{"id":2011,"date":"2010-02-08T18:24:21","date_gmt":"2010-02-08T18:24:21","guid":{"rendered":"http:\/\/veredes.es\/wordpress\/?p=2011"},"modified":"2020-01-20T10:27:01","modified_gmt":"2020-01-20T09:27:01","slug":"white-on-white-inigo-manglano-ovalle","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/white-on-white-inigo-manglano-ovalle\/","title":{"rendered":"White on White | \u00cd\u00f1igo Manglano-Ovalle"},"content":{"rendered":"

Galer\u00eda Soledad Lorenzo. Madrid. Hasta el 20 de Febrero de 2010<\/p>\n

Dirty Bomb, 2008, es una representaci\u00f3n de Fatman, la siniestra bomba lanzada sobre Nagasaki en 1945. Construida con materiales extra\u00eddos de autom\u00f3viles deportivos, su resplandeciente esmaltado blanco ha sido pulido y lustrado para despu\u00e9s ser ignominiosamente salpicado de lodo y a continuaci\u00f3n limpiado de nuevo amorosamente por el propio artista.Dirty Bomb evoca, con gran dosis de humor, los movimientos estrat\u00e9gicos de Manglano-Ovalle en su instalaci\u00f3n para Documenta XII, Phantom Truck, 2007. Phantom Truck es una reproducci\u00f3n a escala real del laboratorio m\u00f3vil de armas biol\u00f3gicas que presentara el anterior secretario de estado americano, Colin Powell, al Consejo de Seguridad de Naciones Unidas, como prueba de la producci\u00f3n activa y de la posesi\u00f3n de armas de destrucci\u00f3n masiva por parte del gobierno iraqu\u00ed. Trabajando concienzudamente a partir de las diapositivas de PowerPoint de Powell, Manglano-Ovalle construy\u00f3 el laboratorio que resultar\u00eda ser, a posteriori, una \u201cconstrucci\u00f3n falsa\u201d, para despu\u00e9s ocultarlo en un espacio oscurecido. Dirty Bomb invierte el gesto de lo Real; mientras el cami\u00f3n era un objeto falso fabricado para ser real y despu\u00e9s ocultado de nuevo, la bomba es un objeto real presentado en una versi\u00f3n convertida en fetiche. Sin embargo, ambas piezas confirman el inter\u00e9s del artista por el dilema \u00e9tico de la est\u00e9tica. El artista arguye: \u201c\u00bfQu\u00e9 es bello y qu\u00e9 es monstruoso? \u00bfO est\u00e1n tan inextricablemente unidos que no puedes distinguir lo uno de lo otro? Cuando hago una hermosa nube, mi deseo es que los espectadores piensen en una explosi\u00f3n nuclear\u201d.<\/p>\n

\"\"<\/a><\/p>\n

Dirty Bomb, 2008, es una representaci\u00f3n de Fatman, la siniestra bomba lanzada sobre Nagasaki en 1945. Construida con materiales extra\u00eddos de autom\u00f3viles deportivos, su resplandeciente esmaltado blanco ha sido pulido y lustrado para despu\u00e9s ser ignominiosamente salpicado de lodo y a continuaci\u00f3n limpiado de nuevo amorosamente por el propio artista.<\/p>\n

