{"id":13110,"date":"2015-09-18T06:46:23","date_gmt":"2015-09-18T04:46:23","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=13110"},"modified":"2023-01-13T16:38:34","modified_gmt":"2023-01-13T15:38:34","slug":"la-belleza-de-la-dureza-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-belleza-de-la-dureza-inigo-garcia-odiaga\/","title":{"rendered":"[:es]La belleza de la dureza | \u00cd\u00f1igo Garc\u00eda Odiaga[:en]The beauty of the hardness | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A beleza da dureza | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"Escuela<\/a>
Escuela Leutschenbach en Z\u00fcrich, Suiza, 2009, Christian Kerez | Fotograf\u00eda: Christian Kerez<\/span><\/figcaption><\/figure><\/p>\n

Un par de publicaciones y cuatro edificios acabados de forma exquisita han presentado al p\u00fablico la obra y la trayectoria del arquitecto nacido en Maracaibo, Venezuela, pero de formaci\u00f3n suiza, Christian Kerez.<\/a><\/p>\n

Tras obtener su titulaci\u00f3n en 1998 en el instituto federal de tecnolog\u00eda de Zurich comenz\u00f3 su andadura profesional como fot\u00f3grafo de arquitectura. Hay arquitectos cuya formaci\u00f3n depende de forma determinante por ejemplo de las oficinas en las que comenzaron su vida profesional, o de su relaci\u00f3n con la escuela en la que estudiaron o tal vez del contexto social en el que empezaron a trabajar. En el caso de Kerez son precisamente los a\u00f1os vividos como fot\u00f3grafo los que han marcado su forma de entender y materializar su arquitectura.<\/p>\n

Su obra fotogr\u00e1fica recorre paulatinamente edificaciones industriales, presas, centrales el\u00e9ctricas, t\u00faneles o autopistas en las que el sentido infraestructural y su vinculaci\u00f3n al paisaje presentan un equilibrio en el que la dureza constructiva de estas obras parece encajar con el lado m\u00e1s brutal de la naturaleza.<\/p>\n

De alguna manera estas fotograf\u00edas en las que los edificios aparecen despojados de cualquier elemento ornamental o embellecedor, confirman que la belleza de estos se debe exclusivamente al hecho funcional y a la concreci\u00f3n racional del proceso constructivo que a levantado estos edificios.<\/p>\n

\"Escuela<\/a>
Escuela Leutschenbach en Z\u00fcrich, Suiza, 2009, Christian Kerez | Fotograf\u00eda: Christian Kerez<\/span><\/figcaption><\/figure>\n

Este gusto por la limpieza ling\u00fc\u00edstica y por la narraci\u00f3n de la funcionalidad de sus edificios ha guiado la obra de Kerez.<\/p>\n

Edificios como la capilla en Oberrealta en Suiza, su primera obra, que se alza en una peque\u00f1a meseta sobre el valle alto del Rhin. Aunque formalmente busca el icono com\u00fan de una casa corriente, su materialidad resuelta \u00fanicamente en hormig\u00f3n, resulta fundamental para elevar esta peque\u00f1a edificaci\u00f3n a la escala de una escultura o de un monumento. Su simplicidad y sus modestas dimensiones amplifican la relaci\u00f3n del edificio con el entorno natural y las espectaculares monta\u00f1as alpinas que la rodean.<\/p>\n

\"Capilla<\/a>
Capilla en Oberrealta, Suiza, 1993, Christian Kerez | Fotograf\u00eda: Christian Kerez<\/span><\/figcaption><\/figure>\n

El segundo proyecto construido por la oficina de Christian Kerez fue un edificio de apartamentos en Forsterstrasse en la ciudad de Zurich. El edificio es lo que se podr\u00eda denominar una casa de hormig\u00f3n y cristal. Muros y forjados de hormig\u00f3n cerrados por grandes carpinter\u00edas de vidrio dan respuesta a una planta libre y abierta en la que la elegancia en la construcci\u00f3n y la austeridad en el uso de los materiales dotan al edificio de una cierta aura de atemporalidad.<\/p>\n

