{"id":18050,"date":"2011-11-23T10:07:11","date_gmt":"2011-11-23T10:07:11","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=18050"},"modified":"2020-01-23T09:00:20","modified_gmt":"2020-01-23T08:00:20","slug":"alf2011-la-construccion-de-la-guerra","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/alf2011-la-construccion-de-la-guerra\/","title":{"rendered":"<!--:es-->ALF2011. La construcci\u00f3n de la guerra<!--:--><!--:gl-->ALF2011. A construcci\u00f3n da guerra<!--:--><!--:en-->ALF2011. The construction of the war<!--:-->"},"content":{"rendered":"<p><!--:es--><\/p>\n<div>\n<p style=\"text-align: justify;\">Por tercer a\u00f1o consecutivo llega el avance de programa del ciclo Arquitectura: Lenguajes f\u00edlmicos comisariado por BNV producciones y gestado por la oficina Donostia2016, Cristina Enea, San Telmo museoa y el COAVN en Gipuzkoa. Este a\u00f1o dedicado a LA CONSTRUCCI\u00d3N DE LA GUERRA:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cEl mundo ha acabado siendo concebido como un objetivo a ser destruido, en la medida en que puede hacerse visible\u201d<\/em><br \/>\nRey Chow, The Age of the World Target, 200<\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-18051\" title=\"weizman\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\" alt=\"\" width=\"620\" height=\"414\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg 400w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman-300x200.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\">Seg\u00fan una c\u00e9lebre cita de Carl von Clausewitz (1730-1831), \u201cla guerra no es \u00fanicamente un acto pol\u00edtico, sino tambi\u00e9n un instrumento pol\u00edtico, una continuaci\u00f3n de las relaciones pol\u00edticas, la extensi\u00f3n de la misma por otros medios\u201d. En opini\u00f3n de Tom Vanderbilt, podr\u00edamos decir igualmente que la guerra puede ser entendida como la extensi\u00f3n de la arquitectura por otros medios. M\u00e1s all\u00e1 de la arquitectura propiamente b\u00e9lica (las edificaciones militares, de un lado, y los refugios y sistemas defensivos, del otro), existe la guerra como proceso arquitect\u00f3nico, del mismo modo que m\u00e1s all\u00e1 del cine b\u00e9lico existe la experiencia audiovisual de la guerra, y m\u00e1s a\u00fan, la guerra como experiencia audiovisual.<\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\">Tanto la arquitectura como la guerra tienen como objetivo principal el control del territorio. Para ello, ambas desarrollan estrategias que resuelven problemas espec\u00edficos \u201csobre el terreno\u201d, y ambas hacen uso de los s\u00edmbolos y la ret\u00f3rica del contexto cultural en que se inscriben. El planeador urbano y el estratega militar comparten herramientas discursivas, t\u00e1cticas y de representaci\u00f3n: frente a la imagen-mosaico de la ciudad en planta, captada quiz\u00e1 por el mismo sat\u00e9lite, ambos definen estrategias de intervenci\u00f3n que el poder asume para transformar, seg\u00fan sus necesidades, la configuraci\u00f3n urban\u00edstica de un territorio en conflicto. Como se\u00f1ala Eyal Weizman, herramientas cr\u00edticas propuestas por autores como Bataille, Deleuze y Guattari o los situacionistas, son ahora estudiadas a fondo y puestas en pr\u00e1ctica por los militares. \u201cT\u00e1cticas que fueron concebidas para transgredir el \u2018orden burgu\u00e9s\u2019 establecido de la ciudad y representaban los muros \u2013dom\u00e9sticos, urbanos o geopol\u00edticos\u2013 como elementos arquitect\u00f3nicos que encarnaban la represi\u00f3n social y pol\u00edtica, inspiran otras que, en manos del ej\u00e9rcito israel\u00ed, representan las bases para atacar una ciudad \u2018enemiga\u2019. Se han apropiado de la educaci\u00f3n en Humanidades, que con frecuencia se considera el arma m\u00e1s poderosa contra el imperialismo, convirti\u00e9ndola en un arma poderosa para el propio poder colonial\u201d.