{"id":17793,"date":"2014-12-15T06:25:11","date_gmt":"2014-12-15T06:25:11","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=17793"},"modified":"2022-04-22T09:00:10","modified_gmt":"2022-04-22T07:00:10","slug":"domesticar-la-montana-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/domesticar-la-montana-inigo-garcia-odiaga\/","title":{"rendered":"[:es]Domesticar la monta\u00f1a | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]Domesticar a monta\u00f1a | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]Domesticating the mountain | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Refugio en el parque natural de Dovrefjell-Sunndalsfjella | Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure><\/p>\n

El oto\u00f1o es tal vez la \u00e9poca del a\u00f1o m\u00e1s relacionada con la monta\u00f1a, antes del invierno cuando empieza el intenso fr\u00edo y los bosques muestran una imagen inmejorable. Un tipo de arquitectura que est\u00e1 ligada \u00edntimamente a esta actividad, la del refugio de monta\u00f1a. Los arquitectos que investigaron la vivienda m\u00ednima obrera, y las soluciones estandarizadas para dar cabida la vivienda barata de calidad investigaron este tipo de arquitecturas de monta\u00f1a. Podr\u00eda parecer a priori que ambos mundos est\u00e1n muy alejados, pero lo cierto es que su planteamiento te\u00f3rico es similar. De alguna manera los refugios de monta\u00f1a son la manera que tiene el hombre de domesticar la naturaleza, de convertir en dom\u00e9stico un entorno hostil, pero a su vez tan presente en nuestra gen\u00e9tica animal, como es la relaci\u00f3n del hombre con la naturaleza.<\/p>\n

\"\"<\/a>
Cabanon en Cap-Mart\u00edn, Le Corbusier<\/span><\/figcaption><\/figure>\n

En 1952 Le Corbusier<\/a>, el gran maestro del movimiento moderno, construye en Cap-Mart\u00edn, en la costa mediterr\u00e1nea francesa el Cabanon, un peque\u00f1o refugio que es al mismo tiempo vivienda de vacaciones. Una caba\u00f1a de s\u00f3lo 16 metros cuadrados realizada completamente en madera. Este lugar de retiro y en ocasiones oficina, concita un particular inter\u00e9s dentro de la obra de Le Corbusier ya que se realiz\u00f3 en paralelo al proyecto de Chandigarh, la construcci\u00f3n de una ciudad en la India a la finalizaci\u00f3n de la construcci\u00f3n de la Unidad de Habitaci\u00f3n de Marsella. Estas construcciones se encuentran \u00edntimamente ligadas en cuanto a su concepci\u00f3n te\u00f3rica. De hecho se trata de dos caras de la misma moneda, por un lado la c\u00e9lula independiente, aislada e individual, por el otro, la vida colectiva, la comunidad y el conjunto.<\/p>\n

\"\"<\/a><\/p>\n

Un caso similar es el de Ralph Erskine<\/a>, cuando el arquitecto ingl\u00e9s se traslad\u00f3 en 1941 con su mujer y sus hijas reci\u00e9n nacidas a Suecia, las dificultades econ\u00f3micas le llevaron a auto construirse un peque\u00f1o refugio para dar cobijo a su familia y utilizarlo adem\u00e1s como oficina.<\/p>\n

Con unas dimensiones m\u00ednimas, de tan solo 18 metros cuadrados y una \u00fanica habitaci\u00f3n, funcion\u00f3 como vivienda habitual de la familia hasta 1946. El espacio interior se divid\u00eda en dos mediante una chimenea central, la cocina y el estar, que tambi\u00e9n hac\u00eda las veces de dormitorio y sala de trabajo. La cama, sof\u00e1 que ocupaba el estar se levantaba mediante unas poleas hasta el techo, con el fin de despejar la estancia durante el d\u00eda.<\/p>\n

\"\"<\/a>
Refugio de Ralph Erskine<\/span><\/figcaption><\/figure>\n

La casa levantada en la zona alta de una peque\u00f1a colina es adem\u00e1s un cat\u00e1logo de soluciones ingeniosas para proteger el confort interior de las inclemencias del tiempo. Los muebles en su mayor\u00eda abatibles y m\u00f3viles se apoyan en la fachada norte aumentando cuando est\u00e1n recogidos el aislamiento t\u00e9rmico en esa orientaci\u00f3n. La peque\u00f1a caba\u00f1a introduce en su dise\u00f1o adem\u00e1s soluciones presentes en la arquitectura tradicional, como es el llamativo re-grueso de la fachada norte en la que almacenar toda la le\u00f1a para el invierno, aumentando la protecci\u00f3n frente al viento y que quedar\u00e1 vac\u00eda tras el invierno refrigerando as\u00ed la vivienda en los meses de verano.<\/p>\n

