{"id":20546,"date":"2012-03-08T10:19:58","date_gmt":"2012-03-08T10:19:58","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=20546"},"modified":"2018-04-23T21:51:27","modified_gmt":"2018-04-23T19:51:27","slug":"construir-jose-ramon-hernandez-correa","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/construir-jose-ramon-hernandez-correa\/","title":{"rendered":"Construir | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaConstruir | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez CorreaBuilding | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa"},"content":{"rendered":"

<\/p>\n

Estoy construyendo una casa. Esta, y una peque\u00f1\u00edsima nave, es lo \u00fanico que me queda ahora, tras a\u00f1os de frenes\u00ed.
\nConstruir una casa: En aquella pen\u00faltima etapa de mi vida hac\u00eda tantas que casi se me hab\u00eda olvidado lo que significaba.
\nEs magia. Independientemente de la mayor o menor calidad arquitect\u00f3nica, es un milagro. Se toman los planteamientos funcionales, los gustos, las necesidades, los caprichos, etc, del cliente y se cruzan con la forma del solar, la ordenanza, la normativa t\u00e9cnica, e, inevitablemente, tambi\u00e9n con los gustos, las necesidades, los caprichos, etc, del arquitecto. (El arquitecto se dice a s\u00ed mismo que no debe meter sus gustos en este c\u00f3ctel, pero no puede evitarlo).<\/p>\n

De ese revuelto salen cosas a medias: Lo que se ha pensado como soluci\u00f3n de un problema agrava otro diferente. Hay momentos en que no se ve ninguna soluci\u00f3n. Hay d\u00edas en que todo sale mal.<\/p>\n

Sin embargo, siempre, siempre, se acaba resolviendo (mejor o peor) el proyecto. Las cosas encajan m\u00e1s o menos como se quer\u00eda y todo cuadra (m\u00e1s o menos, ya digo).<\/p>\n

Y, con todo ello, el proyecto no es la arquitectura. El proyecto es una declaraci\u00f3n de intenciones, que intenta prever los problemas y las soluciones, pero que no est\u00e1 preparado para todo lo que viene.<\/p>\n

Y lo que viene es lo bueno. La arquitectura en papel no es arquitectura. La arquitectura hay que construirla. En papel se pueden dibujar muchas cosas, pero hay que hacerlas realidad, mojarse, pringarse. Ah\u00ed empieza la arquitectura. Ah\u00ed est\u00e1 la arquitectura.<\/p>\n

\"\"<\/a>
Cartel de obra de Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/span><\/figcaption><\/figure>\n

Comienza la obra y al arquitecto, para empezar, le dan un juguetito que vale mucho dinero. Excavadoras, camiones, encofrados, y, sobre todo, muchas personas, est\u00e1n pendientes de lo que sugieras, de lo que aportes, de lo que indiques. (Menos mal que la mayor\u00eda de las veces son gente muy profesional y son ellos los que te sugieren, te aportan, te indican).<\/p>\n

Sale una cueva inesperada, un imprevisto del tipo que sea o un aspecto que no se pens\u00f3 en el proyecto, y hay que tomar una decisi\u00f3n. Y all\u00ed, en la obra, tienes que aparentar una seguridad que est\u00e1s lejos de tener. Con todo, das una soluci\u00f3n. No sabes si es la mejor, pero es una soluci\u00f3n. Y con ella tiran para alante.<\/p>\n

Y en casa (sobre todo de noche, sobre todo de madrugada) tienes la certeza absoluta de que esa soluci\u00f3n \u00abA\u00bb que has dado es mala, y que habr\u00eda que haber hecho la \u00abB\u00bb.
\n(Una cosa es segura: Si hubieras decidido la \u00abB\u00bb, esa madrugada te habr\u00edas despertado igualmente con la certeza absoluta de que la decisi\u00f3n hab\u00eda sido mala y que tendr\u00edas que haber tomado la \u00abA\u00bb. Eso es as\u00ed siempre, y no tiene remedio).<\/p>\n

