{"id":13637,"date":"2011-05-15T09:26:25","date_gmt":"2011-05-15T07:26:25","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=13637"},"modified":"2023-05-08T14:36:31","modified_gmt":"2023-05-08T12:36:31","slug":"la-tercera-vision-antonio-s-rio-vazquez","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-tercera-vision-antonio-s-rio-vazquez\/","title":{"rendered":"La tercera visi\u00f3n | Antonio S. R\u00edo V\u00e1zquezA terceira visi\u00f3n | Antonio S. R\u00edo V\u00e1zquezThe third vision | Antonio S. R\u00edo V\u00e1zquez"},"content":{"rendered":"

\"\"<\/a>
Imagen izda.: Edward Weston, 1941, Storm, Arizona. (Center for Creative Photography, Tucson, AZ).<\/span>
Imagen dcha.: Mark Klett and Byron Wolfe, 2007. Seventy-one years after Edward Weston\u2019s \u201cStorm, Arizona\u201d<\/span><\/figcaption><\/figure><\/p>\n

Formado como ge\u00f3logo, Mark Klett<\/a> (Albany, 1952) es profesor de Arte en la Universidad Estatal de Arizona. Interesado por la relaci\u00f3n entre la cultura, el tiempo y el paisaje, comenz\u00f3 a mediados de los setenta una serie de fotograf\u00edas de los lugares del oeste norteamericano que hab\u00edan sido recogidos por la c\u00e1mara de los pioneros Timothy O’Sullivan, Wiliam Henry Jackson o William Bell, en el transcurso de las expediciones comisionadas por el Gobierno Federal durante la segunda mitad del siglo XIX.<\/p>\n

\n

\u00abEl paisaje ha dejado de ser un paraiso y se ha convertido en un espejo que muestra una imagen de nuestra cultura. \u2014explica Klett\u2014 Actualmente vemos las fotograf\u00edas de paisaje de una manera similar a como se perciben las sombras en el mito de la caverna plat\u00f3nica. Como construcciones que nos muestran lo que sabemos sobre los paisajes y territorios y la manera en la que hemos obtenido ese conocimiento. Es decir, como el resultado de una experiencia individual contextualizada en un tiempo definido de manera precisa y, en el mejor de los casos, como lenguaje que comenta, opina y hace visible la propia experiencia\u00bb <\/em><\/p>\n

(Revista Formas n\u00ba 16, 2007)<\/p>\n<\/blockquote>\n

Fruto de The Rephotographic Survey Project<\/em>, en 1984 public\u00f3 los resultados ofreciendo una segunda visi\u00f3n<\/em> sobre el paisaje americano, junto a la metodolog\u00eda necesaria para llevar a cabo las refotograf\u00edas<\/em>. Como precisan en el blog Arqueolog\u00eda del punt de vista:<\/em><\/p>\n

\n

\u00abSu trabajo, entonces parad\u00f3jicamente novedoso, ven\u00eda equipado de serie con un discurso sobre la construcci\u00f3n del imaginario colectivo. Este discurso contiene una lectura pol\u00edtica. Parte de unas im\u00e1genes tomadas por unos expedicionarios en unos Territorios casi salvajes. Cuando los reencuentra Klett y su equipo, esos paisajes son ya parte de unos Estados consolidados que forman un importante pa\u00eds. Su trabajo nos est\u00e1 hablando as\u00ed de la particular percepci\u00f3n de un paisaje como Naci\u00f3n\u00bb.<\/em><\/p>\n<\/blockquote>\n

Entre los a\u00f1os 1998 y 2000, Klett retomar\u00eda el proyecto, publicando en 2004 el libro Third Views, Second Sights<\/em>. El libro se acompa\u00f1\u00f3 de una completa p\u00e1gina web en la que se explica todo el proceso y se pueden observar algunas de las\u00a0 im\u00e1genes realizadas en el siglo XIX, las de los a\u00f1os setenta y las de\u00a0 finales del siglo XX. Tres visiones de un siglo de cambios.<\/p>\n

\n

antonio s. r\u00edo v\u00e1zquez\u00a0. arquitecto
\na coru\u00f1a. mayo 2011<\/p>\n<\/div>\n

\"\"<\/a>
Left image: Edward Weston, 1941, Storm, Arizona. (Center for Creative Photography, Tucson, AZ).<\/span>
Rightimage: Mark Klett and Byron Wolfe, 2007. Seventy-one years after Edward Weston\u2019s \u201cStorm, Arizona\u201d<\/span><\/figcaption><\/figure><\/p>\n

Formed as geologist,\u00a0Mark Klett<\/a> (Albany, 1952) is a teacher of Art in the State University of Arizona. Interested in the relation between the culture, the time and the landscape, it began in the middle of the seventies a series of photographies of the places of the North American west that had been gathered by the chamber of the pioneers Timothy O’Sullivan, Wiliam Henry Jackson or William Bell, in the course of the expeditions commissioned by the Federal Government during the second half of the 19th century.<\/p>\n

\n

\u00abThe landscape has stopped being a paradise and has turned into a mirror that shows an image of our culture. – makes clear Klett – Nowadays we see the photographies of landscape of a similar way to since the shades are perceived in the myth of the platonic cavern. As constructions that show us what we know on the landscapes and territories and the way in which we have obtained this knowledge. That is to say, as the result of an individual experience contextualizada in a definite time of a precise way and, at best, as language on that it comments, thinks and makes the own experience visible\u00bb <\/em><\/p>\n

