{"id":16675,"date":"2011-09-29T07:32:54","date_gmt":"2011-09-29T07:32:54","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=16675"},"modified":"2020-11-25T08:45:58","modified_gmt":"2020-11-25T07:45:58","slug":"entropia","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/entropia\/","title":{"rendered":"Entrop\u00eda"},"content":{"rendered":"

[:es]<\/p>\n

Entrop\u00eda recrea un estado l\u00edmite entre el equilibrio y el orden aleatorio. El movimiento, la transformaci\u00f3n y la relaci\u00f3n del espectador con el espacio expositivo toman un papel primordial y se convierten en\u00a0 elementos latentes de la exposici\u00f3n. La obra de Migu\u00e9lez plantea un \u201cdesplazamiento subjetivo\u201d en el que se producen dislocaciones entre lo que podr\u00edamos considerar por una parte: una \u201cespacialidad codificada\u201d (en ciertas tipolog\u00edas edilicias por ejemplo), por otra, una mirada en clave simb\u00f3lica sobre la naturaleza. Luces y sombras. Prismas, tri\u00e1ngulos y perspectivas. Interiores y exteriores coexistiendo en su ambig\u00fcedad\u2026 relaciones no exploradas entre \u201cluz\u201d ( conciencia, esp\u00edritu, forma) y \u201csuperficie\u201d (material, cuerpo, figuras), im\u00e1genes fijas y en movimiento que se desenvuelven en un interminable \u201cevento espacial\u201d, del cual participan por igual el cuerpo y la mente en distintos y complejos niveles que, de alguna manera, proponen a nuestro asentimiento que todo \u201cconstructo\u201d arquitect\u00f3nico es, como sugiere John Rajchman: una \u201ccomplicaci\u00f3n\u201d o \u201cabstracto operacional\u201d (no exclusivamente mental sino \u201cvirtual\u201d) que precede a su materializaci\u00f3n y por ende a la experiencia f\u00edsico-mental del espacio. Marcos Migu\u00e9lez parte de una posici\u00f3n con respecto a la arquitectura comparable a la de escultores, como Gordon Matta Clark, Dan Graham o m\u00e1s recientemente Rachel Whiteread, en el sentido de mostrar a trav\u00e9s de sus pinturas, videos e instalaciones aquellas posibilidades pl\u00e1sticas y narrativas que la arquitectura -como disciplina aparentemente aut\u00f3noma-, no consideraba o lo hac\u00eda de un modo secundario; lo cual, la reconstituye a nuestros ojos de una manera impensada, pero a la vez familiar.<\/p>\n

\"\"<\/a><\/p>\n

MARCOS MIGUELEZ presenta su primera exposici\u00f3n individual en la Galer\u00eda V\u00e9rtice de Oviedo. La muestra, que recoge trabajos realizados expresamente para esta exposici\u00f3n y obra desarrollada desde 2008, se inaugura el jueves, 29 de septiembre, a las 19:30h. Licenciado en arquitectura por la Universidad Polit\u00e9cnica de Barcelona, ampl\u00eda su formaci\u00f3n en el campo del arte para crear un discurso anal\u00edtico y creativo entorno a la relaci\u00f3n del hombre con el espacio. Su obra unifica lenguajes del arte y la arquitectura para producir obras de diferentes formatos como instalaciones, esculturas, maquetas, pintura, video y obra gr\u00e1fica. Inicia su trayectoria profesional colaborando con Enric Masip (embaarquitectos) y con el estudio Arquitectura-G en Barcelona. En su labor docente ha impartido clases, talleres y conferencias para la Universidad Elisava de Barcelona y para la Universidad de Le\u00f3n. En 2009 funda su propio estudio, LARC (Laboratorio de Arquitectura y Arte Contempor\u00e1neo), con sedes en Barcelona y Ponferrada (Le\u00f3n), desde donde desarrolla su propia trayectoria. Ha participado con su obra en exposiciones y eventos en Londres, Madrid, Barcelona, Valencia, A Coru\u00f1a,Le\u00f3n, Oviedo\u2026<\/p>\n

