{"id":13999,"date":"2009-09-30T09:10:25","date_gmt":"2009-09-30T07:10:25","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=13999"},"modified":"2024-03-21T19:12:29","modified_gmt":"2024-03-21T18:12:29","slug":"hugh-ferris-y-norteamerica-la-retorica-dramatica-de-la-gran-escala-arquitecturahistoria","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/hugh-ferris-y-norteamerica-la-retorica-dramatica-de-la-gran-escala-arquitecturahistoria\/","title":{"rendered":"[:es]Hugh Ferriss y Norteam\u00e9rica: La Ret\u00f3rica Dram\u00e1tica de la Gran Escala [:gl]Hugh Ferriss e Norteam\u00e9rica: A Ret\u00f3rica Dram\u00e1tica da Gran Escala [:en]Hugh Ferriss and North America: The Dramatic Rhetoric of the Great Scale [:]"},"content":{"rendered":"<p>[:es]<\/p>\n<p style=\"text-align: justify;\"><strong>Hugh Ferriss<\/strong> (1889-1962) es uno de <a href=\"https:\/\/veredes.es\/blog\/tag\/hugh-ferriss\/\" target=\"_blank\" rel=\"noopener\">aquellos personajes<\/a> que, apoyado en las fantas\u00edas de la habilidad con el l\u00e1piz y su expresividad, construy\u00f3 una buena parte de las im\u00e1genes del futuro, hace casi un siglo atr\u00e1s.<\/p>\n<p style=\"text-align: justify;\">Con la distorsi\u00f3n del punto de fuga caracter\u00edstica del italiano <a href=\"https:\/\/veredes.es\/blog\/tag\/antonio-santelia\/\" target=\"_blank\" rel=\"noopener\">Antonio Sant\u00b4 Elia<\/a> que los rusos <a href=\"https:\/\/veredes.es\/blog\/tag\/yakov-georgievich-chernikhov\/\" target=\"_blank\" rel=\"noopener\">Chernijov<\/a>, <a href=\"https:\/\/veredes.es\/blog\/tag\/ivan-ilich-leonidov\/\" target=\"_blank\" rel=\"noopener\">Leonidov<\/a>, <a href=\"https:\/\/veredes.es\/blog\/tag\/alexander-vesnin\/\" target=\"_blank\" rel=\"noopener\">Vesnin<\/a> y <a href=\"https:\/\/veredes.es\/blog\/tag\/lazar-markovich-lissitzky\/\" target=\"_blank\" rel=\"noopener\">El Lissitzky<\/a> llevaron al estrellato, dramatiza la escala de las nuevas construcciones urbanas en Norteam\u00e9rica elevando sus desproporci\u00f3n de manera escenogr\u00e1fica.<\/p>\n<figure id=\"attachment_14002\" aria-describedby=\"caption-attachment-14002\" style=\"width: 750px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-14002\" title=\"Hugh Ferriss y Norteam\u00e9rica: La Ret\u00f3rica Dram\u00e1tica de la Gran Escala \" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg\" alt=\"Hugh Ferriss y Norteam\u00e9rica: La Ret\u00f3rica Dram\u00e1tica de la Gran Escala \" width=\"750\" height=\"1031\" srcset=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg 291w, https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15-218x300.jpg 218w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/a><figcaption id=\"caption-attachment-14002\" class=\"wp-caption-text\"><span style=\"color: #888888;\">por arquitecturamashistoria.blogspot.com<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Editado por el arq. Mart\u00edn Lisnovsky<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/arquitecturamashistoria.blogspot.com\/2009\/08\/hugh-ferris-la-retorica-del-drama-de-la.html\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ art\u00edculo publicado en arquitecturamashistoria.blogspot.com<\/span><\/a><\/p>\n<p>[:gl]<\/p>\n<p style=\"text-align: justify;\">Hugh Ferriss (1889-1962) \u00e9 un daqueles personaxes que, apoiado nas fantas\u00edas da habilidade co lapis e a s\u00faa expresividade, constru\u00edu unha boa parte das imaxes do futuro, hai case un s\u00e9culo atr\u00e1s. Coa distorsi\u00f3n do punto de fuga caracter\u00edstica do italiano Antonio Sant\u00b4 Elia que os rusos Chernijov, Leonidov, Vesnin e O Lissitzky levaron \u00e1 fama, dramatiza a escala das novas construci\u00f3ns urbanas en Norteam\u00e9rica elevando a s\u00faa desproporci\u00f3n de maneira escenogr\u00e1fica.<\/p>\n<figure style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"b-hf-15\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg\" alt=\"\" width=\"620\" height=\"850\" \/><\/a><figcaption class=\"wp-caption-text\"><span style=\"color: #888888;\">por arquitecturamashistoria.blogspot.com<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">Editado por el arq. Mart\u00edn Lisnovsky<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/arquitecturamashistoria.blogspot.com\/2009\/08\/hugh-ferris-la-retorica-del-drama-de-la.html\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ artigo publicado en arquitecturamashistoria.blogspot.com<\/span><\/a><\/p>\n<p>[:en]<\/p>\n<p style=\"text-align: justify;\">Hugh Ferriss (1889-1962) is one of those prominent figures who, supported on the fantasies of the skill with the pencil and his expressiveness, constructed a good part of the images of the future, almost one century ago behind. With the distortion of the point of escape typical of the Italian Antonio Sant &#8216; Elia that the Russians Chernijov, Leonidov, Vesnin and The Lissitzky led to the stardom, dramatizes the scale of the new urban constructions in North America raising his disproportion of way escenogr\u00e1fica.<\/p>\n<figure style=\"width: 620px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg\"><img loading=\"lazy\" decoding=\"async\" title=\"b-hf-15\" src=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/05\/b-hf-15.jpg\" alt=\"\" width=\"620\" height=\"850\" \/><\/a><figcaption class=\"wp-caption-text\"><span style=\"color: #888888;\">by arquitecturamashistoria.blogspot.com<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">[&#8230;]<\/p>\n<p style=\"text-align: justify;\">It\u00b4s edited by Mart\u00edn Lisnovsky, architect<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/arquitecturamashistoria.blogspot.com\/2009\/08\/hugh-ferris-la-retorica-del-drama-de-la.html\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #888888;\">+ article is published in arquitecturamashistoria.blogspot.com<\/span><\/a><\/p>\n<p>[:]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[:es] Hugh Ferriss (1889-1962) es uno de aquellos personajes que, apoyado en las fantas\u00edas de la habilidad con el l\u00e1piz y su expresividad, construy\u00f3 una buena parte de las im\u00e1genes del futuro, hace casi un siglo atr\u00e1s. Con la distorsi\u00f3n del punto de fuga caracter\u00edstica del italiano Antonio Sant\u00b4 Elia que los rusos Chernijov, Leonidov, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14002,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33,3],"tags":[7297,9292,424,2154,668,13357,7296,2569,9363],"class_list":["post-13999","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arquitectos","category-capturas","tag-alexander-vesnin","tag-antonio-santelia","tag-dibujo","tag-escenografia","tag-historia","tag-hugh-ferriss","tag-ivan-ilich-leonidov","tag-lazar-markovich-lissitzky","tag-yakov-georgievich-chernikhov"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[:es]Hugh Ferriss y Norteam\u00e9rica: La Ret\u00f3rica Dram\u00e1tica de la Gran Escala [:gl]Hugh Ferriss e Norteam\u00e9rica: A Ret\u00f3rica Dram\u00e1tica da Gran Escala [:en]Hugh Ferriss and North America: The Dramatic Rhetoric of the Great Scale [:] - 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