Y te vas por la ma\u00f1ana temprano a la obra, a ver si llegas a tiempo de contradecirte, pero ya han hormigonado.<\/p>\n

De todas formas, la obra sigue progresando, y se termina, y queda ah\u00ed, y casi siempre bien. Y uno no se explica c\u00f3mo ha sido posible.
\nEl af\u00e1n de construir, la fuerza de construir, el orgullo de construir. Qu\u00e9 placer.<\/p>\n

Dec\u00eda Mies van der Rohe que la arquitectura empezaba cuando se colocaba un ladrillo con esmero, y dec\u00eda un amigo m\u00edo que nunca hab\u00eda experimentado mayor placer (con los pantalones puestos) que cuando un muro o un tabique (o lo que fuera) iban por donde \u00e9l hab\u00eda pensado cuando los dibujaba. Ver a un alba\u00f1il hacer lo que uno previ\u00f3, o a un cerrajero soldar las piezas que uno imagin\u00f3, es una sensaci\u00f3n indescriptible.<\/p>\n

En la \u00e9poca excesiva, llevaba en la guantera del coche una esponja limpiazapatos, para quitarles el polvo y darles alg\u00fan brillo cuando volv\u00eda de las obras. Ayer, viniendo de mi obra, miraba orgulloso mis zapatos sucios. Pero ya me quedo sin obras. Qu\u00e9 mono presiento, qu\u00e9 nostalgia anticipada. Cuando tenga los zapatos inevitablemente limpios llevar\u00e9 en la guantera del coche una bolsita de polvo, para echarme un poco, por lo menos en las punteras, y sentirme a gusto.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doctor Arquitecto
\nToledo \u00b7 marzo 2012<\/p>\n

I am constructing a house. This one, and the smallest ship, is the only thing that I still have now, after years of frenzy.<\/p>\n

To construct a house: In that penultimate stage of my life it was doing so many people that almost I had been forgotten what it was meaning.<\/p>\n

It is a magic. Independently of the major or minor architectural quality, it is a miracle. There take the functional expositions, the tastes, the needs, the caprices, etc, of the client and cross with the form of the lot, the ordinance, the technical regulation, and, inevitably, also with the tastes, the needs, the caprices, etc, of the architect. (It is said the architect to yes same that it must not put his tastes in this coctail, but it cannot avoid it).<\/p>\n

Of this in a mess one they go out sew by half: what has been thought as solution of a problem aggravates different other one. There are moments in which one does not see any solution. It is days in which everything goes out badly.<\/p>\n

Nevertheless, always, always, the project ends up by being solved (better or worse). The things fit more or less like it was wanted and everything fits (more or less, already I say).<\/p>\n

And, with all this, the project is not the architecture. The project is a declaration of intentions, which tries to foresee the problems and the solutions, but that is not prepared for everything what comes.<\/p>\n

And what comes is the good thing. The architecture in paper is not an architecture. The architecture it is necessary to construct it. In paper they can draw many things, but it is necessary to make them real, to be wetted, to get splashed. There it begins the architecture. There the architecture is.<\/p>\n

\"\"<\/a>
Cartel of Jose Ramon Hern\u00e1ndez Correa’s work<\/span><\/figcaption><\/figure>\n

It begins the work and to the architect, to begin, they give him a juguetito that costs a lot of money. Excavators, trucks, encofrados, and, especially, many persons, are dependent on what you suggest, on what contributions, on what you should indicate. (Less badly than the majority of the times they are a very professional people and are they those who suggest you, they contribute you, indicate you).<\/p>\n

There goes out an unexpected cave, the unforeseen one of the type that is or an aspect that was not thought about the project, and is necessary to take a decision. And there, in the work, you have to feign a safety that you are far from having. With everything, you give a solution. You do not know if it is the best, but it is a solution. And with her they throw for alante.<\/p>\n

And in house (especially by night, especially in the dawn) you have the absolute certainty of which this solution \u00abA\u00bb that you have given is bad, and that would be necessary to exist done her \u00abB\u00bb.<\/p>\n