F. Javier Panera Cuevas
\nDirector del DA2 (Domus Artium 2002 de Salamanca).<\/p>\n

Galeria Vertice
\nOviedo [Espa\u00f1a]
\nObra expuesta: Pintura, escultura, v\u00eddeo e instalaci\u00f3n. Sala 0.
\n29 Septiembre \u00b7 12 Noviembre, 2011.<\/p>\n

[:gl]<\/p>\n

Entrop\u00eda recrea un estado l\u00edmite entre o equilibrio e a orde aleatoria. O movemento, a transformaci\u00f3n e a relaci\u00f3n do espectador co espazo expositivo toman un papel primordial e conv\u00e9rtense en elementos latentes da exposici\u00f3n. A obra de Migu\u00e9lez exp\u00f3n un \u201cdesprazamento subxectivo\u201d no que se producen dislocaciones entre o que poderiamos considerar por unha banda: unha \u201cespacialidad codificada\u201d (en certas tipolox\u00edas edilicias por exemplo), por outra, unha mirada en clave simb\u00f3lica sobre a natureza. Luces e sombras. Prismas, tri\u00e1ngulos e perspectivas. Interiores e exteriores coexistindo na s\u00faa ambig\u00fcidade\u2026 relaciones non exploradas entre \u201cluz\u201d ( conciencia, esp\u00edrito, forma) e \u201csuperficie\u201d (material, corpo, figuras), imaxes fixas e en movemento que se desenvolven nun interminable \u201cevento espacial\u201d, do cal participan por igual o corpo e a mente en distintos e complexos niveis que, dalgunha maneira, propo\u00f1en ao noso asentimiento que todo \u201cconstructo\u201d arquitect\u00f3nico \u00e9, como suxire John Rajchman: unha \u201ccomplicaci\u00f3n\u201d ou \u201cabstracto operacional\u201d (non exclusivamente mental sen\u00f3n \u201cvirtual\u201d) que precede \u00e1 s\u00faa materializaci\u00f3n e polo tanto \u00e1 experiencia f\u00edsico-mental do espazo. Marcos Migu\u00e9lez parte dunha posici\u00f3n con respecto \u00e1 arquitectura comparable \u00e1 de escultores, como Gordon Matta Clark, Dan Graham ou m\u00e1is recentemente Rachel Whiteread, no sentido de mostrar a trav\u00e9s das s\u00faas pinturas, v\u00eddeos e instalaci\u00f3ns aquelas posibilidades pl\u00e1sticas e narrativas que a arquitectura -como disciplina aparentemente aut\u00f3noma-, non consideraba ou o fac\u00eda dun modo secundario; o cal, a reconstituye aos nosos ollos dunha maneira impensada, pero \u00e1 vez familiar.<\/p>\n

\"\"<\/a><\/p>\n

MARCOS MIGUELEZ presenta su primera exposici\u00f3n individual en la Galer\u00eda V\u00e9rtice de Oviedo. La muestra, que recoge trabajos realizados expresamente para esta exposici\u00f3n y obra desarrollada desde 2008, se inaugura el jueves, 29 de septiembre, a las 19:30h. Licenciado en arquitectura por la Universidad Polit\u00e9cnica de Barcelona, ampl\u00eda su formaci\u00f3n en el campo del arte para crear un discurso anal\u00edtico y creativo entorno a la relaci\u00f3n del hombre con el espacio. Su obra unifica lenguajes del arte y la arquitectura para producir obras de diferentes formatos como instalaciones, esculturas, maquetas, pintura, video y obra gr\u00e1fica. Inicia su trayectoria profesional colaborando con Enric Masip (embaarquitectos) y con el estudio Arquitectura-G en Barcelona. En su labor docente ha impartido clases, talleres y conferencias para la Universidad Elisava de Barcelona y para la Universidad de Le\u00f3n. En 2009 funda su propio estudio, LARC (Laboratorio de Arquitectura y Arte Contempor\u00e1neo), con sedes en Barcelona y Ponferrada (Le\u00f3n), desde donde desarrolla su propia trayectoria. Ha participado con su obra en exposiciones y eventos en Londres, Madrid, Barcelona, Valencia, A Coru\u00f1a,Le\u00f3n, Oviedo\u2026<\/p>\n