Ralph Erskine conjug\u00f3 modernidad con las soluciones constructivas del lugar, generando una arquitectura vanguardista que respeta los condicionantes del lugar como son la climatolog\u00eda o el disfrute de una naturaleza tan salvaje como la sueca.<\/p>\n

\"\"<\/a>
Refugio de Ralph Erskine<\/span><\/figcaption><\/figure>\n

La arquitectura contempor\u00e1nea tambi\u00e9n ha trabajado este tipo programa. Un buen ejemplo es el refugio finalizado recientemente por el estudio noruego Sn\u00f8hetta. Se trata un pabell\u00f3n pensado exclusivamente para dar cobijo a los monta\u00f1eros que transitan por la meseta de Dorve en el norte de Noruega y que bajo un clima muy fr\u00edo se adentran en la naturaleza para ver la vida cotidiana de los renos salvajes.<\/p>\n

El peque\u00f1o edificio de 90 metros cuadrados se sit\u00faa dentro del parque natural de Dovrefjell-Sunndalsfjella y encaramado en una meseta a una altura de 1200 metros sobre el nivel del mar, se transforma en un observatorio con vistas panor\u00e1micas sobre las cordilleras nevadas del parque natural.<\/p>\n

\"\"<\/a>
Refugio en el parque natural de Dovrefjell-Sunndalsfjella | Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

Su geometr\u00eda es una reminiscencia de la forma de una roca lentamente erosionada por los procesos de viento y el agua. La fachada ondulada resultante crea una serie de asientos al aire libre en el lado sur por lo que son calentados por los rayos del sol, mientras que los del lado norte quedan al interior protegidos del clima por una pantalla de vidrio que sirve como mirador. El edificio ha sido construido con t\u00e9cnicas de construcci\u00f3n naval, muy desarrolladas por los astilleros noruegos, con esta tecnolog\u00eda cada viga de madera cuadrada se ha desbastado hasta darle su forma definitiva y alcanzar as\u00ed mediante la suma de diversas piezas el efecto ondulante final. Un marco r\u00edgido rectangular revestido con acero oxidado se funde con el paisaje circundante, mientras que el tratamiento alquitranado del pino exterior adem\u00e1s de actuar como protecci\u00f3n de la madera dota al conjunto de una pureza formal c\u00fabica que revela su modernidad.<\/p>\n

\"\"<\/a>
Refugio en el parque natural de Dovrefjell-Sunndalsfjella | Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

Este edificio habla al igual que muchos otros pabellones de monta\u00f1a, de la necesidad de generar cobijo y refugio al monta\u00f1ero, de crear un espacio al resguardo de las inclemencias de la naturaleza, pero que al mismo tiempo nos permita disfrutar del paisaje y de su condici\u00f3n salvaje. Es en este dif\u00edcil equilibrio donde la arquitectura contempor\u00e1nea ha sabido aportar nuevas soluciones que no hacen m\u00e1s que abrir al igual que los pabellones del pasado peque\u00f1os campos de prueba que tal vez en el futuro puedan pasar del refugio de monta\u00f1a a la vivienda urbana.<\/p>\n

\"\"<\/a>
Refugio en el parque natural de Dovrefjell-Sunndalsfjella | Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

\u00ed\u00f1igo garc\u00eda odiaga . arquitecto
\nsan sebasti\u00e1n. junio 2011<\/p>\n

Art\u00edculo publicado en ZAZPIKA 2011.11.07<\/em><\/span>[:en]

\"\"<\/a>
Shelter in Dovrefjell-Sunndalsfjella’s nature reserve\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure><\/p>\n

The autumn is maybe the epoch of the year the most related to the mountain, before the winter when it begins the intense cold and the forests show an unsurpassable image. A type of architecture that is tied intimately to this activity, that of the refuge of mountain. The architects who investigated the minimal working housing, and the solutions standardized to give fitted the cheap housing of quality investigated this type of architectures of mountain. It might seem a priori that both worlds are very remote, but the certain thing is that his theoretical exposition is similar. Somehow the refuges of mountain are the way that the man has of domesticating the nature, of turning into servant a hostile environment, but in turn so present into our animal genetics, since it is the relation of the man with the nature.<\/p>\n

\"\"<\/a>
Cabanon in Cap-Mart\u00edn, Le Corbusier<\/span><\/figcaption><\/figure>\n