Dirty Bomb evoca, con gran dosis de humor, los movimientos estrat\u00e9gicos de Manglano-Ovalle en su instalaci\u00f3n para Documenta XII, Phantom Truck, 2007. Phantom Truck es una reproducci\u00f3n a escala real del laboratorio m\u00f3vil de armas biol\u00f3gicas que presentara el anterior secretario de estado americano, Colin Powell, al Consejo de Seguridad de Naciones Unidas, como prueba de la producci\u00f3n activa y de la posesi\u00f3n de armas de destrucci\u00f3n masiva por parte del gobierno iraqu\u00ed. Trabajando concienzudamente a partir de las diapositivas de PowerPoint de Powell, Manglano-Ovalle construy\u00f3 el laboratorio que resultar\u00eda ser, a posteriori, una \u201cconstrucci\u00f3n falsa\u201d, para despu\u00e9s ocultarlo en un espacio oscurecido. Dirty Bomb invierte el gesto de lo Real; mientras el cami\u00f3n era un objeto falso fabricado para ser real y despu\u00e9s ocultado de nuevo, la bomba es un objeto real presentado en una versi\u00f3n convertida en fetiche. Sin embargo, ambas piezas confirman el inter\u00e9s del artista por el dilema \u00e9tico de la est\u00e9tica. El artista arguye: \u201c\u00bfQu\u00e9 es bello y qu\u00e9 es monstruoso? \u00bfO est\u00e1n tan inextricablemente unidos que no puedes distinguir lo uno de lo otro? Cuando hago una hermosa nube, mi deseo es que los espectadores piensen en una explosi\u00f3n nuclear\u201d.<\/p>\n

\u201cTent\u201d es el desarrollo de un prototipo de refugio realizado por el arquitecto Buckminster Fuller a finales de los 70 para una expedici\u00f3n en el \u00e1rtico. La tienda, de estructura geod\u00e9sica, llega al espacio de la galer\u00eda como arrastrada por el viento, en una posici\u00f3n inusual, dada la vuelta, perdiendo de este modo su entidad como objeto funcional, el de tienda, y convirti\u00e9ndose a trav\u00e9s del espectador en algo m\u00e1s cosmol\u00f3gico, una esfera terrestre, nuestro mundo, lo que nos rodea. Est\u00e1 acompa\u00f1ada de seis fotograf\u00edas de la Serie Iceberg B15, 2010, realizadas a partir de im\u00e1genes y datos de la NASA. Muestran una parte de la costa de la Ant\u00e1rtida en una serie de im\u00e1genes tomadas desde 2001 hasta 2005 en las que podemos ver el desarrollo en el tiempo de este espacio concreto. La fotograf\u00eda es el resultado del desarrollo especular, como un test de Rorscharch, de la imagen cient\u00edfica y nos invita a una reflexi\u00f3n personal y psicol\u00f3gica del ser humano a trav\u00e9s del clima.Agenda\u00cd\u00d1IGO MANGLANO-OVALLE. White on White.3 de Febrero de 2010\u00cd\u00d1IGO MANGLANO-OVALLE. White on White. Galer\u00eda Soledad Lorenzo. Madrid. Hasta el 20 de Febrero de 2010
\nDirty Bomb, 2008, es una representaci\u00f3n de Fatman, la siniestra bomba lanzada sobre Nagasaki en 1945. Construida con materiales extra\u00eddos de autom\u00f3viles deportivos, su resplandeciente esmaltado blanco ha sido pulido y lustrado para despu\u00e9s ser ignominiosamente salpicado de lodo y a […]Escrito por admin
\ntectonica.es \u00cd\u00d1IGO MANGLANO-OVALLE. White on White. Galer\u00eda Soledad Lorenzo. Madrid. Hasta el 20 de Febrero de 2010<\/p>\n

