{"id":10951,"date":"2014-07-11T06:36:15","date_gmt":"2014-07-11T06:36:15","guid":{"rendered":"http:\/\/veredes.es\/blog\/?p=10951"},"modified":"2020-03-06T17:44:28","modified_gmt":"2020-03-06T16:44:28","slug":"la-arquitectura-del-lugar-inigo-garcia-odiaga","status":"publish","type":"post","link":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/","title":{"rendered":"[:es]La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A arquitectura do lugar | \u00cd\u00f1igo Garc\u00eda Odiaga [:en]The architecture of the place | \u00cd\u00f1igo Garc\u00eda Odiaga[:]"},"content":{"rendered":"

[:es]

\"\"<\/a>
Vivienda unifamiliar construida por Carlos Quint\u00e1ns en la Sierra del Courel<\/span><\/figcaption><\/figure><\/p>\n

La explosi\u00f3n de la arquitectura del espect\u00e1culo est\u00e1 directamente ligada a los fen\u00f3menos urbanos y tal vez por problemas de escala, presupuesto o funci\u00f3n ha eclipsado el debate arquitect\u00f3nico de lo rural. En estos \u00e1mbitos la arquitectura contempor\u00e1nea m\u00e1s comprometida trata de establecer nuevos v\u00ednculos con el contexto a trav\u00e9s de la actualizaci\u00f3n de la tradici\u00f3n local.<\/p>\n

Durante posiblemente demasiado tiempo los entornos rurales y las obras que se han desarrollado en estos lugares han pasado desapercibidas en el debate arquitect\u00f3nico. La grandiosidad de los fara\u00f3nicos proyectos de las metr\u00f3polis han arrastrado el debate te\u00f3rico hacia el hecho urbano. Su crecimiento, su sostenibilidad, las mega urbes o lo social son los problemas espec\u00edficos de la ciudad que han acaparado el discurso arquitect\u00f3nico. De alguna manera esta situaci\u00f3n ha alejado el debate de la cotidianeidad que supone en la pr\u00e1ctica proyectar una vivienda o un peque\u00f1o proyecto en un n\u00facleo rural.<\/p>\n

En estos contextos la arquitectura siempre ha tenido que luchar para proponer nuevas soluciones con un ambiente basado en la continuidad de una tradici\u00f3n, de unos modos de hacer que han dado lugar a las diferentes tipolog\u00edas de arquitectura tradicional y que impregnan de forma contundente el imaginario de los habitantes de estos entornos rurales.<\/p>\n

Nadie puede criticar la arquitectura vernacular, una arquitectura cuya estructura interna ha sido construida durante siglos a trav\u00e9s de un proceso evolutivo, en el que las soluciones se han ido perfeccionando para adaptarse m\u00e1s y mejor a los condicionantes de un entorno determinado, hasta llegar a un estado en el que la arquitectura tradicional y su paisaje se confunden y se hacen indivisibles.<\/p>\n

Sin lugar a dudas el problema actual de las obras que se construyen en el medio rural deriva de una mala interpretaci\u00f3n de esta identificaci\u00f3n entre una determinada arquitectura y su lugar. Esta din\u00e1mica ha colocado por delante de las claves, de los aciertos, de la esencia de la arquitectura tradicional su propia imagen, sin entender que la imagen es un resultado y no un m\u00e9todo de adecuaci\u00f3n de la arquitectura al lugar.<\/p>\n

Para la arquitectura contempor\u00e1nea que act\u00faa en estos contextos tan cargados de memoria, lo existente es la realidad en la que se tiene que operar y desarrollar el proyecto. El proyecto necesita respetar los modos, las conclusiones alcanzadas por la tradici\u00f3n, para poder actualizarlas a un lenguaje y a una pr\u00e1ctica constructiva actual; esto supone mantener viva y en desarrollo la arquitectura del lugar y aportar un paso m\u00e1s al proceso evolutivo que gener\u00f3 esa arquitectura que hoy llamamos tradicional.<\/p>\n

En definitiva se trata de reajustar lo vernacular, se trata de leer las condiciones de entorno e integrarse en \u00e9l respetando los equilibrios del contexto. Se trata de proponer algo nuevo dentro del proceso continuado que ha generado ese entorno, partiendo no de una hoja en blanco sino de la experiencia acumulada.<\/p>\n

