{"id":21845,"date":"2015-11-30T06:01:04","date_gmt":"2015-11-30T05:01:04","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=21845"},"modified":"2022-05-26T08:31:31","modified_gmt":"2022-05-26T06:31:31","slug":"el-pabellon-de-pietila-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/","title":{"rendered":"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaPietil\u00e4’s pavilion | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaO pavill\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa"},"content":{"rendered":"

\"\"<\/a>
Pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958, Reima Pietil\u00e4<\/span><\/figcaption><\/figure><\/p>\n

El arquitecto finland\u00e9s Reima Pietil\u00e4<\/b><\/a>, cuya mejor obra sea tal vez el Centro de Estudiantes Dipoli, de Espoo (del que hablaremos otro d\u00eda), se dio a conocer por el pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958. (Buena exposici\u00f3n. Recordad que ya hablamos del pabell\u00f3n espa\u00f1ol<\/a>. Pero hay otros cuantos muy interesantes, de los que tal vez merezca la pena hablar en otras ocasiones. Ya veremos).<\/p>\n

En principio este pabell\u00f3n de juventud no prefigura la obra de madurez (de muy pocos a\u00f1os despu\u00e9s). \u00bfO s\u00ed? No lo s\u00e9. Pero se me hace algo m\u00e1s sencillo de entender y, tal vez, de explicar (o de explic\u00e1rmelo a m\u00ed mismo).<\/p>\n

Pietil\u00e4 gan\u00f3 el concurso del pabell\u00f3n en 1957, cuatro a\u00f1os despu\u00e9s de haber obtenido el t\u00edtulo de arquitecto, y a\u00fan muy influido por la escuela. All\u00ed le hab\u00edan hecho trabajar sobre las teor\u00edas de Theo van Doesburg<\/b><\/a>, y le hab\u00edan hecho reflexionar sobre la modulaci\u00f3n y sobre la plasticidad del \u00e1ngulo recto.<\/p>\n

En su pabell\u00f3n utiliz\u00f3 una modulaci\u00f3n f\u00e9rrea, pero no esclavizadora. Es decir, aprovech\u00f3 las ventajas de la modulaci\u00f3n para controlar las formas y la estructura, pero no cay\u00f3 en la rigidez, sino que supo configurar un espacio expresivo y fluido.<\/p>\n

Manifest\u00f3 que hab\u00eda querido hacer una arquitectura natural e intelectual a la vez, y eso, en cierto modo, caracteriza toda su obra: Una especie de \u00abracionalismo org\u00e1nico\u00bb o de \u00aborganicismo racional\u00bb, lo que le emparenta con el gran patriarca Alvar Aalto<\/b><\/a>.<\/p>\n

Tambi\u00e9n dice que quiere hacer una arquitectura \u00abfinlandesa\u00bb. Uno no sabe qu\u00e9 quiere decir eso, pero ve madera y se imagina que algo tendr\u00e1 que ver.<\/p>\n

\"\u2019un<\/a>
Maqueta del Pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958 | Exposici\u00f3n \u00abUn desaf\u00edo a la arquitectura moderna\u00bb en la sala de la fundaci\u00f3n ICO<\/a><\/span><\/figcaption><\/figure>\n

(No s\u00e9 por qu\u00e9, pero eso de utilizar la estructura modular, geom\u00e9trica, sencilla, para crear un espacio natural, libre y expresivo, creo que se podr\u00eda aplicar tambi\u00e9n al pabell\u00f3n espa\u00f1ol. Y es que a lo mejor Corrales y Molez\u00fan<\/b><\/a> tambi\u00e9n tienen algo de finlandeses).<\/p>\n

El pabell\u00f3n est\u00e1 formado por \u00abgajos\u00bb paralelepip\u00e9dicos escalonados, que por dentro generan un espacio \u00fanico y continuo mientras que por fuera aparecen como un volumen fragmentado.<\/p>\n

\"Pabell\u00f3n<\/a>
Pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958<\/span><\/figcaption><\/figure>\n

La piel de madera es muy \u00abc\u00e1lida\u00bb, \u00abacogedora\u00bb y todo eso. Ya sab\u00e9is: finlandesa.<\/p>\n

Y, sin embargo, aunque tengan expresiones distintas, el interior y el exterior no se contradicen.<\/p>\n

\"Pabell\u00f3n<\/a>
Interior del pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958, Reima Pietil\u00e4 | Fuente: Fundaci\u00f3n ICO<\/a><\/span><\/figcaption><\/figure>\n