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/toki-arkitekturak.blogspot.com\/2011\/11\/alf2011-la-construccion-de-la-guerra.html\" target=\"_blank\"><span style=\"color: #888888;\">+ info <\/span><\/a><\/p>\n<\/div>\n<p><!--:--><!--:gl--><\/p>\n<div>\n<p style=\"text-align: justify;\">Por terceiro ano consecutivo chega o avance de programa do ciclo Arquitectura: Linguaxes f\u00edlmicos comisariado por BNV produci\u00f3ns e gestado pola oficina Donostia2016, Cristina Enea, San Telmo museoa e o COAVN en Gipuzkoa. Este ano dedicado \u00e1 CONSTRUCI\u00d3N DA GUERRA:<\/p>\n<blockquote>\n<p style=\"text-align: justify;\"><em>\u201cO mundo acabou sendo concibido como un obxectivo a ser destru\u00eddo, na medida en que pode facerse visible\u201d.<\/em><\/p>\n<p>Rei Chow, The Age of the World Target, 200<\/p><\/blockquote>\n<p><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"weizman\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\" alt=\"\" width=\"620\" height=\"414\" \/><\/a><\/p>\n<\/div>\n<p style=\"text-align: justify;\">Segundo unha soada cita de Carl von Clausewitz (1730-1831), \u201ca guerra non \u00e9 \u00fanicamente un acto pol\u00edtico, sen\u00f3n tam\u00e9n un instrumento pol\u00edtico, unha continuaci\u00f3n das relaci\u00f3ns pol\u00edticas, a extensi\u00f3n da mesma por outros medios\u201d. En opini\u00f3n de Tom Vanderbilt, poderiamos dicir igualmente que a guerra pode ser entendida como a extensi\u00f3n da arquitectura por outros medios. M\u00e1is al\u00f3 da arquitectura propiamente b\u00e9lica (as edificaciones militares, dun lado, e os refuxios e sistemas defensivos, do outro), existe a guerra como proceso arquitect\u00f3nico, do mesmo xeito que m\u00e1is al\u00f3 do cine b\u00e9lico existe a experiencia audiovisual da guerra, e m\u00e1is a\u00ednda, a guerra como experiencia audiovisual.<\/p>\n<p style=\"text-align: justify;\">Tanto a arquitectura como a guerra te\u00f1en como obxectivo principal o control do territorio. Para iso, ambas desenvolven estratexias que resolven problemas espec\u00edficos \u201csobre o terreo\u201d, e ambas fan uso dos s\u00edmbolos e a ret\u00f3rica do contexto cultural en que se inscriben. O planeador urbano e o estratega militar comparten ferramentas discursivas, t\u00e1cticas e de representaci\u00f3n: fronte \u00e1 imaxe-mosaico da cidade en planta, captada quiz\u00e1 polo mesmo sat\u00e9lite, ambos definen estratexias de intervenci\u00f3n que o poder asume para transformar, segundo as s\u00faas necesidades, a configuraci\u00f3n urban\u00edstica dun territorio en conflito. Como sinala Eyal Weizman, ferramentas cr\u00edticas propostas por autores como Bataille, Deleuze e Guattari ou os situacionistas, son agora estudadas a fondo e postas en pr\u00e1ctica polos militares. \u201cT\u00e1cticas que foron concibidas para transgredir a \u2018orde burguesa\u2019 establecido da cidade e representaban os muros \u2013dom\u00e9sticos, urbanos ou geopol\u00edticos\u2013 como elementos arquitect\u00f3nicos que encarnaban a represi\u00f3n social e pol\u00edtica, inspiran outras que, en mans do ex\u00e9rcito israel\u00ed, representan as bases para atacar unha cidade \u2018inimiga\u2019. Apropi\u00e1ronse da educaci\u00f3n en Humanidades, que con frecuencia se considera o arma m\u00e1is poderosa contra o imperialismo, convert\u00e9ndoa nun arma poderosa para o propio poder colonial\u201d.<\/p>\n<div>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/toki-arkitekturak.blogspot.com\/2011\/11\/alf2011-la-construccion-de-la-guerra.html\" target=\"_blank\"><span style=\"color: #888888;\">+ info <\/span><\/a><\/p>\n<\/div>\n<p><!--:--><!--:en--><\/p>\n<div>\n<p style=\"text-align: justify;\">For the third year in a row there comes the advance of program of the cycle Architecture: movie Languages comisariado for BNV productions and prepared by the office Donostia2016, Cristina Enea, San Telmo museoa and the COAVN in Gipuzkoa. This year dedicated to THE CONSTRUCTION OF THE WAR:<\/p>\n<\/div>\n<div>\n<blockquote><p><em>\u00abThe world has finished being conceived as an aim to being destroyed, in the measure in which it can become visible\u00bb.