{"id":17344,"date":"2011-11-03T06:10:41","date_gmt":"2011-11-03T06:10:41","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=17344"},"modified":"2024-03-27T17:46:05","modified_gmt":"2024-03-27T16:46:05","slug":"objetos-para-transformar-el-mundo","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/objetos-para-transformar-el-mundo\/","title":{"rendered":"Objetos para transformar el mundo"},"content":{"rendered":"<p>[:es]<\/p>\n<p style=\"text-align: justify;\">En el mundo del siglo XX, poblado como nunca antes por artefactos t\u00e9cnicos y obras que aspiran al estatus de arte, diversas corrientes modernistas quisieron poner en circulaci\u00f3n otra familia de objetos, que no pudieran ser catalogados ni como t\u00e9cnica ni como arte y que tuvieran como primera raz\u00f3n de ser la modificaci\u00f3n radical de lo existente.<\/p>\n<p style=\"text-align: justify;\">El invencionismo argentino fue una de esas corrientes. Nacido a mediados de los a\u00f1os cuarenta, pese a su corta existencia incub\u00f3 las l\u00edneas importantes del arte argentino, como Mad\u00ed, el Arte Concreto-Intervenci\u00f3n y el Perceptismo.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/amzn.to\/3TTFumU\" target=\"_blank\" rel=\"noopener\">Alejandro Crispiani<\/a> nos presenta aqu\u00ed un estudio que parte del invencionismo para reconstruir la trayectoria de su impulso radical en dos direcciones, la que lleva a la arquitectura y la que lleva al dise\u00f1o industrial, y en ambos casos en un territorio distinto de aquel en que se origin\u00f3, el Chile de las d\u00e9cadas de 1950 a 1970.<\/p>\n<figure id=\"attachment_17345\" aria-describedby=\"caption-attachment-17345\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17345\" title=\"Objetos para transformar el mundo\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\" alt=\"Objetos para transformar el mundo\" width=\"750\" height=\"1083\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg 277w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00-207x300.jpg 207w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-17345\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Objetos para transformar el mundo<\/span><\/figcaption><\/figure>\n<h5><strong>Objetos para transformar el mundo<\/strong><\/h5>\n<p style=\"text-align: justify;\">As\u00ed, <a href=\"https:\/\/horizonteenfermeria.uc.cl\/index.php\/hib\/article\/view\/46279\" target=\"_blank\" rel=\"noopener\">este libro<\/a> traza por primera vez las relaciones entre el arte invencionista argentino, la Escuela de Arquitectura de Valpara\u00edso (promotora de algunas de las m\u00e1s osadas iniciativas de vanguardia de la regi\u00f3n) y las experiencias del Grupo de Dise\u00f1o liderado por Gui Bonsiepe (una inmersi\u00f3n del dise\u00f1o industrial europeo de avanzada en la realidad social y pol\u00edtica latinoamericana plena de consecuencias); dos experiencias, estas \u00faltimas, que pasaron por un momento particularmente \u00e1lgido en lo relativo a su naturaleza y a\u00fan a su propia existencia a comienzos de los a\u00f1os 1970, cerrando el ciclo modernizador iniciado en la posguerra.<\/p>\n<p style=\"text-align: justify;\"><em><strong>Objetos para transformar el mundo<\/strong><\/em>, combina la historia de la arquitectura y el dise\u00f1o, la historia del arte y la historia intelectual para poner luz en el entretejido de intenciones est\u00e9ticas ambiciones filos\u00f3ficas y aspiraciones pol\u00edticas que constituy\u00f3 la propia matriz de este fascinante episodio de contactos culturales y viajes de ideas y personas a uno y otro lado de la cordillera.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.edicionesarq.cl\/2011\/objetos-para-transformar-el-mundo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ art\u00edculo publicado en ARQ ediciones<\/span><\/a><\/p>\n<p>[:gl]<\/p>\n<p style=\"text-align: justify;\">No mundo do s\u00e9culo XX, poboado como nunca antes por artefactos t\u00e9cnicos e obras que aspiran ao status de arte, diversas correntes modernistas quixeron p\u00f3r en circulaci\u00f3n outra familia de obxectos, que non puidesen ser catalogados nin como t\u00e9cnica nin como arte e que tivesen como primeira raz\u00f3n de ser a modificaci\u00f3n radical do existente. O invencionismo arxentino foi unha desas correntes. Nacido a mediados dos anos corenta, a pesar da s\u00faa curta existencia incub\u00f3 as li\u00f1as importantes da arte arxentino, como Mad\u00ed, a arte Concreta-Intervenci\u00f3n e o Perceptismo. Alejandro Crispiani pres\u00e9ntanos aqu\u00ed un estudo que parte do invencionismo para reconstru\u00edr a traxectoria do seu impulso radical en d\u00faas direcci\u00f3ns, a que leva \u00e1 arquitectura e a que leva ao dese\u00f1o industrial, e en ambos os casos nun territorio distinto daquel en que se orixinou, o Chile das d\u00e9cadas de 1950 a 1970.