{"id":16387,"date":"2015-03-16T05:58:59","date_gmt":"2015-03-16T04:58:59","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=16387"},"modified":"2020-01-23T09:17:29","modified_gmt":"2020-01-23T08:17:29","slug":"el-albanil-robotico-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/","title":{"rendered":"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda OdiagaO albanel rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda OdiagaThe robotic bricklayer | \u00cd\u00f1igo Garc\u00eda Odiaga"},"content":{"rendered":"

\"\"<\/a>
Almac\u00e9n en los Vi\u00f1edos Gantenbein, Bearth & Deplazes | Fotograf\u00eda: Ralph Feiner\/Ambrosetti Tonatiuh<\/span><\/figcaption><\/figure><\/p>\n

El entusiasmo por avanzar y por recorrer nuevos caminos ha hecho que la arquitectura contempor\u00e1nea haya llegado incluso a denostar los sistemas tradicionales de construcci\u00f3n basados en el ladrillo y en la mano de obra de un alba\u00f1il.<\/p>\n

Superadas las obras de Eladio Dieste que desde el lenguaje racional del movimiento moderno propon\u00edan el uso del ladrillo como un elemento que pod\u00eda aunar la tradici\u00f3n junto con nuevos experimentos formales, la arquitectura de vanguardia ha rechazado el ladrillo, tach\u00e1ndolo de obsoleto y trasnochado.<\/p>\n

El departamento de arquitectura de la ETH de Zurich, una de las escuelas de arquitectura m\u00e1s prestigiosas del mundo, tiene un taller espec\u00edfico de arquitectura y fabricaci\u00f3n digital dirigido por los profesores Fabio Gramazio y Matthias Kohler. Uno de los objetivos de este taller es la determinaci\u00f3n de las estrategias a seguir para la adaptaci\u00f3n de t\u00e9cnicas de industrializaci\u00f3n robotizadas a la construcci\u00f3n de la arquitectura. De alguna manera se busca trasladar los resultados de precisi\u00f3n y calidad llevados a cabo por los robots de montaje de por ejemplo los coches utilitarios al complejo mundo de la construcci\u00f3n de un edificio.<\/p>\n

Su mayor aportaci\u00f3n a este campo, por el momento, ha sido ROB, una unidad de fabricaci\u00f3n rob\u00f3tica introducida en un container est\u00e1ndar de transporte, de forma que pueda ser desplazada a cualquier lugar del mundo y por lo tanto ser alquilada por cualquier persona que requiera de esta maquinar\u00eda de precisi\u00f3n.<\/p>\n

\"\"<\/a>
Pike Loop<\/span><\/figcaption><\/figure>\n

Una de sus primeras obras fue una instalaci\u00f3n en el espacio p\u00fablico denominada Pike Loop realizada en Manhattan, Nueva York, en el a\u00f1o 2009. Pike Loop es una pieza de 22m de largo, un muro estructural construido con ladrillos, un material de construcci\u00f3n ampliamente presente y de car\u00e1cter tradicional en Nueva York. M\u00e1s de siete mil ladrillos se van sumando para tejer un muro construido con una precisi\u00f3n de mil\u00edmetros, imposible de ejecutar mediante la mano humana. El ladrillo se convierte as\u00ed en un elemento capaz de construir geometr\u00edas que recuerdan a las superficies de chapa de Frank Gehry o las l\u00e1minas de acero de Richard Serra. M\u00e1s all\u00e1 de la capacidad tecnol\u00f3gica del robot ROB, su utilizaci\u00f3n ha posibilitando la recuperaci\u00f3n del ladrillo para la arquitectura de vanguardia y ha abierto nuevas v\u00edas de experimentaci\u00f3n.<\/p>\n

\"\"<\/a>
Pike Loop<\/span><\/figcaption><\/figure>\n

Cuando los arquitectos Bearth & Deplazes recibieron el encargo para realizar un almac\u00e9n en los Vi\u00f1edos Gantenbein, decidieron utilizar esta t\u00e9cnica de fabricaci\u00f3n para elaborar las fachadas del nuevo edificio.<\/p>\n

El dise\u00f1o inicial propon\u00eda un esqueleto simple relleno de ladrillos: los ladrillos act\u00faan como un material como buena inercia t\u00e9rmica, adem\u00e1s de como filtros de la luz solar para que la fermentaci\u00f3n se produzca tras las celos\u00edas.<\/p>\n

