{"id":23764,"date":"2012-08-25T05:34:37","date_gmt":"2012-08-25T05:34:37","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=23764"},"modified":"2025-05-31T12:45:52","modified_gmt":"2025-05-31T10:45:52","slug":"agrupemonos-todos-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/agrupemonos-todos-jorge-gorostiza\/","title":{"rendered":"<!--:es-->Agrup\u00e9monos todos | Jorge Gorostiza<!--:--><!--:gl-->Agrup\u00e9monos todos | Jorge Gorostiza<!--:--><!--:en-->Group us all | Jorge Gorostiza<!--:-->"},"content":{"rendered":"<p><!--:es--><figure id=\"attachment_45410\" aria-describedby=\"caption-attachment-45410\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-45410\" title=\"Der-vierte-Stand\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg\" alt=\"\" width=\"620\" height=\"325\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg 448w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand-300x157.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-45410\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Giuseppe Pellizza da Volpedo El Cuarto Estado, cuadro usado <\/span><span style=\"color: #888888;\">en Novecento, dirigida por Bernardo Berolucci.<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Es\u00a0probable que muchos j\u00f3venes no sepan a qu\u00e9 se refiere el t\u00edtulo de esta entrada del blog, para otros significar\u00e1 mucho, tanto de esperanza, como de\u00a0ilusiones perdidas. Evidentemente es el principio de una estrofa\u00a0de una traducci\u00f3n espa\u00f1ola de <a href=\"http:\/\/www.antiwarsongs.org\/canzone.php?id=2003&amp;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">La Internacional<\/a>, la melod\u00eda revolucionaria\u00a0por excelencia del siglo pasado. Aunque en este momento en Europa y, sobre todo, en Espa\u00f1a estar\u00eda muy bien que nos agrup\u00e1ramos para enfrentarnos a\u00a0quienes\u00a0nos est\u00e1n masacrando, este post no\u00a0tiene \u00ednfulas revolucionarias.<\/p>\n<p style=\"text-align: justify;\">Hasta hace unos a\u00f1os hab\u00eda muy poca gente estudiando las relaciones entre Cine, Arquitectura y Ciudad, y debo decir que en Espa\u00f1a, tras el libro fundamental de <a href=\"http:\/\/es.wikipedia.org\/wiki\/Juan_Antonio_Ram%C3%ADrez\" target=\"_blank\" rel=\"noopener noreferrer\">Juan Antonio Ram\u00edrez<\/a>, se nos pod\u00eda contar con los dedos de una mano y a\u00fan sobraban dedos. Siempre ha habido\u00a0investigadores que\u00a0pretenden\u00a0monopolizar su especialidad para que siempre les encarguen\u00a0los trabajos a ellos, una actitud que no tiene sentido, porque es evidente que cuanta m\u00e1s gente haya trabajando sobre un tema, m\u00e1s se avanzar\u00e1 en \u00e9l,\u00a0afortunadamente cada vez hay m\u00e1s personas que trabajan\u00a0en estas relaciones que tanto\u00a0nos interesan.<\/p>\n<p style=\"text-align: justify;\">En la anterior entrada hablaba del extraordinario trabajo del grupo portugu\u00e9s Ruptura Silenciosa; tambi\u00e9n se ha hablado en otras <a href=\"http:\/\/cinearquitecturaciudad.blogspot.com.es\/2011\/10\/teatro-marittimo.html\" target=\"_blank\" rel=\"noopener noreferrer\">ocasiones<\/a> de <a href=\"http:\/\/ciudaddocumento.wordpress.com\/2012\/01\/08\/teatro-marittimo-no-1-utopias-construidas\/\" target=\"_blank\" rel=\"noopener noreferrer\">Teatro Marittimo<\/a>, la revista que dirige David Rivera, as\u00ed como de las clases que \u00e9l y Jos\u00e9 Manuel Garc\u00eda Roig imparten en la <a href=\"https:\/\/etsamadrid.aq.upm.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de la UPM<\/a>; <a href=\"http:\/\/luisantonio-grupopfc.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Luis Antonio Guti\u00e9rrez Cabrero<\/a> lleva muchos a\u00f1os investigando en esa Escuela y sus alumnos avalan el inter\u00e9s de estas investigaciones; como tambi\u00e9n lo hace <a href=\"http:\/\/www.interseccion.info\/index.php?\/quien\/jose-javier-hernandez-ruiz\/\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Hern\u00e1ndez Ruiz<\/a> en la Escuela de Arquitectura\u00a0de la <a href=\"https:\/\/universidadeuropea.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">UEM<\/a>; el arquitecto <a href=\"https:\/\/spa.archinform.net\/arch\/16837.