El espacio interior es continuo porque se ha puesto un falso techo inclinado de madera, que convierte en continuidad y unidad lo que desde fuera aparece discontinuo y con cortes y saltos.<\/p>\n

Este doble juego nos va a servir para estudiar a este arquitecto interesant\u00edsimo. El muy tuno organiza estructuras sistem\u00e1ticas y muy rigurosas, que le permiten jugar con un espacio que a menudo parece contradecirlas; pero lo que ocurre en realidad es que su intelecto y su raciocinio le llevan a ponerse las cosas f\u00e1ciles para poder jugar sin riesgo de naufragio.<\/p>\n

\"Pabell\u00f3n<\/a>
Pabell\u00f3n de Finlandia para la Exposici\u00f3n Internacional de Bruselas de 1958 (1956-58) | Fuente: lostonsite.wordpress.com<\/a><\/span><\/figcaption><\/figure>\n

Pietil\u00e4 sabe nadar y guardar la ropa.<\/p>\n

Leo que este pabell\u00f3n de Pietil\u00e4, entre tantos magn\u00edficos pabellones de aquella Expo, fue considerado el mejor. No s\u00e9 por qui\u00e9n. No s\u00e9 si fue una especie de t\u00edtulo oficial. A m\u00ed, con todo, me gusta m\u00e1s el espa\u00f1ol. Creo que la genial idea de Corrales y Molez\u00fan resuelve de la manera m\u00e1s simple y m\u00e1s inteligente todas las solicitaciones y requerimientos. Este finland\u00e9s s\u00ed es m\u00e1s \u00abvistoso\u00bb.<\/p>\n

\"Pabell\u00f3n<\/a>
Planta y alzado del Pabell\u00f3n de Finlandia para la Exposici\u00f3n Internacional de Bruselas de 1958 (1956-58)<\/span><\/figcaption><\/figure>\n

Pero no se trata de pelear ni de competir.<\/p>\n

Qued\u00e9monos, primero, con el descubrimiento de un arquitecto muy importante pero que cada vez se conoce y aprecia menos. Quienes no lo conocierais aprovechad para buscar cosas suyas. Ya ver\u00e9is c\u00f3mo merece la pena.<\/p>\n

\"Reima<\/a>
Reima Pietil\u00e4 con su esposa Raili, con quien hizo casi todas sus obras | Foto: MFA<\/span><\/figcaption><\/figure>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doctor Arquitecto
\nToledo \u00b7 abril 2012
\nAutor del blog arquitectamoslocos?<\/em><\/span>

\"\"<\/a>
Finnish pavilion of the Expo de Bruselas in 1958, Reima Pietil\u00e4<\/span><\/figcaption><\/figure><\/p>\n

The Finnish architect Reima Pietil\u00e4<\/b><\/a>, whose better work is maybe the Students’ Center Dipoli, of Espoo (about which we will speak another day), was announced by the Finnish pavilion of the Expo of Brussels of 1958. (Good exhibition. Remember that already we speak about the Spanish pavilion<\/a>. But there are others very interesting all those, about whom maybe it is worth speaking in other occasions. Already we will see).<\/p>\n

At first this pavilion of youth does not prefigure the work of maturity (of a few years later). Or yes? I do not know it. But something becomes to me simpler to deal and, maybe, of explaining (or of explaining it to me itself).<\/p>\n

Pietil\u00e4 gained the contest of the pavilion in 1957, four years after having obtained the architect’s title, and still very influenced by the school. There they had made him work on Theo van Doesburg<\/b><\/a>‘s theories, and had made him think about the modulation and about the plasticity of the right angle.<\/p>\n

In his pavilion a ferreous modulation used, but not esclavizadora. That is to say, he took advantage of the advantages of the modulation to control the forms and the structure, but it did not fall down in the inflexibility, but it could form an expressive and fluid space.<\/p>\n

It demonstrated that it had wanted to do a natural and intellectual architecture simultaneously, and it, in certain way, it characterizes all his work: A species of \u00aborganic rationalism\u00bb or of \u00aborganicismo rational\u00bb, what him emparenta with the great patriarch Alvar Aalto<\/b><\/a>.<\/p>\n

Also he says that it wants to do a \u00abFinnish architecture\u00bb. One does not know what wants to say it, but it sees wood and imagines that it will have to see something.<\/p>\n