\"\"<\/a>
Ayuntamiento de Leoz en Iratxeta de los arquitectos Guillermo Garbisu y Magdalena L\u00f3pez<\/span><\/figcaption><\/figure>\n

Proyectos como el Ayuntamiento de Leoz en Iratxeta de los arquitectos Guillermo Garbisu y Magdalena L\u00f3pez son un buen ejemplo de esta capacidad de releer el contexto que la arquitectura contempor\u00e1nea est\u00e1 incorporando. Se trata de un peque\u00f1o edificio que a pesar de su volumetr\u00eda n\u00edtida y de la modernidad de sus huecos incorpora sin ning\u00fan complejo la cubierta tradicional de lajas de piedra, insertando la nueva edificaci\u00f3n en el contexto y de esta forma continuando el paisaje. El nuevo edificio se incorpora a la iglesia existente formando junto con la antigua edificaci\u00f3n un nuevo conjunto que a pesar de la diferencia de edad entre ambas construcciones no es disonante, m\u00e1s bien todo lo contrario, podr\u00eda afirmarse que ambos vol\u00famenes hablan un lenguaje com\u00fan. Una peque\u00f1a plaza de acceso formalizada a medias por lo antiguo y lo nuevo sirve de acceso al ayuntamiento en el que los muros de piedra y la cubierta hablan del pasado mientras que sus dinteles y carpinterias hablan del tiempo presente. El proyecto trata as\u00ed de dotar al pueblo de unas nuevas instalaciones sin interrumpir su naturalidad. Una naturalidad del lugar que se actualiza con el lenguaje actual al redefinir las antiguas normas o leyes que lo han generado, creando con modestia una gran arquitectura.<\/p>\n

\"\"<\/a>
Ayuntamiento de Leoz en Iratxeta de los arquitectos Guillermo Garbisu y Magdalena L\u00f3pez<\/span><\/figcaption><\/figure>\n

Edificios como la vivienda unifamiliar construida por Carlos Quint\u00e1ns en la Sierra del Courel son un buen testimonio de esta capacidad actualizadora de lo vernacular. Rehabilitando una peque\u00f1a construcci\u00f3n rural en la aldea de Paderne, la aprovecha como z\u00f3calo a la nueva construcci\u00f3n y se articula una pieza actual que incluso a pesar de su limpieza formal y del aire a nuevo que desprende parece llevar en el lugar toda la vida.<\/p>\n

\"\"<\/a>
Vivienda unifamiliar construida por Carlos Quint\u00e1ns en la Sierra del Courel<\/span><\/figcaption><\/figure>\n

Con un programa escueto, resuelto en unos setenta metros cuadrados se formaliza una vivienda cuya estancia principal se sit\u00faa en el primer piso, separ\u00e1ndose del suelo y abriendo su interior con un gran ventanal al paisaje; en contraste con la planta baja que, aprovechando los muros de piedra caracter\u00edsticos de las edificaciones del lugar, alberga los dormitorios en una pieza m\u00e1s herm\u00e9tica.<\/p>\n

Sobre los muros antiguos del pajar original, una estructura de madera laminada da cuerpo al volumen superior con una sobria cubierta a dos aguas sin ning\u00fan tipo de alero, exceptuando el m\u00ednimo remate necesario para proteger la piel de casta\u00f1o exterior y se inserta en el paisaje, en la vida del pueblo con total naturalidad.<\/p>\n

\"\"<\/a>
Interior vivienda unifamiliar construida por Carlos Quint\u00e1ns en la Sierra del Courel<\/span><\/figcaption><\/figure>\n

La piedra del z\u00f3calo, atemporal al igual que el casta\u00f1o, evolucionar\u00e1 adoptando la belleza que las cosas bien hechas adoptan con el paso del tiempo; nos habla de una arquitectura inteligente, que parte de un conocimiento decantado por el sitio, por su clima y por sus arquitecturas; sin copiarlas en lo superficial sino comprendiendo lo esencial para poder evolucionar.<\/p>\n

Como sol\u00eda contar Jorge Oteiza, el que avanza intentando crear algo nuevo lo hace como un remero, avanzando hacia delante pero remando de espaldas al futuro, mirando hacia atr\u00e1s, hacia el pasado, hacia lo existente para poder reorganizar sus claves.<\/p>\n

Gracias a Carlos Quintans por las molestias que se ha tomado.
\n\u00ed\u00f1igo garc\u00eda odiaga. arquitecto
\nsan sebasti\u00e1n. febrero 2011<\/p>\n