<\/em><\/p>\n<p style=\"text-align: justify;\">King Chow, The Age of the World Target, 200<\/p>\n<\/blockquote>\n<\/div>\n<div>\n<p><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"weizman\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/11\/weizman.jpg\" alt=\"\" width=\"620\" height=\"414\" \/><\/a><\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\">According to a famous appointment of Carl von Clausewitz (1730-1831), \u00bb the war is not only a political act, but also a political instrument, a continuation of the political relations, the extension of the same one for other means \u00ab. In Tom Vanderbilt&#8217;s opinion, we might say equally that the war can be understood as the extension of the architecture by other means. Beyond the properly warlike architecture (the military buildings, of a side, and the refuges and defensive systems, of other one), the war exists as architectural process, in the same way that beyond the warlike cinema exists the audio-visual experience of the war, and even more, the war as audio-visual experience.<\/p>\n<\/div>\n<div>\n<p style=\"text-align: justify;\">Both the architecture and the war take the control of the territory as a principal aim. For it, both develop strategies that solve specific problems \u00bb on the area \u00ab, and both use the symbols and the rhetoric of the cultural context in which they register. The urban glider and the military strategist share discursive, tactical tools and of representation: opposite to the image &#8211; mosaic of the city in plant, caught probably by the same satellite, both they define strategies of intervention that the power assumes to transform, according to his needs, the urban development configuration of a territory into conflict. As Eyal Weizman indicates, critical tools proposed by authors like Bataille, Deleuze and Guattari or the situacionistas, they are studied in depth now and puttings in practice for the military men. \u00bb Tactics that were conceived to transgress the &#8216; bourgeois order &#8216; established of the city and they were representing the walls &#8211; domestic, urban or geopolitical &#8211; as architectural elements that were personifying the social and political repression, they inspire others that, in hands of the Israeli army, represent the bases to attack a &#8216;enemy&#8217; city. They have appropriated of the education in Humanities, that often it is considered to be the most powerful weapon against the imperialism, turning her into a powerful weapon for the own colonial power \u00ab.<\/p>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/toki-arkitekturak.blogspot.com\/2011\/11\/alf2011-la-construccion-de-la-guerra.html\" target=\"_blank\"><span style=\"color: #888888;\">+ info <\/span><\/a><\/p>\n<\/div>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por tercer a\u00f1o consecutivo llega el avance de programa del ciclo Arquitectura: Lenguajes f\u00edlmicos comisariado por BNV producciones y gestado por la oficina Donostia2016, Cristina Enea, San Telmo museoa y el COAVN en Gipuzkoa. Este a\u00f1o dedicado a LA CONSTRUCCI\u00d3N DE LA GUERRA: \u201cEl mundo ha acabado siendo concebido como un objetivo a ser destruido, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":18051,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1385,16],"tags":[312,332,2984,2983,521,2986,976,2985],"class_list":["post-18050","post","type-post","status-publish","format-standard","has-post-thumbnail","category-conferencias","category-eventos","tag-ciclo","tag-coavn","tag-cristina-enea","tag-espana","tag-lenguajes-filmicos","tag-pais-vasco","tag-san-telmo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ALF2011. La construcci\u00f3n de la guerraALF2011. A construcci\u00f3n da guerraALF2011. 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