{"id":14508,"date":"2011-06-17T06:54:27","date_gmt":"2011-06-17T06:54:27","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=14508"},"modified":"2020-11-25T09:35:59","modified_gmt":"2020-11-25T08:35:59","slug":"la-historia-escrita-a-maquina-coleccion-sirvent","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-historia-escrita-a-maquina-coleccion-sirvent\/","title":{"rendered":"[:es]La historia escrita a m\u00e1quina. Colecci\u00f3n Sirvent[:gl]A historia escrita \u00e1 m\u00e1quina. Colecci\u00f3n Sirvent[:en]History written with a Machine. Sirvent Collection[:]"},"content":{"rendered":"

[:es]<\/p>\n

\n

En plena era digital, las m\u00e1quinas de escribir han pasado a ser casi reliquias que nos retrotraen a \u00e9pocas m\u00e1s rom\u00e1nticas en las que literatos, guionistas, periodistas u oficinistas se manejaban con carretes de cinta, los dedos manchados de tinta, el l\u00edquido corrector y el entra\u00f1able sonido al teclear en sus inseparables m\u00e1quinas. Ahora, os invitamos a reflexionar sobre cu\u00e1l ha sido el papel de la m\u00e1quina de escribir en la configuraci\u00f3n de nuestra historia contempor\u00e1nea y de c\u00f3mo su evoluci\u00f3n ha sido consecuencia de la necesidad del ser humano para comunicarse.<\/p>\n<\/div>\n

\n

\"\"<\/a><\/p>\n<\/div>\n

Esta exposici\u00f3n es un homenaje a la radicalidad y eficiencia que tuvo la m\u00e1quina de escribir a la hora de acelerar el ritmo de las comunicaciones y las relaciones sociales, suponiendo una revoluci\u00f3n para el mundo gr\u00e1fico y profesional en general.\u00a0 La Colecci\u00f3n Sirvent, de donde proviene este significativo legado que exponemos, dispone de unas 3.500 m\u00e1quinas de escribir, de las cuales 2.500 est\u00e1n preparadas para su normal funcionamiento a partir de una restauraci\u00f3n muy rigurosa. Para esta exposici\u00f3n se han seleccionado m\u00e1s de 120 unidades que representan lo m\u00e1s destacado de la historia universal de las m\u00e1quinas de escribir, complementando la muestra con algunas intervenciones site-specific de artistas contempor\u00e1neos, una significativa selecci\u00f3n de carteles publicitarios, cajas originales de cintas de escritura y otros instrumentos, como los protectores de cheques, afilal\u00e1pices, fotograf\u00edas y curiosos m\u00e9todos de mecanograf\u00eda.<\/p>\n

Propomos un percorrido cronol\u00f3xico que comeza coa Proponemos un recorrido cronol\u00f3gico que comienza con la emblem\u00e1tica Sholes & Glidden (1873), conocida mundialmente como The Typewriter. Fue la primera m\u00e1quina de escribir producida comercialmente y que trabajaba \u00fanicamente con may\u00fasculas, una herramienta que se suministraba con una mesa que nos recuerda a las de las m\u00e1quinas de coser, as\u00ed como su primera decoraci\u00f3n.Otras como la Crandall-New Modell (1884) nos descubren decoraciones en oro y madre perla y utilizan un cilindro impresor en vertical. Tambi\u00e9n nos encontramos con teclados, anagramas y m\u00e1quinas americanas con marca y teclado ruso, como la cl\u00e1sica Underwood n\u00ba5 (1901).<\/p>\n

Curiosas son tambi\u00e9n otras m\u00e1quinas como la alemana Th\u00fcrey (1909), que se asemeja a un instrumento musical y de la que solo se conocen cinco en todo el mundo, porque fue de escasa fabricaci\u00f3n; la Brooks (1887), que imprime de atr\u00e1s hacia delante; la Polygraph (1903), una de las m\u00e1s buscadas por coleccionistas de todo el mundo y que en teclado curvo s\u00f3lo se fabric\u00f3 el modelo aqu\u00ed presentado; la ODELL (1888), de base redonda -este primer modelo es el \u00fanico que se fabric\u00f3 con cuatro pies con forma de garra; o la Columbia (1885), que utiliz\u00f3 un sistema de espaciado proporcional que daba el espacio seg\u00fan el tama\u00f1o de la letra.<\/p>\n

