{"id":23219,"date":"2012-07-06T07:41:18","date_gmt":"2012-07-06T07:41:18","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=23219"},"modified":"2023-05-02T09:20:21","modified_gmt":"2023-05-02T07:20:21","slug":"cuaderno-de-nueva-york-iv-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-iv-antonio-s-rio-vazquez\/","title":{"rendered":"[:es]Cuaderno de Nueva York (IV) | Antonio S. R\u00edo V\u00e1zquez[:gl]Caderno de Nova York (IV) | Antonio S. R\u00edo V\u00e1zquez[:en]Notebook of New York (IV) | Antonio S. R\u00edo V\u00e1zquez[:]"},"content":{"rendered":"<p>[:es]<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"PvYEC5uGlj\"><p><a href=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-iii-antonio-s-rio-vazquez\/\">Cuaderno de Nueva York (III) | Antonio S. R\u00edo V\u00e1zquez<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abCuaderno de Nueva York (III) | Antonio S. R\u00edo V\u00e1zquez\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-iii-antonio-s-rio-vazquez\/embed\/#?secret=PvYEC5uGlj\" data-secret=\"PvYEC5uGlj\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<figure id=\"attachment_45156\" aria-describedby=\"caption-attachment-45156\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-45156\" title=\"je\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg\" alt=\"\" width=\"620\" height=\"490\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg 759w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je-300x237.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-45156\" class=\"wp-caption-text\"><span style=\"color: #888888;\">A Peach Tree. High Line (2000)\u00a0 Fotograf\u00eda: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Joel_Sternfeld\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">Joel Sternfeld<\/span><\/a><\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">La <a href=\"http:\/\/www.thehighline.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>High Line<\/em><\/a> supone el encuentro con la ciudad de los a\u00f1os 30 \u2014d\u00e9cada en la que se construy\u00f3 la l\u00ednea a\u00e9rea de ferrocarril para evitar la peligrosidad de compartir la calle con los peatones\u2014 y el Nueva York del siglo XXI, cuando las v\u00edas \u2014en desuso desde 1980\u2014 fueron reclamadas por los ciudadanos.<\/p>\n<p style=\"text-align: justify;\">Es el encuentro con un trabajo magistral a todas las escalas de proyecto, tanto materiales como inmateriales: desde el planteamiento general desarrollado por un equipo interdisciplinar encabezado por <a href=\"https:\/\/www.fieldoperations.net\/home.html\" target=\"_blank\" rel=\"noopener noreferrer\">James Corner Field Operations<\/a> y <a href=\"http:\/\/www.dsrny.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Diller Scofidio + Renfro<\/a>, hasta la identidad gr\u00e1fica concebida por <a href=\"https:\/\/www.pentagram.com\/work\/the-high-line\" target=\"_blank\" rel=\"noopener noreferrer\">Paula Scher<\/a> y <a href=\"http:\/\/www.pentagram.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pentagram<\/a>.<\/p>\n<p style=\"text-align: justify;\">Sin embargo, m\u00e1s all\u00e1 de los nombres propios, la <em>High Line<\/em> destaca por la contribuci\u00f3n an\u00f3nima de numerosos ciudanos que evitaron la demolici\u00f3n de las v\u00edas, promovieron su recuperaci\u00f3n como espacio p\u00fablico y participaron activamente en la definici\u00f3n del nuevo parque.<\/p>\n<p style=\"text-align: justify;\">Quiz\u00e1, por todas esas razones, cuando se visita al atardecer, la impresi\u00f3n se aleja mucho de la soledad de otras arquitecturas contempor\u00e1neas. Sobre las calles se ha generado un ambiente vivo y acogedor, d\u00f3nde se puede pasear, tomar algo o disfrutar de <a href=\"http:\/\/www.thehighline.org\/blog\" target=\"_blank\" rel=\"noopener noreferrer\">diferentes actividades<\/a>. Su mejor ense\u00f1anza es convertir la historia de la ciudad en patrimonio vivo para el futuro.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"3idBWNbChg\"><p><a href=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-v-antonio-s-rio-vazquez\/\">Cuaderno de Nueva York (V) | Antonio S. R\u00edo V\u00e1zquez<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00abCuaderno de Nueva York (V) | Antonio S. R\u00edo V\u00e1zquez\u00bb \u2014 veredes\" src=\"https:\/\/veredes.es\/blog\/cuaderno-de-nueva-york-v-antonio-s-rio-vazquez\/embed\/#?secret=3idBWNbChg\" data-secret=\"3idBWNbChg\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p style=\"text-align: justify;\">antonio s. r\u00edo v\u00e1zquez . arquitecto<br \/>\na coru\u00f1a. junio 2012<br \/>\n<span style=\"color: #999999;\">Autor del blog,<em> El tiempo del lobo<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">\n<p>[:gl]<a href=\"https:\/\/veredes.es\/blog\/gl\/cuaderno-de-nueva-york-iii-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Ven de<\/em><\/a><\/p>\n<figure id=\"attachment_45156\" aria-describedby=\"caption-attachment-45156\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-45156\" title=\"je\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg\" alt=\"\" width=\"620\" height=\"490\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg 759w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je-300x237.