{"id":18050,"date":"2011-11-23T10:07:11","date_gmt":"2011-11-23T10:07:11","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=18050"},"modified":"2020-01-23T09:00:20","modified_gmt":"2020-01-23T08:00:20","slug":"alf2011-la-construccion-de-la-guerra","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/alf2011-la-construccion-de-la-guerra\/","title":{"rendered":"ALF2011. La construcci\u00f3n de la guerra"},"content":{"rendered":"<p><\/p>\n<div>\n<p style=\"text-align: justify;\">Por tercer a\u00f1o consecutivo llega el avance de programa del ciclo Arquitectura: Lenguajes f\u00edlmicos comisariado por BNV producciones y gestado por la oficina Donostia2016, Cristina Enea, San Telmo museoa y el COAVN en Gipuzkoa. Este a\u00f1o dedicado a LA CONSTRUCCI\u00d3N DE LA GUERRA:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cEl mundo ha acabado siendo concebido como un objetivo a ser destruido, en la medida en que puede hacerse visible\u201d<\/em><br \/>\nRey Chow, The Age of the World Target, 200<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-18051\" title=\"weizman\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\" alt=\"\" width=\"620\" height=\"414\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\">Seg\u00fan una c\u00e9lebre cita de Carl von Clausewitz (1730-1831), \u201cla guerra no es \u00fanicamente un acto pol\u00edtico, sino tambi\u00e9n un instrumento pol\u00edtico, una continuaci\u00f3n de las relaciones pol\u00edticas, la extensi\u00f3n de la misma por otros medios\u201d. En opini\u00f3n de Tom Vanderbilt, podr\u00edamos decir igualmente que la guerra puede ser entendida como la extensi\u00f3n de la arquitectura por otros medios. M\u00e1s all\u00e1 de la arquitectura propiamente b\u00e9lica (las edificaciones militares, de un lado, y los refugios y sistemas defensivos, del otro), existe la guerra como proceso arquitect\u00f3nico, del mismo modo que m\u00e1s all\u00e1 del cine b\u00e9lico existe la experiencia audiovisual de la guerra, y m\u00e1s a\u00fan, la guerra como experiencia audiovisual.<\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\">Tanto la arquitectura como la guerra tienen como objetivo principal el control del territorio. Para ello, ambas desarrollan estrategias que resuelven problemas espec\u00edficos \u201csobre el terreno\u201d, y ambas hacen uso de los s\u00edmbolos y la ret\u00f3rica del contexto cultural en que se inscriben. El planeador urbano y el estratega militar comparten herramientas discursivas, t\u00e1cticas y de representaci\u00f3n: frente a la imagen-mosaico de la ciudad en planta, captada quiz\u00e1 por el mismo sat\u00e9lite, ambos definen estrategias de intervenci\u00f3n que el poder asume para transformar, seg\u00fan sus necesidades, la configuraci\u00f3n urban\u00edstica de un territorio en conflicto. Como se\u00f1ala Eyal Weizman, herramientas cr\u00edticas propuestas por autores como Bataille, Deleuze y Guattari o los situacionistas, son ahora estudiadas a fondo y puestas en pr\u00e1ctica por los militares. \u201cT\u00e1cticas que fueron concebidas para transgredir el \u2018orden burgu\u00e9s\u2019 establecido de la ciudad y representaban los muros \u2013dom\u00e9sticos, urbanos o geopol\u00edticos\u2013 como elementos arquitect\u00f3nicos que encarnaban la represi\u00f3n social y pol\u00edtica, inspiran otras que, en manos del ej\u00e9rcito israel\u00ed, representan las bases para atacar una ciudad \u2018enemiga\u2019. Se han apropiado de la educaci\u00f3n en Humanidades, que con frecuencia se considera el arma m\u00e1s poderosa contra el imperialismo, convirti\u00e9ndola en un arma poderosa para el propio poder colonial\u201d.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/toki-arkitekturak.blogspot.com\/2011\/11\/alf2011-la-construccion-de-la-guerra.html\" target=\"_blank\"><span style=\"color: #888888;\">+ info <\/span><\/a><\/p>\n<\/div>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Por tercer a\u00f1o consecutivo llega el avance de programa del ciclo Arquitectura: Lenguajes f\u00edlmicos comisariado por BNV producciones y gestado por la oficina Donostia2016, Cristina Enea, San Telmo museoa y el COAVN en Gipuzkoa. Este a\u00f1o dedicado a LA CONSTRUCCI\u00d3N DE LA GUERRA: \u201cEl mundo ha acabado siendo concebido como un objetivo a ser destruido, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":18051,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16],"tags":[312,332,2984,2983,521,2986,976,2985],"class_list":{"0":"post-18050","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-conferencias","8":"category-eventos","9":"tag-ciclo","10":"tag-coavn","11":"tag-cristina-enea","13":"tag-espana","14":"tag-lenguajes-filmicos","15":"tag-pais-vasco","16":"tag-san-telmo"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ALF2011. La construcci\u00f3n de la guerraALF2011. A construcci\u00f3n da guerraALF2011. 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