Aqu\u00ed encontramos m\u00e1quinas de escribir normales, de escribir m\u00fasica, de taquigraf\u00eda (estenotipias), de escritura en braille, de escribir sobre superficies planas, de juguete, de escritura encriptada para esp\u00edas, de abecedario japon\u00e9s, \u00e1rabe, m\u00e1quinas con s\u00edmbolos de la S.S., etc. Todo para entender, ilustrar y contextualizar hist\u00f3ricamente la evoluci\u00f3n del procedimiento mec\u00e1nico de la escritura, asumiendo que la m\u00e1quina de escribir otorg\u00f3 un car\u00e1cter m\u00e1s oficial y riguroso a los escritos, al tiempo que tambi\u00e9n supuso un paso importante para el ingreso masivo de la mujer al mundo laboral como dactil\u00f3grafa.<\/p>\n

La exposici\u00f3n se completa con la intervenci\u00f3n de cuatro artistas contempor\u00e1neos: tres epa\u00f1oles, Misha Bies Golas, Jorge Perianes e Ignacio Uriarte, y el portugu\u00e9s Jos\u00e9 Louren\u00e7o.<\/p>\n

Typewriter. La historia escrita a m\u00e1quina<\/em> es, en definitiva, una fascinante historia sobre la evoluci\u00f3n del procedimiento mec\u00e1nico de la escritura. 24 jun – 9 oct Archivo de galicia<\/span>
\nComisarios: David Barro e Alfredo Sirvent
\nOrganiza: Cidade da Cultura de Galicia<\/p>\n

+ art\u00edculo publicado en cidadedacultura.org<\/span><\/p>\n

\n\n\n\n\n
Comisarios:<\/td>\nDavid Barro e Alfredo Sirvent<\/td>\n<\/tr>\n
Organiza:<\/td>\nCidade da Cultura de Galicia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

[:gl]<\/p>\n

\n

En plena era dixital, as m\u00e1quinas de escribir pasaron a ser case reliquias que nos retrotraen a \u00e9pocas m\u00e1is rom\u00e1nticas nas que literatos, guionistas, xornalistas ou oficinistas traballaban entre carretes de cinta, l\u00edquido corrector e o entra\u00f1able son que se produc\u00eda ao teclear nas s\u00faas inseparables m\u00e1quinas, cos dedos manchados de tinta. Agora, convid\u00e1mosvos a reflexionar sobre cal foi o papel da m\u00e1quina de escribir na configuraci\u00f3n da nosa historia contempor\u00e1nea e de como a s\u00faa evoluci\u00f3n naceu da necesidade de comunicaci\u00f3n do ser humano.<\/p>\n<\/div>\n

\n

\"\"<\/a><\/p>\n<\/div>\n

\n

Esta exposici\u00f3n \u00e9 unha homenaxe \u00e1 radicalidade e eficiencia que achegou a m\u00e1quina de escribir na aceleraci\u00f3n do ritmo das comunicaci\u00f3ns e as relaci\u00f3ns sociais e que supuxo unha revoluci\u00f3n para o mundo gr\u00e1fico e profesional en xeral. A Colecci\u00f3n Sirvent, de onde prov\u00e9n este significativo legado que expomos, disp\u00f3n dunhas 3.500 m\u00e1quinas de escribir, das cales 2.500 est\u00e1n preparadas para o seu normal funcionamento grazas a unha restauraci\u00f3n moi rigorosa. Para esta exposici\u00f3n seleccion\u00e1ronse m\u00e1is de 120 unidades que representan o m\u00e1is destacado da historia universal das m\u00e1quinas de escribir. A mostra compl\u00e9tase con algunhas intervenci\u00f3ns site-specific de artistas contempor\u00e1neos, unha significativa selecci\u00f3n de carteis publicitarios, caixas orixinais de cintas de escritura e outros instrumentos, tales como protectores de cheques, afialapis, fotograf\u00edas e m\u00e9todos curiosos de mecanograf\u00eda.<\/p>\n

