{"id":23623,"date":"2012-08-02T06:01:11","date_gmt":"2012-08-02T06:01:11","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=23623"},"modified":"2022-08-01T16:46:28","modified_gmt":"2022-08-01T14:46:28","slug":"playgrounds-jorge-meijide","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/","title":{"rendered":"Playgrounds | Jorge Meijide"},"content":{"rendered":"

[:es]

\"Dresde
Dresde desde la torre del Ayuntamiento de Richard Peter. Drcha. Playground de Aldo van Eyck, Amsterdam<\/span><\/figcaption><\/figure><\/p>\n
\"Aldo
Aldo van Eyck, Humanist Rebel. Liane Lefaivre and Alexander Tzonis. 010 Publishers. 1999.<\/figcaption><\/figure>\n

Playgrounds
\n<\/strong><\/p>\n

Tras la Segunda Guerra Mundial extensas \u00e1reas de muchas de las grandes ciudades europeas quedaron devastadas. Algunas lo fueron por efecto de la sistem\u00e1tica destrucci\u00f3n de objetivos estrat\u00e9gicos militares, y sus \u00abefectos colaterales\u00bb, y otras como claras destinatarias del efecto psicol\u00f3gico que un bombardeo indiscriminado y nada discrecional, como el de Londres entre 1940-41 por los alemanes, o los paradigm\u00e1ticos y devastadores bombardeos de Dresde o Hamburgo por las fuerzas a\u00e9reas conjuntas de ingleses y americanos al final de la guerra, pudiera causar en la poblaci\u00f3n civil.<\/p>\n

En todos los casos su consecuencia fue el de la destrucci\u00f3n de la trama urbana, hist\u00f3rica y actual, de parte de la historia, f\u00edsica y emocional, a ella asociada y, consecuentemente, de muchos de los modos de vida y usos que la ciudad ofrec\u00eda y que sus habitantes, bien o mal, hab\u00edan moldeado o adaptado. Una generaci\u00f3n sufri\u00f3 as\u00ed la carencia de esas estructuras urbanas desaparecidas y con ello el uso de la ciudad, por lo menos como hasta ese momento lo hab\u00edan hecho.<\/p>\n

A las ingentes tareas de reconstrucci\u00f3n de lo existente se uni\u00f3 la nueva construcci\u00f3n de viviendas para alojar al \u00e9xodo de poblaci\u00f3n que se acercaba a las ciudades proveniente del campo buscando \u00abun nuevo futuro\u00bb; as\u00ed las cosas el campo de cultivo era, por as\u00ed decirlo, propicio para la arquitectura moderna, funcional y eficiente que ven\u00edan preconizando los dictados de los CIAM ya desde la Carta de Atenas de 1933. Era el momento de poner en pr\u00e1ctica sus principios y probar sus bondades y superioridad racional. Era el momento del arquitecto.<\/p>\n

Desgraciadamente con el paso de los a\u00f1os, no muchos, y de las nuevas realizaciones, las expectativas no se cumplieron o por lo menos se comenz\u00f3 a poner en evidencia que el modelo pod\u00eda ser racional y hasta funcional, pero no era eficiente y, desde luego, no era muy \u00abhumano\u00bb. Curiosamente todos aquellos postulados que se hab\u00edan pensado para que el hombre viviera mejor, trabajara mejor y tuviera espacios de ocio y disfrute mejores, hab\u00edan conseguido grandes \u00e1reas impersonales que casi promov\u00edan el autismo social, sectorizaciones que se tornaron en guettos y entornos en donde las relaciones sociales estaban ausentes.<\/p>\n

