{"id":16360,"date":"2011-09-16T07:00:15","date_gmt":"2011-09-16T05:00:15","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=16360"},"modified":"2019-06-04T11:03:22","modified_gmt":"2019-06-04T09:03:22","slug":"el-cine-en-2024-segun-griffith-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/el-cine-en-2024-segun-griffith-jorge-gorostiza\/","title":{"rendered":"<!--:es-->El cine en 2024, seg\u00fan Griffith | Jorge Gorostiza<!--:--><!--:gl-->O cinema en 2024, segundo Griffith | Jorge Gorostiza<!--:--><!--:en-->The cinema in 2024, by Griffith | Jorge Gorostiza<!--:-->"},"content":{"rendered":"<p><!--:es--><figure id=\"attachment_16361\" aria-describedby=\"caption-attachment-16361\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-16361\" title=\"D_W_Griffith\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg\" alt=\"\" width=\"620\" height=\"1038\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg 191w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith-179x300.jpg 179w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-16361\" class=\"wp-caption-text\"><span style=\"color: #888888;\">David W. Griffith<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">He encontrado un art\u00edculo escrito por <a href=\"http:\/\/en.wikipedia.org\/wiki\/David_W._Griffith\" target=\"_blank\">David W. Griffith<\/a> publicado en\u00a0<em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Film_Daily\">The Film Daily<\/a><\/em> el 22 de junio de 1924, con permiso de <em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Collier%27s_Weekly\">Collier&#8217;s\u00a0Weekly<\/a><\/em>, titulado \u00abThe Movies 100 Years From Now\u00bb.<\/p>\n<p style=\"text-align: justify;\">Siempre es arriesgado predecir lo que ocurrir\u00e1 en el futuro y pocas veces, a pesar de lo que digan algunos videntes, se acierta. En este caso es curioso que el cineasta dude que en 2024\u00a0haya cine sonoro, pero sin embargo, seg\u00fan \u00e9l, habr\u00e1 orquestas en todos los cines y las pel\u00edculas\u00a0ser\u00e1n en color.<\/p>\n<p style=\"text-align: justify;\">En cuanto a la proyecci\u00f3n escribe que \u00ablas l\u00edneas a\u00e9reas de pasajeros tendr\u00e1n espect\u00e1culos con pel\u00edculas en sus\u00a0horarios regulares entre Nueva York y Chicago y entre Nueva York y Londres. Los trenes, que viajar\u00e1n a una velocidad dos o tres veces superior a la actual, tendr\u00e1n cines a bordo. Casi cada casa de buen gusto tendr\u00e1 su habitaci\u00f3n de proyecci\u00f3n privada donde fragmentos, quiz\u00e1s, de grandes pel\u00edculas ser\u00e1n mostradas a la familia y, desde luego, las familias har\u00e1n sus \u00e1lbumes con im\u00e1genes en movimiento en lugar de con ferrotipos y fotograf\u00edas. En los vapores habr\u00e1\u00a0estrenos de pel\u00edculas que les llevar\u00e1n\u00a0aeroplanos en mitad del oc\u00e9ano, y puedo a\u00f1adir que casi todas las materias de nuestros colegios se ense\u00f1ar\u00e1n en gran parte\u00a0con la reproducci\u00f3n de im\u00e1genes y pel\u00edculas educativas\u00bb.<\/p>\n<p style=\"text-align: justify;\">Es evidente que en 1924 era dif\u00edcil prever la multitud de pantallas que nos rodean en 2011, ni la cantidad de espacios arquitect\u00f3nicos diversos donde est\u00e1n situadas.<\/p>\n<p style=\"text-align: justify;\">Griffith tambi\u00e9n escribe que en 2024 las pel\u00edculas ser\u00e1n \u00abcasi como las personas vivas o los objetos existentes\u00bb por lo que \u00abser\u00e1s incapaz, sentado en el asiento de la platea, de determinar si son im\u00e1genes o la realidad\u00bb. Eliminar la tenue l\u00ednea que separa a la realidad de la ficci\u00f3n ha sido siempre uno de los objetivos de quienes crean esas ficciones y se ha intentado con pantallas panor\u00e1micas, pel\u00edculas con olor, relieve, etc.<\/p>\n<p style=\"text-align: justify;\">Como an\u00e9cdota y para finalizar, se puede a\u00f1adir que Griffith prev\u00e9 que las localidades en 2024 costar\u00e1n \u00abno menos de 5$\u00bb, evidentemente el director se queda corto en su apreciaci\u00f3n y se quedar\u00eda asombrado de cu\u00e1nto cuesta ya en 2011 una entrada, as\u00ed como del volumen de negocio que se mueve alrededor de un medio que \u00e9l revolucion\u00f3.