Marcelo Gardinetti

The purist space | Marcelo Gardinetti
30-09-2019 No Comments

The purist space | Marcelo Gardinetti

The atelier of the painter Amédée Ozenfant´s house is builted in 1922 embodies a synthesis of the purist space proclaimed by Le Corbusier during those years. This house is the first one in Paris and in it he puts into practice his ideas regarding the architecture of the new times. Ozenfant and Le Corbusier shared a plastic idea narrated between 1918 […]

The distinctive modernity of Norman Foster | Marcelo Gardinetti
22-07-2019 No Comments

The distinctive modernity of Norman Foster | Marcelo Gardinetti

Far from the process of ambiguous and controversial representation promoted by the postmodern convulsion that dominated the architectural scene of the early 80s, the work of Norman Foster, aligned with the thought of Richard Rogers and Renzo Piano, was promulgated in favor of a technological update of the modernity. His work ponders the mechanical analogies of the modern movement and […]

The attributes of La Tourette | Marcelo Gardinetti
17-06-2019 No Comments

The attributes of La Tourette | Marcelo Gardinetti

Two design circumstances were decisive to establish the character that typifies the architecture of the Convent of La Tourette. The first is embodied by defining the horizontal plane governing the highest point of the terrain, so that, from that horizontal, the building descends copying the irregular topography of the slope. The second is to mutate the concept of traditional cloister […]

A universe, a house | Marcelo Gardinetti
29-04-2019 No Comments

A universe, a house | Marcelo Gardinetti

How should a house on the mountainside be for a family with a person confined to a wheelchair? The client himself had the answer: “Contrary to what you would expect, I do not want a simple house. I want a complex house because the house will define my world”.1 The land where the house is located is located in the […]

The transgressions of the Aubette | Marcelo Gardinetti
25-01-2019 No Comments

The transgressions of the Aubette | Marcelo Gardinetti

In 1928, Theo van Doesburg formulated the most transgressive and consistent review on neoplasticism. The design for the interior rooms of Café Aubette exposes the patterns of elementarism, a representation that progresses the neoplastic idea to a spirited dynamic against the orthodoxy of horizontal and vertical dualism. This decision of Van Doesburg produced a confrontation between the most prolific members […]

The dissonance and the paradox | Marcelo Gardinetti
10-12-2018 No Comments

The dissonance and the paradox | Marcelo Gardinetti

“Since the mid-seventies, Stirling has shown his struggle against the boredom produced by the repetition of modern architecture, against its triviality and its inability to situate itself in historical contours. For this he tried to display a work that was narrative and figurative and, at the same time, abstract and technologically advanced”.1 The architectural work of Stirling goes through the […]

Bauhaus, minimalist agreement | Marcelo Gardinetti
29-10-2018 No Comments

Bauhaus, minimalist agreement | Marcelo Gardinetti

The reconstruction of demolished architectural heritage induces, fortunately, interpretations that exceed the representation of the work itself. These definitions erect parallel or antagonistic positions that cause different controversies, which generally increase the idea of patrimonial value. The reconstruction of the houses designed by Walter Gropius for the masters of the Bauhaus affected by war actions during the second war offered […]

Affinity in contrast | Marcelo Gardinetti
13-08-2018 No Comments

Affinity in contrast | Marcelo Gardinetti

“It seems to me that the problem in which we find ourselves today is to rethink our relationship with historical buildings. It is necessary to move from an attitude that is evasive and increasingly distant, typical of protection-conservation, to an attitude of projective intervention. It seems to me that what must be done is to reconsider whether there is not […]

Analogies of total art | Marcelo Gardinetti
03-08-2018 No Comments

Analogies of total art | Marcelo Gardinetti

“There is an old time consciousness, and there is a new one. The first attends to individualism. The new tends toward the universal”. Manifiesto De Stijl, 1918 The compositional similarities between the pictorial work Tableau I by Piet Mondrian in 1920 and the design of the street elevation of the De Unie café by J.J.P. Oud of 1924, respond to […]

The blue of the sky | Marcelo Gardinetti
20-04-2018 No Comments

The blue of the sky | Marcelo Gardinetti

“I believe that when the architecture appears the aim to be able to be trasmitida, of being able to interpret the situations of the reality and places inside the historical rational process, it is in conditions to have progressive character”. Aldo Rossi1 From the 60s, Aldo Rossi‘s texts express a way of seeing the architecture that contradicts the unidirectional criterion […]