(Revista Formas n\u00ba 16, 2007)<\/p>\n<\/blockquote>\n

Fruto de\u00a0The Rephotographic Survey Project<\/em>, in 1984 published the results offering the second vision<\/em> on the American landscape, close to the necessary methodology to carry out the rephotographies<\/em>. As they need in the blog Archaeology of the point of sight<\/em>:<\/p>\n

\n

\u00abHis work, then paradoxically new, was coming equipped from series with a speech on the construction of the imaginary group. This speech contains a political reading. Part of a few images thought by a few members of an expedition in a few almost wild Territories. When them there meets again Klett and his equipment, these landscapes are already a part of a few consolidated States that form an important country. His work is speaking to us this way about the particular perception of a landscape as Nation\u00bb.<\/em><\/p>\n<\/blockquote>\n

Between the year 1998 and 2000, Klett would take again the project, publishing in 2004 the book Third Views, Second Sights<\/em>. The book accompanied of a complete web page in the one that explains the whole process to herself and can be observed some of the images realized in the 19th century, those of the seventies and those of ends of the 20th century. Three visions of a century of changes.<\/p>\n

\n

antonio s. r\u00edo v\u00e1zquez . architect<\/p>\n

a coru\u00f1a. may 2011<\/p>\n<\/div>\n

\"\"<\/a>
Imaxe esquerda: Edward Weston, 1941, Storm, Arizona. (Center for Creative Photography, Tucson, AZ).<\/span>
Imaxe dereita: Mark Klett and Byron Wolfe, 2007. Seventy-one years after Edward Weston\u2019s \u201cStorm, Arizona\u201d<\/span><\/figcaption><\/figure><\/p>\n

Formado como ge\u00f3logo,\u00a0Mark Klett<\/a> (Albany, 1952) \u00e9 profesor de Arte na Universidade Estatal de Arizona. Interesado pola relaci\u00f3n entre a cultura, o tempo e a paisaxe, comezou a mediados do setenta unha serie de fotograf\u00edas dos lugares do oeste norteamericano que foran recollidos pola c\u00e1mara dos pioneiros Timothy O’Sullivan, Wiliam Henry Jackson ou William Bell, no transcurso das expedici\u00f3ns comisionadas polo Goberno Federal durante a segunda metade do s\u00e9culo XIX.<\/p>\n

\n

\u00abA paisaxe deixou de ser un paraiso e converteuse nun espello que mostra unha imaxe da nosa cultura. \u2014explica Klett\u2014 Actualmente vemos as fotograf\u00edas de paisaxe dunha maneira similar a como se perciben as sombras no mito da caverna plat\u00f3nica. Como construci\u00f3ns que nos mostran o que sabemos sobre as paisaxes e territorios e a maneira na que obtivemos ese co\u00f1ecemento. \u00c9 dicir, como o resultado dunha experiencia individual contextualizada nun tempo definido de maneira precisa e, no mellor dos casos, como linguaxe que comenta, opina e fai visible a propia experiencia<\/em>\u00bb <\/em><\/p>\n

(Revista Formas n\u00ba 16, 2007)<\/p>\n<\/blockquote>\n

Froito de\u00a0The Rephotographic Survey Project<\/em>, en 1984 publicou os resultados ofrecendo unha segunda visi\u00f3n sobre a paisaxe americana, xunto \u00e1 metodolox\u00eda necesaria para levar a cabo as refotograf\u00edas. Como precisan no blog Arqueolox\u00eda del punt de vista:<\/em><\/p>\n

\n

\u00abO seu traballo, ent\u00f3n paradoxalmente novidoso, vi\u00f1a equipado de serie cun discurso sobre a construci\u00f3n do imaxinario colectivo. Este discurso cont\u00e9n unha lectura pol\u00edtica. Parte dunhas imaxes tomadas por uns expedicionarios nuns Territorios case salvaxes. Cando os reencontra Klett e o seu equipo, esas paisaxes son xa parte duns Estados consolidados que forman un importante pa\u00eds. O seu traballo estanos a falar as\u00ed do particular percepci\u00f3n dunha paisaxe como Naci\u00f3n\u00bb.<\/em><\/p>\n<\/blockquote>\n

Entre os anos 1998 e 2000, Klett retomar\u00eda o proxecto, publicando en 2004 o libro Third Views, Second Sights.<\/em> O libro acompa\u00f1ouse dunha completa\u00a0p\u00e1xina web na que se explica todo o proceso e p\u00f3dense observar algunhas das imaxes realizadas no s\u00e9culo XIX, as dos anos setenta e as de finais do s\u00e9culo XX. Tres visi\u00f3ns dun s\u00e9culo de cambios.<\/p>\n

\n

antonio s. r\u00edo v\u00e1zquez . arquitecto<\/p>\n

a coru\u00f1a. maio 2011<\/p>\n<\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Formado como ge\u00f3logo, Mark Klett (Albany, 1952) es profesor de Arte en la Universidad Estatal de Arizona. Interesado por la relaci\u00f3n entre la cultura, el tiempo y el paisaje, comenz\u00f3 a mediados de los setenta una serie de fotograf\u00edas de los lugares del oeste norteamericano que hab\u00edan sido recogidos por la c\u00e1mara de los pioneros […]<\/p>\n","protected":false},"author":12,"featured_media":45122,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[4024,12449,460,516,12460,668,11567,3452,4444,1286,11569,10432,11571],"class_list":["post-13637","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-slider-principal","tag-antonio-s-rio-vazquez","tag-arte","tag-eeuu","tag-espacio-publico","tag-fotografia","tag-historia","tag-mark-klett","tag-personaje","tag-s-xx","tag-territorio","tag-timothy-osullivan","tag-wiliam-henry-jackson","tag-william-h-bell"],"yoast_head":"\nLa tercera visi\u00f3n | Antonio S. 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