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Antonio Pizza<\/a> est\u00e1 desarollando un <a href=\"http:\/\/cineetsab.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">m\u00e1ster<\/a> en la <a href=\"http:\/\/www.etsab.upc.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de Barcelona<\/a> con Celia Mart\u00edn; <a href=\"http:\/\/investigacion.us.es\/sisius\/sis_showpub.php?idpers=5287\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Rodr\u00edguez Barber\u00e1n<\/a> en la ETSA de Sevilla; <a href=\"https:\/\/www.ugr.es\/~compoarq\/compoarq_archivos\/profesores\/jcalatrava_archivos\/jcalatrava_cv.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Juan Calatrava<\/a> en la <a href=\"https:\/\/etsag.ugr.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de Granada<\/a>; Maria Asunci\u00f3n Salgado ha comenzado a <a href=\"http:\/\/www.huffingtonpost.es\/mariasun-salgado-de-la-rosa\/maliciosa-artificialidad_b_1623562.html\" target=\"_blank\" rel=\"noopener noreferrer\">escribir<\/a> en el <a href=\"http:\/\/www.huffingtonpost.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Huffinton Post<\/a> sobre este tema y mantiene su blog <a href=\"http:\/\/blogdearquitecturaycine.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Arquicine<\/a>; fuera de Espa\u00f1a ya se ha hablado del <a href=\"http:\/\/arqfilmfest.cl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Festival de Cine y Arquitectura Santiago de Chile<\/a>, de <a href=\"http:\/\/www.35milimetros.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Andr\u00e9s Daly<\/a> en ese mismo pa\u00eds, de <a href=\"http:\/\/research.brown.edu\/research\/profile.php?id=10274\" target=\"_blank\" rel=\"noopener noreferrer\">Neumann<\/a>, de Penz, de <a href=\"http:\/\/en.wikipedia.org\/wiki\/Juhani_Pallasmaa\" target=\"_blank\" rel=\"noopener noreferrer\">Pallasmaa<\/a>; Richard Koeck est\u00e1 desarrollando una gran labor en la <a href=\"https:\/\/www.liverpool.ac.uk\/architecture\/\" target=\"_blank\" rel=\"noopener noreferrer\">Universidad de Liverpool<\/a>\u00a0y con su empresa <a href=\"http:\/\/cinetecture.com\/about.html\" target=\"_blank\" rel=\"noopener noreferrer\">CineTecture<\/a>&#8230;<\/p>\n<p style=\"text-align: justify;\">Seguramente me olvido de muchos otros investigadores, pero el mensaje de este comentario es que deber\u00edamos saber m\u00e1s del trabajo que estamos haciendo todos, quiz\u00e1s reunirnos, o incluso, como en <em>La Internacional<\/em>,\u00a0\u00abagruparnos todos\u00bb.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. Autor del blog <em>Arquitectura+Cine+Ciudad<br \/>\n<\/em>Santa Cruz de Tenerife, julio 2012<\/p>\n<p><!--:--><!--:en--><figure id=\"attachment_45410\" aria-describedby=\"caption-attachment-45410\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-45410\" title=\"Der-vierte-Stand\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg\" alt=\"\" width=\"620\" height=\"325\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg 448w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand-300x157.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-45410\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Giuseppe Pellizza da Volpedo El Cuarto Estado, <\/span><span style=\"color: #888888;\">picture used in Novecento, directed by Bernardo Berolucci.<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">It is probable that many young persons do not know to what there refers the title of this entry of the blog, for others it will mean very much, so much of hope, since of lost illusions. Evidently it is the beginning of a strophe of a Spanish translation of\u00a0<a href=\"http:\/\/www.antiwarsongs.org\/canzone.php?id=2003&#038;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">La Internacional<\/a>, the revolutionary excellent melody of last century. Though at this moment in Europe and, especially, in Spain it would be very nice that we were gathering in crowds to face to those who are massacring us, this post does not have revolutionary vanity.