El m\u00e9todo de producci\u00f3n robotizada permiti\u00f3 colocar cada uno de los 20.000 ladrillos de forma precisa de acuerdo con los par\u00e1metros matem\u00e1ticos, el \u00e1ngulo deseado y los intervalos exactos prescritos.<\/p>\n

La fachada esta conformada por 72 elementos prefabricados generados de forma altamente tecnol\u00f3gica por medio del robot. Los elementos del muro se manufacturaron como un proyecto piloto en las \u00e1reas de producci\u00f3n de la ETH de Zurich, y fueron transportados uno por uno a la obra.<\/p>\n

La imagen de la fachada quiere asemejarse a una enorme cesta llena de uvas. En una visi\u00f3n m\u00e1s cercana, en contraste con el efecto pict\u00f3rico de la distancia, es la materialidad, la textura del muro la que adquiere el protagonismo frente a la masa de ladrillos. Sorprende la contradicci\u00f3n entre las suaves y redondeadas formas resultantes que realmente se componen de duras y r\u00edgidas unidades de ladrillos. La fachada aparece como una forma s\u00f3lida pero din\u00e1mica. Al observar la precisi\u00f3n de la ejecuci\u00f3n de la fachada, el dise\u00f1o se convierte en un manifiesto de su modulaci\u00f3n exacta y r\u00edgida producida por la m\u00e1s alta tecnolog\u00eda.<\/p>\n

\"\"<\/a>
Fachada del amac\u00e9n en los Vi\u00f1edos Gantenbein, Bearth & Deplazes<\/span><\/figcaption><\/figure>\n

Sin embargo, las implicaciones arquitect\u00f3nicas de esta fachada de ladrillo son m\u00e1s elaboradas y diversas que las de la t\u00e9cnica empleada. Para el ojo humano, las sutiles diferencias entre color e iluminaci\u00f3n y el reflejo de los ladrillos crean una apariencia y plasticidad que est\u00e1 constantemente cambiando junto con el movimiento del observador y del sol con el curso de las horas.<\/p>\n

Este edificio que en cierto modo podr\u00eda considerarse a\u00fan experimental refleja los esfuerzos que la arquitectura est\u00e1 realizando por reinterpretarse y por cambiar no solo su imagen exterior en busca de la espectacularidad sino sus propios sistemas productivos. Este proceso se basa en la creencia de que una t\u00e9cnica moderna y contempor\u00e1nea, acorde con la tecnificaci\u00f3n de la sociedad actual, generar\u00e1 tambi\u00e9n una arquitectura de nuestro tiempo, adem\u00e1s continuista con la historia de la arquitectura al actualizar el uso del ladrillo, tal vez el primer material de construcci\u00f3n manufacturado producido por el ser humano.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto
\nsan sebasti\u00e1n. septiembre 2011<\/p>\n

Publicado en ZAZPIKA 11.09.2011<\/span><\/em><\/p>\n

\n

\"\"<\/a>
Store in the Gantenbein Vineyards, Bearth & Deplazes | Photography: Ralph Feiner\/Ambrosetti Tonatiuh<\/span><\/figcaption><\/figure><\/p>\n

The enthusiasm for advancing and for crossing new ways has done that the contemporary architecture has managed to revile even the traditional systems of construction based on the brick and on the workforce of a bricklayer.<\/p>\n

Overcome Eladio Dieste’s works that from the rational language of the modern movement they were proposing the use of the brick as an element that could unite the tradition together with new formal experiments, the architecture of forefront has rejected the brick, correcting it of obsoletely and outmoded.<\/p>\n

The department of architecture of the ETH of Zurich, one of the more prestigious schools of architecture of the world, has a specific workshop of architecture and digital manufacture directed by the teachers Fabio Gramazio and Matthias Kohler. One of the aims of this workshop is the determination of the strategies to continuing for the adjustment of technologies of industrialization automated to the construction of the architecture. Somehow one seeks to move the results of precision and quality carried out by the robots of assembly of for example the utilitarian cars to the complex world of the construction of a building.<\/p>\n

His major contribution to this field, for the present time, has been ROB, a unit of robotic manufacture got in a standard skip of transport, so that it could be displaced to any place of the world and therefore to be rented by any person who needs of this one would machinate of precision.<\/p>\n