\"\u2019un<\/a>
Model of the Finnish Pavilion of the Expo of Brussels of 1958 | Exhibition \u00bb A challenge to the modern architecture \u00bb in the room of the fundation ICO<\/a><\/span><\/figcaption><\/figure>\n

( I do not know why, but it of using the modular, geometric, simple structure, to create a natural, free and expressive space, I think that it might apply also to the Spanish pavilion. And it is that probably Corrales and Molez\u00fan<\/b><\/a> also have something of Finns).<\/p>\n

The pavilion is formed by parallelepipedic staggered \u00abclusters\u00bb, which within generate the only and constant space whereas externally they appear as a fragmented volume.<\/p>\n

\"Pabell\u00f3n<\/a>
Finnish pavilion of the Expo of Brussels of 1958<\/span><\/figcaption><\/figure>\n

The skin of wood is \u00abvery \u00abhot\u00bb, \u00abcozy\u00bb and all that. Already you know: finn.<\/p>\n

And, nevertheless, though they have different expressions, the interior and the exterior are not contradicted.<\/p>\n

\"Pabell\u00f3n<\/a>
Interior of the Finnish pavilion of the Expo of Brussels of 1958, Reima Pietil\u00e4 | Source: Fundation ICO<\/a><\/span><\/figcaption><\/figure>\n

The interior space is constant because it has put on a false sloping ceiling of wood, which it turns into continuity and unit what from was turns out to be discontinuous and with courts and jumps.<\/p>\n

This double game is going to serve us to study this most interesting architect. The very rascal one organizes systematic and very rigorous structures, which allow him to play with a space that often seems to contradict them; but what happens actually is that his intellect and they lead his reason to putting on the easy things to be able to play without risk of shipwreck.<\/p>\n

\"Pabell\u00f3n<\/a>
Pavilion of Finland for the International Exhibition of Brussels of 1958 (1956-58) | Source: lostonsite.wordpress.com<\/a><\/span><\/figcaption><\/figure>\n

Pietil\u00e4 can swim and guard the clothes.<\/p>\n

I read that this Pietil\u00e4’s pavilion, between so many magnificent pavilions of that Expo, was considered to be the best. Do not be for whom. Do not be if it was a species of official title., with everything, I like more the Spanish. I think that the brilliant idea of Corrales and Molez\u00fan solves in a simplest and more intelligent way all the solicitations and requirements. This Finn yes is \u00abshowier\u00bb.<\/p>\n

\"Pabell\u00f3n<\/a>
Plant and gathering of the Pavilion of Finland for the International Exhibition of Brussels of 1958 (1956-58)<\/span><\/figcaption><\/figure>\n

But it is a question neither of fighting nor to compete.<\/p>\n

Let’s remain us, first, with the discovery of a very important architect but that every time is known and estimates less. Who you did not know it be useful to look for his things. Already you will see how it is worth it.<\/p>\n

\"Reima<\/a>
Reima Pietil\u00e4 with his wife Raili, with whom it did almost all his works | Photo: MFA<\/span><\/figcaption><\/figure>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 PhD Architect
\nToledo \u00b7 april 2012
\nAuthor of the blog arquitectamoslocos?<\/em><\/span>

\"\"<\/a>
Pavill\u00f3n finland\u00e9s da Expo de Bruselas de 1958, Reima Pietil\u00e4<\/span><\/figcaption><\/figure><\/p>\n

O arquitecto finland\u00e9s Reima Pietil\u00e4<\/b><\/a>, cuxa mellor obra sexa talvez o Centro de Estudantes Dipoli, de Espoo (do que falaremos outro d\u00eda), deuse a co\u00f1ecer polo pabell\u00f3n finland\u00e9s da Expo de Bruxelas de 1958. (Boa exposici\u00f3n. Recordade que xa falamos do pavill\u00f3n espa\u00f1ol<\/a>. Pero hai outros cantos moi interesantes, dos que talvez mereza a pena falar noutras ocasi\u00f3ns. Xa veremos).<\/p>\n

En principio este pabell\u00f3n de mocidade non prefigura a obra de madurez (de moi poucos anos despois). Ou si? Non o sei. Pero f\u00e1illeme algo m\u00e1is sinxelo de entender e, talvez, de explicar (ou de explicarmo a min mesmo).<\/p>\n