<\/p>\n<p style=\"text-align: justify;\">Until a few years ago there were very few people studying the relations between Cinema, Architecture and City, and I must say that in Spain, after <a href=\"http:\/\/es.wikipedia.org\/wiki\/Juan_Antonio_Ram%C3%ADrez\" target=\"_blank\" rel=\"noopener noreferrer\">Juan Antonio Ram\u00edrez<\/a>&#8216;s fundamental book, us it was possible to possess the fingers of a hand and still they were exceeding fingers. Always there have been investigators who try to monopolize his speciality in order that always they entrust them the works, an attitude that does not make sense, because it is evident that all more people exists working on a topic, more it will be advanced in him, lucky every time there are more persons who are employed at these relations in that so much we are interested.<\/p>\n<p style=\"text-align: justify;\">In the previous entry he was speaking about the extraordinary work of the Portuguese group Ruptura Silenciosa;\u00a0also one has spoken in other <a style=\"text-align: justify;\" href=\"http:\/\/cinearquitecturaciudad.blogspot.com.es\/2011\/10\/teatro-marittimo.html\" target=\"_blank\" rel=\"noopener noreferrer\">occasions<\/a> of <a href=\"http:\/\/ciudaddocumento.wordpress.com\/2012\/01\/08\/teatro-marittimo-no-1-utopias-construidas\/\" target=\"_blank\" rel=\"noopener noreferrer\">Teatro Marittimo<\/a>,\u00a0the magazine that David Rivera directs,\u00a0as well as of the classes that he and Jos\u00e9 Manuel Garc\u00eda Roig\u00a0give in the <a href=\"https:\/\/etsamadrid.aq.upm.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de la UPM<\/a>; <a href=\"http:\/\/luisantonio-grupopfc.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Luis Antonio Guti\u00e9rrez Cabrero<\/a>\u00a0goes many years investigating in this\u00a0School and his pupils support the interest of these investigations; since also <a href=\"http:\/\/www.interseccion.info\/index.php?\/quien\/jose-javier-hernandez-ruiz\/\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Hern\u00e1ndez Ruiz<\/a>\u00a0does it in the Escuela de Arquitectura of the <a href=\"https:\/\/universidadeuropea.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">UEM<\/a>; architect <a href=\"https:\/\/spa.archinform.net\/arch\/16837.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Antonio Pizza<\/a>\u00a0is desarollando a m\u00e1ster in the <a href=\"http:\/\/cineetsab.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">m\u00e1ster<\/a> of the <a href=\"http:\/\/www.etsab.upc.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de Barcelona<\/a> with Celia Mart\u00edn; <a href=\"http:\/\/investigacion.us.es\/sisius\/sis_showpub.php?idpers=5287\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Rodr\u00edguez Barber\u00e1n<\/a> in the ETSA de Sevilla; <a href=\"https:\/\/www.ugr.es\/~compoarq\/compoarq_archivos\/profesores\/jcalatrava_archivos\/jcalatrava_cv.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Juan Calatrava<\/a> in the <a href=\"https:\/\/etsag.ugr.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de Granada<\/a>; Maria Asunci\u00f3n Salgado\u00a0has begun to <a href=\"http:\/\/www.huffingtonpost.es\/mariasun-salgado-de-la-rosa\/maliciosa-artificialidad_b_1623562.html\" target=\"_blank\" rel=\"noopener noreferrer\">write<\/a> in the <a href=\"http:\/\/www.huffingtonpost.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Huffinton Post<\/a> about this topic and supports his blog <a href=\"http:\/\/blogdearquitecturaycine.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Arquicine<\/a>;\u00a0out of Spain already one has spoken about the <a href=\"http:\/\/arqfilmfest.cl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Festival de Cine y Arquitectura Santiago de Chile<\/a>, by <a href=\"http:\/\/www.35milimetros.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Andr\u00e9s Daly<\/a>\u00a0in the same country, of <a href=\"http:\/\/research.brown.edu\/research\/profile.php?id=10274\" target=\"_blank\" rel=\"noopener noreferrer\">Neumann<\/a>, of Penz, of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Juhani_Pallasmaa\" target=\"_blank\" rel=\"noopener noreferrer\">Pallasmaa<\/a>; Richard Koeck\u00a0is developing a great labor in the <a href=\"https:\/\/www.liverpool.ac.uk\/architecture\/\" target=\"_blank\" rel=\"noopener noreferrer\">Universidad de Liverpool<\/a> and with his company <a href=\"http:\/\/cinetecture.com\/about.html\" target=\"_blank\" rel=\"noopener noreferrer\">CineTecture<\/a>&#8230;<\/p>\n<p style=\"text-align: justify;\">Surely I forget many other investigators, but the message of this comment is that we should be able more of the work that we we all are doing, probably meet, or even, like in The International one, \u00abto gather in crowds all\u00bb.