{"id":2061,"date":"2010-02-10T17:56:08","date_gmt":"2010-02-10T17:56:08","guid":{"rendered":"http:\/\/veredes.es\/wordpress\/?p=2061"},"modified":"2013-07-22T08:54:32","modified_gmt":"2013-07-22T08:54:32","slug":"exposicion-sobre-el-movimiento-arquitectonico-archigram","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/exposicion-sobre-el-movimiento-arquitectonico-archigram\/","title":{"rendered":"Archigram. Experimental Architecture 1961-74Archigram. Experimental Architecture 1961-74Archigram. Experimental Architecture 1961-74"},"content":{"rendered":"

<\/p>\n

El pr\u00f3ximo mes de marzo la Sala Municipal de Exposiciones del Museo de Pasi\u00f3n de Valladolid acoger\u00e1 por primera vez en Espa\u00f1a, la exposici\u00f3n ‘Archigram. Experimental Architecture 1961-74’, una muestra producida por los Archivos Archigram en Londres y que re\u00fane a trav\u00e9s de dibujos, maquetas, documentos y planos la historia de este movimiento arquitect\u00f3nico.\u00a0Dennis Crompton, asistir\u00e1 al montaje y presentaci\u00f3n de esta exposici\u00f3n en Valladolid el pr\u00f3ximo 18 de marzo. La muestra podr\u00e1 visitarse hasta el 2 de mayo.<\/p>\n

\"\"<\/a><\/p>\n

Archigram fue un grupo formado por Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb y David Greene en la Architectural Association en Londres que se dedic\u00f3 a realizar experimentos arquitect\u00f3nicos proponiendo ideas de vanguardia para la arquitectura del futuro. Sus proyectos incluso hoy siguen siendo vanguardistas pues se imaginaron un futuro de comunidad manejado por la tecnolog\u00eda.<\/p>\n

Fue creado en la d\u00e9cada de 1960. Era futurista, antiheroico y pro-consumista, inspir\u00e1ndose en la tecnolog\u00eda con el fin de crear una nueva realidad que fuese expresada solamente a trav\u00e9s de proyectos hipot\u00e9ticos. En la revista Archigram I publicada en 1961 exhibieron sus ideas, proponiendo el uso de una infraestructura ligera, con tecnolog\u00eda de punta, enfocada hacia la tecnolog\u00eda de supervivencia.<\/p>\n

As\u00ed, experimentaron con tecnolog\u00eda clip-on, medios desechables, c\u00e1psulas espaciales y con la imaginer\u00eda del consumo masivo. Sus obras ofrec\u00edan visiones seductoras de una glamorosa era futura de las m\u00e1quinas; sin embargo, los temas sociales y ambientales fueron dejados de lado.<\/p>\n

Las obras de Archigram basaban su sesgo futurista en la obra del arquitecto italiano Antonio Sant’Elia. Richard Buckminster Fuller fue tambi\u00e9n una importante fuente de inspiraci\u00f3n. Los trabajos de Archigram sirvieron, a su vez, como fuentes de inspiraci\u00f3n de trabajos posteriores como el Centro Georges Pompidou, hecho en [1971] por Renzo Piano y Richard Rogers as\u00ed como la obra de Gianfranco Franchini y Future Systems.<\/p>\n

Archigram (t\u00e9rmino que enhebraba la palabra architecture y Telegram) propon\u00eda una arquitectura profundamente tecnol\u00f3gica, realizada con nuevos materiales enteramente industriales, e indicativa de un modo de vida despreocupado y ut\u00f3pico.<\/p>\n

Archigram se sirvi\u00f3 del lenguaje del c\u00f3mic y del collage para difundir sus propuestas: ciudades de horizontes quebrados y coloristas, calles con cadillacs, zepelines, y grandes anuncios de colores.<\/p>\n

Una de las primeras y m\u00e1s famosas utop\u00edas del grupo Archigram fue la Plug-in City de 1964, una megaestructura totalmente producida en serie. Dentro de ella proyectaron una universidad que con el tiempo se har\u00eda virtual, en consonancia con su Computer City, concebida en la misma \u00e9poca. La universidad ir\u00eda creciendo con el tiempo, las aulas se instalar\u00edan, o desmontar\u00edan seg\u00fan las necesidades.<\/p>\n

La accesibilidad de la informaci\u00f3n fue el tema principal de su Instant City, un conjunto de elementos ligeros que se sobrepon\u00edan a cualquier poblaci\u00f3n del interior del territorio, y que llevaba las ventajas de vivir en la ciudad a cada rinc\u00f3n del pa\u00eds. En esa \u00e9poca, utilizan dos estrategias en sus proyectos. Por un lado, como en este caso, proponen estructuras m\u00f3viles. Por otro lado proponen redes de servicios a los que el usuario se puede conectar desde cualquier punto. En ocasiones mezclan las dos estrategias.<\/p>\n