Publicado en MUGALARI 11.02.18<\/span><\/em><\/p>\n

[:gl]

\"\"<\/a>
Vivenda unifamiliar construida por Carlos Quint\u00e1ns na Serra do Courel<\/span><\/figcaption><\/figure><\/p>\n

A explosi\u00f3n da arquitectura do espect\u00e1culo est\u00e1 directamente ligada aos fen\u00f3menos urbanos e talvez por problemas de escala, presuposto ou funci\u00f3n eclipsou o debate arquitect\u00f3nico do rural. Nestes \u00e1mbitos a arquitectura contempor\u00e1nea m\u00e1is comprometida trata de establecer novos v\u00ednculos co contexto a trav\u00e9s da actualizaci\u00f3n da tradici\u00f3n local.<\/p>\n

Durante posiblemente demasiado tempo os \u00e1mbitos rurais e as obras que se desenvolveron nestes lugares pasaron desapercibidas no debate arquitect\u00f3nico. A grandiosidade dos fara\u00f3nicos proxectos das metr\u00f3poles arrastraron o debate te\u00f3rico cara ao feito urbano. O seu crecemento, a s\u00faa sostibilidade, as mega urbes ou o social son os problemas espec\u00edficos da cidade que acapararon o discurso arquitect\u00f3nico. Dalg\u00fan xeito esta situaci\u00f3n afastou o debate da cotianeidade que sup\u00f3n na pr\u00e1ctica proxectar unha vivenda ou un pequeno proxecto nun n\u00facleo rural.<\/p>\n

Nestes contextos a arquitectura sempre tivo que loitar para propo\u00f1er novas soluci\u00f3ns cun ambiente baseado na continuidade dunha tradici\u00f3n, duns modos de facer que deron lugar \u00e1s diferentes tipolox\u00edas de arquitectura tradicional e que impregnan de forma contundente o imaxinario dos habitantes destes \u00e1mbitos rurais.<\/p>\n

Ningu\u00e9n pode criticar a arquitectura vern\u00e1cula, unha arquitectura cuxa estrutura interna foi constru\u00edda durante s\u00e9culos a trav\u00e9s dun proceso evolutivo, no que as soluci\u00f3ns se foron perfeccionando para adaptarse m\u00e1is e mellor aos condicionantes dun \u00e1mbito determinado, ata chegar a un estado no que a arquitectura tradicional e a s\u00faa paisaxe se confunden e se fan indivisibles.<\/p>\n

Sen lugar a d\u00fabidas o problema actual das obras que se constr\u00faen no medio rural deriva dunha mala interpretaci\u00f3n desta identificaci\u00f3n entre unha determinada arquitectura e o seu lugar. Esta din\u00e1mica colocou por diante das claves, dos acertos, da esencia da arquitectura tradicional a s\u00faa propia imaxe, sen entender que a imaxe \u00e9 un resultado e non un m\u00e9todo de adecuaci\u00f3n da arquitectura ao lugar.<\/p>\n

Para a arquitectura contempor\u00e1nea que act\u00faa nestes contextos tan cargados de memoria, o existente \u00e9 a realidade na que ten que operar e desenvolver o proxecto. O proxecto necesita respectar os modos, as conclusi\u00f3ns alcanzadas pola tradici\u00f3n, para poder actualizalas a unha linguaxe e a unha pr\u00e1ctica construtiva actual; isto sup\u00f3n manter viva e en desenvolvemento a arquitectura do lugar e achegar un paso m\u00e1is ao proceso evolutivo que xerou esa arquitectura que hoxe chamamos tradicional.<\/p>\n

En definitiva tr\u00e1tase de readaptar o vern\u00e1culo, tr\u00e1tase de ler as condici\u00f3ns de \u00e1mbito e integrarse nel respectando os equilibrios do contexto. Tr\u00e1tase de propo\u00f1er algo novo dentro do proceso continuado que xerou ese \u00e1mbito, partindo non dunha folla en branco sen\u00f3n da experiencia acumulada.<\/p>\n

\"\"<\/a>
Ayuntamiento de Leoz en Iratxeta de los arquitectos Guillermo Garbisu y Magdalena L\u00f3pez<\/span><\/figcaption><\/figure>\n