Propomos un percorrido cronol\u00f3xico que comeza coa emblem\u00e1tica Sholes & Glidden (1873), co\u00f1ecida mundialmente como The Typewriter. Foi a primeira m\u00e1quina de escribir producida comercialmente e que traballaba unicamente con mai\u00fasculas, unha ferramenta que se subministraba cunha mesa que nos lembra as das m\u00e1quinas de coser, as\u00ed como a s\u00faa primeira decoraci\u00f3n. Outras como a Crandall-New Modell (1884) desc\u00f3brennos decoraci\u00f3ns en ouro e n\u00e1cara, e empregan un cilindro impresor en vertical.Tam\u00e9n atopamos teclados, anagramas e m\u00e1quinas americanas con marca e teclado ruso, como a cl\u00e1sica Underwood n.\u00ba 5 (1901).<\/p>\n

Curiosas son tam\u00e9n outras m\u00e1quinas como a alem\u00e1 Th\u00fcrey (1909), que se asemella a un instrumento musical e da que s\u00f3 se co\u00f1ecen cinco en todo o mundo, porque foi de escasa fabricaci\u00f3n; a Brooks (1887), que imprime de atr\u00e1s cara a adiante; a Polygraph (1903), unha das m\u00e1is buscadas por coleccionistas de todo o mundo e que en teclado curvo s\u00f3 se fabricou no modelo aqu\u00ed presentado; a ODELL (1888), de base redonda, cuxo primeiro modelo que presentamos \u00e9 o \u00fanico que se fabricou con catro p\u00e9s con forma de garra ou a Columbia (1885), que utilizou un sistema de espazado proporcional que establec\u00eda o espazo segundo o tama\u00f1o da letra.<\/p>\n<\/div>\n

Aqu\u00ed encontramos m\u00e1quinas de escribir normais, de escribir m\u00fasica, de taquigraf\u00eda (estenotipias), de escritura en braille, de escribir sobre superficies planas, de xoguete, de escritura encriptada para esp\u00edas, de abecedario xapon\u00e9s ou \u00e1rabe, m\u00e1quinas con s\u00edmbolos da S.S. etc. Todo para entender, ilustrar e contextualizar a evoluci\u00f3n do procedemento mec\u00e1nico da escritura, partindo de que a m\u00e1quina de escribir lles outorgou un car\u00e1cter m\u00e1is oficial e rigoroso aos escritos, ao tempo que supuxo tam\u00e9n un paso importante para o ingreso masivo da muller no mundo laboral, como dactil\u00f3grafa.
\n
\n<\/em>A exposici\u00f3n compl\u00e9tase coa intervenci\u00f3n de catro artistas contempor\u00e1neos: tres espa\u00f1ois, Misha Bies Golas, Jorge Perianes e Ignacio Uriarte, e o portugu\u00e9s Jos\u00e9 Louren\u00e7o.<\/p>\n

Typewriter. A historia escrita \u00e1 m\u00e1quina \u00e9, en definitiva, unha fascinante historia sobre a evoluci\u00f3n do procedemento mec\u00e1nico da escritura. 24 jun – 9 oct Arquivo de galicia<\/span>
\nComisarios: David Barro e Alfredo Sirvent
\nOrganiza: Cidade da Cultura de Galicia<\/p>\n

+ artigo publicado en cidadedacultura.org<\/span><\/p>\n

\n\n\n\n\n
Comisarios:<\/td>\nDavid Barro e Alfredo Sirvent<\/td>\n<\/tr>\n
Organiza:<\/td>\nCidade da Cultura de Galicia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

[:en]<\/p>\n

\n

In a full-blown digital age, typewriters have become almost relics that take us back to a more romantic era when writers, playwrights, journalists and clerks handled ribbons, stained their hands with ink, used correction fluid and played the quaint sound of fingers typing into their inseparable machines. We now invite you to reflect upon the history of typewriters in configuring our own, contemporary history and how the evolution of these machines has been a consequence of the need of human beings to communicate with one another.<\/p>\n<\/div>\n

