{"id":13335,"date":"2011-09-21T06:02:10","date_gmt":"2011-09-21T06:02:10","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=13335"},"modified":"2023-04-21T17:50:41","modified_gmt":"2023-04-21T15:50:41","slug":"sigfried-giedion-arquitectos-y-cineastas-jorge-gorostiza","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/sigfried-giedion-arquitectos-y-cineastas-jorge-gorostiza\/","title":{"rendered":"[:es]Sigfried Giedion. Arquitectos y Cineastas | Jorge Gorostiza[:gl]Sigfried Giedion. Arquitectos e Cineastas | Jorge Gorostiza[:en]Sigfried Giedion. Architects y Moviemaker | Jorge Gorostiza[:]"},"content":{"rendered":"

[:es]

\"Sigfried<\/a>
Sigfried Giedion<\/span><\/figcaption><\/figure><\/p>\n

En la anterior entrada hablaba de un director de cine, Ren\u00e9 Clair, que comparaba hacer una pel\u00edcula con construir un edificio. En esta ocasi\u00f3n es un te\u00f3rico de la arquitectura, Sigfried Giedion<\/a>,\u00a0quien en su libro m\u00e1s conocido, \u00abEspacio y tiempo en arquitectura\u00bb<\/em> publicado en 1941, cita la relaci\u00f3n entre el cine y la arquitectura:<\/p>\n

\n

\u00abEn torno a 1880, Adler y Sullivan pod\u00edan asumir ellos mismos la responsabilidad completa de levantar sus edificios, como pod\u00eda hacerlo, naturalmente, William Le Baron Jenney, ingeniero y contratista. Hoy en d\u00eda eso ya no es posible. La lista de responsables de la construcci\u00f3n de un edificio importante es incluso mayor que la de quienes colaboran en una pel\u00edcula importante. Pero al igual que el hecho de que la pel\u00edcula sea buena o mala depende de la intensidad de su director principal, la calidad de un edificio depende de la capacidad del arquitecto que le da forma<\/em>\u00bb.<\/em><\/p>\n<\/blockquote>\n

Giedion est\u00e1 hablando del tema de la \u00abautor\u00eda\u00bb, ya sea en el cine o en la arquitectura, y la verdad es que cada vez es m\u00e1s dudosa la atribuci\u00f3n de una obra, sea pel\u00edcula o edificaci\u00f3n, a un solo ser humano, a un solo artista en el sentido que se le puede dar a un creador por ejemplo del Renacimiento. Creo que es un tema a discutir profunda y extensamente.<\/p>\n

Jorge Gorostiza, arquitecto. Autor del blog Arquitectura+Cine+Ciudad<\/em><\/span>
\nSanta Cruz de Tenerife, mayo 2011[:en]

\"\"<\/a>
Sigfried Giedion<\/span><\/figcaption><\/figure><\/p>\n

In the previous entrance spoke of a director of cinema, Ren\u00e9 Clair, that compared to do a film with building a building. In this occasion is a theorist of the architecture, Sigfried Giedion<\/a>, the one who in his more known book, Space and time in architecture published in 1941, quotes the relation between the cinema and the architecture:<\/p>\n

\n

\u00abConcerning 1880, Adler and Sullivan could assume they themselves the complete responsibility of raising his buildings, since Baron Jenney, engineer and contractor could make it, naturally, William Him. Nowadays it already is not possible. The list of persons in charge of the construction of an important building is even major that her of whom they collaborate in an important movie. But as the fact that the movie is good or bad it depends on the intensity of his top-line manager, the quality of a building depends on the capacity of the architect who gives him form\u00bb.<\/em><\/p>\n<\/blockquote>\n

Giedion is speaking about the topic of the \u00abauthorship\u00bb, already be in the cinema or in the architecture, and the truth is that every time the attribution of a work is more doubtful, it is movie or building, to an alone human being, to an alone artist in the sense that can be given to a creator for example of the Renaissance. I believe that it is a topic to discussing deeply and extensively.<\/p>\n

Jorge Gorostiza, architect. Author of the blog Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n

Santa Cruz de Tenerife, may 2011<\/p>\n

[:gl]

\"\"<\/a>
Sigfried Giedion<\/span><\/figcaption><\/figure><\/p>\n

Na anterior entrada falaba dun director de cinema, Ren\u00e9 Clair, que comparaba facer unha pel\u00edcula con constru\u00edr un edificio. Nesta ocasi\u00f3n \u00e9 un te\u00f3rico da arquitectura, Sigfried Giedion<\/a>, quen no seu libro m\u00e1is co\u00f1ecido, Espazo e tempo en arquitectura publicado en 1941, cita a relaci\u00f3n entre o cinema e a arquitectura:<\/p>\n

\n

\u00abEn torno a 1880, Adler e Sullivan pod\u00edan asumir eles mesmos a responsabilidade completa de levantar os seus edificios, como pod\u00eda facelo, naturalmente, William Le Baron Jenney, enxe\u00f1eiro e contratista. Hoxe en d\u00eda iso xa non \u00e9 posible. A lista de responsables da construci\u00f3n dun edificio importante \u00e9 mesmo maior que a dos que colaboran nunha pel\u00edcula importante. Pero ao igual que o feito de que a pel\u00edcula sexa boa ou mala depende da intensidade do seu director principal, a calidade dun edificio depende da capacidade do arquitecto que lle d\u00e1 forma\u00bb.<\/em><\/p>\n<\/blockquote>\n

Giedion est\u00e1 a falar do tema da \u00abautor\u00eda\u00bb, xa sexa no cine ou na arquitectura, e a verdade \u00e9 que cada vez \u00e9 m\u00e1is dubidosa a atribuci\u00f3n dunha obra, sexa pel\u00edcula ou edificaci\u00f3n, a un s\u00f3 ser humano, a un s\u00f3 artista no sentido que se lle pode dar a un creador por exemplo do Renacemento. Creo que \u00e9 un tema a discutir profunda e extensamente.<\/p>\n

Jorge Gorostiza, arquitecto. Autor do blogue Arquitectura+Cine+Ciudad<\/em><\/span><\/p>\n

Santa Cruz de Tenerife, maio 2011<\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] En la anterior entrada hablaba de un director de cine, Ren\u00e9 Clair, que comparaba hacer una pel\u00edcula con construir un edificio. En esta ocasi\u00f3n es un te\u00f3rico de la arquitectura, Sigfried Giedion,\u00a0quien en su libro m\u00e1s conocido, \u00abEspacio y tiempo en arquitectura\u00bb publicado en 1941, cita la relaci\u00f3n entre el cine y la arquitectura: […]<\/p>\n","protected":false},"author":34,"featured_media":13336,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1460,5951],"tags":[11184,12448,12471,4396,10246,668,1593,4896,3452,4399,3929,10254,10245],"class_list":["post-13335","post","type-post","status-publish","format-standard","has-post-thumbnail","category-capturas","category-cine","category-slider-principal","tag-arquitectos-y-cineastas","tag-arquitectura","tag-cine","tag-cineastas","tag-espacio-cinematografico","tag-historia","tag-jorge-gorostiza","tag-louis-henry-sullivan","tag-personaje","tag-rene-clair","tag-sigfried-giedion","tag-viola-dana","tag-william-le-baron-jenney"],"yoast_head":"\nSigfried Giedion. 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