\"\"<\/a>
Pike Loop<\/span><\/figcaption><\/figure>\n

e of his first works was an installation in the public space named Pike Loop realized in Manhattan, New York, in the year 2009. Pike Loop is a piece of 22m of length, a structural wall constructed with bricks, a material of widely present construction and of traditional character in New York. More than seven thousand bricks are adding to weave a wall constructed with a precision of millimeters, impossible to execute by means of the human hand. The brick turns this way into an element capable of constructing geometries that resemble the surfaces of Frank Gehry’s sheet or the sheets of Richard Serra’s steel. Beyond the technological capacity of the robot ROB, his utilization has making the recovery of the brick possible for the architecture of forefront and it has opened new routes of experimentation.<\/p>\n

\"\"<\/a>
Pike Loop<\/span><\/figcaption><\/figure>\n

When the architects Bearth and Deplazes received the order to realize a store in the Vineyards Gantenbein, they decided to use this technology of manufacture to elaborate the fronts of the new building.<\/p>\n

The initial design was proposing a simple stuffed skeleton of bricks: the bricks act as the material one as good thermal inertia, besides since filters of the solar light in order that the fermentation takes place after the lattices.<\/p>\n

The method of automated production allowed to place each of 20.000 bricks of precise form of agreement with the mathematical parameters, the wished angle and the exact prescribed intervals.<\/p>\n

The this front shaped by 72 prefabricated units generated of highly technological form by means of the robot. The elements of the wall were manufactured as a pilot scheme in the areas of production of the ETH of Zurich, and were transported one by one to the work.<\/p>\n

The image of the front wants to be alike an enormous basket full of grapes. In a more nearby vision, in contrast with the pictorial effect of the distance, it is the materiality, the texture of the wall the one that acquires the protagonism opposite to the mass of bricks. It surprises the contradiction between the soft and rounded resultant forms that really consist of hard and rigid units of bricks. The front appears as a solid but dynamic form. On having observed the precision of the execution of the front, the design turns into a manifest of his exact and rigid modulation produced by the highest technology.<\/p>\n

\"\"<\/a>
Front of the amac\u00e9n in the Vineyards Gantenbein, Bearth and Deplazes<\/span><\/figcaption><\/figure>\n

Nevertheless, the architectural implications of this front of brick are more elaborated and diverse than those of the used technology. For the human eye, the subtle differences between color and lighting and the reflection of the bricks create an appearance and plasticity that is changing constant together with the movement of the observer and of the Sun with the course of the hours.<\/p>\n

This building that in certain way might be considered to be still experimental reflects the efforts that the architecture realizes for be reinterpreting and for changing not only his exterior image in search of the showiness but his own productive systems. This process is based on the belief of which a technology modern and contemporary, according to the modernization of the current company, will generate also an architecture of our time, in addition continuista with the history of the architecture on having updated the use of the brick, maybe the first material of construction manufactured produced by the human being.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. architect<\/p>\n

san sebasti\u00e1n. september 2011<\/p>\n

It\u00b4s published in ZAZPIKA 11.09.2011<\/span><\/em><\/p>\n

\n

\"\"<\/a>
Almac\u00e9n nos Vi\u00f1edos Gantenbein, Bearth & Deplazes | Fotograf\u00eda: Ralph Feiner\/Ambrosetti Tonatiuh<\/span><\/figcaption><\/figure><\/p>\n

O entusiasmo por avanzar e por percorrer novos cami\u00f1os fixo que a arquitectura contempor\u00e1nea haxa chegado mesmo a deostar os sistemas tradicionais de construci\u00f3n baseados no ladrillo e na man de obra dun albanel. S<\/p>\n

uperadas as obras de Eladio Dieste que desde a linguaxe racional do movemento moderno propu\u00f1an o uso do ladrillo como un elemento que pod\u00eda axuntar a tradici\u00f3n xunto con novos experimentos formais, a arquitectura de vangarda rexeitou o ladrillo, tach\u00e1ndoo de obsoleto e trasnoitado.<\/p>\n

