{"id":21501,"date":"2012-04-20T06:27:58","date_gmt":"2012-04-20T06:27:58","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=21501"},"modified":"2020-02-03T10:38:54","modified_gmt":"2020-02-03T09:38:54","slug":"futura","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/futura\/","title":{"rendered":"FuturaFuturaFuture"},"content":{"rendered":"

<\/p>\n

Futura, el tipo de letra de imprenta acreditado por su perenne actualidad gr\u00e1fica, cuenta en Madrid el origen y el desarrollo de su trepidante vida. El relato es la primera exposici\u00f3n temporal de la Imprenta Municipal-Artes del Libro, el museo tipogr\u00e1fico inaugurado en diciembre en la calle de la Concepci\u00f3n Jer\u00f3nima. La exposici\u00f3n procede de la Escuela Superior de Arte de la norte\u00f1a ciudad francesa de Cambrai, donde surgi\u00f3 de una investigaci\u00f3n de sus docentes. Comisariada por el historiador Michel Wlassikoff y el dise\u00f1ador Alexander Dumas de Rauly, permanecer\u00e1 abierta hasta septiembre.<\/p>\n

\"\"<\/a><\/span><\/p>\n

La muestra estrena la primera planta del edificio madrile\u00f1o: en una treintena de paneles y vitrinas exhibe el discurrir de la m\u00e1s universal de las letras impresas del siglo XX. El relato arranca de 1924, fecha en la que el tipo futura \u2014palabra espa\u00f1ola con evocaciones del futurismo\u2014 fue bocetado por el dise\u00f1ador alem\u00e1n Paul Renner (1878- 1956), que se inspir\u00f3 en las versales romanas, y su estela llega hasta nuestros d\u00edas. Hoy, numerosas instituciones, editoriales, publicaciones y marcas comerciales de todo tipo contin\u00faan utiliz\u00e1ndola.<\/p>\n

[…]<\/p>\n

+ art\u00edculo publicado en El Pa\u00eds<\/span><\/a><\/p>\n

<\/p>\n

Futura, o tipo de letra de imprenta acreditado pola s\u00faa perenne actualidade gr\u00e1fica, conta en Madrid a orixe e o desenvolvemento do seu trepidante vida. O relato \u00e9 a primeira exposici\u00f3n temporal da Imprenta Municipal-Artes do Libro, o museo tipogr\u00e1fico inaugurado en decembro na r\u00faa da Concepci\u00f3n Jer\u00f3nima. A exposici\u00f3n procede da Escola Superior de Arte da norte\u00f1a cidade francesa de Cambrai, onde xurdiu dunha investigaci\u00f3n dos seus docentes. Comisariada polo historiador Michel Wlassikoff e o dise\u00f1ador Alexander Dumas de Rauly, permanecer\u00e1 aberta ata setembro.<\/p>\n

\n

\"\"<\/a><\/p>\n

Un dos carteis coa letra futura expostos na mostra | elpais.com<\/span><\/p>\n

A mostra estrea a primeira planta do edificio madrile\u00f1o: nunha treintena de paneles e vitrinas exhibe o discorrer da m\u00e1is universal das letras impresas do s\u00e9culo XX. O relato arrinca de 1924, data na que o tipo futura \u2014palabra espa\u00f1ola con evocaciones do futurismo\u2014 foi bocetado polo dise\u00f1ador alem\u00e1n Paul Renner (1878- 1956), que se inspirou nas versales romanas, e o seu ronsel chega ata os nosos d\u00edas. Hoxe, numerosas instituci\u00f3ns, editoriais, publicaci\u00f3ns e marcas comerciais de todo tipo contin\u00faan utiliz\u00e1ndoa.<\/p>\n

[…]<\/p>\n

+ artigo publicado en El Pa\u00eds<\/span><\/a><\/p>\n

<\/p>\n

Future, the font of press accredited by his everlasting graphical current importance, it counts in Madrid the origin and the development of his trepidant life. The statement is the first temporary exhibition of the Press Police officer – art of the Book, the typographical museum inaugurated in December in the street of the Concepcion Jer\u00f3nima. The exhibition comes from the High school of Art of Cambrai’s northern French city, where it arose from an investigation of his teachers. Comisariada for the historian Michel Wlassikoff and the designer Alexander Dumas de Rauly, will remain opened until September.<\/p>\n

\n

\"\"<\/a><\/p>\n

One of the cartels with the future letter exposed in the sample | elpais.com<\/span><\/p>\n

The sample releases the first plant of the building of Madrid: in a treintena of panels and showcases it exhibits to pass of the most universal of the printed letters of the 20th century. The statement starts of 1924, date in which the type future – Spanish word with evocations of the futurism – was bocetado for the German designer Paul Renner (1878-1956), who inspired in them turn Romans, and his stela come to the present day. Today, numerous institutions, publishing houses, publications and commercial brands of all kinds continue using it.<\/p>\n

[…]<\/p>\n

+ article is published in El Pa\u00eds<\/span><\/a><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Futura, el tipo de letra de imprenta acreditado por su perenne actualidad gr\u00e1fica, cuenta en Madrid el origen y el desarrollo de su trepidante vida. El relato es la primera exposici\u00f3n temporal de la Imprenta Municipal-Artes del Libro, el museo tipogr\u00e1fico inaugurado en diciembre en la calle de la Concepci\u00f3n Jer\u00f3nima. La exposici\u00f3n procede de […]<\/p>\n","protected":false},"author":2,"featured_media":21502,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[4473,456,521,556,4471,814,4472,4474,1290],"class_list":["post-21501","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-alexander-dumas-de-rauly","tag-espana","tag-exposicion","tag-futura","tag-madrid","tag-michel-wlassikoff","tag-paul-renner","tag-tipografia"],"yoast_head":"\nFuturaFuturaFuture - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: FuturaFuturaFuture\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/futura\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FuturaFuturaFuture - 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