Dirty Bomb, 2008, es una representaci\u00f3n de Fatman, la siniestra bomba lanzada sobre Nagasaki en 1945. Construida con materiales extra\u00eddos de autom\u00f3viles deportivos, su resplandeciente esmaltado blanco ha sido pulido y lustrado para despu\u00e9s ser ignominiosamente salpicado de lodo y a continuaci\u00f3n limpiado de nuevo amorosamente por el propio artista.
\nDirty Bomb evoca, con gran dosis de humor, los movimientos estrat\u00e9gicos de Manglano-Ovalle en su instalaci\u00f3n para Documenta XII, Phantom Truck, 2007. Phantom Truck es una reproducci\u00f3n a escala real del laboratorio m\u00f3vil de armas biol\u00f3gicas que presentara el anterior secretario de estado americano, Colin Powell, al Consejo de Seguridad de Naciones Unidas, como prueba de la producci\u00f3n activa y de la posesi\u00f3n de armas de destrucci\u00f3n masiva por parte del gobierno iraqu\u00ed. Trabajando concienzudamente a partir de las diapositivas de PowerPoint de Powell, Manglano-Ovalle construy\u00f3 el laboratorio que resultar\u00eda ser, a posteriori, una \u201cconstrucci\u00f3n falsa\u201d, para despu\u00e9s ocultarlo en un espacio oscurecido. Dirty Bomb invierte el gesto de lo Real; mientras el cami\u00f3n era un objeto falso fabricado para ser real y despu\u00e9s ocultado de nuevo, la bomba es un objeto real presentado en una versi\u00f3n convertida en fetiche. Sin embargo, ambas piezas confirman el inter\u00e9s del artista por el dilema \u00e9tico de la est\u00e9tica. El artista arguye: \u201c\u00bfQu\u00e9 es bello y qu\u00e9 es monstruoso? \u00bfO est\u00e1n tan inextricablemente unidos que no puedes distinguir lo uno de lo otro? Cuando hago una hermosa nube, mi deseo es que los espectadores piensen en una explosi\u00f3n nuclear\u201d.<\/p>\n

\u201cTent\u201d es el desarrollo de un prototipo de refugio realizado por el arquitecto Buckminster Fuller a finales de los 70 para una expedici\u00f3n en el \u00e1rtico. La tienda, de estructura geod\u00e9sica, llega al espacio de la galer\u00eda como arrastrada por el viento, en una posici\u00f3n inusual, dada la vuelta, perdiendo de este modo su entidad como objeto funcional, el de tienda, y convirti\u00e9ndose a trav\u00e9s del espectador en algo m\u00e1s cosmol\u00f3gico, una esfera terrestre, nuestro mundo, lo que nos rodea. Est\u00e1 acompa\u00f1ada de seis fotograf\u00edas de la Serie Iceberg B15, 2010, realizadas a partir de im\u00e1genes y datos de la NASA. Muestran una parte de la costa de la Ant\u00e1rtida en una serie de im\u00e1genes tomadas desde 2001 hasta 2005 en las que podemos ver el desarrollo en el tiempo de este espacio concreto. La fotograf\u00eda es el resultado del desarrollo especular, como un test de Rorscharch, de la imagen cient\u00edfica y nos invita a una reflexi\u00f3n personal y psicol\u00f3gica del ser humano a trav\u00e9s del clima.<\/p>\n

+ www.soledadlorenzo.com<\/span><\/p>\n

Galer\u00eda Soledad Lorenzo. Madrid. Until 20 of February 2010
\nDirty Bomb, 2008, is a depiction of Fatman, the sinister launched bomb over Nagasaki in 1945. Built with materials extracted of sport cars, his dazzling one enameled white has been polished and glossed for later be ignominiosamente dotted with mire and next cleaned again lovingly for the own one artista.Dirty Bomb evokes, with great humor dose, strategic movements of Manglano-Ovalle in his facility for Documents XII, Phantom Truck, 2007. Phantom Truck is a reproduction to accomodation ladder of the laboratory mobile phone of biological weapons that the previous American state secretary presented, Colin Powell, to the Security council of United Nations, as proof of the active production and of the WMD possession on the part of the Iraqi government. Working conscientiously from Powerpoint color-reversal films of Powell, Manglano-Ovalle built the laboratory that would result be, a posteriori, a \u201cfalse\u201dconstruction, for later to hide it in a darkened space. Dirty Bomb invests the gesture of the Actual thing; while the lorry was a false fabricated object to be actual and later hidden again, the bomb is an actual presented object in a version become fetish. However, both pieces confirm the interest of the artist for the ethical dilemma of the aesthetic. The artist argues: \u201cWhich is beautiful and which is monstrous? Or they are so inextricablemente joined that can not distinguish it one of it another? When I do a beautiful cloud, my desire is that bystanders think in a nuclear explosion\u201d.<\/p>\n

