{"id":19936,"date":"2012-02-15T08:29:03","date_gmt":"2012-02-15T08:29:03","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=19936"},"modified":"2020-03-13T11:24:15","modified_gmt":"2020-03-13T10:24:15","slug":"robert-adams-the-place-we-live-a-retrospective-selection-of-photographs","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/robert-adams-the-place-we-live-a-retrospective-selection-of-photographs\/","title":{"rendered":"Robert Adams: The Place We Live, A Retrospective Selection of Photographs"},"content":{"rendered":"<p><!--:es--><\/p>\n<p style=\"text-align: justify;\">En la fotograf\u00eda de los EE UU del siglo XX hay dos Adams. Uno, Ansel (1902-1984) fue un esteta y se dedic\u00f3 a retratar espectaculares paisajes que hoy pueblan las salas de espera y se repiten en los calendarios. El otro, Robert (1937) estaba igualmente fascinado por la naturaleza, pero le importaba ponerla <strong>en relaci\u00f3n con el ser humano<\/strong> y sus efectos, casi siempre terribles, sobre ella. Dado el mensaje de ambos (consolador el de Ansel y desolador el de Robert), es claro que la fama se la llev\u00f3 el primero. El Los Angeles County Museum of Art (Lacma) quiere compensar la situaci\u00f3n con una monumental exposici\u00f3n, <em>Robert Adams: The Place We Live, A Retrospective Selection of Photographs<\/em> (<em>Robert Adams: el lugar en el que vivimos. Una selecci\u00f3n retrospectiva de fotograf\u00edas<\/em>).<\/p>\n<figure id=\"attachment_19937\" aria-describedby=\"caption-attachment-19937\" style=\"width: 620px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-19937\" title=\"47862-550-550\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550.jpg\" alt=\"\" width=\"620\" height=\"620\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550-150x150.jpg 150w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550-300x300.jpg 300w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550-120x120.jpg 120w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><figcaption id=\"caption-attachment-19937\" class=\"wp-caption-text\"><span style=\"color: #888888;\">&#8216;Frame for a Tract House&#8217;, de R. Adams en Colorado Springs, en 1969 (\u00a9 Robert Adams. Courtesy Fraenkel Gallery, San Francisco, and Matthew Marks | 20minutos.es<\/span><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">La muestra, que se inagurar\u00e1 el 11 de marzo y en la habr\u00e1 varias charlas de Adams, es la mayor organizada hasta ahora (m\u00e1s de 300 originales) del documentalista que narr\u00f3 el primer gran <em>ladrillazo <\/em>del siglo XX: la construcci\u00f3n salvaje y masiva de desarrollos urban\u00edsticos, v\u00edas de comunicaci\u00f3n y otras obras desarrollistas en la coste oeste de los EE UU, especialmente en el estado de California, durante los a\u00f1os sesenta y parte de los setenta, en una \u00e9poca de <strong>gran prosperidad econ\u00f3mica y explosi\u00f3n demogr\u00e1fica<\/strong> a consecuencia del <em>baby boom<\/em> posterior a la II Guerra Mundial.<\/p>\n<p style=\"text-align: justify;\">Adams empez\u00f3 a hacer fotos tarde, cuando trabajaba como profesor universitario en el estado de Colorado. La pasi\u00f3n por la c\u00e1mara pudo con \u00e9l y, en 1967, pidi\u00f3 que le rebajasen la jornada laboral a solamente media para tener tiempo para vagabundear y retratar.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Anxel Grove<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.20minutos.es\/noticia\/1304160\/0\/robert-adams\/fotografo-ladrillazo\/sesenta-eeuu\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">+ art\u00edculo publicado en 20minutos<\/span><\/a><\/p>\n<p><!--:--><!--:gl--><\/p>\n<p style=\"text-align: justify;\">Na fotograf\u00eda dos EE UU do s\u00e9culo XX hai dous Adams. Un, Ansel (1902-1984) foi un esteta e dedicouse a retratar espectaculares paisaxes que hoxe poboan as salas de espera e rep\u00edtense nos calendarios. O outro, Robert (1937) estaba igualmente fascinado pola natureza, pero import\u00e1balle po\u00f1ela en relaci\u00f3n co ser humano e os seus efectos, case sempre terribles, sobre ela. Dado a mensaxe de ambos (consolador o de Ansel e desolador o de Robert), \u00e9 claro que a fama levoulla o primeiro. O Os Angeles County Museum of Art (Lacma) quere compensar a situaci\u00f3n cunha monumental exposici\u00f3n, Robert Adams: The Place We Live, A Retrospective Selection of Photographs (Robert Adams: o lugar no que vivimos. Unha selecci\u00f3n retrospectiva de fotograf\u00edas).