<\/p>\n<p style=\"text-align: justify;\">Seguramente me olvido de muchos otros investigadores, pero el mensaje de este comentario es que deber\u00edamos saber m\u00e1s del trabajo que estamos haciendo todos, quiz\u00e1s reunirnos, o incluso, como en <em>La Internacional<\/em>, \u00abagruparnos todos\u00bb.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, architect. Author of the blog <em>Arquitectura+Cine+Ciudad<br \/>\n<\/em>Santa Cruz de Tenerife, july 2012<\/p>\n<p><!--:--><!--:gl--><figure id=\"attachment_45410\" aria-describedby=\"caption-attachment-45410\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-45410\" title=\"Der-vierte-Stand\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg\" alt=\"\" width=\"620\" height=\"325\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand.jpg 448w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/08\/Der-vierte-Stand-300x157.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-45410\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Giuseppe Pellizza da Volpedo El Cuarto Estado, cadro usado <\/span><span style=\"color: #888888;\">en Novecento, dirixida por Bernardo Berolucci.<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">\u00c9 probable que moitos mozos non saiban a que se refire o t\u00edtulo desta entrada do blog, para outros significar\u00e1 moito, tanto de esperanza, como de ilusi\u00f3ns perdidas. Evidentemente \u00e9 o principio dunha estrofa dunha traduci\u00f3n espa\u00f1ola de\u00a0<a href=\"http:\/\/www.antiwarsongs.org\/canzone.php?id=2003&#038;lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">La Internacional<\/a>, a melod\u00eda revolucionaria por excelencia do s\u00e9culo pasado. A\u00ednda que neste momento en Europa e, sobre todo, en Espa\u00f1a estar\u00eda moi ben que nos agrup\u00e1semos para enfrontarnos aos que nos est\u00e1n a masacrar, este post non ten \u00ednfulas revolucionarias.<\/p>\n<p style=\"text-align: justify;\">Ata hai uns anos hab\u00eda moi pouca xente estudando as relaci\u00f3ns entre Cine, Arquitectura e Cidade, e debo dicir que en Espa\u00f1a, tras o libro fundamental de <a href=\"http:\/\/es.wikipedia.org\/wiki\/Juan_Antonio_Ram%C3%ADrez\" target=\"_blank\" rel=\"noopener noreferrer\">Juan Antonio Ram\u00edrez<\/a>, se nos pod\u00eda contar cos dedos dunha man e a\u00ednda sobraban dedos. Sempre houbo investigadores que pretenden monopolizar a s\u00faa especialidade para que sempre lles encarguen os traballos a eles, unha actitude que non ten sentido, porque \u00e9 evidente que canta m\u00e1is xente haxa traballando sobre un tema, m\u00e1is se avanzar\u00e1 nel, afortunadamente cada vez hai m\u00e1is persoas que traballan nestas relaci\u00f3ns que tanto nos interesan.<\/p>\n<p style=\"text-align: justify;\">Na anterior entrada falaba do extraordinario traballo do grupo portugu\u00e9s\u00a0Ruptura Silenciosa; tambi\u00e9n faouse noutras <a href=\"http:\/\/cinearquitecturaciudad.blogspot.com.es\/2011\/10\/teatro-marittimo.html\" target=\"_blank\" rel=\"noopener noreferrer\">ocasi\u00f3ns<\/a> de <a href=\"http:\/\/ciudaddocumento.wordpress.com\/2012\/01\/08\/teatro-marittimo-no-1-utopias-construidas\/\" target=\"_blank\" rel=\"noopener noreferrer\">Teatro Marittimo<\/a>, a revista que dirixe David Rivera, as\u00ed como das clases que \u00e9l e Jos\u00e9 Manuel Garc\u00eda Roig imparten na <a href=\"https:\/\/etsamadrid.aq.upm.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA da UPM<\/a>; <a href=\"http:\/\/luisantonio-grupopfc.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Luis Antonio Guti\u00e9rrez Cabrero<\/a> leva moitos anos investigando nesa Escola e os seus alumnos avalan ointerese destas investigaci\u00f3ns; como tam\u00e9n o fai <a href=\"http:\/\/www.interseccion.info\/index.php?\/quien\/jose-javier-hernandez-ruiz\/\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Hern\u00e1ndez Ruiz<\/a> na Escuela de Arquitectura da <a href=\"https:\/\/universidadeuropea.