{"id":17056,"date":"2011-10-18T07:39:06","date_gmt":"2011-10-18T07:39:06","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=17056"},"modified":"2020-11-17T10:09:54","modified_gmt":"2020-11-17T09:09:54","slug":"arquitecturas-pintadas","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/arquitecturas-pintadas\/","title":{"rendered":"Arquitecturas pintadasArquitecturas pintadasIdentical architecture"},"content":{"rendered":"

<\/p>\n

Entre el Renacimiento y el siglo XVIII se sientan las bases de la arquitectura contempor\u00e1nea. Y la pintura conform\u00f3 nuevas met\u00e1foras culturales, ideol\u00f3gicas y pol\u00edticas a trav\u00e9s de la representaci\u00f3n de edificios, ciudades y espacios p\u00fablicos. Arquitecturas pintadas. Del Renacimiento al siglo XVIII,<\/em> la exposici\u00f3n que desde hoy puede verse en el Museo Thyssen-Bornemisza y la Fundaci\u00f3n Caja Madrid, descubre m\u00e1s de 140 pinturas -de Duccio di Buoninsegna a Canaletto, Giovanni Paolo Panini, Tintoretto, Gaspar van Wittel, Hubert Robert, Maerten van Heemskerck o Hans Vredeman de Vriesque- que muestran desde la po\u00e9tica de las ruinas (s\u00edmbolo de la memoria y la melancol\u00eda) a no menos nost\u00e1lgicas postales de los primeros grandes n\u00facleos urbanos europeos, en los que el lenguaje del poder empez\u00f3 a tomar la forma de las calles y las plazas. De la mano de Emilio Tu\u00f1\u00f3n y Luis M. Mansilla, uno de los equipos m\u00e1s prestigiosos de la arquitectura espa\u00f1ola -con el MUSAC lograron el importante premio Mies van der Rohe de 2007-, y de Fuensanta Nieto, que en equipo con Enrique Sobejano ha firmado, entre otras, la ampliaci\u00f3n del Museo Nacional Colegio de San Gregorio de Valladolid o la del San Telmo de San Sebasti\u00e1n, paseamos por una exposici\u00f3n que permanecer\u00e1 abierta hasta el 22 de enero de 2012.<\/p>\n

\"\"<\/a>
As\u00ed imagin\u00f3 Lucas van Valckenborch (Lovaina, 1535-Fr\u00e1ncfor, 1597) que era la torre de Babel, \u00f3leo que se expone en el museo Mittelrhein de la ciudad alemana de Coblenza | elpais.com<\/span><\/figcaption><\/figure>\n

[…]<\/p>\n

Elsa Fern\u00e1ndez-Santos<\/p>\n

+ art\u00edculo publicado en el pais<\/span><\/p>\n

Entre o Renacemento e o s\u00e9culo XVIII sentan as bases da arquitectura contempor\u00e1nea. E a pintura conformou novas met\u00e1foras culturais, ideol\u00f3xicas e pol\u00edticas a trav\u00e9s da representaci\u00f3n de edificios, cidades e espazos p\u00fablicos. Arquitecturas pintadas. Do Renacemento ao s\u00e9culo XVIII, a exposici\u00f3n que desde hoxe pode verse no Museo Thyssen-Bornemisza e a Fundaci\u00f3n Caixa Madrid, descobre m\u00e1is de 140 pinturas -de Duccio dei Buoninsegna a Canaletto, Giovanni Paolo Panini, Tintoretto, Gaspar van Wittel, Hubert Robert, Maerten van Heemskerck ou Hans Vredeman de Vriesque- que mostran desde a po\u00e9tica das ru\u00ednas (s\u00edmbolo da memoria e a melancol\u00eda) a non menos nost\u00e1lxicas postais dos primeiros grandes n\u00facleos urbanos europeos, nos que a linguaxe do poder empezou a tomar a forma das r\u00faas e as prazas. Da man de Emilio Tu\u00f1\u00f3n e Lu\u00eds M. Mansilla, un dos equipos m\u00e1is prestixiosos da arquitectura espa\u00f1ola -co MUSAC lograron o importante premio Mies van der Rohe de 2007-, e de Fuensanta Neto, que en equipo con Enrique Sobejano asinou, entre outras, a ampliaci\u00f3n do Museo Nacional Colexio de San Gregorio de Valladolid ou a do San Telmo de San Sebasti\u00e1n, paseamos por unha exposici\u00f3n que permanecer\u00e1 aberta ata o 22 de xaneiro de 2012.<\/p>\n