<\/p>\n<figure style=\"width: 620px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" title=\"47862-550-550\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550.jpg\" alt=\"\" width=\"620\" height=\"620\" \/><figcaption class=\"wp-caption-text\"><span style=\"color: #888888;\">&#8216;Frame for a Tract House&#8217;, de R. Adams en Colorado Springs, en 1969 (\u00a9 Robert Adams. Courtesy Fraenkel Gallery, San Francisco, and Matthew Marks | 20minutos.es<\/span><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">A mostra, que se inagurar\u00e1 o 11 de marzo e en haberaa varias charlas de Adams, \u00e9 a maior organizada ata agora (m\u00e1is de 300 orixinais) do documentalista que narrou o primeiro gran ladrillazo do s\u00e9culo XX: a construci\u00f3n salvaxe e masiva de desenvolvementos urban\u00edsticos, v\u00edas de comunicaci\u00f3n e outras obras desarrollistas na custo oeste dos EE UU, especialmente no estado de California, durante os anos sesenta e parte dos setenta, nunha \u00e9poca de gran prosperidad econ\u00f3mica e explosi\u00f3n demogr\u00e1fica a consecuencia do baby boom posterior \u00e1 II Guerra Mundial.<\/p>\n<p style=\"text-align: justify;\">Adams empezou a facer fotos tarde, cando traballaba como profesor universitario no estado de Colorado. A paix\u00f3n pola c\u00e1mara puido con el e, en 1967, pediu que lle rebaixasen a xornada laboral a soamente media para ter tempo para vagabundear e retratar.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Anxel Grove<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.20minutos.es\/noticia\/1304160\/0\/robert-adams\/fotografo-ladrillazo\/sesenta-eeuu\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">+ artigo publicado en 20minutos<\/span><\/a><\/p>\n<p><!--:--><!--:en--><\/p>\n<p style=\"text-align: justify;\">In the photography of the USA of the 20th century there is two Adams. One, Ansel (1902-1984) was an aesthete and devoted itself to portray spectacular landscapes that today populate the waiting rooms and repeat themselves in the calendars. Other one, Robert (1937) was equally fascinated by the nature, but it was important for him to put it in relation with the human being and his effects, almost always terrible, on she. In view of the message of both (soother that of Ansel and distressing that of Robert), it is clear that the reputation her removed the first one. The Angels County Museum of Art (Lacma) wants to compensate the situation with a monumental exhibition, Robert Adams: The Place We Live, the Retrospective Selection of Photographs (Robert Adams: the place in which we live. A retrospective selection of photographies).<\/p>\n<figure style=\"width: 620px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" title=\"47862-550-550\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2012\/02\/47862-550-550.jpg\" alt=\"\" width=\"620\" height=\"620\" \/><figcaption class=\"wp-caption-text\"><span style=\"color: #888888;\">&#8216;Frame for a Tract House&#8217;, by R. Adams in Colorado Springs, at 1969 (\u00a9 Robert Adams. Courtesy Fraenkel Gallery, San Francisco, and Matthew Marks | 20minutos.es<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">The sample, that inagurar\u00e1 on March 11 and in her there will be several Adams&#8217;s chats, is the major one organized till now (more than 300 original ones) of the documentary maker who narrated the first great blow of the 20th century: the wild and massive construction of urban development developments, road links and other works desarrollistas in the coste west of the USA, specially in the condition of California, during the sixties and part of the seventies, in an epoch of great economic prosperity and population explosion as a result of the baby boom later to the World War II.<\/p>\n<p style=\"text-align: justify;\">Adams started doing photos late, when it was employed as university teacher at the condition of Colorado. The passion for the chamber could with him and, in 1967, asked to reduce the labor day to only average to have time to wander and to portray.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Anxel Grove<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.20minutos.es\/noticia\/1304160\/0\/robert-adams\/fotografo-ladrillazo\/sesenta-eeuu\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #888888;\">+ article is published in 20minutos<\/span><\/a><\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En la fotograf\u00eda de los EE UU del siglo XX hay dos Adams. Uno, Ansel (1902-1984) fue un esteta y se dedic\u00f3 a retratar espectaculares paisajes que hoy pueblan las salas de espera y se repiten en los calendarios. El otro, Robert (1937) estaba igualmente fascinado por la naturaleza, pero le importaba ponerla en relaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":19937,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[460,556,12460,3671,12468],"class_list":["post-19936","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-eeuu","tag-exposicion","tag-fotografia","tag-robert-adams","tag-urbanismo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Robert Adams: The Place We Live, A Retrospective Selection of Photographs - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Robert Adams: The Place We Live, A Retrospective Selection of Photographs\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/robert-adams-the-place-we-live-a-retrospective-selection-of-photographs\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Robert Adams: The Place We Live, A Retrospective Selection of Photographs - 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