In 1952\u00a0Le Corbusier<\/a>, the great teacher of the modern movement, constructs in Cap-Martin, on the Mediterranean French coast the Cabanon, a small refuge that is at the same time a housing vacation. A cabin of only 16 square meters realized completely in wood. This place of retirement and in occasions office, Corbusier incites a particular interest inside the work of Him since it was realized in parallel to Chandigarh’s project, the construction of a city in the India in conclusion of the construction of the Unit of Room of Marseilles.<\/p>\n

\"\"<\/a>
Ralph Erskine’s small refuge in Sweden<\/span><\/figcaption><\/figure>\n

A similar case is that of\u00a0Ralph Erskine<\/a>, when the architect Englishman moved in 1941 with his wife and his daughters newborn children to Sweden, the economic difficulties took him to car a small refuge to be constructed to give cover to his family and to use it in addition as office.<\/p>\n

With a few minimal dimensions, of only 18 square meters and the only room, it worked as habitual housing of the family until 1946. The interior space was dividing in two by means of a central chimney, the kitchen and to be, that also was doing the times of bedroom and room of work. The bed, sofa that was occupying to be was getting up by means of a few pulleys up to the ceiling, in order to clear the stay during the day.<\/p>\n

\"\"<\/a>
Ralph Erskine’s small refuge in Sweden<\/span><\/figcaption><\/figure>\n

The house raised in the high zone of a small hill is in addition a catalogue of ingenious solutions to protect the interior comfort of the inclemencies of the time. The furniture in the main flip-top and mobile rest on the north front increasing when they are gathered the thermal isolation in this orientation. The small cabin introduces in his design in addition present solutions in the traditional architecture, since it is the showy re-thickness of the north front in that to store the whole fuelwood for the winter, increasing the protection opposite to the wind and that will remain empty after the winter refreshing this way the housing in the summers months.<\/p>\n

Ralph Erskine brought together modernity with the constructive local solutions, generating an ultramodern architecture that respects the local determining ones since it are the climatology or the enjoyment of a nature as wild as the Swedish one.<\/p>\n

\"\"<\/a>
Ralph Erskine’s small refuge in Sweden<\/span><\/figcaption><\/figure>\n

The contemporary architecture also has worked this type programmes. A good example is the refuge finished recently by the Norwegian study Sn\u00f8hetta. A pavilion treats itself thought exclusively to give cover to the monta\u00f1eros that pass along Dorve’s plateau in the north of Norway and that under a very cold climate enter the nature to see the daily life of the wild reindeers.<\/p>\n

The small building of 90 square meters places inside the nature reserve Dovrefjell-Sunndalsfjella’s and raised in a plateau to a height of 1200 meters on the level of the sea, transforms in an observatory with conference panoramic on the covered with snow mountain chains of the nature reserve.<\/p>\n

\"\"<\/a>
Shelter in Dovrefjell-Sunndalsfjella’s nature reserve\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

His geometry is a reminiscence of the form of a rock slowly eroded by the processes of wind and the water. The wavy resultant front believes a series of seats outdoors in the south side for what they are warmed by the sunbeams, whereas those of the north side stay to the interior protected from the climate for a glass screen that serves as viewing-point. The building has been constructed by technologies of naval construction, very developed by the Norwegian shipyards, with this technology every girder of square wood has acquired some polish up to giving him his definitive form and reaching this way by means of the sum of diverse pieces the undulating final effect. A rigid rectangular frame redressed in rusty steel fuses with the surrounding landscape, whereas the treatment tarred of the exterior pine beside acting as protection of the wood provides to the set of a formal cubic purity that reveals his modernity.<\/p>\n

\"\"<\/a>
Shelter in Dovrefjell-Sunndalsfjella’s nature reserve\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

This building speaks as many other pavilions of mountain, of the need to generate cover and refuge to the monta\u00f1ero, of creating a space to the security of the inclemencies of the nature, but that at the same time allows us to enjoy the landscape and his wild condition. It is in this difficult balance where the contemporary architecture has could contribute new solutions that do not do any more that to open as the pavilions of the past small fields of test that maybe in the future could go on from the refuge of mountain to the urban housing.<\/p>\n

\"\"<\/a>
Shelter in Dovrefjell-Sunndalsfjella’s nature reserve\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

\u00ed\u00f1igo garc\u00eda odiaga . architect<\/p>\n

san sebasti\u00e1n. juny 2011<\/p>\n

Article is published in ZAZPIKA 2011.11.07<\/em><\/span><\/p>\n

[:gl]

\"\"<\/a>
Refuxio no parque natural de Dovrefjell-Sunndalsfjella\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure><\/p>\n