Proxectos como o Concello de Leoz en Iratxeta dos arquitectos Guillermo Garbisu e Magdalena L\u00f3pez son un bo exemplo desta capacidade de reler o contexto que a arquitectura contempor\u00e1nea est\u00e1 a incorporar. Tr\u00e1tase dun pequeno edificio que a pesar da s\u00faa volumetr\u00eda n\u00edtida e da modernidade dos seus ocos incorpora sen ning\u00fan complexo a cuberta tradicional de lajas de pedra, inserindo a nova edificaci\u00f3n no contexto e desta forma continuando a paisaxe. O novo edificio incorp\u00f3rase \u00e1 igrexa existente formando xunto coa antiga edificaci\u00f3n un novo conxunto que a pesar da diferenza de idade entre ambas as d\u00faas construci\u00f3ns non \u00e9 disonante, m\u00e1is ben todo o contrario, poder\u00eda afirmarse que ambos os dous volumes falan unha linguaxe com\u00fan. Unha pequena praza de acceso formalizada a medias polo antigo e o novo serve de acceso ao concello no que os muros de pedra e a cuberta falan do pasado mentres que os seus linteis e carpinterias falan do tempo presente. O proxecto trata as\u00ed de dotar o pobo dunhas novas instalaci\u00f3ns sen interromper a s\u00faa naturalidade. Unha naturalidade do lugar que se actualiza coa linguaxe actual ao redefinir as antigas normas ou leis que o xeraron, creando con modestia unha grande arquitectura.<\/p>\n

\"\"<\/a>
Concello de Leoz en Iratxeta dos arquitectos Guillermo Garbisu e Magdalena L\u00f3pez<\/span><\/figcaption><\/figure>\n

Edificios como a vivenda unifamiliar constru\u00edda por Carlos Quint\u00e1ns na Serra do Courel son un bo testemu\u00f1o desta capacidade actualizadora do vern\u00e1culo. Rehabilitando unha pequena construci\u00f3n rural na aldea de Paderne, aprov\u00e9itaa como z\u00f3colo \u00e1 nova construci\u00f3n e artic\u00falase unha peza actual que mesmo a pesar da s\u00faa limpeza formal e do aire a novo que desprende parece levar no lugar toda a vida.<\/p>\n

\"\"<\/a>
Vivenda unifamiliar construida por Carlos Quint\u00e1ns na Serra do Courel<\/span><\/figcaption><\/figure>\n

Cun programa conciso, resolto nuns setenta metros cadrados formal\u00edzase unha vivenda cuxa estanza principal se sit\u00faa no primeiro piso, separ\u00e1ndose do chan e abrindo o seu interior cun gran ventanal \u00e1 paisaxe; en contraste coa planta baixa que, aproveitando os muros de pedra caracter\u00edsticos das edificaci\u00f3ns do lugar, alberga os dormitorios nunha peza m\u00e1is herm\u00e9tica.<\/p>\n

Sobre os muros antigos do palleiro orixinal, unha estrutura de madeira laminada d\u00e1 corpo ao volume superior cunha sobria cuberta a d\u00faas augas sen ning\u00fan tipo de aleiro, exceptuando o m\u00ednimo remate necesario para protexer a pel de casta\u00f1o exterior e ins\u00edrese na paisaxe, na vida do pobo con total naturalidade.<\/p>\n

\"\"<\/a>
Interior da vivenda unifamiliar construida por Carlos Quint\u00e1ns na Serra do Courel
<\/span><\/figcaption><\/figure>\n

A pedra do z\u00f3colo, atemporal ao igual que o casta\u00f1o, evolucionar\u00e1 adoptando a beleza que as cousas ben feitas adoptan co paso do tempo; f\u00e1lanos dunha arquitectura intelixente, que parte dun co\u00f1ecemento decantado polo sitio, polo seu clima e polas s\u00faas arquitecturas; sen copialas no superficial sen\u00f3n comprendendo o esencial para poder evolucionar.<\/p>\n

Como adoitaba contar Jorge Oteiza, o que avanza intentando crear algo novo faino como un remeiro, avanzando cara a diante pero remando de costas ao futuro, mirando cara a atr\u00e1s, cara ao pasado, cara ao existente para poder reorganizar as s\u00faas claves.<\/p>\n

Grazas a Carlos Quintans polas molestias que se tomou.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. arquitecto<\/p>\n

san sebasti\u00e1n. febreiro 2011<\/p>\n

Publicado en MUGALARI 11.02.18<\/span><\/em><\/p>\n

[:en]