En este ambiente, ya evidente a finales de los a\u00f1os 50, un grupo de arquitectos, m\u00e1s tarde autodenominados Team X (por el d\u00e9cimo CIAM), comenzaron a cuestionar los principios de ese, para ellos, fallido urbanismo inhumano. Entre ellos el holand\u00e9s Aldo van Eyck fue el que m\u00e1s claro defini\u00f3 la situaci\u00f3n: \u00abraramente las posibilidades han sido tan grandes para la profesi\u00f3n arquitect\u00f3nica, sin embargo nunca han fallado tan estrepitosamente\u00bb. \u00c9stas palabras pronunciadas en una conferencia en el und\u00e9cimo, y a la postre \u00faltimo, congreso de los CIAM en Otterlo, preconizan, ya no solo el fin de los Congresos Internacionales de Arquitectura Moderna, si no una nueva manera de entender y repensar la arquitectura desde par\u00e1metros m\u00e1s human\u00edsticos. Van Eyck ya hab\u00eda advertido de esta situaci\u00f3n en 1947, reci\u00e9n graduado, avisando en contra de esa aproximaci\u00f3n \u00abmecanicista\u00bb hacia el entorno humano que la arquitectura moderna propon\u00eda [<\/sup><\/sup>2]<\/sup><\/sup>.<\/p>\n

Aldo van Eyck pone en pr\u00e1ctica su concepci\u00f3n de la arquitectura y el urbanismo durante su trabajo en el departamento municipal de obras p\u00fablicas de Amsterdam, all\u00ed desarroll\u00f3 todo un conjunto de actuaciones urbanas, los speelplaats<\/em> o campos de juego, destinados a reutilizar solares vac\u00edos y espacios de nadie que salpicaban la trama urbana del Amsterdam de posguerra. En ellos, en vez de buscar un emplazamiento determinado, se transforman aquellos lugares sin uso o abandonados como campos de juego dedicados a la vida diaria y esparcimiento de los ni\u00f1os. Pero no es solo su arquitectura lo que los define, y por lo que nos interesan, si no por su capacidad y posibilidad de uso.<\/p>\n

Los playgrounds<\/em> de van Eyck son algo m\u00e1s que lugares de juegos infantiles, son a la vez un perfecto ejemplo de una manera de entender la arquitectura y el urbanismo, toda una reflexi\u00f3n sobre como entender la ciudad, sobre como leerla y, sobre todo, de como abordar el presente de su evoluci\u00f3n desde, no lo olvidemos nunca, los que est\u00e1n destinados a usarla y habitarla.<\/p>\n

jorge meijide . arquitecto
\na coru\u00f1a. julio de 2012<\/p>\n

notas:<\/span>
\n[1] Im\u00e1genes. Izqda. Dresde desde la torre del Ayuntamiento de Richard Peter. Drcha. Playground de Aldo van Eyck, Amsterdam
\n[2]\u00a0Aldo van Eyck, Humanist Rebel. Liane Lefaivre and Alexander Tzonis. 010 Publishers. 1999.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

[:en]<\/p>\n

\"\"<\/a>\u00a0 [<\/sup><\/sup>1]<\/sup><\/sup>\u00a0 \"\"<\/a><\/p>\n

Playgrounds<\/strong><\/p>\n

After the Second World war extensive areas of many of the big European cities remained devastated. Some of them it were for effect of the systematic destruction of strategic military aims, and his \u00bb collateral effects \u00ab, and others as clear addressees of the psychological effect that an indiscriminate and not discretionary at all bombardment, as that of London between 1940-41 for the Germans, or the paradigmatic and devastating bombardments of Dresden or Hamburg for the air joint forces of english men and Americans at the end of the war, could cause in the civil population.<\/p>\n

In all the cases his consequence was that of the destruction of the urban, historical and current plot, on behalf of the history, physical and emotional, to associate her and, consistently, of many of the manners of life and uses that the city was offering and that his inhabitants, good or evil, had molded or adapted. A generation suffered this way the lack of these urban missing structures and with it the use of the city, at least as up to this moment they had done it.<\/p>\n

The enormous tasks of reconstruction of the existing thing the new construction of housings joined to lodge to the exodus of population who was approaching the cities from the field looking for \u00bb a new future \u00ab; this way the things the field of culture was, for this way saying it, I propitiate for the modern, functional and efficient architecture that they were coming praising the dictations of the CIAM already from the Letter of Athens of 1933. It was the moment to put into practice his beginning and proving his kindness and rational superiority. It was the moment of the architect.<\/p>\n

