{"id":20512,"date":"2012-03-12T08:04:13","date_gmt":"2012-03-12T08:04:13","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=20512"},"modified":"2015-02-13T11:51:07","modified_gmt":"2015-02-13T11:51:07","slug":"berenice-abbott-la-retratista-de-un-mundo-cambiante","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/berenice-abbott-la-retratista-de-un-mundo-cambiante\/","title":{"rendered":"<!--:es-->Berenice Abbott, la retratista de un mundo cambiante<!--:--><!--:gl-->Berenice Abbott, a retratista dun mundo cambiante<!--:--><!--:en-->Berenice Abbott, the portrayer of a changeable world<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\">La incre\u00edble historia de la fot\u00f3grafa estadounidense Berenice Abbott permite varias lecturas. Dos de ellas, en particular, ofrecen informaci\u00f3n muy valiosa sobre sendas facetas encomiables del ser humano: su habilidad para retratar la realidad con im\u00e1genes y su capacidad de sobrevivir a la penuria y la desaz\u00f3n sin vender su alma al diablo. Para ahondar en la segunda hay que rebuscar entre la bibliograf\u00eda sobre la autora o ver el documental biogr\u00e1fico realizado por Kay Weaver y Martha Wheelock. Con el fin de rendir homenaje a la primera, el museo del Jeu de Paume de Par\u00eds, en colaboraci\u00f3n con el Ryerson Image Centre de Toronto, le ha dedicado una exposici\u00f3n retrospectiva comisariada por Ga\u00eblle Morel y ha editado un cat\u00e1logo anejo con textos de Morel, Sarah M. Miller y Terri Weissman.<\/p>\n<figure id=\"attachment_20516\" aria-describedby=\"caption-attachment-20516\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-20516\" title=\"1330867974_423184_1330868483_noticia_normal\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg\" alt=\"\" width=\"620\" height=\"492\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal-300x238.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-20516\" class=\"wp-caption-text\"><span style=\"color: #888888;\">Estaci\u00f3n de servicio de Sunoco en Trenton (Nueva Jersey), 1954 | Fotograf\u00eda: \u00a9 Beremice Abbott \/Commerce Graphics | elpais.com<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Si se consigue superar la colas kilom\u00e9tricas de acceso a la exposici\u00f3n, se puede comprender hasta qu\u00e9 punto una chica nacida en una familia pobre de Ohio (Estados Unidos) en 1898, que nunca disfrut\u00f3 de una beca ni tuvo padrinos \u2014m\u00e1s bien, al contrario\u2014 enriqueci\u00f3 la fotograf\u00eda y dej\u00f3, de paso, varias lecciones (sobre su oficio y sobre la vida en general) para disfrute de las generaciones posteriores.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Juan Peces<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/cultura.elpais.com\/cultura\/2012\/03\/04\/actualidad\/1330867974_423184.html\" target=\"_blank\"><span style=\"color: #888888;\">+ art\u00edculo publicado en El Pa\u00eds<\/span><\/a><\/p>\n<p><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\">A incrible historia da fot\u00f3grafa estadounidense Berenice Abbott permite varias lecturas. Dous delas, en particular, ofrecen informaci\u00f3n moi valiosa sobre senllas facetas encomiables do ser humano: a s\u00faa habilidade para retratar a realidade con imaxes e a s\u00faa capacidade de sobrevivir \u00e1 penuria e a desaz\u00f3n sen vender a s\u00faa alma ao dia\u00f1o. Para afondar na segunda hai que rebuscar entre a bibliograf\u00eda sobre a autora ou ver o documental biogr\u00e1fico realizado por Kay Weaver e Martha Wheelock. Co fin de render homenaxe \u00e1 primeira, o museo do Jeu de Paume de Parides, en colaboraci\u00f3n co Ryerson Image Centre de Toronto, dedicoulle unha exposici\u00f3n retrospectiva comisariada por Ga\u00eblle Morel e editou un cat\u00e1logo anejo con textos de Morel, Sarah M. Miller e Terri Weissman.