\"\"<\/a>
House built by Carlos Quint\u00e1ns in the Saw of the Courel<\/span><\/figcaption><\/figure><\/p>\n

The explosion of the architecture of the spectacle is directly tied to the urban phenomena and maybe for problems on a large scale, budget or function has eclipsed the architectural debate of the rural thing. In these areas the most awkward contemporary architecture tries to establish new links with the context across the update of the local tradition.<\/p>\n

During possibly too much time the rural environments and the works that have developed in these places have happened unnoticed in the architectural debate. The grandeur of the pharaonic projects of the metr\u00f3polis they have dragged the theoretical debate towards the urban fact. His growth, his sustainability, them gentle cities or the social thing are the specific problems of the city that have monopolized the architectural speech. Somehow this situation has removed the debate of the ordinariness that supposes in the practice projecting a housing or a small project in a rural core.<\/p>\n

In these contexts the architecture always has had to fight to propose new solutions with an environment based on the continuity of a tradition, of a few manners of doing that they have given place to the different tipolog\u00edas of traditional architecture and that they impregnate with forceful form the imaginary one of the inhabitants of these rural environments.<\/p>\n

Nobody can criticize the architecture vernacular, an architecture which structure hospitalizes has been constructed for centuries across an evolutionary process, in which the solutions have been perfected to adapt more and better to the determining ones of a certain environment, up to coming to a condition in which the traditional architecture and his landscape get confused and become indivisible.<\/p>\n

No doubt the current problem of the works that construct themselves in the rural way drift of a bad interpretation of this identification between a certain architecture and his place. This dynamics has placed ahead of the keys, of the successes, of the essence of the traditional architecture his own image, without understanding that the image is a result and not a method of adequacy of the architecture to the place.<\/p>\n

For the contemporary architecture that acts in these contexts so loaded with memory, the existing thing is the reality in the one that has to operate and develop the project. The project needs to respect the manners, the conclusions reached by the tradition, to be able to update them to a language and to a constructive current practice; this it supposes supporting alive and in I develop the local architecture and to contribute one more step to the evolutionary process that generated this architecture that today we call traditionally.<\/p>\n

Definitively it is a question of readjusting vernacular, it is a question of reading the conditions of environment and joining him respecting the balances of the context. It is a question of proposing something new him inside the continued process that has generated this environment, departing not from a leaf in white but from the accumulated experience.<\/p>\n

\"\"<\/a>
Leoz’s town hall in Iratxeta of the architects Guillermo Garbisu and Magdalena Lopez<\/span><\/figcaption><\/figure>\n

Projects like Leoz’s Town hall in Iratxeta of the architects Guillermo Garbisu and Magdalena Lopez are a good example of this aptitude to reread the context that the contemporary architecture is incorporating. It is a question of a small building that in spite of his clear volumetry and the modernity of his hollows it incorporates without any complex the traditional cover of flagstones of stone, inserting the new building in the context and of this form continuing the landscape. The new building joins to the existing church forming together with the former building a new set that in spite of the difference of age between both constructions is not dissonant, rather everything opposite, one might affirm that both volumes speak a common language. A small square of access formalized by half by the ancient thing and the new thing uses as access to the town hall in which the walls of stone and the cover speak about the past whereas his lintels and carpentries speak about the present time. The project tries to endow this way the village of a few new facilities without interrupting his naturalness. A local naturalness that is updated by the current language on having re-defined the former procedure or laws that have generated it, creating with modesty a great architecture.<\/p>\n

\"\"<\/a>
Leoz’s town hall in Iratxeta of the architects Guillermo Garbisu and Magdalena Lopez<\/span><\/figcaption><\/figure>\n

Buildings like the one-family housing constructed by Carlos Quint\u00e1ns in the Saw of the Courel are a good testimony of this capacity actualizadora of vernacular. Rehabilitating a small rural construction in Paderne’s village, he takes advantage of it as socle to the new construction and a piece current articulates that enclosed in spite of his formal cleanliness and the air to new that detaches seems to take in the place the whole life.<\/p>\n

\"\"<\/a>
House built by Carlos Quint\u00e1ns in the Saw of the Courel<\/span><\/figcaption><\/figure>\n