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-45156\" class=\"wp-caption-text\"><span style=\"color: #888888;\">A Peach Tree. High Line (2000) Fotograf\u00eda: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Joel_Sternfeld\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">Joel Sternfeld<\/span><\/a><\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">A\u00a0<a href=\"http:\/\/www.thehighline.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>High Line<\/em><\/a> sup\u00f3n o encontro coa cidade dos anos 30 \u2014d\u00e9cada na que se constru\u00edu a li\u00f1a a\u00e9rea de ferrocarril para evitar a peligrosidad de compartir a r\u00faa cos peatones\u2014 e o Nova York do s\u00e9culo XXI, cando as v\u00edas \u2014en desuso desde 1980\u2014 foron reclamadas polos cidad\u00e1ns.<\/p>\n<p style=\"text-align: justify;\">\u00c9 o encontro cun traballo magistral a todas as escalas de proxecto, tanto materiais como inmateriales: desde a formulaci\u00f3n xeral desenvolvido por un equipo interdisciplinar encabezado por <a href=\"https:\/\/www.fieldoperations.net\/home.html\" target=\"_blank\" rel=\"noopener noreferrer\">James Corner Field Operations<\/a> e <a href=\"http:\/\/www.dsrny.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Diller Scofidio + Renfro<\/a>, , ata a identidade gr\u00e1fica concibida por <a href=\"https:\/\/www.pentagram.com\/work\/the-high-line\" target=\"_blank\" rel=\"noopener noreferrer\">Paula Scher<\/a> e <a href=\"http:\/\/www.pentagram.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pentagram<\/a>.<\/p>\n<p style=\"text-align: justify;\">Con todo, m\u00e1is al\u00f3 dos nomes propios, a <em>High Line<\/em> destaca pola contribuci\u00f3n an\u00f3nima de numerosos ciud\u00e1ns que evitaron a demolici\u00f3n das v\u00edas, promovieron a s\u00faa recuperaci\u00f3n como espazo p\u00fablico e participaron activamente na\u00a0definici\u00f3n do novo parque.<\/p>\n<p style=\"text-align: justify;\">Quiz\u00e1, por todas esas raz\u00f3ns, cando se visita \u00e1 tardi\u00f1a, a impresi\u00f3n af\u00e1stase moito da soidade doutras arquitecturas contempor\u00e1neas. Sobre as r\u00faas xerouse un ambiente vivo e acogedor, onde se pode pasear, tomar algo ou gozar de\u00a0<a href=\"http:\/\/www.thehighline.org\/blog\" target=\"_blank\" rel=\"noopener noreferrer\">diferentes actividades<\/a>. O seu mellor ensino \u00e9 converter a historia da cidade en patrimonio vivo para o futuro.<\/p>\n<p style=\"text-align: justify;\">antonio s. r\u00edo v\u00e1zquez . arquitecto<br \/>\na coru\u00f1a. xu\u00f1o 2012<br \/>\n<span style=\"color: #999999;\">Autor do blogue,<em> El tiempo del lobo<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/gl\/cuaderno-de-nueva-york-v-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #999999;\"><em>Segue en<\/em><\/span><\/a><\/p>\n<p>[:en]<a href=\"https:\/\/veredes.es\/blog\/en\/cuaderno-de-nueva-york-iii-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Come from<\/em><\/a><\/p>\n<figure id=\"attachment_45156\" aria-describedby=\"caption-attachment-45156\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-45156\" title=\"je\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg\" alt=\"\" width=\"620\" height=\"490\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je.jpg 759w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/07\/je-300x237.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-45156\" class=\"wp-caption-text\"><span style=\"color: #888888;\">A Peach Tree. High Line (2000) Photography: <a href=\"http:\/\/en.wikipedia.org\/wiki\/Joel_Sternfeld\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">Joel Sternfeld<\/span><\/a><\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">The\u00a0<a href=\"http:\/\/www.thehighline.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>High Line<\/em><\/a> supposes the meeting with the city of the 30s &#8211; decade in the one that constructed the air line of railroad herself to avoid the dangerousness of sharing the street with the pedestrians &#8211; and the Nueva York of the 21st century, when the routes &#8211; in disuse from 1980-were claimed by the citizens.