u00e1 r\u00faa residencial, \u00e9 unha parede de tabo\u00ed\u00f1as de madeira a trav\u00e9s da cal se pode ver un grande espazo sal\u00f3n ao aire libre, que se estende entre a nova fachada e o muro ac\u00fastico de formig\u00f3n. Un gran cartel de neon rosa d\u00e1 a benvida a todos os que se acheguen ao lugar, suxerindo que os activos reais das densas cidades urbanas son os espazos p\u00fablicos ao aire libre.<\/p>\n

A superficie do parque, conv\u00e9rtese nunha topograf\u00eda de madeira, nunha superficie continua que se prega para albergar sete espazos que xeran diferentes ambientes e estanzas. O chan do parque trepa polo antigo muro da autoestrada, humanizando a s\u00faa construci\u00f3n e transformando a s\u00faa condici\u00f3n de barreira final \u00e1 condici\u00f3n de lugar.<\/p>\n

\"\"<\/a>
Zona de xogos en Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Fotograf\u00eda: AL\/Arch<\/span><\/figcaption><\/figure>\n

O proxecto \u00e9 unha colaboraci\u00f3n entre o arquitecto Avi Laiser, e o artista Dana Hirsch Laiser. Dana traballou cos adolescentes do centro social da comunidade para crear un marco no que os mozos se sentan donos do lugar e as\u00ed mant\u00e9\u00f1ano e coiden. O obxectivo do traballo foi explorar o comportamento humano individual no \u00e1mbito p\u00fablico e introducilo na definici\u00f3n do propio proxecto. O proxecto foi presentado no marco da Bienal internacional de urbanismo e a paisaxe do ano 2012 e recibiu un premio na categor\u00eda de dese\u00f1o da paisaxe urbana.<\/p>\n

\"\"<\/a>
Zona de xogos en Bat Yam, Israel | AL\/Arch \u2013 Avi Laiser Architecture, Dana Hirsch Laiser | Fotograf\u00eda: AL\/Arch<\/span><\/figcaption><\/figure>\n

Estas instalaci\u00f3ns e moitas outras representan unha oportunidade de reconquista, unha oportunidade para que os cidad\u00e1ns recuperen o espazo p\u00fablico que lles foi negado de modo que se reactive a actividade social da cidade.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto<\/p>\n

san sebasti\u00e1n. agosto 2012<\/p>\n

Artigo publicado el 12.08.2012 en ZAZPIKA<\/span><\/em><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El verano, las vacaciones y el ocio invitan a salir a la calle, a conquistar el espacio p\u00fablico y a socializar. A menudo el urbanismo actual, centrado en lo que podr\u00edamos llamar el desarrollo del centro de la ciudad, abandona otros espacios para proponer escenarios a estas actividades estivales. En los bordes de la […]<\/p>\n","protected":false},"author":31,"featured_media":46277,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[78,7089,10646,318,10649,399,10647,12442,12457,516,1787,602,4285,1879,10650,10648,5459,4982,1144,7722,1146,2234,3174,4346,1241,12468],"class_list":["post-24129","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-actividad","tag-arquitectura-francesa","tag-avi-laiser","tag-ciudad","tag-clement-bacle","tag-cultura","tag-dana-hirsch-laiser","tag-equipamiento-deportivo","tag-equipamiento-dotacional","tag-espacio-publico","tag-europa","tag-francia","tag-inigo-garcia-odiaga","tag-israel","tag-koz-architectes","tag-ludovic-duccasse","tag-playgrounds","tag-politicas-urbanas","tag-reactivacion","tag-reactivar","tag-reciclaje","tag-reciclaje-urbano","tag-reconvertir","tag-robert-venturi","tag-sociedad","tag-urbanismo"],"yoast_head":"\nEspacio muerto | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"Espacio muerto\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/espacio-muerto-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Espacio muerto | \u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta property=\"og:description\" content=\"Espacio muerto\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/espacio-muerto-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" 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