El entorno del edificio, un barrio residencial con amplios espacios arbolados vuelve a tener una gran importancia en la expresi\u00f3n del conjunto. El verde de los \u00e1rboles y la luz del d\u00eda se reflejan en las superficies lisas del vidrio y en el pulido de los encofrados de hormig\u00f3n, provocando una transparencia matizada que llega hasta el interior de las viviendas.<\/p>\n

\"Edificio<\/a>
Edificio de Departamentos en Forsterstrasse, Suiza, 2003, Christian Kerez | Fotograf\u00eda: Walter Mair<\/span><\/figcaption><\/figure>\n

Otra obra de viviendas que ampl\u00eda este trabajo es la llamada casa de un solo muro, levantada tambi\u00e9n en Zurich. Esta casa para dos familias aprovecha el t\u00edpico muro medianil de las viviendas unifamiliares para dotar al edificio de toda su expresividad pero tambi\u00e9n de todas las funciones necesarias. Este muro divisorio es estructura, pero dado su espesor y su quebrada geometr\u00eda aloja tambi\u00e9n los cuartos h\u00famedos o las escaleras. La simplicidad del concepto y la reducci\u00f3n de la arquitectura a un solo elemento demuestran como Kerez permanece fiel a su ideario incluso en los proyectos m\u00e1s reducidos.<\/p>\n

Su obra m\u00e1s celebrada hasta el momento es un edificio escolar construido en Leutschenbach. Para liberar la mayor cantidad de suelo de la parcela, agrupo todos los espacios hasta plantear un edificio apilado, en el que tres pisos de aulas sirven de z\u00f3calo a un gran vest\u00edbulo sobre el que se apoya el edificio del gimnasio. Compositivamente el edificio juega con esa incertidumbre que genera la idea de ser tres edificios o uno solo. La soluci\u00f3n estructural a base de una estructura reticulada de hormig\u00f3n, que una vez construida de alguna manera ya ser\u00e1 el edificio acabado, centra toda la atenci\u00f3n. Kerez lleva a los elementos estructurales de este edificio las soluciones que hab\u00eda aprendido de los ingenieros de autopistas suizos durante sus a\u00f1os de fot\u00f3grafo. Soluciones basadas en la austeridad de recursos para solventar de la mejor manera posible el problema planteado.<\/p>\n

\"Casa<\/a>
Casa con una Pared en Witikon, Zurich, Suiza, 2007, Christian Kerez | Fotograf\u00eda: Walter Mair<\/span><\/figcaption><\/figure>\n

Con estos recursos Christian Kerez ha elaborado un discurso propio, en el que tal vez lo m\u00e1s destacado sea la b\u00fasqueda de lo esencial, lo que genera arquitecturas descarnadas, con una cierta brutalidad, pero que se cargan adem\u00e1s de una belleza po\u00e9tica que atrae al espectador como un im\u00e1n.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto
\nsan sebasti\u00e1n. abril 2011<\/p>\n

\u00a0Art\u00edculo publicado 2011.04.25<\/span><\/span> _\u00a0 ZAZPIKA<\/em><\/span><\/p>\n

[:en]

\"Escuela<\/a>
Leutschenbach School in Z\u00fcrich, Suiza, 2009, Christian Kerez | Photography: Christian Kerez<\/span><\/figcaption><\/figure><\/p>\n

A pair of publications and four buildings finished of exquisite form have presented to the public the work and the path of the born architect in Maracaibo, Venezuela, but of Swiss training, Christian Kerez.<\/a><\/p>\n

After obtaining his degree in 1998 in the federal institute of technology of Zurich began his professional march like photographer of architecture. There are architects whose training depends of form determinante for example of the offices in which they began his professional life, or of his relation with the school in which they studied or maybe of the social context in which they began to work. In the case of Kerez are precisely the years lived like photographer those that have marked his form to understand and materialise his architecture.<\/p>\n