(A thing is sure: If you had decided the \u00abB\u00bb, this dawn you would have woken up equally with the absolute certainty of which the decision had been bad and which you would have to take her \u00abTo\u00bb. It is like that always, and does not have remedy).<\/p>\n

And you go away in the morning early to the work, to seeing if you come in time of contradicting yourself, but already they have maked to concrete .<\/p>\n

Of all forms, the work continues progressing, and finishes, and stays there, and almost always well. And one does not explain to himself how it has been possible.<\/p>\n

The zeal to construct, the force of constructing, the pride of constructing. What pleasure.<\/p>\n

He was saying Mies van der Rohe that the architecture was beginning when a brick was placed neatly, and was saying a friend of mine who had never experienced major pleasure (with the put trousers) that when a wall or a partition (or what was) they were going where he had thought when he was drawing them. To see a bricklayer to do what one foresaw, or a locksmith to weld the pieces that one imagined, it is an indescribable sensation.<\/p>\n

In the excessive epoch, it was taking in the glove compartment of the car a sponge limpiazapatos, to take the powder from them and to give them some sheen when it was returning of the works. Yesterday, coming from my work, it was looking proudly at my dirty shoes. But already I remain without works. What monkey I sense beforehand, what nostalgia early. When it has the inevitably clean shoes I will take in the glove compartment of the car a bolsita of powder, to begin a bit, at least in the toes, and to feel to taste.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doctor Architect<\/p>\n

Toledo \u00b7 march 2012<\/p>\n

<\/p>\n

Estou a constru\u00edr unha casa. Esta, e unha pequena nave, \u00e9 o \u00fanico que me queda agora, tras anos de frenes\u00ed.<\/p>\n

Constru\u00edr unha casa: Naquela pen\u00faltima etapa da mi\u00f1a vida hab\u00eda tantas que case se me esquecera o que significaba.<\/p>\n

\u00c9 maxia. Independentemente da maior ou menor calidade arquitect\u00f3nica, \u00e9 un milagre. Toman as formulaci\u00f3ns funcionais, os gustos, as necesidades, os caprichos, etc, do cliente e cr\u00fazanse coa forma do soar, a ordenanza, a normativa t\u00e9cnica, e, inevitablemente, tam\u00e9n cos gustos, as necesidades, os caprichos, etc, do arquitecto. (O arquitecto dise a si mesmo que non debe meter os seus gustos neste c\u00f3ctel, pero non pode evitalo).<\/p>\n

Dese revolto saen cousas a medias: O que se pensou como soluci\u00f3n dun problema agrava outro diferente. Hai momentos en que non se ve ningunha soluci\u00f3n. Hai d\u00edas en que todo sae mal.<\/p>\n

Non obstante, sempre, sempre, se acaba resolvendo (mellor ou peor) o proxecto. As cousas encaixan m\u00e1is ou menos como se quer\u00eda e todo cadra (m\u00e1is ou menos, xa digo).<\/p>\n

E, con todo iso, o proxecto non \u00e9 a arquitectura. O proxecto \u00e9 unha declaraci\u00f3n de intenci\u00f3ns, que intenta prever os problemas e as soluci\u00f3ns, pero que non est\u00e1 preparado para todo o que v\u00e9n.<\/p>\n

E o que v\u00e9n \u00e9 o bo. A arquitectura en papel non \u00e9 arquitectura. A arquitectura hai que constru\u00edla. En papel p\u00f3dense debuxar moitas cousas, pero hai que facelas realidade, mollarse, pringar se. A\u00ed empeza a arquitectura. A\u00ed est\u00e1 a arquitectura.<\/p>\n

\"\"<\/a>
Cartel de obra de Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/span><\/figcaption><\/figure>\n

Comeza a obra e ao arquitecto, para empezar, danlle un juguetito que vale moito di\u00f1eiro. Escavadoras, cami\u00f3ns, encofrados, e, sobre todo, moitas persoas, est\u00e1n pendentes do que suxiras, do que achegas, do que indiques. (Menos mal que a maior\u00eda das veces son xente moi profesional e son eles os que che suxiren, ach\u00e9gante, ind\u00edcante).<\/p>\n