O outono \u00e9 talvez a \u00e9poca do ano m\u00e1is relacionada coa monta\u00f1a, antes do inverno cando empeza o intenso fr\u00edo e os bosques mostran unha imaxe inmejorable. Un tipo de arquitectura que est\u00e1 ligada \u00edntimamente a esta actividade, a do refuxio de monta\u00f1a. Os arquitectos que investigaron a vivenda m\u00ednima obreira, e as soluci\u00f3ns estandarizadas para dar cabida a vivenda barata de calidade investigaron este tipo de arquitecturas de monta\u00f1a. Poder\u00eda parecer a priori que ambos mundos est\u00e1n moi afastados, pero o certo \u00e9 que a s\u00faa formulaci\u00f3n te\u00f3rica \u00e9 similar. Dalg\u00fan xeito os refuxios de monta\u00f1a son o xeito que ten o home de domesticar a natureza, de converter en dom\u00e9stico unha contorna hostil, pero \u00e1 s\u00faa vez tan presente na nosa xen\u00e9tica animal, como \u00e9 a relaci\u00f3n do home coa natureza.<\/p>\n

\"\"<\/a>
Cabanon en Cap-Mart\u00edn, Le Corbusier<\/span><\/figcaption><\/figure>\n

En 1952\u00a0Le Corbusier<\/a>, o gran mestre do movemento moderno, constr\u00fae en Cap-Mart\u00edn, na costa mediterr\u00e1nea francesa o Cabanon, un pequeno refuxio que \u00e9 ao mesmo tempo vivenda de vacaci\u00f3ns. Unha cabana de s\u00f3 16 metros cadrados realizada completamente en madeira. Este lugar de retiro e en ocasi\u00f3ns oficina, concita un particular interese dentro da obra de Lle Corbusier xa que se realizou en paralelo ao proxecto de Chandigarh, a construci\u00f3n dunha cidade na India \u00e1 finalizaci\u00f3n da construci\u00f3n da Unidade de Habitaci\u00f3n de Marsella.<\/p>\n

\"\"<\/a>
Pequeno refuxio de Ralph Erskine en Suecia<\/span><\/figcaption><\/figure>\n

Un caso similar \u00e9 o de\u00a0Ralph Erskine<\/a>, cando o arquitecto ingl\u00e9s se trasladou en 1941 coa s\u00faa muller e as s\u00faas fillas acabadas de nacer a Suecia, as dificultades econ\u00f3micas lle levaron a auto constru\u00edrse un pequeno refuxio para dar acubillo \u00e1 s\u00faa familia e utilizalo ademais como oficina.<\/p>\n

Cunhas dimensi\u00f3ns m\u00ednimas, de tan s\u00f3 18 metros cadrados e un \u00fanico cuarto, funcionou como vivenda habitual da familia ata 1946. O espazo interior divid\u00edase en dous mediante unha cheminea central, a coci\u00f1a e o estar, que tam\u00e9n hab\u00eda as veces de dormitorio e sala de traballo. A cama, sof\u00e1 que ocupaba o estar levant\u00e1base mediante unhas poleas ata o teito, co fin de despexar a estanza durante o d\u00eda.<\/p>\n

\"\"<\/a>
Pequeno refuxio de Ralph Erskine en Suecia<\/span><\/figcaption><\/figure>\n

A casa levantada na zona alta dun pequeno outeiro \u00e9 ademais un cat\u00e1logo de soluci\u00f3ns enxe\u00f1osas para protexer o confort interior das inclemencias do tempo. Os mobles na s\u00faa maior\u00eda abatibles e m\u00f3biles ap\u00f3ianse na fachada norte aumentando cando est\u00e1n recollidos o illamento t\u00e9rmico nesa orientaci\u00f3n. A\u00a0pequena caba\u00f1a introduce no seu dese\u00f1o ademais soluci\u00f3ns presentes na arquitectura tradicional, como \u00e9 o rechamante re-groso da fachada norte na que almacenar toda a le\u00f1a para o inverno, aumentando a protecci\u00f3n fronte ao vento e que quedar\u00e1 baleira tras o inverno refrixerando as\u00ed a vivenda nos meses de ver\u00e1n.<\/p>\n

Ralph Erskine conxugou modernidade coas soluci\u00f3ns construtivas do lugar, xerando unha arquitectura vangardista que respecta os condicionantes do lugar como son a climatolox\u00eda ou o desfrute dunha natureza tan salvaxe como a sueca.<\/p>\n

\"\"<\/a>
Pequeno refuxio de Ralph Erskine en Suecia<\/span><\/figcaption><\/figure>\n