Pietil\u00e4 ga\u00f1ou o concurso do pabell\u00f3n en 1957, catro anos logo de obter o t\u00edtulo de arquitecto, e a\u00ednda moi influ\u00eddo pola escola. Al\u00ed fix\u00e9ronlle traballar sobre as teor\u00edas de Theo van Doesburg<\/b><\/a>, e fix\u00e9ronlle reflexionar sobre a modulaci\u00f3n e sobre a plasticidad do \u00e1ngulo recto.<\/p>\n

No seu pabell\u00f3n utilizou unha modulaci\u00f3n f\u00e9rrea, pero non esclavizadora. \u00c9 dicir, aproveitou as vantaxes da modulaci\u00f3n para controlar as formas e a estrutura, pero non caeu na rixidez, sen\u00f3n que soubo configurar un espazo expresivo e flu\u00eddo.<\/p>\n

Manifestou que quixera facer unha arquitectura natural e intelectual \u00e1 vez, e iso, en certo xeito, caracteriza toda a s\u00faa obra: Unha especie de \u00abracionalismo org\u00e1nico\u00bb ou de \u00aborganicismo racional\u00bb, o que lle emparenta co gran patriarca Alvar Aalto<\/b><\/a>.<\/p>\n

Tam\u00e9n di que quere facer unha arquitectura \u00abfinlandesa\u00bb. Un non sabe que quere dicir iso, pero ve madeira e imax\u00ednase que algo ter\u00e1 que ver.<\/p>\n

\"\u2019un<\/a>
Maqueta do pavill\u00f3n finland\u00e9s da Expo de Bruselas de 1958 | Exposici\u00f3n \u00abUn desaf\u00edo a arquitectura moderna\u00bb na sala da fundaci\u00f3n ICO<\/a><\/span><\/figcaption><\/figure>\n

(Non sei por que, pero iso de utilizar a estrutura modular, geom\u00e9trica, sinxela, para crear un espazo natural, libre e expresivo, creo que se poder\u00eda aplicar tam\u00e9n ao pabell\u00f3n espa\u00f1ol. E \u00e9 que se cadra Corrales e Molez\u00fan<\/b><\/a> tam\u00e9n te\u00f1en algo de finlandeses).<\/p>\n

O pavill\u00f3n est\u00e1 formado por \u00abgaxos\u00bb paralelepip\u00e9dicos escalonados, que por dentro xeran un espazo \u00fanico e continuo mentres que por f\u00f3ra aparecen como un volume fragmentado.<\/p>\n

\"Pabell\u00f3n<\/a>
Pavill\u00f3n finland\u00e9s da Expo de Bruselas de 1958<\/span><\/figcaption><\/figure>\n

A pel de madeira \u00e9 moi \u00abc\u00e1lida\u00bb, \u00abacolledora\u00bb e todo iso. Xa sabedes: finlandesa.<\/p>\n

E, con todo, a\u00ednda que te\u00f1an expresi\u00f3ns distintas, o interior e o exterior non se contradin.<\/p>\n

\"Pabell\u00f3n<\/a>
Interior do pavill\u00f3n finland\u00e9s da Expo de Bruselas de 1958, Reima Pietil\u00e4 | Fonte: Fundaci\u00f3n ICO<\/a><\/span><\/figcaption><\/figure>\n

O espazo interior \u00e9 continuo porque se puxo un falso teito inclinado de madeira, que converte en continuidade e unidade o que desde f\u00f3ra aparece discontinuo e con cortes e saltos.<\/p>\n

Este dobre xogo vainos a servir para estudar a este arquitecto interesant\u00edsimo. O moi tuno organiza estruturas sistem\u00e1ticas e moi rigorosas, que lle permiten xogar cun espazo que a mi\u00fado parece contradicilas; pero o que ocorre en realidade \u00e9 que o seu intelecto e o seu raciocinio l\u00e9vanlle a po\u00f1erse as cousas f\u00e1ciles para poder xogar sen risco de naufraxio.<\/p>\n

\"Pabell\u00f3n<\/a>
Pavill\u00f3n de Finlandia para a Exposici\u00f3n Internacional de Bruselas de 1958 (1956-58) | Fonte: lostonsite.wordpress.com<\/a><\/span><\/figcaption><\/figure>\n