O departamento de arquitectura da ETH de Z\u00faric, unha das escolas de arquitectura m\u00e1is prestixiosas do mundo, ten un taller espec\u00edfico de arquitectura e fabricaci\u00f3n dixital dirixido polos profesores Fabio Gramazio e Matthias Kohler. Un dos obxectivos deste taller \u00e9 a determinaci\u00f3n das estratexias a seguir para a adaptaci\u00f3n de t\u00e9cnicas de industrializaci\u00f3n robotizadas \u00e1 construci\u00f3n da arquitectura. Dalgunha maneira b\u00fascase trasladar os resultados de precisi\u00f3n e calidade levados a cabo polos robots de montaxe de por exemplo os coches utilitarios ao complexo mundo da construci\u00f3n dun edificio.<\/p>\n

A s\u00faa maior achega a este campo, polo momento, foi ROB, unha unidade de fabricaci\u00f3n rob\u00f3tica introducida nun container est\u00e1ndar de transporte, de forma que poida ser desprazada a calquera lugar do mundo e por tanto ser alugada por calquera persoa que requira desta maquinar\u00eda de precisi\u00f3n.<\/p>\n

\"\"<\/a>
Pike Loop<\/span><\/figcaption><\/figure>\n

Unha das s\u00faas primeiras obras foi unha instalaci\u00f3n no espazo p\u00fablico denominada Pike Loop realizada en Manhattan, Nova York, no ano 2009. Pike Loop \u00e9 unha peza de 22 m de longo, un muro estrutural constru\u00eddo con ladrillos, un material de construci\u00f3n amplamente presente e de car\u00e1cter tradicional en Nova York. M\u00e1is de sete mil ladrillos vanse sumando para tecer un muro constru\u00eddo cunha precisi\u00f3n de mil\u00edmetros, imposible de executar mediante a man humana. O ladrillo conv\u00e9rtese as\u00ed nun elemento capaz de constru\u00edr xeometr\u00edas que recordan \u00e1s superficies de chapa de Frank Gehry ou as l\u00e1minas de aceiro de Richard Serra. M\u00e1is al\u00e1 da capacidade tecnol\u00f3xica do robot ROB, a s\u00faa utilizaci\u00f3n ten posibilitando a recuperaci\u00f3n do ladrillo para a arquitectura de vangarda e abriu novas v\u00edas de experimentaci\u00f3n.<\/p>\n

\"\"<\/a>
Pike Loop<\/span><\/figcaption><\/figure>\n

Cando os arquitectos Bearth & Deplazes recibiron o encargo para realizar un almac\u00e9n nos Vi\u00f1edos Gantenbein, decidiron utilizar esta t\u00e9cnica de fabricaci\u00f3n para elaborar as fachadas do novo edificio.<\/p>\n

O dese\u00f1o inicial propo\u00f1\u00eda un esqueleto simple recheo de ladrillos: os ladrillos act\u00faan como un material como boa inercia t\u00e9rmica, ademais de como filtros da luz solar para que a fermentaci\u00f3n se produza tras as celos\u00edas.<\/p>\n

O m\u00e9todo de produci\u00f3n robotizada permitiu colocar cada un dos 20.000 ladrillos de forma precisa de acordo cos par\u00e1metros matem\u00e1ticos, o \u00e1ngulo desexado e os intervalos exactos prescritos.<\/p>\n

A fachada esta conformada por 72 elementos prefabricados xerados de forma altamente tecnol\u00f3xica por medio do robot. Os elementos do muro manufactur\u00e1ronse como un proxecto piloto nas \u00e1reas de produci\u00f3n da ETH de Z\u00fcrich, e foron transportados un por un \u00e1 obra.<\/p>\n

A imaxe da fachada quere asemellarse a unha enorme cesta chea de uvas. Nunha visi\u00f3n m\u00e1is pr\u00f3xima, en contraste co efecto pict\u00f3rico da distancia, \u00e9 a materialidade, a textura do muro a que adquire o protagonismo fronte \u00e1 masa de ladrillos. Sorprende a contradici\u00f3n entre as suaves e redondeadas formas resultantes que realmente se compo\u00f1en de duras e r\u00edxidas unidades de ladrillos. A fachada aparece como unha forma s\u00f3lida pero din\u00e1mica. Ao observar a precisi\u00f3n da execuci\u00f3n da fachada, o dese\u00f1o conv\u00e9rtese nun manifesto da s\u00faa modulaci\u00f3n exacta e r\u00edxida producida pola m\u00e1is alta tecnolox\u00eda.<\/p>\n

\"\"<\/a>
Fachada do amac\u00e9n nos Vi\u00f1edos Gantenbein, Bearth & Deplazes<\/span><\/figcaption><\/figure>\n

