{"id":17830,"date":"2012-08-24T06:13:07","date_gmt":"2012-08-24T06:13:07","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=17830"},"modified":"2021-01-11T13:29:12","modified_gmt":"2021-01-11T12:29:12","slug":"viena-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/viena-jorge-gorostiza\/","title":{"rendered":"Viena | Jorge GorostizaViena | Jorge GorostizaViena | Jorge Gorostiza"},"content":{"rendered":"

\"\"<\/a>
Satyr-Filmwelt, libros, bandas sonoras, carteles, v\u00eddeos.<\/span><\/figcaption><\/figure><\/p>\n

He estado casi una semana en Viena y no me resisto a contar algunos aspectos relacionados con el cine y\u00a0la arquitectura:
\nLo mal que han envejecido los edificios posmodernos, que ya cuando se construyeron alguien los denomin\u00f3 \u00abruinas del futuro\u00bb,\u00a0el mejor ejemplo es el que dise\u00f1\u00f3 Hans Hollein delante de la catedral, por cierto, con Zara en su planta baja. Lo bien que han envejecido las tiendas posmodernas, como las tres que vi del mismo Hollein. La maestr\u00eda de Loos en sus edificios y, sobre todo, en el American Bar, una aut\u00e9ntica joya, perfectamente proporcionada y bien construida, posiblemente -y con permiso Del Diego madrile\u00f1o- el m\u00e1s bello local en el que he estado (y juro que ya he estado en multitud), adem\u00e1s con un Dry Martini aceptable, aunque peor que el preparado por Fernando<\/a> o sus hijos en el bar madrile\u00f1o antes mencionado.<\/p>\n

El edificio Secession<\/a> que sigue vivo gracias a sus exposiciones temporales. Otto Wagner, en particular su indispensable edificio para la Postparkasse<\/a> con un peque\u00f1o museito donde se pueden ver curiosidades sobre el edificio.\u00a0El curioso intento\u00a0de volver a dar vida a unos gas\u00f3metros con intervenciones de\u00a0Jean Nouvel, la Cooperativa Himmelblau, Manfred Wehdorn y Wilhelm Holzbauer, donde es dif\u00edcil destacar lo mejor de estos arquitectos y s\u00ed es posible ver el descarado egocentrismo de la cooperativa adosando una torre torcida (como no pod\u00eda ser menos)\u00a0a uno de los cilindros originales, en ellos\u00a0se rod\u00f3 parte de la poco notable\u00a0007: alta tensi\u00f3n<\/em><\/a>,\u00a0y al lado\u00a0el centro comercial con multicines, llamado Hollywood Megaplex<\/a>, con dieciocho salas y pintado por dentro con colores chillones, donde proyectaban La piel que habito<\/em> (Die Haut, in der ich wohne<\/em> en alem\u00e1n) y por la ma\u00f1ana cuando\u00a0fui, estaba lleno de ni\u00f1os acompa\u00f1ados por profesores, mostrando que en ese pa\u00eds se cuida la educaci\u00f3n cinematogr\u00e1fica de los j\u00f3venes.<\/p>\n

La \u00faltima planta del Hotel\u00a0Sofitel Vienna Stephansdom dise\u00f1ado tambi\u00e9n por Nouvel,\u00a0con muchos detalles interesantes\u00a0y con\u00a0una vista espectacular sobre la ciudad en esa \u00faltima planta, cuya cubierta es\u00a0obra de Pipilotti Rist<\/a>.\u00a0El interesante edificio del mumok<\/a>, un \u00abmuseo\u00bb s\u00f3lo con exposiciones temporales, dentro de las antiguas caballerizas imperiales en el llamado Museums Quartier, donde tambi\u00e9n est\u00e1n el Leopold Museum<\/a> (en un edificio anodino) y el m\u00e1s interesante\u00a0interior del Kunsthalle<\/a> donde ahora hay una buena exposici\u00f3n de fotograf\u00eda de moda.<\/p>\n