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. Autor del blog <em>Arquitectura+Cine+Ciudad<br \/>\n<\/em>Santa Cruz de Tenerife, julio 2011<\/p>\n<p><!--:--><!--:en--><figure id=\"attachment_16361\" aria-describedby=\"caption-attachment-16361\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-16361\" title=\"D_W_Griffith\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg\" alt=\"\" width=\"620\" height=\"1038\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg 191w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith-179x300.jpg 179w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-16361\" class=\"wp-caption-text\"><span style=\"color: #888888;\">David W. Griffith<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">I have found an article written by\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/David_W._Griffith\" target=\"_blank\">David W. Griffith<\/a> published in\u00a0<em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Film_Daily\">The Film Daily<\/a><\/em> on June 22, 1924, with permission of\u00a0<em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Collier%27s_Weekly\">Collier&#8217;s Weekly<\/a><\/em>, titled \u00abThe Movies 100 Years From Now\u00bb.<\/p>\n<p style=\"text-align: justify;\">Always it is risked to predict what will happen in the future and rarely, in spite of what some clairvoyants say, is succeeded. In this case it is curious that the filmmaker doubts that in 2024 there is sonorous cinema, but nevertheless, according to him, there will be orchestras in all the cinemas and the movies will be in color.<\/p>\n<p style=\"text-align: justify;\">As for the projection he writes that \u00abthe passengers&#8217; air lines will have spectacles with movies in his regular schedules between New York and Chicago and between New York and London. The trains, which two will travel to a speed or three times superior to the current one, will have cinemas on board. Almost every house of good taste will have his room of private projection where fragments, probably, of big movies will be showed to the family and, certainly, the families will do his \u00e1lbumes with images in movement instead of with ferrotipos and you come out in photographs. In the steams there will be premieres of movies that will take airplanes to them in half of the ocean, and I can add that almost all the matters of our colleges will teach themselves largely with the reproduction of images and educational movies\u00bb.<\/p>\n<p style=\"text-align: justify;\">It is evident that in 1924 it was difficult to foresee the multitude of screens that surround us in 2011, nor the quantity of architectural diverse spaces where they are placed.<\/p>\n<p style=\"text-align: justify;\">Griffith also writes that in 2024 the movies will be \u00abalmost as the alive persons or the existing objects\u00bb for what \u00abyou will be incapable, sat in the seat of the orchestra, of determining if it are images or the reality\u00bb. To eliminate the tenuous line that it separates to the reality of the fiction has been always one of the aims of whom they create these fictions and has been tried by wide screens, movies by smell, relief, etc.<\/p>\n<p style=\"text-align: justify;\">As anecdote and to finish, it is possible to add that Griffith foresees that the localities in 2024 will cost\u00a0\u00abnot less than 5$\u00bb, evidently the director remains short in his appraisal and he would remain amazed at how much it costs already in 2011 an entry, as well as of the turnover that moves about a way that he revolutionized.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, architect. Author of the blog <em>Arquitectura+Cine+Ciudad<\/p>\n<p><\/em>Santa Cruz de Tenerife, july 2011<\/p>\n<p><!--:--><!--:gl--><figure id=\"attachment_16361\" aria-describedby=\"caption-attachment-16361\" style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-16361\" title=\"D_W_Griffith\" src=\"http:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg\" alt=\"\" width=\"620\" height=\"1038\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith.jpg 191w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/09\/D_W_Griffith-179x300.jpg 179w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><figcaption id=\"caption-attachment-16361\" class=\"wp-caption-text\"><span style=\"color: #888888;\">David W. Griffith<\/span><\/figcaption><\/figure><\/p>\n<p style=\"text-align: justify;\">Encontrei un artigo escrito por\u00a0<a href=\"http:\/\/en.wikipedia.org\/wiki\/David_W._Griffith\" target=\"_blank\">David W. Griffith<\/a> publicado en\u00a0<em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Film_Daily\">The Film Daily<\/a><\/em> o 22 de xu\u00f1o de 1924, con permiso de\u00a0<em><a href=\"http:\/\/en.wikipedia.org\/wiki\/Collier%27s_Weekly\">Collier&#8217;s Weekly<\/a><\/em>, titulado \u00abThe Movies 100 Years From Now\u00bb.