5.0 01 “Nadie come naranjas bajo la luna llena”. Federico García Lorca When we have to proceed, in any area, we do so through distinctions, through disjunctive elections. Then we try to discern broad categories. Often involuntary. But what we always distinguish, by pure instinct, is everything that relates and unites in front of what separates and separates. What is […]
5.0 01 We could think that when we use the term conversation we approach to describe what we understand for dialog, and for extension for monologue, but actually they are distant expressions. To have a conversation remains removed of giving or imposing logics or dual or individual challenges. Emparenta of more precise form in spite of gathering in crowds meaningfully […]
5.0 01 “In hands of the architect, the la’piz constitutes a bridge between the mind that he imagines and the image that appears in the leaf of paper; in the ecstasy of the work, the draftsman forgets both his hand and the pencil and the image emerges as if it was an automatic projection of the mind that he imagines; […]
5.0 02 There are universes, ours is one, where there are joined a countless number of diverse presences. They join, are connected, congregate, gather in crowds, and sometimes they are accumulated. Often they agglomerate and assemble, are gathered and pile up, even they are packed in not measurable quantities. Then we tend to produce, inevitably, meaningful connections, links, binds and […]
5.0 01 As the ocean is formed especially by water, the architecture is done principally by air. Even so that determines what happens in the ocean, and in the architecture, is not another thing that what is not a water, or air. Continent and content are never unlike, remote, and coincidental. When we refer to the matter with which the […]
5.0 01 The most valuable quality of any action propositiva is to have a measured approach and an elegant intention with which to affect emotionally. To manage to wake up associations that stimulate the thought. To be capable of understanding the solution of a guessed right and suitable way. To distinguish profitable resources and to find the keys that explain […]
5.0 01 Let’s fix us in the bicycle. This beautiful ma’quina. His result has managed to be so polished and exact that scarcely it has had to change in de’cadas. His slow development has not allowed another thing that the ambitious sofisticacio’n of his components. One could not have modified the quality and quantity of his pieces, or systems of […]
5.0 02 In many processes of investigation that we carry out to find the real possibilities of action it depends on our capacity identifying and distinguishing. Of exercising this iteration, this to return to the knowledge from the attention and the intention in search of new fields of interpretation. Opening one to examine intensely, one to ascend on having been […]
5.0 01 Since seekers of effective surprises our creative capacity can remain reduced by the existence of too many caps of information. Impeded by a dense coverage of unconscious hypotheses, inherited concepts and not expressed ideas. Only we manage to liberate ourselves in an effective way when, from the practice of a lateral thought, we are capable of preventing the […]
0.0 00 Our nature has provided an innate skill to us. The aptitude to use a type of deep, perceptive and inexplicable knowledge, for which we manage to understand and imagine realities without having to come to elaborated reasonings. A luck of instantaneous creativity that, showing him independently from the acquired knowledge, shows secretly sometimes as a happy hunch and […]
5.0 01 1. The world in the one that developed the history of the Bauhaus was very different from the current one, though his influence in the art, the design and the architecture is recognized still in a very clear way. El mundo en el que se desarrolló la historia de la Bauhaus era muy distinto al actual, aunque su […]
5.0 01 Title: GattacaProtagonists: Ethan Hawke, Uma ThurmanPhotography: Slawomir IdziakMusic: Michael NymanProduction: Danny de Vito, Michael Shamberg, Stacey SherDirection: Andrew Niccol The future. The Earth no this destroyed by the hecatombe nuclear, neither neither is infested of exaggerated machines, suffers the consequences of a denaturalised evolution of the genetics. The fight of classes no longer is economic, not even racial, […]
0.0 00 Utzon Left his footprint. But, as they did Gabriel García Márquez with One hundred years of solitude or Rachmaninoff with his second symphony, bequeathed us generously a grandísima master work. Certainly imborrable. A piece in the puzzle of our culture whose length dilutes in the time. Few works have been so iconic, so representative of his geography. So […]
0.0 00 “In the ballet the dancers danzan commonly on the tips of his feet. At first sight this behaviour seems so much artificial like without sense. To understand a so important appearance of the ballet one has to investigate the nature and the meaning of the vertical in the human life.” The vertical: fundamental principle of the classical dance […]
5.0 01 The dream of the “tower of glass”, whose origin finds linked to the figure and Mies Van der Rohe´s work since in 1919 drew the visionario skyscraper of the Friedrichstrasse, went to have in his resolution a problem so prosaico like unexpected. In 1950, when Gordon Bunshaft (SOM) and the Lever House of Charles Luckman heaved in the […]