Sequential | Marcelo Gardinetti
16-03-2018 No Comments

Sequential | Marcelo Gardinetti

A condition emphasized in Il Redentore’s design is that it reaches the unit of set by means of a skilful disposition of autonomous parts. This quality that demonstrates in the tracing of the plant, in the succession amalgamated of volumes and in the composition stratified of front, answers to the exact balance that Palladio reaches in his maturity proyectual. Every […]

Chernikhov's fantastic universe | Marcelo Gardinetti
09-02-2018 No Comments

Chernikhov’s fantastic universe | Marcelo Gardinetti

“The architectural fantasy stimulates the activity of the architect. It wakes the creative thought up, but not only for the artist. Also it educates and stimulates all those that enter in touch with him; it produces new directions, new missions, and opens new horizons.” Yakov Georgievich Chernikhov, 1927 Yakov Georgievich Chernikhov’s work Chernikhov is characterized by his permanent investigation on the architectural form. […]

Institutional drawings | Marcelo Gardinetti
12-01-2018 No Comments

Institutional drawings | Marcelo Gardinetti

In the postwar period, during the first revisionism of the modern movement, some schools of architecture coincided in approaching the abstract analysis of the architecture, affirming that the actors fundacionales assimilated in his development the pictorial operations expressed by the cubism. One of the propellents of this thought was Bernhard Hoesli who, after Corbusier left the study of Him, I […]

Lebbeus Woods's alternative world | Marcelo Gardinetti
13-11-2017 No Comments

Lebbeus Woods’s alternative world | Marcelo Gardinetti

During his professional life, Lebbeus Woods sketched thoughts. The images that it produced incorporate observations of an improbable future. It moves on suggestive ideas that are not submitted to the rules of the company. On the contrary, it questions them. His representations, inhabitants of an inhospitable territory, personify his singular ontology. Floating structures and mobile constructions that compose a statement […]

The diagram as reflection tactic | Marcelo Gardinetti
09-10-2017 No Comments

The diagram as reflection tactic | Marcelo Gardinetti

I understand diagrams in architecture and graphic elements that describe some undetermined way. They do not represent an object per se, but a strategy that allows order flow relationships in the design process. Therefore, we can say that the thought diagrammatically architecture builds relationships paths abstraction of a representation which is extracted figurative. Greg Lynn said that “the architects produced drawings of buildings and […]

Vestiges of the future | Marcelo Gardinetti
19-06-2017 No Comments

Vestiges of the future | Marcelo Gardinetti

Critics and unsatisfied of the offers of the modern movement with the statu quo of the epoch, Archigram established during a decade images of an interesting reflexive flow on the cities and his architecture. Amateur was born the group in 1961 with the publication of a magazine produced of way for Peter Cook, David Greene and Mike Webb. The name […]

The distensiónes of the space in Zaha Hadid | Marcelo Gardinetti
03-02-2017 No Comments

The distensiónes of the space in Zaha Hadid | Marcelo Gardinetti

In terms of methodological investigation, the Zaha Hadid’s first works were the most fruitful. In them it explores and re-formulates searches of the forefronts of beginning of 20th century aborted by the political conditions of those years. The genetic root of these works waters in the language suprematista of Kazimir Malévich. The traffic for the work of the Russian artist […]

Moneo, from the idea of front | Marcelo Gardinetti
06-01-2017 No Comments

Moneo, from the idea of front | Marcelo Gardinetti

Incorporated into a determinant plot of the local identity, Rafael Moneo‘s intervention for the town hall of Murcia achieves his contextual agreement by means of the observance of the protagonism of the buildings that compose the historical heart of the city up to reaching a complementación without fractures. The Moneo´s operation around it is focused in heightening the existing architectures, […]

The analogous statement of Aldo Rossi | Marcelo Gardinetti
21-11-2016 No Comments

The analogous statement of Aldo Rossi | Marcelo Gardinetti

In the second half of the 20th century, the architectural search of postwar period strains for reaching an alternative offer of the modernity. You appear as Robert Venturi, Denise Scott Braun, Charles Moore and Robert Stern were promoting, in tuning in with the consumer capitalism, a return to the representation and the symbolism suppressed by the modern movement, not to […]

Zumthor, between the quiet and the seduction | Marcelo Gardinetti
07-10-2016 No Comments

Zumthor, between the quiet and the seduction | Marcelo Gardinetti

One of Peter Zumthor‘s principal motivations with regard to his own work consists of proposing the immediate understanding of the constructed object, to dive by means of a primary observation the emotional sensibility of his spectators. In search of this aim, Zumthor tries that the combinations of forms, materials, colors and textures, they amalgamate in the perceptive thought, giving place […]