<\/p>\n<figure style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"1330867974_423184_1330868483_noticia_normal\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg\" alt=\"\" width=\"620\" height=\"492\" \/><\/a><figcaption class=\"wp-caption-text\"><span style=\"color: #888888;\">Estaci\u00f3n de servicio de Sunoco en Trenton (Nueva Jersey), 1954 | Fotograf\u00eda: \u00a9 Beremice Abbott \/Commerce Graphics | elpais.com<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Si cons\u00e9guese superar a colas kilom\u00e9tricas de acceso \u00e1 exposici\u00f3n, p\u00f3dese comprender ata que punto unha moza nada nunha familia pobre de Ohio (Estados Unidos) en 1898, que nunca gozou dunha beca nin tivo padrinos \u2014m\u00e1is ben, ao contrario\u2014 enriqueceu a fotograf\u00eda e deixou, de paso, varias lecci\u00f3ns (sobre o seu oficio e sobre a vida en xeral) para goce das xeraci\u00f3ns posteriores.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Juan Peces<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/cultura.elpais.com\/cultura\/2012\/03\/04\/actualidad\/1330867974_423184.html\" target=\"_blank\"><span style=\"color: #888888;\">+ artigo publicado en El Pa\u00eds<\/span><\/a><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\">The incredible history of the American photographer Berenice Abbott allows several readings. Two of them, especially, offer very valuable information about funny paths encomiables of the human being: his skill to portray the reality with images and his aptitude to survive the penury and the unease without selling his soul to the devil. To go deeply into the second one it is necessary to search carefully between the bibliography on the authoress or see the biographical documentary realized by Kay Weaver and Martha Wheelock. In order to produce honoring to the first one, the museum of the Jeu de Paume of Paris, in collaboration with the Ryerson Image Centre of Toronto, comisariada has dedicated a retrospective exhibition for Ga\u00eblle Morel and has edited an attached catalogue with texts of Morel, Sarah M. Miller and Terri Weissman.<\/p>\n<figure style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"1330867974_423184_1330868483_noticia_normal\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/03\/1330867974_423184_1330868483_noticia_normal.jpg\" alt=\"\" width=\"620\" height=\"492\" \/><\/a><figcaption class=\"wp-caption-text\"><span style=\"color: #888888;\">Sunoco&#8217;s service station in Trenton (Nueva Jersey), 1954 | Phototography: \u00a9 Beremice Abbott \/Commerce Graphics | elpais.com<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">If one manages to overcome kilometric colas of access to the exhibition, it is possible to understand up to what point a girl born in a poor family of Ohio (The) (United States) in 1898, who never enjoyed a scholarship did not even have godfathers &#8211; rather well, to the opposite &#8211; it enriched the photography and left, of step, several lessons (on his trade and on the life in general) for enjoyment of the later generations.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Juan Peces<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/cultura.elpais.com\/cultura\/2012\/03\/04\/actualidad\/1330867974_423184.html\" target=\"_blank\"><span style=\"color: #888888;\">+ article is published in El Pa\u00eds<\/span><\/a><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La incre\u00edble historia de la fot\u00f3grafa estadounidense Berenice Abbott permite varias lecturas. Dos de ellas, en particular, ofrecen informaci\u00f3n muy valiosa sobre sendas facetas encomiables del ser humano: su habilidad para retratar la realidad con im\u00e1genes y su capacidad de sobrevivir a la penuria y la desaz\u00f3n sin vender su alma al diablo. Para ahondar [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20516,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[3991,1787,556,12460,602,3996,3992,3993,3994,989,1171,3995,3997,1241,3998],"class_list":["post-20512","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-berenice-abbott","tag-europa","tag-exposicion","tag-fotografia","tag-francia","tag-gaelle-morel","tag-kay-weaver","tag-martha-wheelock","tag-museo-del-jeu-de-paume","tag-paris","tag-retrospectiva","tag-ryerson-image-centre-de-toronto","tag-sarah-m-miller","tag-sociedad","tag-terri-weissman"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Berenice Abbott, la retratista de un mundo cambianteBerenice Abbott, a retratista dun mundo cambianteBerenice Abbott, the portrayer of a changeable world - 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