{"id":17344,"date":"2011-11-03T06:10:41","date_gmt":"2011-11-03T06:10:41","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=17344"},"modified":"2024-03-27T17:46:05","modified_gmt":"2024-03-27T16:46:05","slug":"objetos-para-transformar-el-mundo","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/objetos-para-transformar-el-mundo\/","title":{"rendered":"Objetos para transformar el mundo"},"content":{"rendered":"<p><\/p>\n<p style=\"text-align: justify;\">En el mundo del siglo XX, poblado como nunca antes por artefactos t\u00e9cnicos y obras que aspiran al estatus de arte, diversas corrientes modernistas quisieron poner en circulaci\u00f3n otra familia de objetos, que no pudieran ser catalogados ni como t\u00e9cnica ni como arte y que tuvieran como primera raz\u00f3n de ser la modificaci\u00f3n radical de lo existente.<\/p>\n<p style=\"text-align: justify;\">El invencionismo argentino fue una de esas corrientes. Nacido a mediados de los a\u00f1os cuarenta, pese a su corta existencia incub\u00f3 las l\u00edneas importantes del arte argentino, como Mad\u00ed, el Arte Concreto-Intervenci\u00f3n y el Perceptismo.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/amzn.to\/3TTFumU\" target=\"_blank\" rel=\"noopener\">Alejandro Crispiani<\/a> nos presenta aqu\u00ed un estudio que parte del invencionismo para reconstruir la trayectoria de su impulso radical en dos direcciones, la que lleva a la arquitectura y la que lleva al dise\u00f1o industrial, y en ambos casos en un territorio distinto de aquel en que se origin\u00f3, el Chile de las d\u00e9cadas de 1950 a 1970.<\/p>\n<figure id=\"attachment_17345\" aria-describedby=\"caption-attachment-17345\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-17345\" title=\"Objetos para transformar el mundo\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg\" alt=\"Objetos para transformar el mundo\" width=\"750\" height=\"1083\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00.jpg 277w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/10\/Eq04F00-207x300.jpg 207w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-17345\" class=\"wp-caption-text\"><span style=\"color: #999999;\">Objetos para transformar el mundo<\/span><\/figcaption><\/figure>\n<h5><strong>Objetos para transformar el mundo<\/strong><\/h5>\n<p style=\"text-align: justify;\">As\u00ed, <a href=\"https:\/\/horizonteenfermeria.uc.cl\/index.php\/hib\/article\/view\/46279\" target=\"_blank\" rel=\"noopener\">este libro<\/a> traza por primera vez las relaciones entre el arte invencionista argentino, la Escuela de Arquitectura de Valpara\u00edso (promotora de algunas de las m\u00e1s osadas iniciativas de vanguardia de la regi\u00f3n) y las experiencias del Grupo de Dise\u00f1o liderado por Gui Bonsiepe (una inmersi\u00f3n del dise\u00f1o industrial europeo de avanzada en la realidad social y pol\u00edtica latinoamericana plena de consecuencias); dos experiencias, estas \u00faltimas, que pasaron por un momento particularmente \u00e1lgido en lo relativo a su naturaleza y a\u00fan a su propia existencia a comienzos de los a\u00f1os 1970, cerrando el ciclo modernizador iniciado en la posguerra.<\/p>\n<p style=\"text-align: justify;\"><em><strong>Objetos para transformar el mundo<\/strong><\/em>, combina la historia de la arquitectura y el dise\u00f1o, la historia del arte y la historia intelectual para poner luz en el entretejido de intenciones est\u00e9ticas ambiciones filos\u00f3ficas y aspiraciones pol\u00edticas que constituy\u00f3 la propia matriz de este fascinante episodio de contactos culturales y viajes de ideas y personas a uno y otro lado de la cordillera.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.edicionesarq.cl\/2011\/objetos-para-transformar-el-mundo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ art\u00edculo publicado en ARQ ediciones<\/span><\/a><\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>En el mundo del siglo XX, poblado como nunca antes por artefactos t\u00e9cnicos y obras que aspiran al estatus de arte, diversas corrientes modernistas quisieron poner en circulaci\u00f3n otra familia de objetos, que no pudieran ser catalogados ni como t\u00e9cnica ni como arte y que tuvieran como primera raz\u00f3n de ser la modificaci\u00f3n radical de [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":17345,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[794,26],"tags":[2759,6573,6572,129,6381,6592,6682,309,431,11592,668,1564,1120,4444,1286],"class_list":{"0":"post-17344","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-libros","8":"category-publicaciones","9":"tag-alejandro-crispiani","10":"tag-anos-40","11":"tag-anos-70","12":"tag-argentina","13":"tag-arq-ediciones","14":"tag-arquitectura-argentina","15":"tag-arquitectura-chilena","16":"tag-chile","17":"tag-diseno-industrial","18":"tag-gui-bonsiepe","19":"tag-historia","20":"tag-objeto","21":"tag-publicacion","22":"tag-s-xx","23":"tag-territorio"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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