\"\"<\/a><\/p>\n

Dirty Bomb, 2008, is a depiction of Fatman, the sinister launched bomb over Nagasaki in 1945. Built with materials extracted of sport cars, his dazzling one enameled white has been polished and glossed for later be ignominiosamente dotted with mire and next cleaned again lovingly for the artist.<\/p>\n

Dirty Bomb evokes, with great humor dose, strategic movements of Manglano-Ovalle in his facility for Documents XII, Phantom Truck, 2007. Phantom Truck is a reproduction to accomodation ladder of the laboratory mobile phone of biological weapons that the previous American state secretary presented, Colin Powell, to the Security council of United Nations, as proof of the active production and of the WMD possession on the part of the Iraqi government. Working conscientiously from Powerpoint color-reversal films of Powell, Manglano-Ovalle built the laboratory that would result be, a posteriori, a \u201cfalse\u201dconstruction, for later to hide it in a darkened space. Dirty Bomb invests the gesture of the Actual thing; while the lorry was a false fabricated object to be actual and later hidden again, the bomb is an actual presented object in a version become fetish. However, both pieces confirm the interest of the artist for the ethical dilemma of the aesthetic. The artist argues: \u201cWhich is beautiful and which is monstrous? Or they are so inextricablemente joined that can not distinguish it one of it another? When I do a beautiful cloud, my desire is that bystanders think in a nuclear explosion\u201d.<\/p>\n

\u201cTent\u201d is the development of a prototype of haven by the architect Buckminster Fuller at the end of 70 for an expedition in the arctic one. The shop, of geodetical structure, arrives to the space of the gallery as dragged by the wind, in an unusual position, turned around, losing this way his entity as a functional object, that one of shop, and becoming through the bystander in something more cosmological, a land sphere, our world, what us surrounds. It is accompanied by six photographs of the Series Iceberg B15, 2010, fulfilled from images and details of the NASA. They show a part of the coast of Antarctica in a series of images taken from 2001 until 2005 in which can see the development in the time of this specific space. The photograph is the specular developmental result, as a test of Rorscharch, of the scientific image and us invites to a personal reflection and psychological of the human being through clima.Agendathe \u00cd\u00d1IGO MANGLANO-OVALLE. White on White.3 February of 2010\u00cd\u00d1IGO MANGLANO-OVALLE. White on White. Loneliness gallery Lorenzo. Madrid. Until 20 of February 2010
\nDirty Bomb, 2008, is a depiction of Fatman, the sinister launched bomb over Nagasaki in 1945. Built with materials extracted of sport cars, his dazzling one enameled white has been polished and glossed for later be ignominiosamente dotted with mire and to […]Escrito for admin
\ntectonica.es \u00cd\u00d1IGO MANGLANO-OVALLE. White on White. Loneliness gallery Lorenzo. Madrid. Until 20 of February 2010<\/p>\n

Dirty Bomb, 2008, is a depiction of Fatman, the sinister launched bomb over Nagasaki in 1945. Built with materials extracted of sport cars, his dazzling one enameled white has been polished and glossed for later be ignominiosamente dotted with mire and next cleaned again lovingly for the artist.
\nDirty Bomb evokes, with great humor dose, strategic movements of Manglano-Ovalle in his facility for Documents XII, Phantom Truck, 2007. Phantom Truck is a reproduction to accomodation ladder of the laboratory mobile phone of biological weapons that the previous American state secretary presented, Colin Powell, to the Security council of United Nations, as proof of the active production and of the WMD possession on the part of the Iraqi government. Working conscientiously from Powerpoint color-reversal films of Powell, Manglano-Ovalle built the laboratory that would result be, a posteriori, a \u201cfalse\u201dconstruction, for later to hide it in a darkened space. Dirty Bomb invests the gesture of the Actual thing; while the lorry was a false fabricated object to be actual and later hidden again, the bomb is an actual presented object in a version become fetish. However, both pieces confirm the interest of the artist for the ethical dilemma of the aesthetic. The artist argues: \u201cWhich is beautiful and which is monstrous? Or they are so inextricablemente joined that can not distinguish it one of it another? When I do a beautiful cloud, my desire is that bystanders think in a nuclear explosion\u201d.<\/p>\n