Unfortunately as the years went by, not many, and of the new accomplishments, the expectations were not fulfilled or at least there was begun to put in evidence that the model could be rational and up to functionally, but it was not efficient and, certainly, it was not \u00abvery \u00abhuman\u00bb. Curiously all those postulates that had been thought in order that the man was living better, it was working better and had better spaces of leisure and enjoyment, there had obtained big impersonal areas that almost were promoting the social autism, sectorizaciones that returned in guettos and environments where the social relations were absent.<\/p>\n

In this environment, already evident at the end of the 50s, a group of architects, later autonamed Team X (for the tenth CIAM), began to question the beginning of this, for them, bankrupt inhuman urbanism. Between them the Dutch Aldo van Eyck was clearer the one that defined the situation: \u00bb strange the possibilities have been so big for the architectural profession, nevertheless they have never failed so noisy \u00ab. These words declared in a conference in the und\u00e9cimo, and at last last, congress of the CIAM in Otterlo, they praise, already not only the end of the International Congresses of Modern Architecture, if not a new way of dealing and rethinking the architecture from more humanistic parameters. They go Eyck already had noticed of this situation in 1947, newly classified, warning in opposition to this approximation \u00abmecanicista\u00bb towards the human environment that the modern architecture was proposing\u00a0[<\/sup><\/sup>2]<\/sup><\/sup>.<\/p>\n

Aldo van Eyck puts into practice his conception of the architecture and the urbanism during his work in the municipal department of public works of Amsterdam, there it developed the whole set of urban actions, the speelplaats or playgrounds, destined to re-use empty lots and spaces of nobody that they were splashing the urban plot of the Amsterdam of postwar period. In them, instead of looking for a certain emplacement, those places transform without use or left as playgrounds dedicated to the daily life and scattering of the children. But his architecture is not alone what defines them, and for what they interest us, if not for his capacity and possibility of use.<\/p>\n

The playgrounds<\/em> of go Eyck is slightly more than places than infantile games, is simultaneously a perfect example of a way of understanding the architecture and the urbanism, the whole reflection on since understanding the city, on since reading it and, especially, of since to approach the present of his evolution from, it let’s never forget, which her are destined to use and to live it.<\/p>\n

jorge meijide . architect<\/p>\n

a coru\u00f1a. july 2012<\/p>\n

notes:<\/span><\/p>\n

[1] Images. Izqda. Dresden from the tower of Richard Peter’s Town hall. Drcha. Aldo van Eyck’s Playground, Amsterdam<\/span><\/p>\n

[2] Aldo van Eyck, Humanist Rebel. Liane Lefaivre and Alexander Tzonis. 010 Publishers. 1999.<\/span><\/p>\n


\n<\/span><\/p>\n

[:gl]<\/p>\n

\"\"<\/a>\u00a0 [<\/sup><\/sup>1]<\/sup><\/sup>\u00a0 \"\"<\/a><\/p>\n

Playgrounds<\/strong><\/p>\n

Trala Segunda Guerra Mundial extensas \u00e1reas de moitas das grandes cidades europeas quedaron devastadas. Algunhas o foron polo efecto da sistem\u00e1tica destruci\u00f3n de obxectivos estrat\u00e9xicos militares, e os seus \u00abefectos colaterais\u00bb, e outras como claras destinatarias do efecto psicol\u00f3xico que un bombardeo indiscriminado e nada discrecional, como o de Londres entre 1940-41 polos alem\u00e1ns, ou os paradigm\u00e1ticos e devastadores bombardeos de Dresde ou Hamburgo polas forzas a\u00e9reas conxuntas de ingleses e americanos ao final da guerra, puidese causar na poboaci\u00f3n civil.<\/p>\n

En todo-los casos a s\u00faa consecuencia foi o da destruci\u00f3n da trama urbana, hist\u00f3rica e actual, de parte da historia, f\u00edsica e emocional, a ela asociada e, consecuentemente, de moitos dos modos de vida e usos que a cidade ofrec\u00eda e que os seus habitantes, ben ou mal, moldearan ou adaptaran. Unha xeraci\u00f3n sufriu as\u00ed a carencia desas estruturas urbanas desaparecidas e con iso o uso da cidade, polo menos como ata ese momento fix\u00e9rono.<\/p>\n