Sae unha cova inesperada, un imprevisto do tipo que sexa ou un aspecto que non se pensou no proxecto, e hai que tomar unha decisi\u00f3n. E al\u00ed, na obra, tes que aparentar unha seguridade que est\u00e1s lonxe de ter. Con todo, d\u00e1s unha soluci\u00f3n. Non sabes se \u00e9 a mellor, pero \u00e9 unha soluci\u00f3n. E con ela tiran para alante.<\/p>\n

E na casa (sobre todo de noite, sobre todo de madrugada) tes a certeza absoluta de que esa soluci\u00f3n \u00abA\u00bb que deches \u00e9 mala, e que haber\u00eda que ter feito a \u00abB\u00bb.<\/p>\n

(Unha cousa \u00e9 segura: Se tiveses decidido a \u00abB\u00bb, esa madrugada ter\u00edas espertado igualmente coa certeza absoluta de que a decisi\u00f3n fora mala e que ter\u00edas que ter tomado a \u00bb A \u00ab. Eso \u00e9 as\u00ed sempre, e non ten remedio).<\/p>\n

E vaste pola ma\u00f1\u00e1 temper\u00e1n \u00e1 obra, a ver se chegas a tempo de contradicirte, pero xa formigonar.<\/p>\n

De todos os xeitos, a obra segue progresando, e remata, e queda a\u00ed, e case sempre ben. E un non se explica como foi posible.<\/p>\n

O af\u00e1n de constru\u00edr, a forza de constru\u00edr, o orgullo de constru\u00edr. Que pracer.<\/p>\n

Dic\u00eda Mies van der Rohe que a arquitectura empezaba cando se colocaba un ladrillo con esmero, e dic\u00eda un amigo meu que nunca experimentara maior pracer (cos pantal\u00f3ns postos) que cando un muro ou un tabique (ou o que fose) \u00edan por onde el pensara cando os debuxaba. Ver un albanel facer o que un previu, ou a un cerralleiro soldar as pezas que un imaxinou, \u00e9 unha sensaci\u00f3n indescritible.<\/p>\n

Na \u00e9poca excesiva, levaba na guanteira do coche unha esponxa limpiazapatos, para quitarlles o po e darlles alg\u00fan brillo cando volv\u00eda das obras. Onte, vindo da mi\u00f1a obra, miraba orgulloso os meus zapatos sucios. Pero xa quedo sen obras. Que mono presinto, que nostalxia anticipada. Cando te\u00f1a os zapatos inevitablemente limpos levarei na guanteira do coche unha bolsi\u00f1a de po, para botarme un pouco, polo menos nas punteiras, e sentirme a gusto.<\/p>\n

Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa \u00b7 Doutor Arquitecto<\/p>\n

Toledo \u00b7 marzo 2012<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Estoy construyendo una casa. Esta, y una peque\u00f1\u00edsima nave, es lo \u00fanico que me queda ahora, tras a\u00f1os de frenes\u00ed. Construir una casa: En aquella pen\u00faltima etapa de mi vida hac\u00eda tantas que casi se me hab\u00eda olvidado lo que significaba. Es magia. Independientemente de la mayor o menor calidad arquitect\u00f3nica, es un milagro. Se […]<\/p>\n","protected":false},"author":33,"featured_media":41885,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[12448,2641,3653,865,1021,1985,1103,2066,1113,1865,12465],"class_list":["post-20546","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura","tag-construir","tag-jose-ramon-hernandez-correa","tag-mies-van-der-rohe","tag-pensamiento","tag-pensar","tag-profesion","tag-proyectar","tag-proyecto","tag-reflexion","tag-vivienda"],"yoast_head":"\nConstruir | Jos\u00e9 Ram\u00f3n Hern\u00e1ndez Correa<\/title>\n<meta name=\"description\" content=\"Construir\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/construir-jose-ramon-hernandez-correa\/\" \/>\n<meta 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