With a succinct program solved in approximately seventy square meters there is formalized a housing which principal stay places in the first floor, separating of the soil and opening his interior with a great large window for the landscape; in contrast with the ground floor that, taking advantage of the walls of stone typical of the local buildings, shelters the bedrooms in a more hermetic piece.<\/p>\n

On the ancient walls of the original barn, a structure of laminated wood gives body to the top volume with a sober cover to two waters without any type of eaves, exempting the minimal necessary auction to protect the skin of exterior chestnut-tree and it is inserted in the landscape, in the life of the people by total naturalness.<\/p>\n

\"\"<\/a>
Interior ot the house built by Carlos Quint\u00e1ns in the Saw of the Courel
<\/span><\/figcaption><\/figure>\n

The stone of the socle, atemporal as the chestnut-tree, will evolve adopting the beauty that the made well things adopt with the passage of time; he speaks to us about an intelligent architecture, which departs from a knowledge praised by the site, by his climate and by his architectures; without copying them in the superficial thing but understanding the essential thing to be able to evolve.<\/p>\n

Since was in the habit of counting Jorge Oteiza, which advances trying to create something new it does it as a rower, advancing towards ahead but recontrol of backs to the future, looking backward, towards the past, towards the existing thing to be able to reorganize his keys.<\/p>\n

Thanks to Carlos Quintans for the inconveniences that one has taken.<\/p>\n

\u00ed\u00f1igo garc\u00eda odiaga. architect<\/p>\n

san sebasti\u00e1n. february 2011<\/p>\n

It\u00b4s published in MUGALARI 11.02.18<\/span><\/em><\/p>\n

[:]<\/p>\n","protected":false},"excerpt":{"rendered":"

