{"id":23767,"date":"2012-08-07T06:32:36","date_gmt":"2012-08-07T06:32:36","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=23767"},"modified":"2023-04-29T12:41:05","modified_gmt":"2023-04-29T10:41:05","slug":"cuaderno-de-nueva-york-v-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-v-antonio-s-rio-vazquez\/","title":{"rendered":"[:es]Cuaderno de Nueva York (V) | Antonio S. R\u00edo V\u00e1zquez[:gl]Caderno de Nova York (V) | Antonio S. R\u00edo V\u00e1zquez[:en]Notebook of New York (V) | Antonio S. R\u00edo V\u00e1zquez[:]"},"content":{"rendered":"<p>[:es]<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"tGPwD7w4xH\"><p><a href=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-iv-antonio-s-rio-vazquez\/\">Cuaderno de Nueva York (IV) | Antonio S. R\u00edo V\u00e1zquez<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abCuaderno de Nueva York (IV) | Antonio S. R\u00edo V\u00e1zquez\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-iv-antonio-s-rio-vazquez\/embed\/#?secret=tGPwD7w4xH\" data-secret=\"tGPwD7w4xH\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<figure id=\"attachment_23768\" aria-describedby=\"caption-attachment-23768\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-23768\" title=\"NY982\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg\" alt=\"\" width=\"620\" height=\"414\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-23768\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Fotograf\u00eda: <a href=\"https:\/\/www.woodycampbell.com\/urban\/harley\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">Woody Campbell <\/span><\/a><\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">La huella de los maestros permanece indeleble en la trama de Nueva York. A la presencia distante y apasionada de <a href=\"http:\/\/es.wikipedia.org\/wiki\/Le_Corbusier\" target=\"_blank\" rel=\"noopener\">Le Corbusier<\/a>, desde su provocadora visita inici\u00e1tica de hasta su retirada con el desencanto por el <a href=\"http:\/\/en.wikipedia.org\/wiki\/United_Nations_Headquarters\" target=\"_blank\" rel=\"noopener\">edificio de la ONU<\/a> en 1947, se suman las de otros maestros, entre ellos los dos paradigmas de la modernidad arquitect\u00f3nica.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/es.wikipedia.org\/wiki\/Frank_Lloyd_Wright\" target=\"_blank\" rel=\"noopener\">Frank Lloyd Wright<\/a> dej\u00f3 escrito su epitafio en cursiva, sobre la 5\u00aa avenida, frente a la gran pradera de la ciudad. Otro maestro, que pudo ver el <a href=\"http:\/\/www.guggenheim.org\/\" target=\"_blank\" rel=\"noopener\">Guggenheim<\/a> reci\u00e9n terminado me confes\u00f3:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abTodos sab\u00edan que era un mal museo, pero era un magn\u00edfico edificio\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Para qui\u00e9n desconozca la calidez y domesticidad de la obra <em>wrightiana<\/em>, recorrer la blanca espiral es una buena aproximaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">En las mismas fechas, otro maestro \u2014europeo en su origen\u2014 corona su carrera americana en el cielo de Nueva York. Frente a la din\u00e1mica del paseo, <a href=\"http:\/\/es.wikipedia.org\/wiki\/Ludwig_Mies_van_der_Rohe\" target=\"_blank\" rel=\"noopener\">Mies<\/a> opta por la serenidad de la plaza. La secuencia <em>calle &#8211; exterior &#8211; interior<\/em> se proyecta y se construye al detalle en el <a href=\"http:\/\/es.wikipedia.org\/wiki\/Edificio_Seagram\" target=\"_blank\" rel=\"noopener\">Seagram<\/a>: Cada pelda\u00f1o, cada banco, cada paso. Quien observa estas nuevas y antiguas lecciones deja a su espalda otra lecci\u00f3n magistral de ocupaci\u00f3n en altura: la <a href=\"http:\/\/es.wikipedia.org\/wiki\/Lever_House\" target=\"_blank\" rel=\"noopener\">Lever House<\/a>.<\/p>\n<p style=\"text-align: justify;\">Le Corbusier dijo que Nueva York era una cat\u00e1strofe, pero una bella y digna cat\u00e1strofe. El paso de los maestros permite ver hoy una suma inconexa de bellas y dignas obras. Al mismo tiempo, el recorrido urbano ofrece l\u00edneas de conexi\u00f3n, puntos de contacto y debate. Y la cat\u00e1strofe como ense\u00f1anza.