\n

\"\"<\/a><\/p>\n<\/div>\n

This exhibition pays homage to the radical efficiency that typewriters have had in accelerating the pace of communication and social relations, entailing a revolution for the world of graphics and professional in general. The Sirvent Collection, to which this significant legacy that we are exhibiting belongs, contains some 3,500 typewriters, 2,500 of which are prepared to operate normally after having been carefully restored. For this exhibition, 120 of them have been selected, they represent the highlights of the universal history of typewriters, and the exhibition is complemented with some site-specific interventions by contemporary artists, a significant selection of advertising posters, original cases of reels, ribbons and other instruments, such as protectors for checks, pencil sharpeners, photographs and curious typing methods.<\/p>\n

We propose a chronological itinerary starting with the emblematic Sholes & Glidden (1873), known all over the World as The Typewriter. It was the first to be manufactured commercially and only used capital letters, the implement was supplied with a table that reminds us of those used with sewing machines, together with its original decoration. Others such as the Crandall-New Modell (1884) display decorations in gold and mother-of-pearl, and they used a vertical printing cylinder.<\/p>\n

We may also see keyboards, anagrams and American machines with Russian brands and keyboards, such as the classic Underwood n\u00ba5 (1901).<\/p>\n

Other curios are the German-built Th\u00fcrey (1909), that looks like a musical instrument and of which only five are known to exist in the World, given that its production was very limited; the Brooks (1887), which prints back to front; the Polygraph (1903), one of the most sought after by collectors all over the World, and whose curved keyboard was only manufactured for the model exhibited here; the ODELL (1888), with a rounded base -this first model was the only one manufactured with four claw-like legs; or the Columbia (1885), which used a proportional spacing system according to the size of the letter.<\/p>\n

Here we may also find normal typewriters, music score typewriters, stenotypes, Braille typing machines, typewriters for flat surfaces, toy typewriters, encryption typewriters used by spies, machines using Japanese or Arabic characters, machines displaying the symbols of the SS, etc. All in order to understand, illustrate and contextualize historically the evolution of mechanical writing, assuming that typewriters bestowed a more official, rigorous nature to written documents, while at the same time being an important step forward towards the mass incorporation of women into the world of labor, working as typists.<\/p>\n

Four contemporary artists round off the exhibition: three from Spain, Misha Bies Golas, Jorge Perianes and Ignacio Uriarte, and Jos\u00e9 Louren\u00e7o from Portugal.<\/p>\n

Typewriter. History written with a Machine<\/em> is, after all, a fascinating story on the evolution of mechanized writing procedures. Jun 24 – oct 9 Archive of galicia<\/span>
\nComissioners: David Barro e Alfredo Sirvent
\nOrganizer: Cidade da Cultura de Galicia<\/p>\n

+ article is published in cidadedacultura.org<\/span><\/p>\n

\n\n\n\n\n
Comisarios:<\/td>\nDavid Barro e Alfredo Sirvent<\/td>\n<\/tr>\n
Organiza:<\/td>\nCidade da Cultura de Galicia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] En plena era digital, las m\u00e1quinas de escribir han pasado a ser casi reliquias que nos retrotraen a \u00e9pocas m\u00e1s rom\u00e1nticas en las que literatos, guionistas, periodistas u oficinistas se manejaban con carretes de cinta, los dedos manchados de tinta, el l\u00edquido corrector y el entra\u00f1able sonido al teclear en sus inseparables m\u00e1quinas. Ahora, […]<\/p>\n","protected":false},"author":2,"featured_media":14509,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,1382],"tags":[6453,521,619,668,1833,1120],"class_list":["post-14508","post","type-post","status-publish","format-standard","has-post-thumbnail","category-eventos","category-exposiciones","tag-espana","tag-galicia","tag-historia","tag-maquina","tag-publicacion"],"yoast_head":"\n[:es]La historia escrita a m\u00e1quina. Colecci\u00f3n Sirvent[:gl]A historia escrita \u00e1 m\u00e1quina. 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