Tag: Marcel Duchamp

Domestic domain. Border and boundary as "enclosure" | Luis Gil
03-02-2020 No Comments

Domestic domain. Border and boundary as “enclosure” | Luis Gil

The rediscovery of the edge and the enclosure as an object of study and as a generator of new ways of understanding where current affairs happen, not as in the cultural and presentation issue of the subject being limited by the metaphor of the transition of the end and in particular of the crisis neoliberal of the end of the […]

Architectures on the border and border | Luis Gil
27-01-2020 No Comments

Architectures on the border and border | Luis Gil

If the edge, as a boundary or border, can only be approached by force (energy in a pure state without cultivating) or the strategy attached to its concretion, the technique (the invention that allows acting to deceive adversity), history architectures gestated at the border it has also materialized in a double formalization. In this way, the border and border space […]

The border city | Luis Gil
20-01-2020 No Comments

The border city | Luis Gil

The liminal cities, they are of entry and exit, susceptible to be besieged and therefore forced to protection in adverse moments. They are spaces or surrounding territories fighting at the same time against the outside that with the own necessity to grow like other communities in more stable situations. The closed or walled city, both the maritime, the one built […]

The border of contact, encounter and exchange space | Luis Gil
13-01-2020 No Comments

The border of contact, encounter and exchange space | Luis Gil

The intrinsic nature of the border is that of being an area of danger, an insecure space in which the development of the essential tasks of life requires a state of continuous alertness. It is the space for the exchange of energy, where it is released or integrated into new areas, which implies a constant rebalancing of the forces acting […]

The plan as a tool for border overflow | Luis Gil
30-12-2019 No Comments

The plan as a tool for border overflow | Luis Gil

The border as a tense space that opposes its transit, requires effort, determination, formal or fundamental change to be transgressed and overcome or inhabited temporarily or continuously. Thus, the passage through the border or the limit, the jump from one medium to another implies the discovery of a technique that makes possible the survival in the other margin, the change, […]

The border, artificial and invented mechanism | Luis Gil
23-12-2019 No Comments

The border, artificial and invented mechanism | Luis Gil

In this way when the natural barrier (the geographical accident) artificially used to protect the interior ecosystem, is insufficient, inadequate or non-existent for the desired economic or social use, then man develops not only artificiality over the natural but also takes a step more and build an ex-novo border. It is an invention that saves the natural deficiency, and around […]

Limits, nature and artifice | Luis Gil
16-12-2019 No Comments

Limits, nature and artifice | Luis Gil

When talking about limit or border, the words of bankruptcy or separation are instantly added to the conversation. A first approach to the definition of boundary or border spaces, would limit them as those areas of emptiness or obstacle that are shaped or structured as a nature that is little or not practicable, in which the movement slows down or […]

Mastery as a fundamental and physical problem of boundary and border phenomena | Luis Gil
09-12-2019 No Comments

Mastery as a fundamental and physical problem of boundary and border phenomena | Luis Gil

The movement and walking is innate to the activity of man, for various reasons, from the great migrations and movements in the search for Paleolithic hunting to the present day. A movement that was originally forced by the need to survive against the adverse nature, much earlier than the subsequent sedentary and articulation of man with the territory through the […]

Allegory of the border and the limit | Luis Gil
02-12-2019 No Comments

Allegory of the border and the limit | Luis Gil

The neoliberal actuality that we have had to live makes it difficult, like no other, to refer behaviors, events and attitudes to a stable horizon, a concrete framework that serves as an articulator, as an element of dialogue and background to the analysis of a hardly acotable contemporaneity, nothing defined and a rapid emptying of contents, whose ultimate goal seems […]

The architecture in front of the death of the art | José Ramón Hernández Correa
28-09-2018 One Comment

The architecture in front of the death of the art | José Ramón Hernández Correa

The artistic forefronts always have looked at the architecture of an ambiguous way. On one hand, the artists (painters, sculptors, photographers, poets, musicians …) they have had always the label hung of chisgarabises, and have sought with zeal to put in his troupe some architect, who seemed to give him venerability to the group or movement that was. (An architect […]

The eye of the cyclops | Jorge Meijide
30-03-2018 No Comments

The eye of the cyclops | Jorge Meijide

Out of sight, out of mind… I do not recognize myself, am foreign to me itself. I do not recognize myself because my around it is foreign to me. People do things around me. Many people, many things, other things, duplicated things, multiplied things. The life of other one is foreign. How if not, I am not other one! The […]

The tables and the architecture | Luis Gil Pita
27-03-2017 No Comments

The tables and the architecture | Luis Gil Pita

Is table an architecture? Not, but yes in others some senses. It is not an architecture, because it is not a question of any enclosure or closed domain and to cutlery, it is clear. But maybe yes it is an architecture if we think it as constructed object subject to a few laws of the statics and also of the practice […]

From the architecture to the museum. Fingerprints | María González-Juanjo López de la Cruz
11-12-2015 No Comments

From the architecture to the museum. Fingerprints | María González-Juanjo López de la Cruz

In the photographies that Candida Höfer carried out of the National Museum of Art, Architecture and Design of Norway, in Oslo, they do not appear you present. It is known that in the work of the German artist this one is not an unusual situation, his belonging to Düsseldorf’s School aligns her with the photography taxonómica of his teachers Bernd […]

From the architecture to the museum. Chests | María González-Juanjo López de la Cruz
13-11-2015 No Comments

From the architecture to the museum. Chests | María González-Juanjo López de la Cruz

The whole life of photographies enclosed in a shed of wood, a chest he was saying. As if they were stolen works, in that place they were hiding good part of the best images of the architecture of the 20th century. Julius Shulman portrayed during the second half of last century the better of the modern architecture of the coast […]

The small gap looks far | Sergio de Miguel
11-09-2015 26 Comments

The small gap looks far | Sergio de Miguel

The attentive look requires a direction and a sense, but also a size. A cut. In the importance to look is the know concentrate the sense of the sight and the understanding. In recognising the limits of what is worth it to observe with spirit to be learnt. As if of a telescope or a microscope treated  look through a […]

The intimacy | Jorge Meijide
27-12-2013 One Comment

The intimacy | Jorge Meijide

The intimacy For already a certain time I am turning him at about the intimacy. This slippery concept that it has to see with our sphere, since it would define Sloterdijk[1], more internal and that we preserve of the eager curiosity of the world that surrounds us. The intimacy is confused often with the privacy. Both are different concepts. We […]

Dreams and powder. Stories of time on art and architecture
30-09-2013 No Comments

Dreams and powder. Stories of time on art and architecture

In search of the present time. Archaeological investigations concerning the architecture. At some time confessed Borges who was writing stories because it did not know another literary so direct way to narrate histories. Perhaps for it, Ángel Martínez García -Posada- teacher and investigator in the School of Architecture of Seville – uses of the story to recall thoughts and actions […]