Pietil\u00e4 sabe nadar e gardar a roupa.<\/p>\n

Leo que este pavill\u00f3n de Pietil\u00e4, entre tantos magn\u00edficos pavill\u00f3ns daquela Expo, foi considerado o mellor. Non sei por quen. Non sei si foi unha especie de t\u00edtulo oficial. A min, con todo, g\u00fastame m\u00e1is o espa\u00f1ol. Creo que a xenial idea de Currales e Molez\u00fan resolve do xeito m\u00e1is sinxela e m\u00e1is intelixente todas as solicitaciones e requerimientos. Este finland\u00e9s si \u00e9 m\u00e1is \u00abvistoso\u00bb.<\/p>\n

\"Pabell\u00f3n<\/a>
Planta e alzado do Pavill\u00f3n de Finlandia para a Exposici\u00f3n Internacional de Bruselas de 1958 (1956-58)<\/span><\/figcaption><\/figure>\n

Pero non se trata de pelexar nin de competir.<\/p>\n

Qued\u00e9monos, primeiro, co descubrimento dun arquitecto moi importante pero que cada vez se co\u00f1ece e aprecia menos. Quen non o co\u00f1ec\u00e9sedes aproveitade para buscar cousas s\u00faas. Xa veredes como merece a pena.<\/p>\n

\"Reima<\/a>
Reima Pietil\u00e4 ca s\u00faa esposa Raili, con quen fixo casi t\u00f3dalas s\u00faas obras | Foto: MFA<\/span><\/figcaption><\/figure>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doutor Arquitecto
\nToledo \u00b7 abril 2012
\nAutor do blogue arquitectamoslocos?<\/em><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