\u201cTent\u201d is the development of a prototype of haven by the architect Buckminster Fuller at the end of 70 for an expedition in the arctic one. The shop, of geodetical structure, arrives to the space of the gallery as dragged by the wind, in an unusual position, turned around, losing this way his entity as a functional object, that one of shop, and becoming through the bystander in something more cosmological, a land sphere, our world, what us surrounds. It is accompanied by six photographs of the Series Iceberg B15, 2010, fulfilled from images and details of the NASA. They show a part of the coast of Antarctica in a series of images taken from 2001 until 2005 in which can see the development in the time of this specific space. The photograph is the specular developmental result, as a test of Rorscharch, of the scientific image and us invites to a personal reflection and psychological of the human being through the climate.<\/p>\n

+ www.soledadlorenzo.com<\/span><\/p>\n

Galer\u00eda Soledad Lorenzo. Madrid. Ata o 20 de Febreiro de 2010
\nDirty Bomb, 2008, \u00e9 unha representaci\u00f3n de Fatman, a sinistra bomba lanzada sobre Nagasaki en 1945. Constru\u00edda con materiais extra\u00eddos de autom\u00f3biles deportivos, o seu resplandecente esmaltado branco foi pu\u00eddo e lustrado para despois ser ignominiosamente salpicado de lodo e a continuaci\u00f3n limpado de novo amorosamente polo propio artista. DirtyBomb evoca, con gran dose de humor, os movementos estrat\u00e9xicos de Manglano-Ovalle na s\u00faa instalaci\u00f3n para Documenta XII, Phantom Truck, 2007. Phantom Truck \u00e9 unha reproduci\u00f3n a escala real do laboratorio m\u00f3bil de armas biol\u00f3xicas que presentase o anterior secretario de estado americano, Colin Powell, ao Consello de Seguridade da Naci\u00f3ns Unidas, como proba da produci\u00f3n activa e da posesi\u00f3n de armas de destruci\u00f3n masiva por parte do goberno iraqu\u00ed. Traballando concienciudamente a partir das diapositivas de Powerpoint de Powell, Manglano-Ovalle constru\u00edu o laboratorio que resultar\u00eda ser, a posteriori, unha \u201cconstruci\u00f3n falsa\u201d, para despois ocultaro nun espazo escurecido. Dirty Bomb inviste o xesto do Real; mentres o cami\u00f3n era un obxecto falso fabricado para ser real e despois ocultado de novo, a bomba \u00e9 un obxecto real presentado nunha versi\u00f3n convertida en fetiche. Por\u00e9n, ambas as d\u00faas pezas confirman o interese do artista polo dilema \u00e9tico da est\u00e9tica. O artista arg\u00fce: \u201cQue \u00e9 belo e que \u00e9 monstruoso? Ou est\u00e1n tan inextricablemente unidos que non podes distinguir o un do outro? Cando fago unha fermosa nube, o meu desexo \u00e9 que os espectadores pensen nunha explosi\u00f3n nuclear\u201d.
\n\"\"<\/a><\/p>\n

Dirty Bomb, 2008, \u00e9 unha representaci\u00f3n de Fatman, a sinistra bomba lanzada sobre Nagasaki en 1945. Constru\u00edda con materiais extra\u00eddos de autom\u00f3biles deportivos, o seu resplandecente esmaltado branco foi pu\u00eddo e lustrado para despois ser ignominiosamente salpicado de lodo e a continuaci\u00f3n limpado de novo amorosamente polo propio artista.<\/p>\n