[:es] La explosi\u00f3n de la arquitectura del espect\u00e1culo est\u00e1 directamente ligada a los fen\u00f3menos urbanos y tal vez por problemas de escala, presupuesto o funci\u00f3n ha eclipsado el debate arquitect\u00f3nico de lo rural. En estos \u00e1mbitos la arquitectura contempor\u00e1nea m\u00e1s comprometida trata de establecer nuevos v\u00ednculos con el contexto a trav\u00e9s de la actualizaci\u00f3n de […]<\/p>\n","protected":false},"author":31,"featured_media":41366,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5934,5951],"tags":[2631,2730,5865,150,7101,3852,1581,521,4285,969,804,4145,847,856,977,6158,3311,1286],"class_list":["post-10951","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","tag-arquitectura-espanola","tag-arquitectura-espectaculo","tag-arquitectura-gallega","tag-arquitectura-tradicional","tag-arquitectura-vasca","tag-borja-lopez-cotelo","tag-espana","tag-inigo-garcia-odiaga","tag-jorge-oteiza","tag-lugar","tag-maria-olmo-bejar","tag-medio-rural","tag-metodo-tradicional","tag-paisaje","tag-premio-mies-van-de-rohe","tag-tecnica-tradicional","tag-territorio"],"yoast_head":"\nLa arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga<\/title>\n<meta name=\"description\" content=\"arquitectura del lugar\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta property=\"og:description\" content=\"arquitectura del lugar\" \/>\n<meta property=\"og:url\" content=\"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/\" \/>\n<meta property=\"og:site_name\" content=\"veredes, arquitectura y divulgaci\u00f3n\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/inigo.garciaodiaga\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-11T06:36:15+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-06T16:44:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/02\/CUE100909.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"400\" \/>\n\t<meta property=\"og:image:height\" content=\"267\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@https:\/\/twitter.com\/IOdiaga\" \/>\n<meta name=\"twitter:site\" content=\"@veredes\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00cd\u00f1igo Garc\u00eda Odiaga\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"17 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/\"},\"author\":{\"name\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/7edb23bf36ddbe2d9c8f4cf5fae64668\"},\"headline\":\"[:es]La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A arquitectura do lugar | \u00cd\u00f1igo Garc\u00eda Odiaga [:en]The architecture of the place | \u00cd\u00f1igo Garc\u00eda Odiaga[:]\",\"datePublished\":\"2014-07-11T06:36:15+00:00\",\"dateModified\":\"2020-03-06T16:44:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/\"},\"wordCount\":3434,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/02\\\/CUE100909.jpg\",\"keywords\":[\"arquitectura espa\u00f1ola\",\"arquitectura espect\u00e1culo\",\"arquitectura gallega\",\"arquitectura tradicional\",\"arquitectura vasca\",\"Borja L\u00f3pez Cotelo\",\"Carlos Quint\u00e1ns Eiras\",\"Espa\u00f1a\",\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"Jorge Oteiza\",\"lugar\",\"maria olmo b\u00e9jar\",\"medio rural\",\"m\u00e9todo tradicional\",\"paisaje\",\"premio Mies van der Rohe\",\"t\u00e9cnica tradicional\",\"territorio\"],\"articleSection\":[\"art\u00edculos\",\"slider principal\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/\",\"name\":\"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/02\\\/CUE100909.jpg\",\"datePublished\":\"2014-07-11T06:36:15+00:00\",\"dateModified\":\"2020-03-06T16:44:28+00:00\",\"description\":\"arquitectura del lugar\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#primaryimage\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/02\\\/CUE100909.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2011\\\/02\\\/CUE100909.jpg\",\"width\":\"400\",\"height\":\"267\",\"caption\":\"Vivienda unifamiliar construida por Carlos Quint\u00e1ns en la Sierra del Courel\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/la-arquitectura-del-lugar-inigo-garcia-odiaga\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"description\":\"veredes\",\"publisher\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\"},\"alternateName\":\"veredes\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/veredes.es\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#organization\",\"name\":\"veredes, arquitectura y divulgaci\u00f3n\",\"alternateName\":\"veredes\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/12\\\/veredes-logo-centrado_140x54.png\",\"width\":140,\"height\":54,\"caption\":\"veredes, arquitectura y divulgaci\u00f3n\"},\"image\":{\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/veredesArquitecturayDivulgacion\\\/\",\"https:\\\/\\\/x.com\\\/veredes\",\"https:\\\/\\\/instagram.com\\\/veredes\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/veredes-arquitectura-y-divulgacion\\\/\",\"https:\\\/\\\/es.pinterest.com\\\/veredes\\\/\",\"https:\\\/\\\/www.tumblr.com\\\/veredes\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/#\\\/schema\\\/person\\\/7edb23bf36ddbe2d9c8f4cf5fae64668\",\"name\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg\",\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg\",\"contentUrl\":\"https:\\\/\\\/veredes.es\\\/blog\\\/wp-content\\\/uploads\\\/2018\\\/04\\\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg\",\"caption\":\"\u00cd\u00f1igo Garc\u00eda Odiaga\"},\"description\":\"Doctor Arquitecto y profesor asociado de Proyectos Arquitect\u00f3nicos, ETSASS. Editor de NOMU. 1\\\/5 del estudio de arquitectura VAUMM. Vivo en Donosti.