La exposici\u00f3n<\/a> sobre Glenn Murcutt<\/a> en el Architektuzentrum<\/a> -tambi\u00e9n en el Museums Quartier- con unas estupendas maquetas, planos y fotograf\u00edas de sus fant\u00e1sticas casas y de sus no tan interesantes edificios colectivos, como una mezquita bastante dudosa. Otra exposici\u00f3n, A_show<\/a>, tambi\u00e9n interesante, en el mismo centro sobre la arquitectura austriaca. Comprobar que el Film Museum<\/a> s\u00f3lo es un cine, con una estupenda programaci\u00f3n,\u00a0con un bar en el que hay\u00a0unas vitrinas con los libros que han editado, pero que no pueden hojearse.<\/p>\n

El MAK, un museo de artes decorativas con una peque\u00f1a secci\u00f3n de arquitectura y con un gran restaurante al que se le ha hecho una estupenda ampliaci\u00f3n en el jard\u00edn. Un gu\u00eda tur\u00edstico ense\u00f1\u00e1ndole a un matrimonio estadounidense lo que son la arquitectura rom\u00e1nica y la g\u00f3tica, imitando sus respectivos\u00a0arcos con sus manos. La actuaci\u00f3n del Lee Konitz New Quartet en Porgy and Bess<\/a>, un antiguo cine muy bien reconvertido en sala de conciertos, demostrando como a los ochenta y cuatro a\u00f1os todav\u00eda se puede innovar, gracias adem\u00e1s a contar con unos m\u00fasicos j\u00f3venes y entusiastas.<\/p>\n

La actuaci\u00f3n del m\u00edtico\u00a0Benny Golson, con el genial tr\u00edo austriaco de Fritz Pauer, sentado en primera fila en el Jazzland<\/a>,\u00a0un espacio peque\u00f1o y abovedado como los que se ven en las pel\u00edculas cuando tocan m\u00fasicos de jazz en Par\u00eds,\u00a0y con Benny contando divertidas an\u00e9cdotas sobre sus amigos, Clifford, Miles, Lionel, Dizzy, etc., antes de meterse entre pecho y espalda un gran plato de macarrones en el descanso para despu\u00e9s seguir tocando y contando nuevas an\u00e9cdotas, por cierto, toc\u00f3 sus fant\u00e1sticas composiciones Whisper Not<\/a><\/em> y I Remember Clifford<\/a><\/em>.<\/p>\n

Por \u00faltimo, pero no menos importante un descubrimiento el enorme establecimiento dedicado al cine Satyr Filmwelt, librer\u00eda, bandas sonoras, DVDs y carteles, una aut\u00e9ntica perdici\u00f3n para cualquier aficionado, con miles de libros, por cierto ninguno en espa\u00f1ol, lo que me hace pensar de nuevo que la difusi\u00f3n de nuestros trabajos es muy corta en este mundo angl\u00f3fono; desgraciadamente no tienen p\u00e1gina web, pero s\u00ed correo electr\u00f3nico: satyr.filmwelt@netway.at<\/a><\/p>\n

Jorge Gorostiza, arquitecto. Autor del blog Arquitectura+Cine+Ciudad
\n<\/em>Santa Cruz de Tenerife, noviembre 2011<\/p>\n

\"\"<\/a>
Satyr-Filmwelt, books, sonorous bands, cartels, videoes.<\/span><\/figcaption><\/figure><\/p>\n

I have been almost one week in Vienna and do not refuse to count any aspects related to the cinema and the architecture:<\/p>\n

Badly that have aged the postmodern buildings, which already when they were constructed someone it named \u00abruins of the future\u00bb, the best example is the one that Hans Hollein designed in front of the cathedral, certainly, with Zara in his ground floor. Well that have aged the postmodern shops, as the three that I saw of the same Hollein. Loos’s mastery in his buildings and, especially, in the American Bar, an authentic jewel, perfectly proportionate and constructed well, possibly – and with permission\u00a0Del Diego of Madrid – the most beautiful place in which I have been (and I swear that already I have been in multitude), in addition with an acceptable Dry Martini, though worse than prepared by\u00a0Fernando<\/a> or his children in the bar of Madrid before mentioned.<\/p>\n