His photographic work visits paulatinamente edificaciones industrial, preys, electrical head offices, tunnels or highways in which the sense infraestructural and his links to the landscape present a balance in which the constructive hardness of these works seems to fit with the most brutal side of the nature.<\/p>\n

Somehow these photographies in which the buildings turn out to be taken off of any ornamental element or hub cap, confirm that the beauty of these owes exclusively to the functional fact and to the rational concretion of the constructive process that to elevated these buildings.<\/p>\n

\"Escuela<\/a>
Leutschenbach School in Z\u00fcrich, Suiza, 2009, Christian Kerez | Photography: Christian Kerez<\/span><\/figcaption><\/figure>\n

This taste for the linguistic cleanliness and for the story of the functionality of his buildings has guided Kerez’s work.<\/p>\n

Buildings like the chapel in Oberrealta in Switzerland, his first work, which raises in a small plateau on the high valley of the Rhine. Though formally it looks for the common icon of a current house, his materiality solved only in concrete, it turns out to be fundamental to raise this small building to the scale of a sculpture or of a monument. His simplicity and his modest dimensions amplify the relation of the building with the natural environment and the spectacular Alpine mountains that surround it.<\/p>\n

\"Capilla<\/a>
Chapel in Oberrealta, Suiza, 1993, Christian Kerez | Photography: Christian Kerez<\/span><\/figcaption><\/figure>\n

The second project constructed by Christian Kerez’s office was a building of apartments in Forsterstrasse in the city of Zurich. The building is what might be named a house of concrete and crystal. Walls and forged of concrete closed by big carpentries of glass they give response to a plant free and opened in that the elegance in the construction and the austerity in the use of the materials they provide to the building of a certain aura of atemporalidad.<\/p>\n

The environment of the building, a residential neighborhood with wide wooded spaces returns to have a great importance in the expression of the set. The green one of the trees and the daylight they are reflected in the smooth surfaces of the glass and in the polished one of the encofrados of concrete, provoking a variegated transparency that comes up to the interior of the housings<\/p>\n

\"Edificio<\/a>
Departments Building in Forsterstrasse, Suiza, 2003, Christian Kerez | Photography: Walter Mair<\/span><\/figcaption><\/figure>\n

Other one acts of housings that this work extends is the so called house of an alone wall, raised also in Zurich. This house for two families takes advantage of the typical wall medianil of the one-family housings to provide to the building of all his expressiveness but also of all the necessary functions. This dividing wall is a structure, but in view of his thickness and his broken geometry it lodges also the humid quarters or the stairs. The simplicity of the concept and the reduction of the architecture to an alone element demonstrate as Kerez it remains faithful to his enclosed ideology in the most limited projects.<\/p>\n

His work more celebrated up to the moment is a school building constructed in Leutschenbach. To liberate the major quantity of soil of the plot, I group all the spaces up to raising a piled up building, in which three floors of classrooms use as socle to a great foyer on the one that rests the building of the gymnasium. Compositivamente the building plays with this uncertainty that generates the idea of being three buildings or alone one. The structural solution based on a structure reticulada of concrete, which once constructed somehow already will be the finished building, centres the whole attention. Kerez takes to the structural elements of this building the solutions that he had learned of the Swiss engineers of highways for his years of photographer. Solutions based on the austerity of resources to settle in a best possible way the raised problem.<\/p>\n

\"Casa<\/a>
House with a Wall n Witikon, Zurich, Suiza, 2007, Christian Kerez | Photography: Walter Mair<\/span><\/figcaption><\/figure>\n

With these resources Christian Kerez has elaborated an own speech, in which maybe the most out-standing thing is the search of the essential thing, which generates emaciated architectures, with a certain brutality, but which is loaded besides a poetical beauty that attracts the spectator as a magnet.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. architect
\nsan sebasti\u00e1n. april 2011<\/p>\n

Article is published 2011.04.25<\/span><\/span> _ ZAZPIKA<\/em><\/span><\/p>\n

[:gl]