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"Eq04F00\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\" alt=\"\" width=\"620\" height=\"895\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">As\u00ed, este libro traza por primeira vez as relaci\u00f3ns entre a arte invencionista arxentino, a Escola de Arquitectura de Valpara\u00edso (promotora dalgunhas das m\u00e1is ousadas iniciativas de vangarda da rexi\u00f3n) e as experiencias do Grupo de Dese\u00f1o liderado por Gui Bonsiepe (unha inmersi\u00f3n do dese\u00f1o industrial europeo de avanzada na realidade social e pol\u00edtica latinoamericana plena de consecuencias); d\u00faas experiencias, estas \u00faltimas, que pasaron por un momento particularmente \u00e1lxido no relativo \u00e1 s\u00faa natureza e a\u00ednda \u00e1 s\u00faa propia existencia a comezos dos anos 1970, pechando o ciclo modernizador iniciado na posguerra.<\/p>\n<p style=\"text-align: justify;\">Obxectos para transformar o mundo, combina a historia da arquitectura e o dese\u00f1o, a historia da arte e a historia intelectual para p\u00f3r luz no entretejido de intenci\u00f3ns est\u00e9ticas ambici\u00f3ns filos\u00f3ficas e aspiraci\u00f3ns pol\u00edticas que constitu\u00edu a propia matriz deste fascinante episodio de contactos culturais e viaxes de ideas e persoas a ambos os dous lados da cordilleira.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.edicionesarq.cl\/2011\/objetos-para-transformar-el-mundo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ artigo publicado en ARQ ediciones<\/span><\/a><\/p>\n<p>[:en]<\/p>\n<p style=\"text-align: justify;\">In the world of the 20th century, settlement as before for technical appliances and works that aspire to the status of art, diverse modernist currents they never wanted to put in traffic another family of objects, which could be catalogued neither as technology nor as art and which took the radical modification of the existing thing as the first raison d&#8217;\u00eatre. The Argentine invencionismo was one of these currents. Born in the middle of the forties, in spite of his short existence it incubated the important lines of the Argentine art, as Mad\u00ed, the Concrete Art Intervention and the Perceptism. Alejandro Crispiani us presents here a study that departs from the invencionismo to reconstruct the path of his radical impulse in two directions, which leads to the architecture and the one that takes to the industrial design, and in both cases in a territory different from that one in which it originated, the Chile of the decades from 1950 to 1970.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"Eq04F00\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\" alt=\"\" width=\"620\" height=\"895\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">This way, this book plans for the first time the relations between the art invencionista Argentinly, the School of Architecture of Valparaiso (promoter of some of the most daring initiatives of forefront of the region) and the experiences of the Group of Design led by Gui Bonsiepe (a dip of the industrial European design of advanced in the social reality and Latin-American full politics of consequences); two experiences, the above mentioned, which happened for a particularly culminating moment in the relative thing to his nature and still to his own existence at the beginning of the year 1970, closing the cycle modernizador initiated in the postwar period.<\/p>\n<p style=\"text-align: justify;\">Objects to transform the world, it combines the history of the architecture and the design, the history of the art and the intellectual history to put light in the interwoven one of aesthetic intentions philosophical ambitions and political aspirations that it constituted the own counterfoil of this fascinating episode of cultural contacts and trips of ideas and persons to one and another side of the mountain chain<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.edicionesarq.cl\/2011\/objetos-para-transformar-el-mundo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ article is published in ARQ ediciones<\/span><\/a><\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] En el mundo del siglo XX, poblado como nunca antes por artefactos t\u00e9cnicos y obras que aspiran al estatus de arte, diversas corrientes modernistas quisieron poner en circulaci\u00f3n otra familia de objetos, que no pudieran ser catalogados ni como t\u00e9cnica ni como arte y que tuvieran como primera raz\u00f3n de ser la modificaci\u00f3n radical [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17345,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[2759,6573,6572,129,6381,6592,6682,309,431,11592,668,1564,1120,4444,1286],"class_list":["post-17344","post","type-post","status-publish","format-standard","has-post-thumbnail","category-libros","category-publicaciones","tag-alejandro-crispiani","tag-anos-40","tag-anos-70","tag-argentina","tag-arq-ediciones","tag-arquitectura-argentina","tag-arquitectura-chilena","tag-chile","tag-diseno-industrial","tag-gui-bonsiepe","tag-historia","tag-objeto","tag-publicacion","tag-s-xx","tag-territorio"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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