\"\"<\/a>
As\u00ed imaxinou Lucas van Valckenborch (Lovaina, 1535-Fr\u00e1ncfor, 1597) que era a torre de Babel, \u00f3leo que se exp\u00f3n no museo Mittelrhein da cidade alem\u00e1 de Coblenza | elpais.com<\/span><\/figcaption><\/figure>\n

[…]<\/p>\n

Elsa Fern\u00e1ndez-Santos<\/p>\n

+ artigo publicado en el pais<\/span><\/p>\n

Between the Renaissance and the 18th century they are laid the foundations of the contemporary architecture. And the painting shaped new cultural, ideological and political metaphors across the building representation, cities and public spaces. Identical architectures. From the Renaissance to the 18th century, the exhibition that from today can turns in the Museum Thayssen-Bornemisza and the Caja Madrid Foundation, it discovers more than 140 paintings – by Duccio di Buoninsegna a Canaletto, Giovanni Paolo Panini, Tintoretto, Gaspar van Wittel, Hubert Robert, Maerten van Heemskerck or Hans Vredeman de Vriesque – that show from the poetics of the ruins (symbol of the memory and the melancholy) to not fewer nostalgic postcards of the first big urban European cores, in which the language of the power started taking the form of the streets and the squares. Of the hand of Emilio Tu\u00f1\u00f3n and Luis M. Mansilla, one of the most prestigious equipments of the Spanish architecture – with the MUSAC achieved the important prize Mies van der Rohe of 2007-, and of Fuensanta Nieto, who in equipment with Enrique Sobejano has signed, between others, the extension of the National Museum Colegio de San Gregorio de Valladolid or that of the San Telmo of San Sebastian, we walk along an exhibition that will remain opened until January 22, 2012.<\/p>\n

\"\"<\/a>
This way there imagined Lucas van Valckenborch (Lovaina, 1535-Fr\u00e1ncfor, 1597) who was the tower of Babel, oil that is exposed in the museum Mittelrhein of Coblenza’s German city | elpais.com<\/span><\/figcaption><\/figure>\n

[…]<\/p>\n

Elsa Fern\u00e1ndez-Santos<\/p>\n

+ article is published in el pais<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Entre el Renacimiento y el siglo XVIII se sientan las bases de la arquitectura contempor\u00e1nea. Y la pintura conform\u00f3 nuevas met\u00e1foras culturales, ideol\u00f3gicas y pol\u00edticas a trav\u00e9s de la representaci\u00f3n de edificios, ciudades y espacios p\u00fablicos. Arquitecturas pintadas. Del Renacimiento al siglo XVIII, la exposici\u00f3n que desde hoy puede verse en el Museo Thyssen-Bornemisza y […]<\/p>\n","protected":false},"author":2,"featured_media":17058,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[2648,2647,521,556,2650,2655,2653,2651,814,2652,2654,12466,2649],"class_list":["post-17056","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-canaletto","tag-espana","tag-exposicion","tag-gaspar-van-wittel","tag-giovanni-paolo-panini","tag-hans-vredeman-de-vriesque","tag-hubert-robert","tag-madrid","tag-maerten-van-heemskerck","tag-museo-thyssen-bornemisza","tag-pintura","tag-tintoretto"],"yoast_head":"\nArquitecturas pintadasArquitecturas pintadasIdentical architecture - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Arquitecturas pintadasArquitecturas pintadasIdentical architecture\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/arquitecturas-pintadas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arquitecturas pintadasArquitecturas pintadasIdentical architecture - 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