<\/p>\n<p style=\"text-align: justify;\">Sempre \u00e9 arriscado predicir o que acontecer\u00e1 no futuro e poucas veces, a pesar do que digan alg\u00fans videntes, se acerta. Neste caso \u00e9 curioso que o cineasta dubide que en 2024 haxa cine sonoro, pero non obstante, segundo el, haber\u00e1 orquestras en todos os cines e as pel\u00edculas ser\u00e1n en cor.<\/p>\n<p style=\"text-align: justify;\">En canto \u00e1 proxecci\u00f3n escribe que \u00abas li\u00f1as a\u00e9reas de pasaxeiros ter\u00e1n espect\u00e1culos con pel\u00edculas nos seus horarios regulares entre Nova York e Chicago e entre Nova York e Londres. Os trens, que viaxar\u00e1n a unha velocidade dous ou tres veces superior \u00e1 actual, ter\u00e1n cines a bordo. Case cada casa de bo gusto ter\u00e1 o seu cuarto de proxecci\u00f3n privada onde fragmentos, quizais, de grandes pel\u00edculas ser\u00e1n mostradas \u00e1 familia e, dende logo, as familias far\u00e1n os seus \u00e1lbums con imaxes en movemento en lugar de con ferrotipos e fotograf\u00edas. Nos vapores haber\u00e1 estreas de pel\u00edculas que lles levar\u00e1n aeroplanos en metade do oc\u00e9ano, e podo engadir que case todas as materias dos nosos colexios se ensinar\u00e1n en gran parte coa reproduci\u00f3n de imaxes e pel\u00edculas educativas\u00bb.<\/p>\n<p style=\"text-align: justify;\">\u00c9 evidente que en 1924 era dif\u00edcil prever a multitude de pantallas que nos rodean en 2011, nin a cantidade de espazos arquitect\u00f3nicos diversos onde est\u00e1n situadas.<\/p>\n<p style=\"text-align: justify;\">Griffith tambi\u00e9n escribe que en 2024 las pel\u00edculas ser\u00e1n \u00abcasi como las personas vivas o los objetos existentes\u00bb por lo que \u00abser\u00e1s incapaz, sentado en el asiento de la platea, de determinar si son im\u00e1genes o la realidad\u00bb. Eliminar la tenue l\u00ednea que separa a la realidad de la ficci\u00f3n ha sido siempre uno de los objetivos de quienes crean esas ficciones y se ha intentado con pantallas panor\u00e1micas, pel\u00edculas con olor, relieve, etc.<\/p>\n<p style=\"text-align: justify;\">Como an\u00e9cdota y para finalizar, se puede a\u00f1adir que Griffith prev\u00e9 que las localidades en 2024 costar\u00e1n \u00abno menos de 5$\u00bb, evidentemente el director se queda corto en su apreciaci\u00f3n y se quedar\u00eda asombrado de cu\u00e1nto cuesta ya en 2011 una entrada, as\u00ed como del volumen de negocio que se mueve alrededor de un medio que \u00e9l revolucion\u00f3.<\/p>\n<p style=\"text-align: justify;\">Jorge Gorostiza, arquitecto. Autor do blogue <em>Arquitectura+Cine+Ciudad<\/p>\n<p><\/em>Santa Cruz de Tenerife, xullo 2011<\/p>\n<p><!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>He encontrado un art\u00edculo escrito por David W. Griffith publicado en\u00a0The Film Daily el 22 de junio de 1924, con permiso de Collier&#8217;s\u00a0Weekly, titulado \u00abThe Movies 100 Years From Now\u00bb. Siempre es arriesgado predecir lo que ocurrir\u00e1 en el futuro y pocas veces, a pesar de lo que digan algunos videntes, se acierta. En este [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":16361,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[12449,155,158,12471,4396,318,10505,1593,1241],"class_list":["post-16360","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-arte","tag-arte-contemporaneo","tag-artes-plasticas","tag-cine","tag-cineastas","tag-ciudad","tag-david-wark-griffith","tag-jorge-gorostiza","tag-sociedad"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El cine en 2024, seg\u00fan Griffith | Jorge Gorostiza<\/title>\n<meta name=\"description\" content=\"El cine en 2024 seg\u00fan Griffith\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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