Koolhaas's intellectual ardor | Marcelo Gardinetti
29-08-2016 No Comments

Koolhaas’s intellectual ardor | Marcelo Gardinetti

The distinctive feature of the thought of Rem Koolhaas comes from his conviction to proclaim the polyfunctionality of the architectural fact, a declaration that dogmatizes by means of the distribution of the elements of the program in independent caps but that they assure between yes strategies of reciprocity. This operation is the corollary of a deep analysis of the program […]

Jacobsen, the weighting of the essential thing | Marcelo Gardinetti
25-07-2016 No Comments

Jacobsen, the weighting of the essential thing | Marcelo Gardinetti

The prelude of the second world war limited the architectural productions of the European countries involved in the contest (fundamentally Germany, France and Italy) where, in reason of the most influential impellers of the activity being seated, the modern movement was developing with major obstinacy. In a competing way, there becomes massive the diffusion of works constructed to the north […]

Igalitarian status and illusory limit in SANAA | Marcelo Gardinetti
27-05-2016 No Comments

Igalitarian status and illusory limit in SANAA | Marcelo Gardinetti

A distinctive feature of the work of Kazuyo Sejima and Ryue Nishizawa is the valuation extreme of the horizontal space, understanding that he consents the natural movement of the man and facilitates his field of vision of a way that allows to join the architecture with the horizon. This disposition, which takes as a reference the concept of free plant […]

Idea and development of the living machine | Marcelo Gardinetti
25-04-2016 No Comments

Idea and development of the living machine | Marcelo Gardinetti

The houses represent Citrohän the first important essay of Le Corbusier about a serial housing that can be constructed from standardized components. Convinced that the advance of industrialization can be the vehicle to meet much of the needs of man tries, with a practical criterion and rational lead its architecture towards that direction. During the second decade of the twentieth […]

The creative inflexion | Marcelo Gardinetti
04-01-2016 No Comments

The creative inflexion | Marcelo Gardinetti

A characteristic of the work of Le Corbusier is the univocal identity that presents his work. Still in spite of the permanent way changes of his statement, always it is possible to recognize the outline that does of his designs the support of the only event. In this process, one of the most significant evolutions took place in incipient moments […]

Warlike repulsion | Marcelo Gardinetti
12-10-2015 No Comments

Warlike repulsion | Marcelo Gardinetti

Picasso’s Guernica represents a historical event that expresses the conclusive manifestation of the art against the violence represented by the devastating bombardment of the air German force on Basque territory during the Spanish civil war. The work makes explicit the misery of the war and the suffering of the civil inhabitants of the city of Guernika, innocent victims of the […]

Director´s Office of the Oud-Mathenesse Neighborhood | Marcelo Gardinetti
21-09-2015 No Comments

Director´s Office of the Oud-Mathenesse Neighborhood | Marcelo Gardinetti

When Johanes Jacobus Pieter Oud is nominated an architect of the city of Rotterdam in first 1918, one of his aims it was to plan an important quantity of urban interventions, promoting the construction of numerous neighborhoods with the aim to relieve the deficit of housings. The first intervention of the urban development plan that public does is the design […]

The conciliation of Liberates and Malaparte | Marcelo Gardinetti
12-06-2015 No Comments

The conciliation of Liberates and Malaparte | Marcelo Gardinetti

“What arranges here the house is the self-sufficiency that allows the sky and the land, the gods and the mortal ones to form the only unit with the things”.1 During the decade of 1930, in full process of consolidation of the modern movement, the transformation of the plastic quality of the object of a part of the architectural European production, […]

The space of the absence | Marcelo Gardinetti
20-03-2015 No Comments

The space of the absence | Marcelo Gardinetti

The critical position that some architects adopted in the last decades of the 20th century to attack the historicist character of the postmodern architecture, was sustained by a theoretical complex reasoning that was represented of multidisciplinary concepts arisen from the posestructuralismo, principally from Jacques Derrida’s texts. These architectural reflections investigate the definition of the physical space by means of a […]

Of clouds and black boxes | Marcelo Gardinetti
30-06-2014 No Comments

Of clouds and black boxes | Marcelo Gardinetti

Even considering the scanty commitment of the new ismos with regard to the ideology of normalization and production in series promoted by the teachers of the Modern Movement, the fact that more difference generates with that period is the indetermination of the form that there assume the buildings designed by the most popularized actors of the current production. The concept […]