<\/p>\n<p>antonio s. r\u00edo v\u00e1zquez . arquitecto<br \/>\na coru\u00f1a. agosto 2012<br \/>\n<span style=\"color: #999999;\">Autor del blog, <em>El tiempo del lobo<\/em><\/span><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"E8LCwWJOHR\"><p><a href=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-vi-antonio-s-rio-vazquez\/\">Cuaderno de Nueva York (VI) | Antonio S. R\u00edo V\u00e1zquez<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abCuaderno de Nueva York (VI) | Antonio S. R\u00edo V\u00e1zquez\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-vi-antonio-s-rio-vazquez\/embed\/#?secret=E8LCwWJOHR\" data-secret=\"E8LCwWJOHR\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>[:gl]<a href=\"https:\/\/veredes.es\/blog\/gl\/cuaderno-de-nueva-york-iv-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #999999;\"><em>Ven de\u00a0<\/em><\/span><\/a><\/p>\n<figure id=\"attachment_23768\" aria-describedby=\"caption-attachment-23768\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-23768\" title=\"NY982\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg\" alt=\"\" width=\"620\" height=\"414\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-23768\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Fotograf\u00eda: <a href=\"https:\/\/www.woodycampbell.com\/urban\/harley\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">Woody Campbell <\/span><\/a><\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">La huella de los maestros permanece indeleble en la trama de Nueva York. A la presencia distante y apasionada de <a href=\"http:\/\/es.wikipedia.org\/wiki\/Le_Corbusier\" target=\"_blank\" rel=\"noopener\">Le Corbusier<\/a>, desde su provocadora visita inici\u00e1tica de hasta su retirada con el desencanto por el <a href=\"http:\/\/en.wikipedia.org\/wiki\/United_Nations_Headquarters\" target=\"_blank\" rel=\"noopener\">edificio de la ONU<\/a> en 1947, se suman las de otros maestros, entre ellos los dos paradigmas de la modernidad arquitect\u00f3nica.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/es.wikipedia.org\/wiki\/Frank_Lloyd_Wright\" target=\"_blank\" rel=\"noopener\">Frank Lloyd Wright<\/a> dej\u00f3 escrito su epitafio en cursiva, sobre la 5\u00aa avenida, frente a la gran pradera de la ciudad. Otro maestro, que pudo ver el <a href=\"http:\/\/www.guggenheim.org\/\" target=\"_blank\" rel=\"noopener\">Guggenheim<\/a> reci\u00e9n terminado me confes\u00f3:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00abTodos sab\u00edan que era un mal museo, pero era un magn\u00edfico edificio\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">Para qui\u00e9n desconozca la calidez y domesticidad de la obra <em>wrightiana<\/em>, recorrer la blanca espiral es una buena aproximaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">En las mismas fechas, otro maestro \u2014europeo en su origen\u2014 corona su carrera americana en el cielo de Nueva York. Frente a la din\u00e1mica del paseo, <a href=\"http:\/\/es.wikipedia.org\/wiki\/Ludwig_Mies_van_der_Rohe\" target=\"_blank\" rel=\"noopener\">Mies<\/a> opta por la serenidad de la plaza. La secuencia <em>calle &#8211; exterior &#8211; interior<\/em> se proyecta y se construye al detalle en el <a href=\"http:\/\/es.wikipedia.org\/wiki\/Edificio_Seagram\" target=\"_blank\" rel=\"noopener\">Seagram<\/a>: Cada pelda\u00f1o, cada banco, cada paso. Quien observa estas nuevas y antiguas lecciones deja a su espalda otra lecci\u00f3n magistral de ocupaci\u00f3n en altura: la <a href=\"http:\/\/es.wikipedia.org\/wiki\/Lever_House\" target=\"_blank\" rel=\"noopener\">Lever House<\/a>.<\/p>\n<p style=\"text-align: justify;\">Le Corbusier dijo que Nueva York era una cat\u00e1strofe, pero una bella y digna cat\u00e1strofe. El paso de los maestros permite ver hoy una suma inconexa de bellas y dignas obras. Al mismo tiempo, el recorrido urbano ofrece l\u00edneas de conexi\u00f3n, puntos de contacto y debate. Y la cat\u00e1strofe como ense\u00f1anza.