\",\"sameAs\":[\"http:\\\/\\\/vaumm.com\\\/\",\"https:\\\/\\\/www.facebook.com\\\/inigo.garciaodiaga\",\"https:\\\/\\\/www.instagram.com\\\/okamika\\\/\",\"https:\\\/\\\/x.com\\\/https:\\\/\\\/twitter.com\\\/IOdiaga\"],\"url\":\"https:\\\/\\\/veredes.es\\\/blog\\\/author\\\/inigog\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga","description":"arquitectura del lugar","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/","og_locale":"es_ES","og_type":"article","og_title":"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga","og_description":"arquitectura del lugar","og_url":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/","og_site_name":"veredes, arquitectura y divulgaci\u00f3n","article_publisher":"https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","article_author":"https:\/\/www.facebook.com\/inigo.garciaodiaga","article_published_time":"2014-07-11T06:36:15+00:00","article_modified_time":"2020-03-06T16:44:28+00:00","og_image":[{"width":400,"height":267,"url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/02\/CUE100909.jpg","type":"image\/jpeg"}],"author":"\u00cd\u00f1igo Garc\u00eda Odiaga","twitter_card":"summary_large_image","twitter_creator":"@https:\/\/twitter.com\/IOdiaga","twitter_site":"@veredes","twitter_misc":{"Escrito por":"\u00cd\u00f1igo Garc\u00eda Odiaga","Tiempo de lectura":"17 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#article","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/"},"author":{"name":"\u00cd\u00f1igo Garc\u00eda Odiaga","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/7edb23bf36ddbe2d9c8f4cf5fae64668"},"headline":"[:es]La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga[:gl]A arquitectura do lugar | \u00cd\u00f1igo Garc\u00eda Odiaga [:en]The architecture of the place | \u00cd\u00f1igo Garc\u00eda Odiaga[:]","datePublished":"2014-07-11T06:36:15+00:00","dateModified":"2020-03-06T16:44:28+00:00","mainEntityOfPage":{"@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/"},"wordCount":3434,"commentCount":1,"publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"image":{"@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/02\/CUE100909.jpg","keywords":["arquitectura espa\u00f1ola","arquitectura espect\u00e1culo","arquitectura gallega","arquitectura tradicional","arquitectura vasca","Borja L\u00f3pez Cotelo","Carlos Quint\u00e1ns Eiras","Espa\u00f1a","\u00cd\u00f1igo Garc\u00eda Odiaga","Jorge Oteiza","lugar","maria olmo b\u00e9jar","medio rural","m\u00e9todo tradicional","paisaje","premio Mies van der Rohe","t\u00e9cnica tradicional","territorio"],"articleSection":["art\u00edculos","slider principal"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/","url":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/","name":"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga","isPartOf":{"@id":"https:\/\/veredes.es\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#primaryimage"},"image":{"@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#primaryimage"},"thumbnailUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/02\/CUE100909.jpg","datePublished":"2014-07-11T06:36:15+00:00","dateModified":"2020-03-06T16:44:28+00:00","description":"arquitectura del lugar","breadcrumb":{"@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#primaryimage","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/02\/CUE100909.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2011\/02\/CUE100909.jpg","width":"400","height":"267","caption":"Vivienda unifamiliar construida por Carlos Quint\u00e1ns en la Sierra del Courel"},{"@type":"BreadcrumbList","@id":"https:\/\/veredes.es\/blog\/la-arquitectura-del-lugar-inigo-garcia-odiaga\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/veredes.es\/blog\/"},{"@type":"ListItem","position":2,"name":"La arquitectura del lugar | \u00cd\u00f1igo Garc\u00eda Odiaga"}]},{"@type":"WebSite","@id":"https:\/\/veredes.es\/blog\/#website","url":"https:\/\/veredes.es\/blog\/","name":"veredes, arquitectura y divulgaci\u00f3n","description":"veredes","publisher":{"@id":"https:\/\/veredes.es\/blog\/#organization"},"alternateName":"veredes","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/veredes.es\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/veredes.es\/blog\/#organization","name":"veredes, arquitectura y divulgaci\u00f3n","alternateName":"veredes","url":"https:\/\/veredes.es\/blog\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2021\/12\/veredes-logo-centrado_140x54.png","width":140,"height":54,"caption":"veredes, arquitectura y divulgaci\u00f3n"},"image":{"@id":"https:\/\/veredes.es\/blog\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/veredesArquitecturayDivulgacion\/","https:\/\/x.com\/veredes","https:\/\/instagram.com\/veredes\/","https:\/\/www.linkedin.com\/company\/veredes-arquitectura-y-divulgacion\/","https:\/\/es.pinterest.com\/veredes\/","https:\/\/www.tumblr.com\/veredes"]},{"@type":"Person","@id":"https:\/\/veredes.es\/blog\/#\/schema\/person\/7edb23bf36ddbe2d9c8f4cf5fae64668","name":"\u00cd\u00f1igo Garc\u00eda Odiaga","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg","url":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg","contentUrl":"https:\/\/veredes.es\/blog\/wp-content\/uploads\/2018\/04\/\u00cd\u00f1igo-Garc\u00eda-Odiaga-96x96.jpg","caption":"\u00cd\u00f1igo Garc\u00eda Odiaga"},"description":"Doctor Arquitecto y profesor asociado de Proyectos Arquitect\u00f3nicos, ETSASS. Editor de NOMU. 1\/5 del estudio de arquitectura VAUMM. Vivo en Donosti.","sameAs":["http:\/\/vaumm.com\/","https:\/\/www.facebook.com\/inigo.garciaodiaga","https:\/\/www.instagram.com\/okamika\/","https:\/\/x.com\/https:\/\/twitter.com\/IOdiaga"],"url":"https:\/\/veredes.es\/blog\/author\/inigog\/"}]}},"_links":{"self":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/10951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/comments?post=10951"}],"version-history":[{"count":0,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/posts\/10951\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media\/41366"}],"wp:attachment":[{"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/media?parent=10951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/categories?post=10951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veredes.es\/blog\/wp-json\/wp\/v2\/tags?post=10951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}