\u00c1s inxentes tarefas de reconstruci\u00f3n do existente uniuse a nova construci\u00f3n de vivendas para aloxar ao \u00e9xodo de poboaci\u00f3n que se achegaba \u00e1s cidades procedente do campo buscando \u00abun novo futuro\u00bb; as\u00ed as cousas o campo de cultivo era, por as\u00ed dicilo, propicio para a arquitectura moderna, funcional e eficiente que vi\u00f1an preconizando os dictados dos CIAM xa desde a Carta de Atenas de 1933. Era o momento de po\u00f1er en pr\u00e1ctica os seus principios e probar as s\u00faas bondades e superioridade racional. Era o momento do arquitecto.<\/p>\n

Desgraciadamente co paso dos anos, non moitos, e das novas realizaci\u00f3ns, as expectativas non se cumpriron ou polo menos comezouse a po\u00f1er en evidencia que o modelo pod\u00eda ser racional e ata funcional, pero non era eficiente e, desde logo, non era moi \u00abhumano\u00bb. Curiosamente todos aqueles postulados que se pensaron para que o home vivise mellor, traballase mellor e tivese espazos de lecer e goce mellores, conseguiran grandes \u00e1reas impersonales que case promov\u00edan o autismo social, sectorizaciones que se tornaron en guettos e contornas onde as relaci\u00f3ns sociais estaban ausentes.<\/p>\n

Neste ambiente, xa evidente a finais dos anos 50, un grupo de arquitectos, m\u00e1is tarde autodenominados Team X (polo d\u00e9cimo CIAM), comezaron a cuestionar os principios dese, para eles, errado urbanismo inhumano. Entre eles o holand\u00e9s Aldo van Eyck foi o que m\u00e1is claro definiu a situaci\u00f3n: \u00abraramente as posibilidades foron tan grandes para a profesi\u00f3n arquitect\u00f3nica, con todo nunca fallaron tan estrepitosamente\u00bb. Estas palabras pronunciadas nunha conferencia no und\u00e9cimo, e ao cabo \u00faltimo, congreso dos CIAM en Otterlo, preconizan, xa non s\u00f3 o fin dos Congresos Internacionais de Arquitectura Moderna, si non un novo xeito de entender e repensar a arquitectura desde par\u00e1metros m\u00e1is human\u00edsticos. Van Eyck xa advertira desta situaci\u00f3n en 1947, recentemente graduado, avisando en contra desa aproximaci\u00f3n \u00abmecanicista\u00bb cara \u00e1 contorna humana que a arquitectura moderna propo\u00f1\u00eda\u00a0[<\/sup><\/sup>2]<\/sup><\/sup>.<\/p>\n

Aldo van Eyck pon en pr\u00e1ctica a s\u00faa concepci\u00f3n da arquitectura e o urbanismo durante o seu traballo no departamento municipal de obras p\u00fablicas de Amsterdam, al\u00ed desenvolveu todo un conxunto de actuaci\u00f3ns urbanas, os speelplaats ou campos de xogo, destinados a reutilizar solares baleiros e espazos de ningu\u00e9n que salpicaban a trama urbana do Amsterdam de posguerra. Neles, no canto de buscar un emprazamento determinado, transf\u00f3rmanse aqueles lugares sen uso ou abandonados como campos de xogo dedicados \u00e1 vida diaria e esparcimiento dos nenos. Pero non \u00e9 s\u00f3 a s\u00faa arquitectura o que os define, e polo que nos interesan, si non pola s\u00faa capacidade e posibilidade de uso.<\/p>\n

Os playgrounds<\/em> de van Eyck son algo m\u00e1is que lugares de xogos infant\u00eds, son \u00e1 vez un perfecto exemplo dun xeito de entender a arquitectura e o urbanismo, toda unha reflexi\u00f3n sobre como entender a cidade, sobre como lela e, sobre todo, de como abordar o presente da s\u00faa evoluci\u00f3n desde, non o esquezamos nunca, os que est\u00e1n destinados a usala e habitala.<\/p>\n

jorge meijide . arquitecto<\/p>\n

a coru\u00f1a. xulio de 2012<\/p>\n

notas:<\/span><\/p>\n

[1] Imaxes. Izqda. Dresde dende a torre do Concello de Richard Peter. Drcha. Playground de Aldo van Eyck, Amsterdam<\/span><\/p>\n