\"Escuela<\/a>
Escola Leutschenbach en Z\u00fcrich, Suiza, 2009, Christian Kerez | Fotograf\u00eda: Christian Kerez<\/span><\/figcaption><\/figure><\/p>\n

Un par de publicaci\u00f3ns e catro edificios acabados de forma exquisita presentaron ao p\u00fablico a obra e a traxectoria do arquitecto nado en Maracaibo, Venezuela, pero de formaci\u00f3n su\u00edza, Christian Kerez.<\/a><\/p>\n

Tras obter a s\u00faa titulaci\u00f3n en 1998 no instituto federal de tecnolox\u00eda de Z\u00faric comezou a s\u00faa andaina profesional como fot\u00f3grafo de arquitectura. Hai arquitectos cuxa formaci\u00f3n depende de forma determinante por exemplo das oficinas nas que comezaron a s\u00faa vida profesional, ou da s\u00faa relaci\u00f3n coa escola na que estudaron ou talvez do contexto social no que empezaron a traballar. No caso de Kerez son precisamente os anos vividos como fot\u00f3grafo os que marcaron a s\u00faa forma de entender e materializar a s\u00faa arquitectura.<\/p>\n

A s\u00faa obra fotogr\u00e1fica percorre paulatinamente edificaci\u00f3ns industriais, presas, centrais el\u00e9ctricas, t\u00faneles ou autoestradas nas que o sentido infraestructural e a s\u00faa vinculaci\u00f3n \u00e1 paisaxe presentan un equilibrio no que a dureza construtiva destas obras parece encaixar co lado m\u00e1is brutal da natureza.<\/p>\n

Dalg\u00fan xeito estas fotograf\u00edas nas que os edificios aparecen desposu\u00eddos de calquera elemento ornamental ou embellecedor, confirman que a beleza destes d\u00e9bese exclusivamente ao feito funcional e \u00e1 concreci\u00f3n racional do proceso constructivo que a levantado estes edificios.<\/p>\n

\"Escuela<\/a>
Escola Leutschenbach en Z\u00fcrich, Suiza, 2009, Christian Kerez | Fotograf\u00eda: Christian Kerez<\/span><\/figcaption><\/figure>\n

Este gusto pola limpeza ling\u00fc\u00edstica e pola narraci\u00f3n da funcionalidad dos seus edificios guiou a obra de Kerez.<\/p>\n

Edificios como a capela en Oberrealta en Suiza, a s\u00faa primeira obra, que se alza nunha pequena meseta sobre o val alto do Rhin. A\u00ednda que formalmente busca o icono com\u00fan dunha casa corrente, a s\u00faa materialidad resolta \u00fanicamente en hormig\u00f3n, resulta fundamental para elevar esta pequena edificaci\u00f3n \u00e1 escala dunha escultura ou dun monumento. O seu simplicidad e as s\u00faas modestas dimensi\u00f3ns amplifican a relaci\u00f3n do edificio coa contorna natural e as espectaculares monta\u00f1as alpinas que a rodean.<\/p>\n

\"Capilla<\/a>
Capela en Oberrealta, Suiza, 1993, Christian Kerez | Fotograf\u00eda: Christian Kerez<\/span><\/figcaption><\/figure>\n

O segundo proxecto constru\u00eddo pola oficina de Christian Kerez foi un edificio de apartamentos en Forsterstrasse na cidade de Zurich. O edificio \u00e9 o que se poder\u00eda denominar unha casa de hormig\u00f3n e cristal. Muros e forxados de hormig\u00f3n pechados por grandes carpinter\u00edas de vidro dan resposta a unha planta libre e aberta na que a elegancia na construci\u00f3n e a austeridad no uso dos materiais dotan ao edificio dunha certa aura de atemporalidad.<\/p>\n

A contorna do edificio, un barrio residencial con amplos espazos arbolados volve ter unha gran importancia na expresi\u00f3n do conxunto. O verde das \u00e1rbores e a luz do d\u00eda refl\u00edctense nas superficies lisas do vidro e no pulido dos encofrados de hormig\u00f3n, provocando unha transparencia matizada que chega ata o interior das vivendas.<\/p>\n