Dirty Bomb evoca, con gran dose de humor, os movementos estrat\u00e9xicos de Manglano-Ovalle na s\u00faa instalaci\u00f3n para Documenta XII, Phantom Truck, 2007. Phantom Truck \u00e9 unha reproduci\u00f3n a escala real do laboratorio m\u00f3bil de armas biol\u00f3xicas que presentase o anterior secretario de estado americano, Colin Powell, ao Consello de Seguridade da Naci\u00f3ns Unidas, como proba da produci\u00f3n activa e da posesi\u00f3n de armas de destruci\u00f3n masiva por parte do goberno iraqu\u00ed. Traballando concienciudamente a partir das diapositivas de Powerpoint de Powell, Manglano-Ovalle constru\u00edu o laboratorio que resultar\u00eda ser, a posteriori, unha \u201cconstruci\u00f3n falsa\u201d, para despois ocultaro nun espazo escurecido. Dirty Bomb inviste o xesto do Real; mentres o cami\u00f3n era un obxecto falso fabricado para ser real e despois ocultado de novo, a bomba \u00e9 un obxecto real presentado nunha versi\u00f3n convertida en fetiche. Por\u00e9n, ambas as d\u00faas pezas confirman o interese do artista polo dilema \u00e9tico da est\u00e9tica. O artista arg\u00fce: \u201cQue \u00e9 belo e que \u00e9 monstruoso? Ou est\u00e1n tan inextricablemente unidos que non podes distinguir o un do outro? Cando fago unha fermosa nube, o meu desexo \u00e9 que os espectadores pensen nunha explosi\u00f3n nuclear\u201d.<\/p>\n

\u201cTent\u201d \u00e9 o desenvolvemento dun prototipo de refuxio realizado polo arquitecto Buckminster Fuller a finais dos 70 para unha expedici\u00f3n no \u00e1rtico. A tenda, de estrutura xeod\u00e9sica, chega ao espazo da galer\u00eda como arrastrada polo vento, nunha posici\u00f3n inusual, dada a volta, perdendo deste xeito a s\u00faa entidade como obxecto funcional, o de tenda, e convertendose a trav\u00e9s do espectador en algo m\u00e1is cosmol\u00f3xica, unha esfera terrestre, o noso mundo, o que nos rodea. Est\u00e1 acompa\u00f1ada de seis fotograf\u00edas da Serie Iceberg B15, 2010, realizadas a partir de imaxes e datos da NASA. Mostran unha parte da costa da Ant\u00e1rtida nunha serie de imaxes tomadas desde 2001 ata 2005 en que podemos ver o desenvolvemento no tempo deste espazo concreto. A fotograf\u00eda \u00e9 o resultado do desenvolvemento especular, como un test de Rorscharch, da imaxe cient\u00edfica e conv\u00eddanos a unha reflexi\u00f3n persoal e psicol\u00f3xica do ser humano a trav\u00e9s do clima.Agenda\u00cd\u00d1IGO MANGLANO-OVALLE. White on White.3 de Febreiro de 2010\u00cd\u00d1IGO MANGLANO-OVALLE. White on White. Galer\u00eda Soledad Lorenzo. Madrid. Ata o 20 de Febreiro de 2010
\nDirty Bomb, 2008, \u00e9 unha representaci\u00f3n de Fatman, a sinistra bomba lanzada sobre Nagasaki en 1945. Constru\u00edda con materiais extra\u00eddos de autom\u00f3biles deportivos, o seu resplandecente esmaltado branco foi pu\u00eddo e lustrado para despois ser ignominiosamente salpicado de lodo e a […]Escrito por admin
\ntectonica.es \u00cd\u00d1IGO MANGLANO-OVALLE. White on White. Galer\u00eda Soledad Lorenzo. Madrid. Ata o 20 de Febreiro de 2010<\/p>\n