A arquitectura contempor\u00e1nea tam\u00e9n traballou este tipo programa. Un bo exemplo \u00e9 o refuxio finalizado recentemente polo estudo noruegu\u00e9s Sn\u00f8hetta. Tr\u00e1tase un pavill\u00f3n pensado exclusivamente para dar acubillo aos monta\u00f1eiros que transitan pola meseta de Dorve no norte de Noruega e que baixo un clima moi fr\u00edo se internan na natureza para ver a vida coti\u00e1 dos renos salvaxes.<\/p>\n

O pequeno edificio de 90 metros cadrados sit\u00faase dentro do parque natural de Dovrefjell-Sunndalsfjella e empolicado nunha meseta a unha altura de 1200 metros sobre o nivel do mar, transf\u00f3rmase nun observatorio con vistas panor\u00e1micas sobre as cordilleiras nevadas do parque natural.<\/p>\n

\"\"<\/a>
Refuxio no parque natural de Dovrefjell-Sunndalsfjella\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

A s\u00faa xeometr\u00eda \u00e9 unha reminiscencia da forma dunha rocha lentamente erosionada polos procesos de vento e a auga. A fachada ondulada resultante crea unha serie de asentos ao aire libre no lado sur polo que son quentados polos raios do sol, mentres que os do lado norte quedan ao interior protexidos do clima por unha pantalla de vidro que serve como miradoiro. O edificio foi constru\u00eddo con t\u00e9cnicas de construci\u00f3n naval, moi desenvolvidas polos estaleiros noruegueses, con esta tecnolox\u00eda cada viga de madeira cadrada desbastouse ata darlle a s\u00faa forma definitiva e alcanzar as\u00ed mediante a suma de diversas pezas o efecto ondulante final. Un marco r\u00edxido rectangular revestido con aceiro oxidado f\u00f3ndese coa paisaxe circundante, mentres que o tratamento alcatranado do pi\u00f1eiro exterior ademais de actuar como protecci\u00f3n da madeira dota o conxunto dunha pureza formal c\u00fabica que revela a s\u00faa modernidade.<\/p>\n

\"\"<\/a>
Refuxio no parque natural de Dovrefjell-Sunndalsfjella\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

Este edificio fala ao igual que moitos outros pavill\u00f3ns de monta\u00f1a, da necesidade de xerar acubillo e refuxio ao monta\u00f1eiro, de crear un espazo ao resgardo das inclemencias da natureza, pero que ao mesmo tempo nos permita gozar da paisaxe e da s\u00faa condici\u00f3n salvaxe. \u00c9 neste dif\u00edcil equilibrio onde a arquitectura contempor\u00e1nea soubo achegar novas soluci\u00f3ns que non fan m\u00e1is do que abre ao igual que os pavill\u00f3ns do pasado pequenos campos de proba que talvez no futuro poidan pasar do refuxio de monta\u00f1a \u00e1 vivenda urbana.<\/p>\n

\"\"<\/a>
Refuxio no parque natural de Dovrefjell-Sunndalsfjella\u00a0| Sn\u00f8hetta<\/span><\/span><\/figcaption><\/figure>\n

\u00ed\u00f1igo garc\u00eda odiaga . arquitecto<\/p>\n

san sebasti\u00e1n. xu\u00f1o 2011<\/p>\n

Artigo publicado en ZAZPIKA 2011.11.07<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] El oto\u00f1o es tal vez la \u00e9poca del a\u00f1o m\u00e1s relacionada con la monta\u00f1a, antes del invierno cuando empieza el intenso fr\u00edo y los bosques muestran una imagen inmejorable. Un tipo de arquitectura que est\u00e1 ligada \u00edntimamente a esta actividad, la del refugio de monta\u00f1a. Los arquitectos que investigaron la vivienda m\u00ednima obrera, y […]<\/p>\n","protected":false},"author":31,"featured_media":46187,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[6547,2556,6786,1973,4285,785,804,815,847,920,3452,1513,1911,10620,1286],"class_list":["post-17793","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-arquitectura-noruega","tag-arquitectura-sostenible","tag-arquitectura-sueca","tag-cabana","tag-inigo-garcia-odiaga","tag-le-corbusier","tag-lugar","tag-maestro","tag-medio-rural","tag-naturaleza","tag-personaje","tag-ralph-erskine","tag-refugio","tag-snohetta","tag-territorio"],"yoast_head":"\nDomesticar la monta\u00f1a | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"Domesticar la monta\u00f1a\" \/>\n<meta name=\"robots\" content=\"index, follow, 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