\"Edificio<\/a>
Edificio de Departamentos en Forsterstrasse, Suiza, 2003, Christian Kerez | Fotograf\u00eda: Walter Mair<\/span><\/figcaption><\/figure>\n

Outra obra de vivendas que ampl\u00eda este traballo \u00e9 a chamada casa dun s\u00f3 muro, levantada tam\u00e9n en Zurich. Esta casa para d\u00faas familias aproveita o t\u00edpico muro medianil das vivendas unifamiliares para dotar ao edificio de toda a s\u00faa expresividade pero tam\u00e9n de todas as funci\u00f3ns necesarias. Este muro divisorio \u00e9 estrutura, pero dado o seu espesor e a s\u00faa crebada geometr\u00eda aloxa tam\u00e9n os cuartos h\u00famidos ou as escaleiras. A simplicidad do concepto e a reduci\u00f3n da arquitectura a un s\u00f3 elemento demostran como Kerez permanece fiel ao seu ideario ata nos proxectos m\u00e1is reducidos.<\/p>\n

A s\u00faa obra m\u00e1is celebrada ata o momento \u00e9 un edificio escolar constru\u00eddo en Leutschenbach. Para liberar a maior cantidade de chan da parcela, agrupo todos os espazos ata suscitar un edificio apilado, no que tres pisos de aulas serven de z\u00f3calo a un gran vest\u00edbulo sobre o que se apoia o edificio do gimnasio. Compositivamente o edificio xoga con esa incerteza que xera a idea de ser tres edificios ou un s\u00f3. A soluci\u00f3n estructural a base dunha estrutura reticulada de hormig\u00f3n, que unha vez constru\u00edda dalg\u00fan xeito xa ser\u00e1 o edificio acabado, centra toda a atenci\u00f3n. Kerez leva aos elementos estructurales deste edificio as soluci\u00f3ns que aprendera dos enxe\u00f1eiros de autopistas suizos durante os seus anos de fot\u00f3grafo. Soluci\u00f3ns baseadas na austeridad de recursos para liquidar do mellor xeito posible o problema suscitado.<\/p>\n

\"Casa<\/a>
Casa cunha Parede en Witikon, Zurich, Suiza, 2007, Christian Kerez | Fotograf\u00eda: Walter Mair<\/span><\/figcaption><\/figure>\n

Con estes recursos Christian Kerez elaborou un discurso propio, no que talvez o m\u00e1is destacado sexa a procura do esencial, o que xera arquitecturas descarnadas, cunha certa brutalidad, pero que se cargan ademais dunha beleza po\u00e9tica que atrae ao espectador como un im\u00e1n.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto
\nsan sebasti\u00e1n. abril 2011<\/p>\n

Artigo publicado 2011.04.25<\/span><\/span> _ ZAZPIKA<\/em><\/span><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] Un par de publicaciones y cuatro edificios acabados de forma exquisita han presentado al p\u00fablico la obra y la trayectoria del arquitecto nacido en Maracaibo, Venezuela, pero de formaci\u00f3n suiza, Christian Kerez. Tras obtener su titulaci\u00f3n en 1998 en el instituto federal de tecnolog\u00eda de Zurich comenz\u00f3 su andadura profesional como fot\u00f3grafo de arquitectura. […]<\/p>\n","protected":false},"author":31,"featured_media":56306,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[568,5951],"tags":[6949,9142,12113,4285,977,2001,1286],"class_list":["post-13110","post","type-post","status-publish","format-standard","has-post-thumbnail","category-faro","category-slider-principal","tag-arquitectura-suiza","tag-arquitectura-venezolana","tag-christian-kerez","tag-inigo-garcia-odiaga","tag-paisaje","tag-sudamerica","tag-territorio"],"yoast_head":"\nLa belleza de la dureza | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"La belleza de la dureza\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/la-belleza-de-la-dureza-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta 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