Al final de su trabajo en grupo hay otro proyecto universitario, la Invisible University de 1971. Contra la informaci\u00f3n obtenida a trav\u00e9s del ordenador, subrayan la importancia de la interacci\u00f3n humana. La universidad est\u00e1 hecha de las relaciones entre las personas, los s\u00edmbolos humanos. La universidad entonces es un happening cuya \u00fanica huella es un paisaje levemente antropizado.<\/p>\n

+ www.20minutos.es<\/span><\/a><\/p>\n

<\/p>\n

O pr\u00f3ximo mes de marzo a Sala Municipal de Exposiciones del Museo de Pasi\u00f3n de Valladolid acoller\u00e1 por primeira vez en Espa\u00f1a, a exposici\u00f3n ‘Archigram. Experimental Architecture 1961-74’, unha mostra producida polos Arquivos Archigram en Londres e que re\u00fane a trav\u00e9s de debuxos, maquetas, documentos e planos a historia deste movemento arquitect\u00f3nico.\u00a0Dennis Crompton, asistir\u00e1 \u00e1 montaxe e presentaci\u00f3n desta exposici\u00f3n en Valladolid o vindeiro 18 de marzo. A mostra poder\u00e1 visitarse ata o 2 de maio.<\/p>\n

\"\"<\/a><\/p>\n

Archigram foi un grupo formado por Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb e David Greene na Architectural Association en Londres que se dedicou a realizar experimentos arquitect\u00f3nicos propondo ideas de vangarda para a arquitectura do futuro. Os seus proxectos inclusos hoxe seguen sendo vangardistas pois imaxin\u00e1ronse un futuro de comunidade manexado pola tecnolox\u00eda.<\/p>\n

Foi creado na d\u00e9cada de 1960. Era futurista, antiheroico e prol-consumista, inspirandose na tecnolox\u00eda co fin de crear unha nova realidade que fose expresada soamente a trav\u00e9s de proxectos hipot\u00e9ticos. Na revista Archigram I publicada en 1961 exhibiron as s\u00faas ideas, propondo o uso dunha infraestrutura lixeira, con tecnolox\u00eda de punta, enfocada cara \u00e1 tecnolox\u00eda de supervivencia.<\/p>\n

As\u00ed, experimentaron con tecnolox\u00eda clip-on, medios desbotables, c\u00e1psulas espaciais e coa imaxinar\u00eda do consumo masivo. As s\u00faas obras ofrec\u00edan visi\u00f3ns sedutoras dunha glamorosa era futura das m\u00e1quinas; por\u00e9n, os temas sociais e ambientais foron deixados de lado.<\/p>\n

As obras de Archigram baseaban o seu nesgo futurista na obra do arquitecto italiano Antonio Sant’Elia. Richard Buckminster Fuller foi tam\u00e9n unha importante fonte de inspiraci\u00f3n. Os traballos de Archigram serviron, pola s\u00faa parte, como fontes de inspiraci\u00f3n de traballos posteriores como o Centro Georges Pompidou, feito en [1971] por Renzo Piano e Richard Rogers as\u00ed como a obra de Gianfranco Franchini e Future Systems.<\/p>\n

Archigram (termo que enhebraba a palabra architecture e Telegram) propu\u00f1a unha arquitectura profundamente tecnol\u00f3xica, realizada con novos materiais enteiramente industriais, e indicativa dun xeito de vida despreocupado e ut\u00f3pico.<\/p>\n

Archigram serviuse da linguaxe do c\u00f3mic e da collaxe para difundir as s\u00faas propostas: cidades de horizontes quebrados e coloristas, cales con cadillacs, cepel\u00edns, e grandes anuncios de cores.<\/p>\n

Unha das primeiras e m\u00e1is famosas utop\u00edas do grupo Archigram foi a Plug-in City de 1964, unha megaestrutura totalmente producida en serie. Dentro dela proxectaron unha universidade que co tempo se far\u00eda virtual, en consonancia con seu Computer City, concibida na mesma \u00e9poca. A universidade ir\u00eda medrando co tempo, as aulas instalar\u00edanse, ou desmontar\u00edan segundo as necesidades.<\/p>\n

A accesibilidade da informaci\u00f3n foi o tema principal de seu Instant City, un conxunto de elementos lixeiros que se sobrepu\u00f1an a calquera poboaci\u00f3n do interior do territorio, e que levaba as vantaxes de vivir na cidade a cada recuncho do pa\u00eds. Nesa \u00e9poca, utilizan d\u00faas estratexias nos seus proxectos. Por un lado, como neste caso, prop\u00f3n estruturas m\u00f3biles. Doutra banda prop\u00f3n redes de servizos a que o usuario se pode conectar desde calquera punto. Por veces mesturan as d\u00faas estratexias.<\/p>\n

