{"id":23790,"date":"2012-08-14T09:46:41","date_gmt":"2012-08-14T09:46:41","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=23790"},"modified":"2023-06-16T18:40:22","modified_gmt":"2023-06-16T16:40:22","slug":"banos-de-miraflores-hector-velarde-fernando-freire-forga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/banos-de-miraflores-hector-velarde-fernando-freire-forga\/","title":{"rendered":"[:es]Ba\u00f1os de Miraflores. H\u00e9ctor Velarde | Fernando Freire Forga[:gl]Ba\u00f1os de Miraflores. Hector Velarde | Fernando Freire Forga[:en]Miraflores’s Baths. Hector Velarde | Fernando Freire Forga[:]"},"content":{"rendered":"

[:es]

\"Ba\u00f1os<\/a>
Ba\u00f1os de Miraflores. H\u00e9ctor Velarde. 1934-35<\/span><\/figcaption><\/figure><\/p>\n

En busca de los or\u00edgenes de la arquitectura moderna en el Per\u00fa encontr\u00e9 que existi\u00f3 un edificio que podr\u00eda haber significado el inicio: Los Ba\u00f1os de Miraflores, proyectados por el arquitecto Hector Velarde entre 1934 y 1935. Aunque por los historiadores peruanos este edificio ha sido catalogado dentro de la arquitectura llamada -localmente- como \u201cEstilo Buque\u201d considero que al profundizar podr\u00edamos afirmar que nos encontramos frente a una obra moderna. Seguramente que de haberse edificado unos 4 a\u00f1os antes podr\u00eda haber formado parte del libro Henry – Russell Hitchcock y Philip Johnson, donde destacaban y difund\u00edan la arquitectura producto del movimiento moderno a la que llamaron -equivocadamente- Estilo Internacional.<\/p>\n

\"Ba\u00f1os
Ba\u00f1os de Miraflores. H\u00e9ctor Velarde<\/span><\/figcaption><\/figure>\n

Enfoc\u00e1ndonos en el edificio de los ba\u00f1os podemos observar claramente el uso de la horizontalidad como soluci\u00f3n formal de la funci\u00f3n que se requer\u00eda: un conjunto de espacios que serv\u00edan de cambiadores y servicios en general para los ba\u00f1istas de Miraflores. Este edificio era parte del equipamiento urbano p\u00fablico y por las im\u00e1genes encontradas tuvo una notable concurrencia.<\/p>\n

\"Ba\u00f1os
Ba\u00f1os de Miraflores. H\u00e9ctor Velarde<\/span><\/figcaption><\/figure>\n

El centro del edificio de forma semicircular en planta serv\u00eda para dividir las alas de cambiadores de hombres y mujeres y a su vez albergaba una zona de comedor.<\/p>\n

Al encontrarse ubicado sobre la orilla del mar, el edificio fue concebido sobre pilotis, la estructura permit\u00eda el uso de vanos corridos y la azotea fue utilizada como terraza \u2013 mirador, lo cual ya demuestra una relaci\u00f3n interesante entre lo que llamaron estilo internacional y los postulados de Le Corbusier para la Villa Savoye en Poisy, Francia.<\/p>\n

\"Ba\u00f1os
Ba\u00f1os de Miraflores. H\u00e9ctor Velarde<\/figcaption><\/figure>\n

Lamentablemente no se ha registrado un edificio de tal envergadura en la d\u00e9cada de 1930 y lo que pudo estar relacionado a este inicio de la arquitectura moderna en el pa\u00eds ha sido catalogado como un estilo local, el estilo buque.<\/p>\n

\"Ba\u00f1os
Ba\u00f1os de Miraflores. H\u00e9ctor Velarde<\/span><\/figcaption><\/figure>\n

\n

Fernando Freire Forga \u00b7 Doctor Arquitecto
\nLima \u00b7 julio 2013 \u00b7 Autor del Blog La Forma Moderna en Latinoam\u00e9rica<\/a>[:en]<\/p>\n

\"\"<\/a>
Miraflores’s Baths. Hector Velarde. 1934-35<\/span><\/figcaption><\/figure>\n

In search of the origins of the modern architecture in Peru I thought that there existed a building that it might have meant the beginning: Miraflores’s Baths, projected by the architect Hector Velarde between 1934 and 1935. Though by the Peruvian historians this building has been catalogued inside the so called architecture – locally – as \u00bb Style Nose \u00bb I think that on having penetrated we might affirm that we are opposite to a modern work. Surely that of having been built approximately 4 years before Henry – Russell Hitchcock and Philip Johnson might have formed a part of the book, where they were emphasizing and spreading the architecture product of the modern movement which they called – wrongly – International Style.<\/p>\n

Focusing in the building of the baths we can observe clearly the use of the horizontalidad as formal solution of the function that was needed: a set of spaces that were using as changers and services in general for the bathers of Miraflores. This building was a part of the urban public equipment and as the opposing images it had a notable concurrence.<\/p>\n

The center of the building of semicircular form in plant was serving to divide the wings changers of men and women and in turn it was sheltering a zone of dining room.<\/p>\n

On having been located on the shore of the sea, the building was conceived on pilotis, the structure was allowing the use of vain traversed and the roof was used as terrace – viewing-point, which already demonstrates an interesting relation between what they were called Corbusier international style and the postulates of Him for the Villa Savoye in Poisy, France.<\/p>\n

Lamentably there has not been registered a building of such an importance in the decade of 1930 and what could be related to this beginning of the modern architecture in the country has been catalogued as a local style, the style ship.<\/p>\n

Later a series is exposed of excellently photographies obtained in the web.<\/p>\n