Non obstante, as implicaci\u00f3ns arquitect\u00f3nicas desta fachada de ladrillo son m\u00e1is elaboradas e diversas que as da t\u00e9cnica empregada. Para o ollo humano, as sut\u00eds diferenzas entre cor e iluminaci\u00f3n e o reflexo dos ladrillos crean unha aparencia e plasticidade que est\u00e1 constantemente cambiando xunto co movemento do observador e do sol co curso das horas.<\/p>\n

Este edificio que en certo modo poder\u00eda considerarse a\u00ednda experimental reflexa os esforzos que a arquitectura est\u00e1 a realizar por reinterpretarse e por cambiar non s\u00f3 a s\u00faa imaxe exterior en busca da espectacularidade sen\u00f3n os seus propios sistemas produtivos. Este proceso bas\u00e9ase na crenza de que unha t\u00e9cnica moderna e contempor\u00e1nea, acorde coa tecnificaci\u00f3n da sociedade actual, xerar\u00e1 tam\u00e9n unha arquitectura do noso tempo, ademais continu\u00edsta coa historia da arquitectura ao actualizar o uso do ladrillo, talvez o primeiro material de construci\u00f3n manufacturado producido polo ser humano.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto<\/p>\n

san sebasti\u00e1n. setembro 2011<\/p>\n

Publicado en ZAZPIKA 11.09.2011<\/span><\/em><\/p>\n

\n<\/p>\n","protected":false},"excerpt":{"rendered":"