Dirty Bomb, 2008, \u00e9 unha representaci\u00f3n de Fatman, a sinistra bomba lanzada sobre Nagasaki en 1945. Constru\u00edda con materiais extra\u00eddos de autom\u00f3biles deportivos, o seu resplandecente esmaltado branco foi pu\u00eddo e lustrado para despois ser ignominiosamente salpicado de lodo e a continuaci\u00f3n limpado de novo amorosamente polo propio artista.
\nDirty Bomb evoca, con gran dose de humor, os movementos estrat\u00e9xicos de Manglano-Ovalle na s\u00faa instalaci\u00f3n para Documenta XII, Phantom Truck, 2007. Phantom Truck \u00e9 unha reproduci\u00f3n a escala real do laboratorio m\u00f3bil de armas biol\u00f3xicas que presentase o anterior secretario de estado americano, Colin Powell, ao Consello de Seguridade da Naci\u00f3ns Unidas, como proba da produci\u00f3n activa e da posesi\u00f3n de armas de destruci\u00f3n masiva por parte do goberno iraqu\u00ed. Traballando concienciudamente a partir das diapositivas de Powerpoint de Powell, Manglano-Ovalle constru\u00edu o laboratorio que resultar\u00eda ser, a posteriori, unha \u201cconstruci\u00f3n falsa\u201d, para despois ocultaro nun espazo escurecido. Dirty Bomb inviste o xesto do Real; mentres o cami\u00f3n era un obxecto falso fabricado para ser real e despois ocultado de novo, a bomba \u00e9 un obxecto real presentado nunha versi\u00f3n convertida en fetiche. Por\u00e9n, ambas as d\u00faas pezas confirman o interese do artista polo dilema \u00e9tico da est\u00e9tica. O artista arg\u00fce: \u201cQue \u00e9 belo e que \u00e9 monstruoso? Ou est\u00e1n tan inextricablemente unidos que non podes distinguir o un do outro? Cando fago unha fermosa nube, o meu desexo \u00e9 que os espectadores pensen nunha explosi\u00f3n nuclear\u201d.<\/p>\n

\u201cTent\u201d \u00e9 o desenvolvemento dun prototipo de refuxio realizado polo arquitecto Buckminster Fuller a finais dos 70 para unha expedici\u00f3n no \u00e1rtico. A tenda, de estrutura xeod\u00e9sica, chega ao espazo da galer\u00eda como arrastrada polo vento, nunha posici\u00f3n inusual, dada a volta, perdendo deste xeito a s\u00faa entidade como obxecto funcional, o de tenda, e convertendose a trav\u00e9s do espectador en algo m\u00e1is cosmol\u00f3xica, unha esfera terrestre, o noso mundo, o que nos rodea. Est\u00e1 acompa\u00f1ada de seis fotograf\u00edas da Serie Iceberg B15, 2010, realizadas a partir de imaxes e datos da NASA. Mostran unha parte da costa da Ant\u00e1rtida nunha serie de imaxes tomadas desde 2001 ata 2005 en que podemos ver o desenvolvemento no tempo deste espazo concreto. A fotograf\u00eda \u00e9 o resultado do desenvolvemento especular, como un test de Rorscharch, da imaxe cient\u00edfica e conv\u00eddanos a unha reflexi\u00f3n persoal e psicol\u00f3xica do ser humano a trav\u00e9s do clima.<\/p>\n

+ www.soledadlorenzo.com<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Galer\u00eda Soledad Lorenzo. Madrid. Hasta el 20 de Febrero de 2010 Dirty Bomb, 2008, es una representaci\u00f3n de Fatman, la siniestra bomba lanzada sobre Nagasaki en 1945. Construida con materiales extra\u00eddos de autom\u00f3viles deportivos, su resplandeciente esmaltado blanco ha sido pulido y lustrado para despu\u00e9s ser ignominiosamente salpicado de lodo y a continuaci\u00f3n limpiado de […]<\/p>\n","protected":false},"author":2,"featured_media":2012,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[175,556,6256],"class_list":["post-2011","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","tag-automovil","tag-exposicion","tag-inigo-manglano-ovalle"],"yoast_head":"\nWhite on White | \u00cd\u00f1igo Manglano-Ovalle - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: White on White | \u00cd\u00f1igo Manglano-Ovalle\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/white-on-white-inigo-manglano-ovalle\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"White on White | \u00cd\u00f1igo Manglano-Ovalle - 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