F. Javier Panera Cuevas
\nDirector del DA2 (Domus Artium 2002 de Salamanca).<\/p>\n

Galeria Vertice
\nOviedo [Espa\u00f1a]
\nObra expuesta: Pintura, escultura, v\u00eddeo e instalaci\u00f3n. Sala 0.
\n29 Septiembre \u00b7 12 Noviembre, 2011.<\/p>\n

[:en]<\/p>\n

Entropy recreates a condition limit between the balance and the random order. The movement, the transformation and the relation of the spectator with the explanatory space take a basic paper and turn into latent elements of the exhibition. Migu\u00e9lez’s work raises a \u00bb subjective displacement \u00bb in which dislocations take place between what we might consider on one hand: one \u00bb espacialidad codified \u00bb (in certain tipolog\u00edas edilicias for example), for other one, a look in symbolic key on the nature. Lights and shades. Prisms, triangles and perspectives. Interiors and exteriors coexisting in his ambiguity \u2026 relations not explored between \u00ablight\u00bb (conscience, spirit, form) and \u00absurface\u00bb (material, body, figures), fixed images and in movement that is unrolled in an endless \u00bb spatial event \u00ab, of which they inform equally the body and the mind in different and complex levels that, somehow, they propose to our assent that every architectural \u00abconstructo\u00bb is, as John Rajchman suggests: a \u00abcomplication\u00bb or \u00bb abstract operational \u00bb (not exclusively mental but \u00abvirtual\u00bb) that precedes his materialization and for ende the physical – mental experience of the space. Marcos Migu\u00e9lez departs from a position with regard to the architecture comparable to that of sculptors, as Gordon Matta Clark, Dan Graham or more recently Rachel Whiteread, in the sense of showing across his paintings, videoes and facilities those plastic and narrative possibilities that the architecture – as seemingly autonomous discipline-, he was not considering or was doing it in a secondary way; which, it re-constitutes it to our eyes of an unthinkable way, but simultaneously familiar.<\/p>\n

\"\"<\/a><\/p>\n

MARCOS MIGUELEZ he presents his first individual exhibition in the Gallery Vertex of Oviedo. The sample, which gathers works realized expressly for this exhibition and work developed from 2008, is inaugurated on Thursday, the 29th of September, to them 19:30h. Licensed in architecture for the Technical University of Barcelona, it extends his formation in the field of the art to create an analytical speech and creative environment to the relation of the man with the space. His work unifies languages of the art and the architecture to produce works of different formats like facilities, sculptures, models, painting, video and graphical work. It initiates his professional path collaborating with Enric Masip (embaarquitectos) and with the study Arquitectura-G in Barcelona. In his educational labor it has given classes, workshops and conferences for the University Elisava of Barcelona and for Le\u00f3n’s University. In 2009 it founds his own study, LARC (Laboratory of Architecture and Contemporary Art), with headquarters in Barcelona and Ponferrada (Le\u00f3n), from where it develops his own path. It has informed with his work in exhibitions and events in London, Madrid, Barcelona, Valencia, Corunna, Le\u00f3n, Oviedo \u2026<\/p>\n

F. Javier Panera Cuevas
\nDirector of the DA2 (Domus Artium 2002 de Salamanca).<\/p>\n

Galeria Vertice
\nOviedo [Spa\u00f1a]
\nExposed work: Painting, sculpture, video and installation. Room 0.
\n29 September \u00b7 On November 12, 2011.<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Entrop\u00eda recrea un estado l\u00edmite entre el equilibrio y el orden aleatorio. El movimiento, la transformaci\u00f3n y la relaci\u00f3n del espectador con el espacio expositivo toman un papel primordial y se convierten en\u00a0 elementos latentes de la exposici\u00f3n. La obra de Migu\u00e9lez plantea un \u201cdesplazamiento subjetivo\u201d en el que se producen dislocaciones entre lo […]<\/p>\n","protected":false},"author":2,"featured_media":16677,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[508,12445,556,716,12466],"class_list":["post-16675","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-escultura","tag-evento","tag-exposicion","tag-instalacion","tag-pintura"],"yoast_head":"\nEntrop\u00eda - veredes<\/title>\n<meta name=\"description\" content=\"Toda la informaci\u00f3n sobre: Entrop\u00eda\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/entropia\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Entrop\u00eda - 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