The Secession<\/a> building that is still alive thanks to his temporary exhibitions. Otto Wagner, especially his indispensable building for the\u00a0Postparkasse<\/a> with a small museito where curiosities can be seen on the building. Otto Wagner, especially his indispensable building for the Postparkasse with a small museito where curiosities can be seen on the building. The curious attempt of returning to give life to a few\u00a0gasometer with Jean Nouvel’s interventions, the Cooperative Himmelblau, Manfred Wehdorn y Wilhelm Holzbauer, where it is difficult to emphasize the better of these architects and yes it is possible to see the cheeky fellow egocentrismo of the cooperative leaning a crooked tower (since it could not be less) to one of the original cylinders, in them part of the slightly notable one rolled 007: alta tensi\u00f3n<\/em><\/a>, and to the side the mall with multicinemas, so called Hollywood Megaplex<\/a>, with eighteen rooms and painted within with shrill colors, where they were projecting The skin that I live<\/em> (Die Haut, in der ich wohne<\/em> in German) and in the morning when I was, was full of children accompanied by teachers, showing that in this country the cinematographic education of the young persons looks after itself.<\/p>\n

The last plant of the Sofitel Vienna Stephansdom Hotel designed also by Nouvel, with many interesting details and with a spectacular sight on the city in this last plant, which cover is a Pipilotti Rist<\/a>.’s work. The interesting building of the\u00a0mumok<\/a>, a \u00abmuseum\u00bb only with temporary exhibitions, inside the former imperial stables in the so called Museums Quartier, where also there are the\u00a0Leopold Museum<\/a> (in a bland building) and the most interesting interior of the\u00a0Kunsthalle<\/a> where now there is a good exhibition of fashionable photography.<\/p>\n

The exhibition<\/a> on\u00a0Glenn Murcutt<\/a> in the\u00a0Architektuzentrum<\/a> – also in the Museums Quartier – with a few marvellous models, planes and photographies of his fantastic houses and of his not so interesting collective buildings, as a doubtful enough mosque. Another exhibition, A_show<\/a>, also interesting, in the same center on the Austrian architecture. To verify that the Film Museum<\/a> only is a cinema, with a marvellous programming, with a bar in which there are a few showcases with the books that they have edited, but that cannot be turned the pages.<\/p>\n

The MAK, a museum of decorative arts with a small section of architecture and with a great restaurant to which a marvellous extension has been done to him in the garden. A tourist guide teaching him to an American marriage what they are the Romanesque architecture and the Gothic one, imitating his respective arches with his hands. The action of Lee Konitz New Quartet in Porgy and Bess<\/a>, a former cinema very well re-turned into room of concerts, demonstrating since at the age of eighty four still can be introduced, thank you in addition to possessing a few young musicians and enthusiasts.<\/p>\n

The action of the mythical Benny Golson, with Fritz Pauer’s brilliant Austrian trio, sat in the first row in the\u00a0Jazzland<\/a>, a space small and arched as those who are seen in the movies when musicians of jazz touch in Paris, and with Benny counting enterteining anecdotes on his friends, Clifford, Thousands, Lionel, Dizzy, etc., before a great plate of macaroni getting between chest and back into the rest later to continue touching and counting new anecdotes, certainly, there touched his fantastic compositions Whisper Not<\/a><\/em>and I Remember Clifford<\/a><\/em>.<\/p>\n

Finally, but not less importantly a discovery the enormous establishment dedicated to the cinema Satyr Filmwelt, bookshop, sonorous bands, DVDs and cartels, an authentic ruin for any fan, with thousands of books, certainly none in Spanish, which makes me think again that the diffusion of our works is very short in this world angl\u00f3fono; unfortunately they do not have web page, but yes e-mail: satyr.filmwelt@netway.at<\/a><\/p>\n