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">UEM<\/a>; o arquitecto <a href=\"https:\/\/spa.archinform.net\/arch\/16837.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Antonio Pizza<\/a> est\u00e1 desarollando un <a href=\"http:\/\/cineetsab.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">m\u00e1ster<\/a> na <a href=\"http:\/\/www.etsab.upc.edu\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de Barcelona<\/a> con Celia Mart\u00edn; <a href=\"http:\/\/investigacion.us.es\/sisius\/sis_showpub.php?idpers=5287\" target=\"_blank\" rel=\"noopener noreferrer\">Javier Rodr\u00edguez Barber\u00e1n<\/a> na ETSA de Sevilla; <a href=\"https:\/\/www.ugr.es\/~compoarq\/compoarq_archivos\/profesores\/jcalatrava_archivos\/jcalatrava_cv.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Juan Calatrava<\/a> na <a href=\"https:\/\/etsag.ugr.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">ETSA de Granada<\/a>; Maria Asunci\u00f3n Salgado comenzou a <a href=\"http:\/\/www.huffingtonpost.es\/mariasun-salgado-de-la-rosa\/maliciosa-artificialidad_b_1623562.html\" target=\"_blank\" rel=\"noopener noreferrer\">escribir<\/a> no <a href=\"http:\/\/www.huffingtonpost.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Huffinton Post<\/a> sobre este tema e mant\u00e9n o seu blogue <a href=\"http:\/\/blogdearquitecturaycine.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener noreferrer\">Arquicine<\/a>; fora de Espa\u00f1a xa se falou do <a href=\"http:\/\/arqfilmfest.cl\/\" target=\"_blank\" rel=\"noopener noreferrer\">Festival de Cine e Arquitectura Santiago de Chile<\/a>, de <a href=\"http:\/\/www.35milimetros.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Andr\u00e9s Daly<\/a> nse mesmo pa\u00eds, de <a href=\"http:\/\/research.brown.edu\/research\/profile.php?id=10274\" target=\"_blank\" rel=\"noopener noreferrer\">Neumann<\/a>, de Penz, de <a href=\"http:\/\/en.wikipedia.org\/wiki\/Juhani_Pallasmaa\" target=\"_blank\" rel=\"noopener noreferrer\">Pallasmaa<\/a>; Richard Koeck est\u00e1 desarrollando unha gran labor na <a href=\"https:\/\/www.liverpool.ac.uk\/architecture\/\" target=\"_blank\" rel=\"noopener noreferrer\">Universidad de Liverpool<\/a> e coa s\u00faa empresa <a href=\"http:\/\/cinetecture.com\/about.html\" target=\"_blank\" rel=\"noopener noreferrer\">CineTecture<\/a>&#8230;<\/p>\n<p style=\"text-align: justify;\">Seguramente esqu\u00e9censeme moitos outros investigadores, pero a mensaxe deste comentario \u00e9 que deberiamos saber m\u00e1is do traballo que estamos facendo todos, quizais nos reunir, ou mesmo, como en La Internacional, \u00abagruparnos todos\u00bb.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. Autor do blogue <em>Arquitectura+Cine+Ciudad<br \/>\n<\/em>Santa Cruz de Tenerife, xullo 2012<\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Es\u00a0probable que muchos j\u00f3venes no sepan a qu\u00e9 se refiere el t\u00edtulo de esta entrada del blog, para otros significar\u00e1 mucho, tanto de esperanza, como de\u00a0ilusiones perdidas. Evidentemente es el principio de una estrofa\u00a0de una traducci\u00f3n espa\u00f1ola de La Internacional, la melod\u00eda revolucionaria\u00a0por excelencia del siglo pasado. Aunque en este momento en Europa y, sobre [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":45410,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[5541,10443,12448,10512,12471,4396,318,10488,5542,521,2131,542,10514,5543,1593,10491,3872,7368,1541,5761,815,10513,6409,1985,10515,4163],"class_list":["post-23764","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-andres-daly","tag-antonio-pizza","tag-arquitectura","tag-celia-martin","tag-cine","tag-cineastas","tag-ciudad","tag-david-rivera-gamez","tag-espana","tag-etsab","tag-etsam","tag-francois-penz","tag-javier-rodriguez-barberan","tag-jorge-gorostiza","tag-jose-manuel-garcia-roig","tag-juan-antonio-ramirez","tag-juan-calatrava-escobar","tag-juhani-pallasmaa","tag-luis-antonio-gutierrez-cabrero","tag-maestro","tag-maria-asuncion-salgado","tag-movimiento-internacional","tag-pensar","tag-richard-koeck","tag-ruptura-silenciosa"],"yoast_head":"<!-- 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