<\/p>\n<p>antonio s. r\u00edo v\u00e1zquez . arquitecto<br \/>\na coru\u00f1a. agosto 2012<br \/>\n<span style=\"color: #999999;\">Autor del blog, <em>El tiempo del lobo<\/em><\/span><\/p>\n<p><span style=\"color: #999999;\"><a style=\"color: #999999;\" href=\"https:\/\/veredes.es\/blog\/gl\/cuaderno-de-nueva-york-vi-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener\"><em>Segue en\u00a0<\/em><\/a><\/span>[:en]<a href=\"https:\/\/veredes.es\/blog\/en\/cuaderno-de-nueva-york-iv-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #999999;\"><em>Come from<\/em><\/span><\/a><\/p>\n<figure id=\"attachment_23768\" aria-describedby=\"caption-attachment-23768\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-23768\" title=\"NY982\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg\" width=\"620\" height=\"414\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/NY982-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-23768\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Photography: Woody Campbell<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">The fingerprint of the teachers remains indelible in the plot of New York. To the distant and passionate presence of\u00a0<a href=\"http:\/\/es.wikipedia.org\/wiki\/Le_Corbusier\" target=\"_blank\" rel=\"noopener\">Le Corbusier<\/a>, from his provocative initiation visit of up to his retreat with the disenchantment for the <a href=\"http:\/\/en.wikipedia.org\/wiki\/United_Nations_Headquarters\" target=\"_blank\" rel=\"noopener\">building of the UN <\/a>in 1947, adds those of other teachers, between them both paradigms of the architectural modernity.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/es.wikipedia.org\/wiki\/Frank_Lloyd_Wright\" target=\"_blank\" rel=\"noopener\">Frank Lloyd Wright<\/a> made his epitaph written in cursive, on 5\u00aa avenue, opposite to the great meadow of the city. Another teacher, who could see the\u00a0<a href=\"http:\/\/www.guggenheim.org\/\" target=\"_blank\" rel=\"noopener\">Guggenheim<\/a> newly finished said to me once:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u00ab<em>They all knew that it was an evil museum, but it was a magnificent building<\/em>\u00bb.<\/em><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">For whom he does not know the warmth and domesticity of the work wrightiana, to cross the white spiral can be a good approximation.<\/p>\n<p style=\"text-align: justify;\">In the same dates, another teacher &#8211; European in his origin &#8211; crowns his American career in the sky of New York. Opposite to the dynamics of the walk,\u00a0<a href=\"http:\/\/es.wikipedia.org\/wiki\/Ludwig_Mies_van_der_Rohe\" target=\"_blank\" rel=\"noopener\">Mies<\/a> chooses for the serenity of the square. The sequence <em>keeps silent &#8211; about exterior &#8211; interior<\/em> is projected and is constructed to the detail in the <a href=\"http:\/\/es.wikipedia.org\/wiki\/Edificio_Seagram\" target=\"_blank\" rel=\"noopener\">Seagram<\/a>: Every step, every bank, every step. The one who observes these new and former lessons leaves to his back another magisterial lesson of occupation in height: the <a href=\"http:\/\/es.wikipedia.org\/wiki\/Lever_House\" target=\"_blank\" rel=\"noopener\">Lever House<\/a>.<\/p>\n<p style=\"text-align: justify;\">Le Corbusier said that New York was a catastrophe, but a beautiful and worthy catastrophe. The step of the teachers allows to see today an unconnected sum of beautiful and worthy works. At the same time, the urban tour offers lines of connection, points of contact and debate. And the catastrophe like education.<\/p>\n<p>antonio s. r\u00edo v\u00e1zquez . arquitecto<br \/>\na coru\u00f1a. agosto 2012<br \/>\n<span style=\"color: #999999;\">Author del blog, <em>El tiempo del lobo<\/em><\/span><\/p>\n<p><a href=\"https:\/\/veredes.es\/blog\/en\/cuaderno-de-nueva-york-vi-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener\"><em>Follow on<\/em><\/a>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] La huella de los maestros permanece indeleble en la trama de Nueva York. A la presencia distante y apasionada de Le Corbusier, desde su provocadora visita inici\u00e1tica de hasta su retirada con el desencanto por el edificio de la ONU en 1947, se suman las de otros maestros, entre ellos los dos paradigmas de [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":23768,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[11388,10443,4024,2539,9577,12449,1798,318,319,7267,11393,3740,11394,5222,7269,9589,449,451,10447,460,7272,12457,508,516,556,605,630,631,655,668,688,4285,11390,10446,10445,1621,785,804,815,11387,7782,865,887,2081,12453,930,940,959,7273,977,978,1719,989,11395,11391,1021,11392,3452,7268,12466,7603,2066,7271,1138,7270,1865,12464,6611,2173,1982,7295,1206,1294,12468,6605,5153,2511,11389,10444],"class_list":["post-23767","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-allan-b-jacobs","tag-antonio-pizza","tag-antonio-s-rio-vazquez","tag-arquitectura-del-paisaje","tag-arquitectura-monumental","tag-arte","tag-chicago","tag-ciudad","tag-ciudad-contemporanea","tag-constantin-brancusi","tag-daniel-hudson-burnham","tag-desarrollo-urbano","tag-dewitt-clinton","tag-diller-scofidio-renfro","tag-dinastia-brueghel","tag-ecosistema-social","tag-ecosistema-urbano","tag-edificacion","tag-edward-ludwig-glaeser","tag-eeuu","tag-ely-jacques-kahn","tag-equipamiento-dotacional","tag-escultura","tag-espacio-publico","tag-exposicion","tag-frank-lloyd-wright","tag-geografia","tag-geometria","tag-guggenheim","tag-historia","tag-idea","tag-inigo-garcia-odiaga","tag-james-corner","tag-james-traub","tag-joseph-h-freedlander","tag-kenneth-frampton","tag-le-corbusier","tag-lugar","tag-maestro","tag-marc-fumaroli","tag-maurici-pla","tag-mies-van-der-rohe","tag-moma","tag-monumento","tag-museo-arquitectura-arquitectura","tag-new-york","tag-normativa","tag-opinion","tag-ordenanza","tag-paisaje","tag-paisaje-urbano","tag-paisaje-urbano-americano","tag-paris","tag-paul-hellen","tag-paula-scher","tag-pensamiento","tag-pentagram","tag-personaje","tag-pieter-brueghel-el-viejo","tag-pintura","tag-planeamiento-urbano","tag-proyectar","tag-ralph-thomas-walker","tag-rascacielos","tag-raymond-hood","tag-reflexion","tag-rehabilitacion","tag-rehabilitacion-urbana","tag-rem-koolhaas","tag-renovacion-urbana","tag-richard-buckminster-fuller","tag-sanaa","tag-torre","tag-urbanismo","tag-urbanismo-sostenible","tag-viajar","tag-viaje","tag-whitney-museum-of-american-art","tag-yoshio-taniguchi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cuaderno de Nueva York [V] | Antonio S. R\u00edo V\u00e1zquez<\/title>\n<meta name=\"description\" content=\"Cuaderno\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-v-antonio-s-rio-vazquez\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cuaderno de Nueva York [V] | Antonio S. 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Profesor en el Departamento de Proyectos Arquitect\u00f3nicos, Urbanismo y Composici\u00f3n de la Universidade da Coru\u00f1a, imparte las asignaturas Introducci\u00f3n a la Arquitectura, Historia de la Arquitectura, Paisaje Cultural y T\u00e9cnicas de Investigaci\u00f3n y Documentaci\u00f3n en Arquitectura. Profesor invitado en la Robert Gordon University de Aberdeen (Reino Unido), en la Universidade do Minho (Portugal) y en la Universit\u00e0 degli Studi di Roma La Sapienza (Italia). Director del proyecto de investigaci\u00f3n \u00abHistoria de la restauraci\u00f3n y puesta en valor del patrimonio arquitect\u00f3nico en Galicia\u00bb, becado por la Diputaci\u00f3n Provincial de A Coru\u00f1a en el a\u00f1o 2007. Miembro de la red UEDXX Urbanism of European Dictatorships during the XXth Century, del Grupo de Investigaci\u00f3n en Historia de la Arquitectura y del Grupo de Innovaci\u00f3n Docente en Historia de la Arquitectura. Los resultados de sus investigaciones, tanto personales como conjuntas, han servido como aportaci\u00f3n a varios seminarios, jornadas, congresos y otros eventos de difusi\u00f3n cient\u00edfica nacionales e internacionales y han sido publicados en libros y revistas.","sameAs":["https:\/\/asrv.es\/","https:\/\/www.facebook.com\/ariovazquez","https:\/\/www.instagram.com\/antonio_rio_vazquez\/","https:\/\/www.linkedin.com\/in\/ariovazquez\/","https:\/\/x.com\/https:\/\/twitter.com\/ariovazquez"],"url":"https:\/\/veredes.es\/blog\/author\/antonio-s-rio-vazquez\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/23767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=23767"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/23767\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/23768"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=23767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=23767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=23767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}