5.0 01 In 1962, the unforgettable Sota left us a jewel in Madrid. A gymnasium, for a school. A building transition. A section. An attitude. An exercise of architectural goodness. It was necessary to save a desnivel incorporating an extension to the school Maravillas. Resolve the stair. Giving a soil to the playground of games by up and a façade […]
0.0 00 It falls in my hands an elaborated drawing of Juhani Pallasmaa. On the plant of the villa Mairea (1939), of Alvar Aalto, superimpose some lines of order. Ones trace. It appears a X-ray. The one who has been described like “the most beautiful plant of the world”1 shows undressed of his secret. The geometric score of his harmonic […]
5.0 01 In an occasion, listened fascinado the answer of Oiza when it asked him on which was his ideal house. It opened a lot his eyes and began to move the hands, the words and the emotions. With his mastery of always. I am unable to transcribe his beautiful words. But I will try to move what remained me. […]
0.0 00 In the recent architecture we find a resource appellant of figurative transgression. His aim is not other one that to put in value, to emphasize, the buildings that for his character and purpose have to stand out in his environment. It is known that the principal virtue of the architecture is to control the fragmentation. Definitively, the quantities. There […]
5.0 01 Oíza Finished the career of architecture in the year 1946 and thanks to his excellent academic file cost of a scholarship to do a trip of intense learning by the United States between October of 1947 and November of 1948. It was a period of absolute renewal in the world. After the agotadora second world-wide war, the main […]
0.0 00 We imagine the remote moment in which our ancestors invented the mechanism of the stairs. The physical resource to be able to go up or go down walking a slope with ease. The happy occurrence to have successive horizontal planes displaced in vertical and diagonal with which go surpassing a change of level. Almost any change of level. […]
0.0 00 Thinking, to propose, to decide the architecture depends on many variables. And very tiny, the strategy chosen to carry out a project is in yes a project. An intention. It turns out to be so immediate as common to recognize the world of the previous information as a compendium of elements that added give like proved the terms […]
5.0 01 The architect Louis I. Kahn (1901-1974) is born in Estonia but is carried in his first years of life to the United States where after a brilliant period of artistic restlessness studies architecture in the University of Pennsylvania, learning the precepts of the “Beux-Arts” of his teacher Paul Cret. It had no if the bad or the good […]
0.0 00 Since it wants that we look seeing what others saw great before that we and that we travel treading on the trodden ones of others… Since we direct our interest to those places, towards those instants, which there does much that they stopped interesting to other many persons… Since we search strongly and intensity not only in the […]
0.0 00 The architecture has discurrido from his origins with the paradoja of the duality between the closing and the structure portante. Of a similar way to which find in the classical physics with the light and the disquisition wave-particle. During centuries both elements have been the same thing, that is to say, together have conformed the walls of the […]
0.0 00 There is a dilemma appellant who is of what doing with a point in a plane. What supposes positioning an abundance inside an emptiness. Since it is logical, this one is to question that not only belongs to the area of the architecture. Though particularly in the architecture it is given to very often. Since it is logical, […]
0.0 00 In an occasion accepted the invitation to give a monographic talk in the far Budapest on the “stone in the current Spanish architecture”. It was, at least for me, an odd committed, but took it like an exercise of analysis. I chose some exemplary buildings, realised all having like protagonist the use of the stone, and began to […]
0.0 00 The research of the myth of the continuous movement, represented with insistence through the secular design of the machine of the “perpetual mobile”, the machine that could realise work of uninterruptible form (perpetuum mobile) without need of energetic contribution of the outside, results so happy like conmovedora. Numerous artifacts have been proposed along the history. All they really […]
0.0 00 The attentive look requires a direction and a sense, but also a size. A cut. In the importance to look is the know concentrate the sense of the sight and the understanding. In recognising the limits of what is worth it to observe with spirit to be learnt. As if of a telescope or a microscope treated look […]
5.0 01 It said that Kandinsky enjoyed of the gift of the synaesthesia. This quality by which the senses go in in communication. By which, for example, comes us to the mind an image when we listen a determinate music, or by which remember an aroma when we are in a determinate place. He applied it to the painting. That […]