Jorge Gorostiza, architect. Author of the blog Arquitectura+Cine+Ciudad<\/p>\n

<\/em>Santa Cruz de Tenerife, november 2011<\/p>\n

\"\"<\/a>
Satyr-Filmwelt, libros, bandas sonoras, carteles, v\u00eddeos.<\/span><\/figcaption><\/figure><\/p>\n

Estiven case unha semana en Viena e non me resisto a contar alg\u00fans aspectos relacionados co cine e a arquitectura:<\/p>\n

O mal que envelleceron os edificios posmodernos, que xa cando se constru\u00edron algu\u00e9n os denominou \u00abru\u00ednas do futuro\u00bb, o mellor exemplo \u00e9 o que dese\u00f1ou Hans Hollein diante da catedral, por certo, con Zara na s\u00faa planta baixa. O ben que envelleceron as tendas posmodernas, como as tres que vin do mesmo Hollein. A mestr\u00eda de Loos nos seus edificios e, sobre todo, no American Bar, unha aut\u00e9ntica xoia, perfectamente proporcionada e ben constru\u00edda, posiblemente -e con permiso\u00a0Del Diego madrile\u00f1o- o m\u00e1is belo local no que estiven (e xuro que xa estiven en multitude), ademais cun Dry Martini aceptable, a\u00ednda que peor que o preparado por\u00a0Fernando<\/a> ou os seus fillos no bar madrile\u00f1o antes mencionado.<\/p>\n

O edificio Secession<\/a> que segue vivo grazas \u00e1s s\u00faas exposici\u00f3ns temporais. Otto Wagner, en particular o seu indispensable edificio para a\u00a0Postparkasse<\/a> cun pequeno museito onde se poden ver curiosidades sobre o edificio. O curioso intento de volver dar vida a uns\u00a0gas\u00f3metros con intervenci\u00f3ns de Jean Nouvel, a Cooperativa Himmelblau, Manfred Wehdorn e Wilhelm Holzbauer, onde \u00e9 dif\u00edcil destacar o mellor destes arquitectos e si \u00e9 posible ver o descarado egocentrismo da cooperativa pegando unha torre torcida (como non pod\u00eda ser menos) a un dos cilindros orixinais, neles rodouse parte da pouco notable 007: alta tensi\u00f3n<\/em><\/a>, e ao lado o centro comercial con multicines, chamado\u00a0Hollywood Megaplex<\/a>, con dezaoito salas e pintado por dentro con cores rechamantes, onde proxectaban A pel que habito<\/em> (Die Haut, in der ich wohne<\/em> en alem\u00e1n) e pola ma\u00f1\u00e1 cando fun, estaba cheo de nenos acompa\u00f1ados por profesores, mostrando que nese pa\u00eds se coida a educaci\u00f3n cinematogr\u00e1fica dos mozos.<\/p>\n

A \u00faltima planta do\u00a0Hotel Sofitel Vienna Stephansdom dese\u00f1ado tam\u00e9n por Nouvel, con moitos detalles interesantes e cunha vista espectacular sobre a cidade nesa \u00faltima planta, cuxa cuberta \u00e9 obra de\u00a0Pipilotti Rist<\/a>. O interesante edificio do\u00a0mumok<\/a>, un \u00abmuseo\u00bb s\u00f3 con exposici\u00f3ns temporais, dentro das antigas cortes imperiais no chamado Museums Quartier, onde tam\u00e9n est\u00e1n o\u00a0Leopold Museum<\/a> (nun edificio an\u00f3dino) e o m\u00e1is interesante interior do\u00a0Kunsthalle<\/a> onde agora hai unha boa exposici\u00f3n de fotograf\u00eda de moda.<\/p>\n

A\u00a0exposici\u00f3n<\/a> sobre\u00a0Glenn Murcutt<\/a> no\u00a0Architektuzentrum<\/a> -tam\u00e9n no Museums Quartier- cunhas estupendas maquetas, planos e fotograf\u00edas das s\u00faas fant\u00e1sticas casas e dos seus non tan interesantes edificios colectivos, como unha mesquita bastante dubidosa. Outra exposici\u00f3n, A_show<\/a>, tam\u00e9n interesante, no mesmo centro sobre a arquitectura austr\u00edaca. Comprobar que o Film Museum<\/a> s\u00f3 \u00e9 un cine, cunha estupenda programaci\u00f3n, cun bar no que hai unhas vitrinas cos libros que editaron, pero que non poden follearse.<\/p>\n