El arquitecto finland\u00e9s Reima Pietil\u00e4, cuya mejor obra sea tal vez el Centro de Estudiantes Dipoli, de Espoo (del que hablaremos otro d\u00eda), se dio a conocer por el pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958. (Buena exposici\u00f3n. Recordad que ya hablamos del pabell\u00f3n espa\u00f1ol. Pero hay otros cuantos muy interesantes, de los […]<\/p>\n","protected":false},"author":33,"featured_media":58248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[102,2631,6893,223,1787,557,582,668,5884,3653,815,10123,1136,12197,4654],"class_list":["post-21845","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-espanola","tag-arquitectura-finlandesa","tag-bruselas","tag-europa","tag-exposicion-universal","tag-finlandia","tag-historia","tag-jose-antonio-corrales-gutierrez","tag-jose-ramon-hernandez-correa","tag-maestro","tag-raili-pietila","tag-ramon-vazquez-molezun","tag-reima-pietila","tag-theo-van-doesburg"],"yoast_head":"\nEl pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/title>\n<meta name=\"description\" content=\"El pabell\u00f3n de Pietil\u00e4\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\" \/>\n<meta property=\"og:description\" content=\"El pabell\u00f3n de Pietil\u00e4\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/joseramon.hernandezcorrea\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-30T05:01:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-05-26T06:31:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/12\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"625\" \/>\n\t<meta property=\"og:image:height\" content=\"410\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/arquitectamos\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/\"},\"author\":{\"name\":\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/eefca3204fa5a4349162c2869bee6c49\"},\"headline\":\"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaPietil\u00e4’s pavilion | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaO pavill\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\",\"datePublished\":\"2015-11-30T05:01:04+00:00\",\"dateModified\":\"2022-05-26T06:31:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/\"},\"wordCount\":2427,\"commentCount\":3,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/12\\\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg\",\"keywords\":[\"Alvar Aalto\",\"arquitectura espa\u00f1ola\",\"arquitectura finlandesa\",\"Bruselas\",\"Europa\",\"exposici\u00f3n universal\",\"Finlandia\",\"historia\",\"Jos\u00e9 Antonio Corrales Guti\u00e9rrez\",\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\",\"maestro\",\"Raili Pietil\u00e4\",\"Ram\u00f3n V\u00e1zquez Molez\u00fan\",\"Reima Pietil\u00e4\",\"Theo van Doesburg\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/\",\"name\":\"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/12\\\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg\",\"datePublished\":\"2015-11-30T05:01:04+00:00\",\"dateModified\":\"2022-05-26T06:31:31+00:00\",\"description\":\"El pabell\u00f3n de Pietil\u00e4\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/12\\\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2015\\\/12\\\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg\",\"width\":625,\"height\":410,\"caption\":\"Pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaPietil\u00e4’s pavilion | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaO pavill\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/eefca3204fa5a4349162c2869bee6c49\",\"name\":\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Jos\u00e9-Ram\u00f3n-Hern\u00e1ndez-Correa-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Jos\u00e9-Ram\u00f3n-Hern\u00e1ndez-Correa-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/Jos\u00e9-Ram\u00f3n-Hern\u00e1ndez-Correa-96x96.jpg\",\"caption\":\"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa\"},\"description\":\"Nac\u00ed en 1960. Arquitecto por la ETSAM, 1985. Doctor Arquitecto por la Universidad Polit\u00e9cnica de Madrid, 1992. Soy, en el buen sentido de la palabra, bueno. Ahora estoy algo cansado, pero sigo atento y curioso. Arquitecto, bloguero, saxofonero, escritor... pero todo mal.\",\"sameAs\":[\"http:\\\/\\\/arquitectamoslocos.blogspot.com.es\\\/\",\"https:\\\/\\\/www.facebook.com\\\/joseramon.hernandezcorrea\",\"https:\\\/\\\/www.instagram.com\\\/arquitectamoslocos\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/jos-ramn-hernndez-correa-b6378b2a\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/arquitectamos\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/arquitectamos\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","description":"El pabell\u00f3n de Pietil\u00e4","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/","og_locale":"es_ES","og_type":"article","og_title":"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","og_description":"El pabell\u00f3n de Pietil\u00e4","og_url":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/joseramon.hernandezcorrea","article_published_time":"2015-11-30T05:01:04+00:00","article_modified_time":"2022-05-26T06:31:31+00:00","og_image":[{"width":625,"height":410,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/12\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg","type":"image\/jpeg"}],"author":"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/arquitectamos","twitter_site":"@veredes","twitter_misc":{"Escrito por":"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","Tiempo de lectura":"12 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/"},"author":{"name":"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/eefca3204fa5a4349162c2869bee6c49"},"headline":"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaPietil\u00e4’s pavilion | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaO pavill\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","datePublished":"2015-11-30T05:01:04+00:00","dateModified":"2022-05-26T06:31:31+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/"},"wordCount":2427,"commentCount":3,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/12\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg","keywords":["Alvar Aalto","arquitectura espa\u00f1ola","arquitectura finlandesa","Bruselas","Europa","exposici\u00f3n universal","Finlandia","historia","Jos\u00e9 Antonio Corrales Guti\u00e9rrez","Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","maestro","Raili Pietil\u00e4","Ram\u00f3n V\u00e1zquez Molez\u00fan","Reima Pietil\u00e4","Theo van Doesburg"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/","url":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/","name":"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/12\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg","datePublished":"2015-11-30T05:01:04+00:00","dateModified":"2022-05-26T06:31:31+00:00","description":"El pabell\u00f3n de Pietil\u00e4","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/12\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2015\/12\/pabell\u00f3n-finland\u00e9s-de-la-Expo-de-Bruselas-de-1958.jpg","width":625,"height":410,"caption":"Pabell\u00f3n finland\u00e9s de la Expo de Bruselas de 1958"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/el-pabellon-de-pietila-jose-ramon-hernandez-correa\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"El pabell\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaPietil\u00e4’s pavilion | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaO pavill\u00f3n de Pietil\u00e4 | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/eefca3204fa5a4349162c2869bee6c49","name":"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Jos\u00e9-Ram\u00f3n-Hern\u00e1ndez-Correa-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Jos\u00e9-Ram\u00f3n-Hern\u00e1ndez-Correa-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/Jos\u00e9-Ram\u00f3n-Hern\u00e1ndez-Correa-96x96.jpg","caption":"Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa"},"description":"Nac\u00ed en 1960. Arquitecto por la ETSAM, 1985. Doctor Arquitecto por la Universidad Polit\u00e9cnica de Madrid, 1992. Soy, en el buen sentido de la palabra, bueno. Ahora estoy algo cansado, pero sigo atento y curioso. Arquitecto, bloguero, saxofonero, escritor... pero todo mal.","sameAs":["http:\/\/arquitectamoslocos.blogspot.com.es\/","https:\/\/www.facebook.com\/joseramon.hernandezcorrea","https:\/\/www.instagram.com\/arquitectamoslocos\/","https:\/\/www.linkedin.com\/in\/jos-ramn-hernndez-correa-b6378b2a\/","https:\/\/x.com\/https:\/\/twitter.com\/arquitectamos"],"url":"https:\/\/veredes.es\/blog\/author\/arquitectamos\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/21845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=21845"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/21845\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/58248"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=21845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=21845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=21845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}