<\/p>\n<p style=\"text-align: justify;\">It is the meeting with a magisterial work to all the scales of project, both material and immaterial: from the general exposition developed by an equipment to interdiscipline headed by\u00a0<a href=\"https:\/\/www.fieldoperations.net\/home.html\" target=\"_blank\" rel=\"noopener noreferrer\">James Corner Field Operations<\/a> and <a href=\"http:\/\/www.dsrny.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Diller Scofidio + Renfro<\/a>, up to the graphical identity concebida for\u00a0<a href=\"https:\/\/www.pentagram.com\/work\/the-high-line\" target=\"_blank\" rel=\"noopener noreferrer\">Paula Scher<\/a> y <a href=\"http:\/\/www.pentagram.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pentagram<\/a>.<\/p>\n<p style=\"text-align: justify;\">Nevertheless, beyond the own names, the <em>High Line<\/em> emphasizes for the anonymous contribution of numerous citizens that they avoided the demolition of the routes, they promoted his recovery as public space and took part actively in the definition of the new park.<\/p>\n<p style=\"text-align: justify;\">Probably, for all these reasons, when he visits himself to the late afternoon, the impression moves away much from the loneliness of other contemporary architectures. On the streets there has been generated an alive and cozy environment, where it is possible to walk, take something or enjoy <a href=\"http:\/\/www.thehighline.org\/blog\" target=\"_blank\" rel=\"noopener noreferrer\">different activities<\/a>. His better education is to turn the history of the city into alive heritage for the future.<\/p>\n<p style=\"text-align: justify;\">antonio s. r\u00edo v\u00e1zquez . architect<br \/>\na coru\u00f1a. juny 2012<br \/>\n<span style=\"color: #999999;\">Author of the blog,<em> El tiempo del lobo<\/em><\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/en\/cuaderno-de-nueva-york-v-antonio-s-rio-vazquez\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #999999;\"><em>Follow on<\/em><\/span><\/a><\/p>\n<p style=\"text-align: justify;\">\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] La High Line supone el encuentro con la ciudad de los a\u00f1os 30 \u2014d\u00e9cada en la que se construy\u00f3 la l\u00ednea a\u00e9rea de ferrocarril para evitar la peligrosidad de compartir la calle con los peatones\u2014 y el Nueva York del siglo XXI, cuando las v\u00edas \u2014en desuso desde 1980\u2014 fueron reclamadas por los ciudadanos. [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":45156,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[11388,10443,4024,2539,9577,12449,1798,318,319,7267,11393,3740,11394,5222,7269,9589,449,451,10447,460,7272,12457,508,516,556,605,630,631,655,668,688,4285,11390,10446,10445,1621,785,804,815,11387,7782,865,887,2081,12453,930,940,959,7273,977,978,1719,989,11395,11391,1021,11392,3452,7268,12466,7603,2066,7271,1138,7270,1865,12464,6611,2173,1982,7295,1206,1294,12468,6605,5153,2511,11389,10444],"class_list":["post-23219","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-allan-b-jacobs","tag-antonio-pizza","tag-antonio-s-rio-vazquez","tag-arquitectura-del-paisaje","tag-arquitectura-monumental","tag-arte","tag-chicago","tag-ciudad","tag-ciudad-contemporanea","tag-constantin-brancusi","tag-daniel-hudson-burnham","tag-desarrollo-urbano","tag-dewitt-clinton","tag-diller-scofidio-renfro","tag-dinastia-brueghel","tag-ecosistema-social","tag-ecosistema-urbano","tag-edificacion","tag-edward-ludwig-glaeser","tag-eeuu","tag-ely-jacques-kahn","tag-equipamiento-dotacional","tag-escultura","tag-espacio-publico","tag-exposicion","tag-frank-lloyd-wright","tag-geografia","tag-geometria","tag-guggenheim","tag-historia","tag-idea","tag-inigo-garcia-odiaga","tag-james-corner","tag-james-traub","tag-joseph-h-freedlander","tag-kenneth-frampton","tag-le-corbusier","tag-lugar","tag-maestro","tag-marc-fumaroli","tag-maurici-pla","tag-mies-van-der-rohe","tag-moma","tag-monumento","tag-museo-arquitectura-arquitectura","tag-new-york","tag-normativa","tag-opinion","tag-ordenanza","tag-paisaje","tag-paisaje-urbano","tag-paisaje-urbano-americano","tag-paris","tag-paul-hellen","tag-paula-scher","tag-pensamiento","tag-pentagram","tag-personaje","tag-pieter-brueghel-el-viejo","tag-pintura","tag-planeamiento-urbano","tag-proyectar","tag-ralph-thomas-walker","tag-rascacielos","tag-raymond-hood","tag-reflexion","tag-rehabilitacion","tag-rehabilitacion-urbana","tag-rem-koolhaas","tag-renovacion-urbana","tag-richard-buckminster-fuller","tag-sanaa","tag-torre","tag-urbanismo","tag-urbanismo-sostenible","tag-viajar","tag-viaje","tag-whitney-museum-of-american-art","tag-yoshio-taniguchi"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cuaderno de Nueva York [IV] | Antonio S. 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