O\u00a0MAK, un museo de artes decorativas cunha pequena secci\u00f3n de arquitectura e cun gran restaurante ao que se lle fixo unha estupenda ampliaci\u00f3n no xard\u00edn. Un gu\u00eda tur\u00edstico ensin\u00e1ndolle a un matrimonio estadounidense o que son a arquitectura rom\u00e1nica e a g\u00f3tica, imitando os seus respectivos arcos coas s\u00faas mans. A actuaci\u00f3n do Lee Konitz New Quartet en\u00a0Porgy and Bess<\/a>, un antigo cine moi ben reconvertido en sala de concertos, demostrando como aos oitenta e catro anos a\u00ednda se pode innovar, grazas ademais a contar cuns m\u00fasicos novos e entusiastas.<\/p>\n

A actuaci\u00f3n do m\u00edtico Benny Golson, co xenial tr\u00edo austr\u00edaco de Fritz Pauer, sentado en primeira fila no Jazzland<\/a>, un espazo pequeno e abovedado como os que se ven nas pel\u00edculas cando tocan m\u00fasicos de jazz en Par\u00eds, e con Benny contando divertidas an\u00e9cdotas sobre os seus amigos, Clifford, Miles, Lionel, Dizzy, etc., antes de meterse entre peito e costas un gran prato de macarr\u00f3ns no descanso para despois seguir tocando e contando novas an\u00e9cdotas, por certo, tocou as s\u00faas fant\u00e1sticas composici\u00f3ns\u00a0Whisper Not<\/a><\/em> e I Remember Clifford<\/a><\/em>.<\/p>\n

Por \u00faltimo, pero non menos importante un descubrimento o enorme establecemento dedicado ao cine Satyr Filmwelt, librar\u00eda, bandas sonoras, DVDs e carteis, unha aut\u00e9ntica perdici\u00f3n para calquera afeccionado, con miles de libros, por certo ning\u00fan en espa\u00f1ol, o que me fai pensar de novo que a difusi\u00f3n dos nosos traballos \u00e9 moi curta neste mundo angl\u00f3fono; desgraciadamente non te\u00f1en p\u00e1xina web, pero si correo electr\u00f3nico:\u00a0satyr.filmwelt@netway.at<\/a><\/p>\n

Jorge Gorostiza, arquitecto. Autor do blogue Arquitectura+Cine+Ciudad<\/p>\n

<\/em>Santa Cruz de Tenerife, novembro 2011<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

He estado casi una semana en Viena y no me resisto a contar algunos aspectos relacionados con el cine y\u00a0la arquitectura: Lo mal que han envejecido los edificios posmodernos, que ya cuando se construyeron alguien los denomin\u00f3 \u00abruinas del futuro\u00bb,\u00a0el mejor ejemplo es el que dise\u00f1\u00f3 Hans Hollein delante de la catedral, por cierto, con […]<\/p>\n","protected":false},"author":34,"featured_media":45403,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[8449,12471,318,10507,10506,6323,3115,751,1593,10508,959,10511,10510,2497,10509],"class_list":["post-17830","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-arquitectura-modernista","tag-cine","tag-ciudad","tag-cooperativa-himmelblau","tag-fernando-del-diego","tag-glenn-murcutt","tag-hans-hollein","tag-jean-nouvel","tag-jorge-gorostiza","tag-manfred-wehdorn","tag-opinion","tag-otto-koloman-wagner","tag-pipilotti-rist","tag-posmodernismo","tag-wilhelm-holzbauer"],"yoast_head":"\nViena | Jorge Gorostiza<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Viena | Jorge GorostizaViena | Jorge GorostizaViena | Jorge Gorostiza\" \/>\n<meta name=\"robots\" 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