Ao final do seu traballo en grupo hai outro proxecto universitario, a Invisible University de 1971. Contra a informaci\u00f3n obtida a trav\u00e9s do ordenador, subli\u00f1an a importancia da interacci\u00f3n humana. A universidade est\u00e1 feita das relaci\u00f3ns entre as persoas, os s\u00edmbolos humanos. A universidade ent\u00f3n \u00e9 un happening cuxa \u00fanica pegada \u00e9 unha paisaxe levemente antropizado.<\/p>\n

+\u00a0www.20minutos.es<\/span><\/a><\/p>\n

<\/p>\n

The next month of March the Municipal Chamber of Exhibitions of the Museum of Passion of Valladolid will take in for the first time in Spain, the exhibition ‘Archigram. Experimental Architecture 1961-74’, one shows produced by Files Archigram in London and that gathers through drawings, mockups, documents and planes the history of this architectural movement.\u00a0Dennis Crompton, the assembly and introduction will attend of this exhibition in Valladolid on 18 March. It shows her will be able to visit until 2 of May.<\/p>\n

\"\"<\/a><\/p>\n

Archigram was a group formed by Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb and David Greene in the Architectural Association in London that was dedicated to carry out architectural experiments proposing cutting-edge ideas for the architecture of the future. His projects even today are still vanguardistas then they imagined a managed community future for the technology.<\/p>\n

It was created in the decade of 1960. It was futurist, antiheroico and pro-consumerist, inspiring in the technology with the aim of creating a new reality that was expressed only through hypothetical projects. In the magazine Archigram I published in 1961 exhibited his ideas, proposing the use of a light infrastructure, with cutting-edge technology, focused towards the survival technology.<\/p>\n

Thus, experienced with clip technology-on, disposable means, space capsules and with the imaginery of the massive consumption. His works offered seductive visions of one glamorosa was future of machines; however, social and environmental topics were left aside.<\/p>\n

Works of Archigram based his futuristic turn in the work of the architect Italian Antonio Sant’Elia. Richard Buckminster Fuller was also an important inspiration source. Works of Archigram were useful, at the same time, such as sources of later work inspiration as the Center Georges Pompidou, fact in [1971] for Renzo Piano and Richard Rogers as well as the work of Gianfranco Franchini and Future Systems.<\/p>\n

Archigram (end that the word threaded architecture and Telegram) proposed a deeply technological architecture, fulfilled with new materials entirely industrial, and indicative of a carefree life way and Utopian.<\/p>\n

Archigram was been useful of the language of the c\u00f3mic and of the collage to spread his proposals: bankrupted horizon cities and colorists, streets with cadillacs, zeppelins, and colourful big announcements.<\/p>\n

One of the first and more famous utopias of the group Archigram was the Plug-in City of 1964, a completely produced megastructure in series. They projected an university within her that in the course of time would be done virtual, in accordance with his Computer City, conceived in the same period. The university would go growing in the course of time, classrooms would be installed, or they would dismantle according to needs.<\/p>\n

The accessibility of the information was the main topic of his Instant City, a light element set that were superimposed to any town inland of the territory, and that took advantages of living in the city every corner from the country. In that period, use two strategies in his projects. On one hand, as in this case, mobile structures propose. On the other hand propose nets of services to which the user you can connect from any point. Sometimes mix two strategies.<\/p>\n

At the end of his group work is another university project, the Invisible one University of 1971. Against the information obtained through the computer, the importance of the human interaction underline. The university is made of relationships between people, human symbols. The university then is a happening whose only print is a landscape levemente antropizado.<\/p>\n

+\u00a0www.20minutos.es<\/span><\/a><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

El pr\u00f3ximo mes de marzo la Sala Municipal de Exposiciones del Museo de Pasi\u00f3n de Valladolid acoger\u00e1 por primera vez en Espa\u00f1a, la exposici\u00f3n ‘Archigram. Experimental Architecture 1961-74’, una muestra producida por los Archivos Archigram en Londres y que re\u00fane a trav\u00e9s de dibujos, maquetas, documentos y planos la historia de este movimiento arquitect\u00f3nico.\u00a0Dennis Crompton, […]<\/p>\n","protected":false},"author":2,"featured_media":2062,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[120,143,318,7533,5105,521,556,8321,2750,7535,12468,3798,7534],"class_list":["post-2061","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-archigram","tag-arquitectura-contemporanea","tag-ciudad","tag-david-greene","tag-espana","tag-exposicion","tag-michael-webb","tag-peter-cook","tag-ron-herron","tag-urbanismo","tag-valladolid","tag-warren-chalk"],"yoast_head":"\nArchigram. Experimental Architecture 1961-74Archigram. Experimental Architecture 1961-74Archigram. 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