[2] Aldo van Eyck, Humanist Rebel. Liane Lefaivre and Alexander Tzonis. 010 Publishers. 1999.<\/span><\/p>\n


\n<\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Playgrounds Tras la Segunda Guerra Mundial extensas \u00e1reas de muchas de las grandes ciudades europeas quedaron devastadas. Algunas lo fueron por efecto de la sistem\u00e1tica destrucci\u00f3n de objetivos estrat\u00e9gicos militares, y sus \u00abefectos colaterales\u00bb, y otras como claras destinatarias del efecto psicol\u00f3gico que un bombardeo indiscriminado y nada discrecional, como el de Londres entre […]<\/p>\n","protected":false},"author":47,"featured_media":23624,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[92,5376,3462,5459,1514,12468],"class_list":["post-23623","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-aldo-van-eyck","tag-ciam","tag-jorge-meijide","tag-playgrounds","tag-team-x","tag-urbanismo"],"yoast_head":"\nPlaygrounds | Jorge Meijide<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Playgrounds | Jorge Meijide\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Playgrounds | Jorge Meijide\" \/>\n<meta property=\"og:description\" content=\"Toda la informaci\u00f3n sobre: Playgrounds | Jorge Meijide\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/jmeijide\" \/>\n<meta property=\"article:published_time\" content=\"2012-08-02T06:01:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-01T14:46:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jorge Meijide Tom\u00e1s\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/jmeijide\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jorge Meijide Tom\u00e1s\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/\"},\"author\":{\"name\":\"Jorge Meijide Tom\u00e1s\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/f114c5ff977108aaf60488426430427d\"},\"headline\":\"Playgrounds | Jorge Meijide\",\"datePublished\":\"2012-08-02T06:01:11+00:00\",\"dateModified\":\"2022-08-01T14:46:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/\"},\"wordCount\":2295,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2012\\\/07\\\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg\",\"keywords\":[\"Aldo van Eyck\",\"CIAM\",\"Jorge Meijide\",\"playgrounds\",\"Team X\",\"urbanismo\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/\",\"name\":\"Playgrounds | Jorge Meijide\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2012\\\/07\\\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg\",\"datePublished\":\"2012-08-02T06:01:11+00:00\",\"dateModified\":\"2022-08-01T14:46:28+00:00\",\"description\":\"Toda la informaci\u00f3n sobre: Playgrounds | Jorge Meijide\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2012\\\/07\\\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2012\\\/07\\\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg\",\"width\":\"400\",\"height\":\"400\",\"caption\":\"Dresde desde la torre del Ayuntamiento de Richard Peter. Drcha. Playground de Aldo van Eyck, Amsterdam\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/playgrounds-jorge-meijide\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Playgrounds | Jorge Meijide\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/f114c5ff977108aaf60488426430427d\",\"name\":\"Jorge Meijide Tom\u00e1s\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g\",\"caption\":\"Jorge Meijide Tom\u00e1s\"},\"description\":\"Arquitecto por la ETSA de A Coru\u00f1a desde 1991. Colabora en el estudio de Juan Navarro Baldeweg entre 1991 y 1992. M\u00e1ster de proyectos integrados por la fundaci\u00f3n camu\u00f1as, madrid 1992. A la vuelta A Coru\u00f1a se incorpora al estudio de su padre, Carlos E. Meijide Calvo con el que trabaja hasta 2001. Desde 2004 hasta 2009 colabora con los arquitectos Patricia de Marichalar y Fernando Mart\u00ednez. En el a\u00f1o 2009 forma, junto con Patricia de Marichalar meijidedemarichalar arquitectos. Desde 2014 trabaja en solitario colaborando con estudios y arquitectos amigos. Es profesor de proyectos arquitect\u00f3nicos en la Escuela T\u00e9cnica superior de Arquitectura de A Coru\u00f1a desde 1997; es tutor de proyecto fin de carrera y ha sido presidente del tribunal de PFC. Colabora con blogs y publicaciones de arquitectura.