El entusiasmo por avanzar y por recorrer nuevos caminos ha hecho que la arquitectura contempor\u00e1nea haya llegado incluso a denostar los sistemas tradicionales de construcci\u00f3n basados en el ladrillo y en la mano de obra de un alba\u00f1il. Superadas las obras de Eladio Dieste que desde el lenguaje racional del movimiento moderno propon\u00edan el uso […]<\/p>\n","protected":false},"author":31,"featured_media":41456,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[5144,143,13218,6800,6949,150,365,9793,8290,4908,3487,708,10201,856,930,1091,3502,1271,9902,1335],"class_list":["post-16387","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-andrea-deplazes","tag-arquitectura-contemporanea","tag-arquitectura-de-ladrillo","tag-arquitectura-experimental","tag-arquitectura-suiza","tag-arquitectura-tradicional","tag-construccion","tag-eladio-dieste","tag-eth-zurich","tag-experimentacion","tag-frank-gehry","tag-industrializacion","tag-matthias-kohler","tag-metodo-tradicional","tag-new-york","tag-prefabricacion","tag-richard-serra","tag-tecnologia","tag-valentin-bearth","tag-vanguardia"],"yoast_head":"\nEl alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"alba\u00f1il rob\u00f3tico\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta property=\"og:description\" content=\"alba\u00f1il rob\u00f3tico\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/inigo.garciaodiaga\" \/>\n<meta property=\"article:published_time\" content=\"2015-03-16T04:58:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-23T08:17:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"477\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/IOdiaga\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"13 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/\"},\"author\":{\"name\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/7edb23bf36ddbe2d9c8f4cf5fae64668\"},\"headline\":\"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda OdiagaO albanel rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda OdiagaThe robotic bricklayer | \u00cd\u00f1igo Garc\u00eda Odiaga\",\"datePublished\":\"2015-03-16T04:58:59+00:00\",\"dateModified\":\"2020-01-23T08:17:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/\"},\"wordCount\":2688,\"commentCount\":36,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/09\\\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg\",\"keywords\":[\"Andrea Deplazes\",\"arquitectura contempor\u00e1nea\",\"arquitectura de ladrillo\",\"arquitectura experimental\",\"arquitectura suiza\",\"arquitectura tradicional\",\"construcci\u00f3n\",\"Eladio Dieste\",\"eth zurich\",\"experimentaci\u00f3n\",\"Frank Gehry\",\"industrializaci\u00f3n\",\"matthias kohler\",\"m\u00e9todo tradicional\",\"New York\",\"prefabricaci\u00f3n\",\"Richard Serra\",\"tecnolog\u00eda\",\"Valentin Bearth\",\"vanguardia\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/\",\"name\":\"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/09\\\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg\",\"datePublished\":\"2015-03-16T04:58:59+00:00\",\"dateModified\":\"2020-01-23T08:17:29+00:00\",\"description\":\"alba\u00f1il rob\u00f3tico\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/09\\\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/09\\\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg\",\"width\":\"620\",\"height\":\"477\",\"caption\":\"Almac\u00e9n en los Vi\u00f1edos Gantenbein, Bearth & Deplazes | Fotograf\u00eda: Ralph Feiner\\\/Ambrosetti Tonatiuh\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/el-albanil-robotico-inigo-garcia-odiaga\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/7edb23bf36ddbe2d9c8f4cf5fae64668\",\"name\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg\",\"caption\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\"},\"description\":\"Doctor Arquitecto y profesor asociado de Proyectos Arquitect\u00f3nicos, ETSASS. Editor de NOMU. 1\\\/5 del estudio de arquitectura VAUMM. Vivo en Donosti.\",\"sameAs\":[\"http:\\\/\\\/vaumm.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/inigo.garciaodiaga\",\"https:\\\/\\\/www.instagram.com\\\/okamika\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/IOdiaga\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/inigog\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga","description":"alba\u00f1il rob\u00f3tico","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/","og_locale":"es_ES","og_type":"article","og_title":"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga","og_description":"alba\u00f1il rob\u00f3tico","og_url":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/inigo.garciaodiaga","article_published_time":"2015-03-16T04:58:59+00:00","article_modified_time":"2020-01-23T08:17:29+00:00","og_image":[{"width":620,"height":477,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg","type":"image\/jpeg"}],"author":"\u00cd\u00f1igo Garc\u00eda Odiaga","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/IOdiaga","twitter_site":"@veredes","twitter_misc":{"Escrito por":"\u00cd\u00f1igo Garc\u00eda Odiaga","Tiempo de lectura":"13 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/"},"author":{"name":"\u00cd\u00f1igo Garc\u00eda Odiaga","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/7edb23bf36ddbe2d9c8f4cf5fae64668"},"headline":"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda OdiagaO albanel rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda OdiagaThe robotic bricklayer | \u00cd\u00f1igo Garc\u00eda Odiaga","datePublished":"2015-03-16T04:58:59+00:00","dateModified":"2020-01-23T08:17:29+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/"},"wordCount":2688,"commentCount":36,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg","keywords":["Andrea Deplazes","arquitectura contempor\u00e1nea","arquitectura de ladrillo","arquitectura experimental","arquitectura suiza","arquitectura tradicional","construcci\u00f3n","Eladio Dieste","eth zurich","experimentaci\u00f3n","Frank Gehry","industrializaci\u00f3n","matthias kohler","m\u00e9todo tradicional","New York","prefabricaci\u00f3n","Richard Serra","tecnolog\u00eda","Valentin Bearth","vanguardia"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/","url":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/","name":"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg","datePublished":"2015-03-16T04:58:59+00:00","dateModified":"2020-01-23T08:17:29+00:00","description":"alba\u00f1il rob\u00f3tico","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/Almac\u00e9n-en-los-Vi\u00f1edos-Gantenbein-Bearth-Deplazes-Fotograf\u00eda-Ralph-FeinerAmbrosetti-Tonatiuh.jpg","width":"620","height":"477","caption":"Almac\u00e9n en los Vi\u00f1edos Gantenbein, Bearth & Deplazes | Fotograf\u00eda: Ralph Feiner\/Ambrosetti Tonatiuh"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/el-albanil-robotico-inigo-garcia-odiaga\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"El alba\u00f1il rob\u00f3tico | \u00cd\u00f1igo Garc\u00eda Odiaga"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/7edb23bf36ddbe2d9c8f4cf5fae64668","name":"\u00cd\u00f1igo Garc\u00eda Odiaga","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg","caption":"\u00cd\u00f1igo Garc\u00eda Odiaga"},"description":"Doctor Arquitecto y profesor asociado de Proyectos Arquitect\u00f3nicos, ETSASS. Editor de NOMU. 1\/5 del estudio de arquitectura VAUMM. Vivo en Donosti.","sameAs":["http:\/\/vaumm.com\/","https:\/\/www.facebook.com\/inigo.garciaodiaga","https:\/\/www.instagram.com\/okamika\/","https:\/\/x.com\/https:\/\/twitter.com\/IOdiaga"],"url":"https:\/\/veredes.es\/blog\/author\/inigog\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/16387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=16387"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/16387\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/41456"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=16387"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=16387"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=16387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}