\",\"sameAs\":[\"http:\\\/\\\/jorgemeijide.blogspot.com.es\\\/\",\"https:\\\/\\\/www.facebook.com\\\/jmeijide\",\"https:\\\/\\\/www.instagram.com\\\/jmeijide\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/jorge-meijide-toms-ab9b9a21\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/jmeijide\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/jorge-meijide-tomas\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Playgrounds | Jorge Meijide","description":"Toda la informaci\u00f3n sobre: Playgrounds | Jorge Meijide","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/","og_locale":"es_ES","og_type":"article","og_title":"Playgrounds | Jorge Meijide","og_description":"Toda la informaci\u00f3n sobre: Playgrounds | Jorge Meijide","og_url":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/jmeijide","article_published_time":"2012-08-02T06:01:11+00:00","article_modified_time":"2022-08-01T14:46:28+00:00","og_image":[{"width":400,"height":400,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg","type":"image\/jpeg"}],"author":"Jorge Meijide Tom\u00e1s","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/jmeijide","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Jorge Meijide Tom\u00e1s","Tiempo de lectura":"4 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/"},"author":{"name":"Jorge Meijide Tom\u00e1s","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/f114c5ff977108aaf60488426430427d"},"headline":"Playgrounds | Jorge Meijide","datePublished":"2012-08-02T06:01:11+00:00","dateModified":"2022-08-01T14:46:28+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/"},"wordCount":2295,"commentCount":1,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg","keywords":["Aldo van Eyck","CIAM","Jorge Meijide","playgrounds","Team X","urbanismo"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/","url":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/","name":"Playgrounds | Jorge Meijide","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg","datePublished":"2012-08-02T06:01:11+00:00","dateModified":"2022-08-01T14:46:28+00:00","description":"Toda la informaci\u00f3n sobre: Playgrounds | Jorge Meijide","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/dresde-desde-el-ayuntamiento-richard-peter-wikipedia.jpg","width":"400","height":"400","caption":"Dresde desde la torre del Ayuntamiento de Richard Peter. Drcha. Playground de Aldo van Eyck, Amsterdam"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/playgrounds-jorge-meijide\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"Playgrounds | Jorge Meijide"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/f114c5ff977108aaf60488426430427d","name":"Jorge Meijide Tom\u00e1s","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/secure.gravatar.com\/avatar\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a8e6d631cd70d608ba8f329ff0d06134d8e7a1038277aa8a192fda118cabd34a?s=96&r=g","caption":"Jorge Meijide Tom\u00e1s"},"description":"Arquitecto por la ETSA de A Coru\u00f1a desde 1991. Colabora en el estudio de Juan Navarro Baldeweg entre 1991 y 1992. M\u00e1ster de proyectos integrados por la fundaci\u00f3n camu\u00f1as, madrid 1992. A la vuelta A Coru\u00f1a se incorpora al estudio de su padre, Carlos E. Meijide Calvo con el que trabaja hasta 2001. Desde 2004 hasta 2009 colabora con los arquitectos Patricia de Marichalar y Fernando Mart\u00ednez. En el a\u00f1o 2009 forma, junto con Patricia de Marichalar meijidedemarichalar arquitectos. Desde 2014 trabaja en solitario colaborando con estudios y arquitectos amigos. Es profesor de proyectos arquitect\u00f3nicos en la Escuela T\u00e9cnica superior de Arquitectura de A Coru\u00f1a desde 1997; es tutor de proyecto fin de carrera y ha sido presidente del tribunal de PFC. Colabora con blogs y publicaciones de arquitectura.","sameAs":["http:\/\/jorgemeijide.blogspot.com.es\/","https:\/\/www.facebook.com\/jmeijide","https:\/\/www.instagram.com\/jmeijide\/","https:\/\/www.linkedin.com\/in\/jorge-meijide-toms-ab9b9a21\/","https:\/\/x.com\/https:\/\/twitter.com\/jmeijide"],"url":"https:\/\/veredes.es\/blog\/author\/jorge-meijide-tomas\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/23623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/47"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=23623"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/23623\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/23624"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=23623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=23623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=23623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}